80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 27 von 40 This Little Girl Dion · 1963 · Tonart Bb · ≈ 125 BPM · Harmonie 4/5 · Fortgeschritten I: | Bb | Gm | Eb | F | Bb | Gm | Eb | F | Bb | Eb | Bb | Eb | Bb | Eb F | Bb Eb | Bb F | · V: | Bb | Eb | Bb | Eb | Bb | Eb | Bb | Bb | Eb | Ab | Eb | Ebm | Bb | F7 | Bb | Eb | · V2: | Bb | Eb | Bb | Eb | Bb | Eb | Bb | Bb | Eb | Ab | Eb | Ebm | Bb | F7 | Bb | Eb | · B: | Eb | Eb6 | Bb | Bb | C7 | C7 | F Eb | Dm Cm | · V3: | Bb | Eb | Bb | Eb | Bb | Eb | Bb | Bb | Eb | Ab | Eb | Ebm | Bb | F7 | Bb | Eb | · O: | Bb | Eb | Bb | Eb | Bb | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #21 Anhören ↗ Sea Of Heartbreak Don Gibson · 1961 · Tonart G · ≈ 182 BPM · Harmonie 3/5 · Mittel I: | G | G | G | G | D7 | D7 | · V: | G | G | Em | Em | C | C | D7 | D7 | G | G | Em | Em | C | C | D7 | D7 | · C: | G | G | D7 | D7 | G7 | G7 | C | C | G | G | D7 | D7 | G | G | C | D7 | · V2: | G | G | Em | Em | C | C | D7 | D7 | G | G | Em | Em | C | C | D7 | D7 | · C2: | G | G | D7 | D7 | G7 | G7 | C | C | G | G | D7 | D7 | G | G | G7 | G7 | · B: | C | C | G | G7 | C | C | B7 | B7 | · V3: | G | G | Em | Em | C | C | D7 | D7 | G | G | Em | Em | C | C | D7 | D7 | · C3: | G | G | D7 | D7 | G7 | G7 | C | C | G | G | D7 | D7 | G | G | C | D7 | · O: | G | G | C | D7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #21 Anhören ↗ I Really Don't Want To Know Elvis Presley · 1970 · Tonart C · ≈ 80 BPM · Harmonie 4/5 · Fortgeschritten I: | C | G7 | C Fmaj7 | C | · V: | C | F | C | C | C | E7 | F | F | F | F#dim | C/G | Am Fm/Ab | G | G7 | C F | C | · V2: | C | F | C | C | C | E7 | F | F | F | F#dim | C/G | Am Fm/Ab | G | G7 | C | C | · B: | C7 | C7 | F | F | C7 | C7 | F | F | D7 | D7 | G | G | D7 | D7 | G7 | G7 | · V3: | C | F | C | C | C | E7 | F | F | F | F#dim | C/G | Am Fm/Ab | G | G7 | F | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #21 Anhören ↗ There Goes My Everything Elvis Presley · 1971 · Tonart Ab · ≈ 83 BPM · Harmonie 3/5 · Mittel I: | Eb Db/F Eb7/G | · I2: | Ab | Ab7 Bbm Ab7/C | Db | Db Cm Bbm | Ab | Eb7 | Ab | Ab | · V: | Ab | Db | Ab | Ab | Ab | Eb7 | Ab | Ab | Ab | Db | Ab | Ab | Ab | Eb7 | Ab | Ab | · C: | Ab | Eb7 | Ab | Ab7 | Db | Eb7 | Ab | Ab | Ab | Ab7 Bbm Ab7/C | Db | Db Cm Bbm | Ab | Eb7 | Ab | Ab | · V2: | Ab | Db | Ab | Ab | Ab | Eb7 | Ab | Ab | Ab | Db | Ab | Ab | Ab | Eb7 | Ab | Ab | · C2: | Ab | Eb7 | Ab | Ab7 | Db | Eb7 | Ab | Ab | Ab | Ab7 Bbm Ab7/C | Db | Db Cm Bbm | Ab | Eb7 | Ab | Ab | · O: | Ab | Ab7 Bbm Ab7/C | Db | Db Cm Bbm | Ab | Eb7 | Db | Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #21 Anhören ↗ Walk On The Wild Side (Part 1) Jimmy Smith · 1962 · Tonart F · ≈ 108 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | F(no3,no5) | F(no3,no5) | F(no3,no5) | F(no3,no5) | · V: | F7 | F7 | F7 | F7 | · V2: | F7 | F7 | F7 | F7 | · C: | C7 | F7 | C7 | F7 | · INT: | F7 F/A | Bbmaj9 Bb6 | F7 F/A | Bbmaj9 Bb6 | · C2: | C7 | F7 | C7 | F7 | · B: | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | · C3: | C7 | F7 | · INT2: | F7 F/A | Bbmaj9 Bb6 | F7 F/A | Bbmaj9 Bb6 | · C4: | C7 | F7 | C7 | F7 | · T: | N.C. | N.C. | · S: | F7 | F7 | Bb7 | F7 | C7 Bb7 | F7 | F7 | F7 | Bb7 | F7 | C7 Bb7 | F7 | F7 | F7 | Bb7 | F7 | C7 Bb7 | F7 | F7 | F7 | Bb7 | F7 | C7 Bb7 | F7 | F7 | F7 | Bb7 | F7 | C7 Bb7 | F7 | F7 | C7 | Bb7 | F7 | C7 Bb7 | F7 | F7 | F7 | Bb7 | F7 | C7 Bb7 | F7 | F7 | F7 | Bb7 | F7 | C7 Bb7 | F7 | · INT3: | F7 F/A | Bbmaj9 Bb6 | F7 F/A | Bbmaj9 Bb6 | · C5: | C7 | F7 | C7 | · V3: | F7 | F7 | F7 | F7 | F7 | F7 | F7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #21 Anhören ↗ Press Paul McCartney · 1986 · Tonart C · ≈ 113 BPM · Harmonie 4/5 · Fortgeschritten I: | C | C | C | C | N.C. | N.C. | · I2: | C | Em7 | Am | F | Dm | C | C | · V: | C | Em7 | Am | F | C | C | · T: | Em | F | Dm | G | · PC: | C | F | C | F | Dm | G | · C: | C | Em7 | Am | F | Dm | C | C | · B: | F | Eb | F | Eb | Eb | Em | Em | · B2: | G | Em | G | Em | Eb | Eb | Ab | Ab | · S: | G | G | Am | F | Dm | C | C | · V2: | C | Em7 | Am | F | C | C | · T2: | Em | F | Dm | G | · PC2: | C | F | C | F | Dm | G | · C2: | C | Em7 | Am | F | Dm | C | C | · INT: | F | Eb | F | Eb | Eb | Em | Em | · S2: | G | Em | G | Em | Eb | Eb | Ab | Ab | · O: | C | Em | Am | F | Dm | C | Em | Am | F | Dm | N.C. | · INT2: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · O2: | C | Em7 | Am | F | Dm | C | Em7 | Am | F | Dm | C | Em7 | Am | F | Dm | C | Em7 | Am | F | Dm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #21 Anhören ↗ Deeper Shade Of Soul Urban Dance Squad · 1991 · Tonart D · ≈ 113 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | N.C. | N.C. | · V: | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | · C: | D G | A G | D G | A G | D G | A G | D G | A G | · V2: | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | · C2: | D G | A G | D G | A G | D G | A G | D G | A G | · T: | D | F G | A | C A G F | D | F G | A | C A G F | · V3: | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | · C3: | D G | A G | D G | A G | D G | A G | D G | A G | D G | A G | D G | A G | D G | A G | D G | A G | · INST: | D/A G/A | A7 G/A | D/A G/A | A7 G/A | D/A G/A | A7 G/A | D/A G/A | A7 G/A | D/A G/A | A7 G/A | D/A G/A | A7 G/A | D/A G/A | A7 G/A | D/A G/A | A7 G/A | D/A G/A | A7 G/A | D/A G/A | · T2: | A7#9 | A7#9 | A7#9 | A7#9 | A7#9 | A7#9 | A7#9 | D/A G/A | · S: | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #21 Anhören ↗ Theme From The Dukes Of Hazzard (Good Ol' Boys) Waylon Jennings · 1980 · Tonart F · ≈ 147 BPM · Harmonie 2/5 · Leicht I: | C7 | C7 | F | F | · V: | F | F | Bb7 | Bb7 | F | C7 | F | F | F | F | Bb7 | Bb7 | F | C7 | F | F | · C: | C7 | C7 | C7 | C7 | C7 | C7 | F | F | · S: | F | F | Bb7 | Bb7 | F | C7 | F | F | F | F | Bb7 | Bb7 | F | C7 | F | F | · C2: | C7 | C7 | C7 | C7 | C7 | C7 | F | F | · V2: | F | F | Bb7 | Bb7 | F | C7 | F | F | · S2: | F | F | Bb7 | Bb7 | F | C7 | F | F | F | F | Bb7 | Bb7 | · O: | F | C7 | F | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #21 Anhören ↗ Blue Eyes Crying In The Rain Willie Nelson · 1975 · Tonart E · ≈ 119 BPM · Harmonie 3/5 · Mittel I: | E | E | · V: | E | E | E | E | B | B | E | E | E | E | E | E | B | B | E | E | · V2: | A | A | A | A | E | E | B | B | E | E | E | E | B | B | E | E | · S: | E | E | E | E | B | B | E | E | E | E | E | E | B | B | E Caug7 | E7/B Bb7b5 | · V3: | A | A | A | A | E | E | B | B | E | E | E | E | B | B | E A | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #21 Anhören ↗ Lonely Weekends Charlie Rich · 1960 · Tonart F · ≈ 182 BPM · Harmonie 3/5 · Mittel I: | F Bb | F Bb | F Bb | F | · C: | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F | · V: | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F | · B: | Bb | Bb Eb | Bb | Bb Eb | Bb | Bb Eb | Bb | Bb Eb | Bb | Bb Eb | Bb | Bb Eb | C7 | C7 | C7 | C7 | · C2: | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F | F | · S: | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | · S2: | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F | · B2: | Bb | Bb Eb | Bb | Bb Eb | Bb | Bb Eb | Bb | Bb Eb | Bb | Bb Eb | Bb | Bb Eb | C7 | C7 | C7 | C7 | · C3: | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | · O: | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb | F Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #22 Anhören ↗ All She Wants Is Duran Duran · 1989 · Tonart Dm · ≈ 120 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · R: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · I2: | Dm | Dm | Dm/A | Dm/A | Dm | Dm | Dm/A | Dm/A | · V: | Dm | Dm | Dm/A | Dm/A | Dm | Dm | Dm/A | Dm/A | Dm | Dm | Dm/A | Dm/A | Dm | Dm | Dm/A | Dm/A | · R2: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · S: | Dm | Dm | Dm/A | Dm/A | · V2: | Dm | Dm | Dm/A | Dm/A | Dm | Dm | Dm/A | Dm/A | Dm | Dm | Dm/A | Dm/A | Dm | Dm | Dm/A | Dm/A | · R3: | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | · INT: | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | Dm7 | Dm7 | Dm7 | Dm7 | · O: | Dm | Dm | Dm/A | Dm/A | Dm | Dm | Dm/A | Dm/A | Dm | Dm | Dm/A | Dm/A | Dm | Dm | Dm/A | Dm/A | Dm | Dm | Dm/A | Dm/A | Dm | Dm | Dm/A | Dm/A | Dm | Dm | Dm/A | Dm/A | · O: | Dm | Dm | Dm/A | Dm/A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #22 Anhören ↗ My Way Elvis Presley · 1978 · Tonart C · ≈ 68 BPM · Harmonie 4/5 · Fortgeschritten I: | C Fm/C | C | · V: | C | Em | Gm6 | A A7 | Dm | F/C | G7/B G7 | C | C | C7/Bb | F | Fm | C/G | G7 | F6 | C | · V2: | C | Em | Gm6 | A A7 | Dm | F/C | G/B G | C | C | C7/Bb | F | Fm | C/G | G7 | F6 | C | · C: | C | C7/Bb | F | F | Dm | G7 | Em | Am | Dm | G7 | F6 | C | · V3: | C | Em | Gm6 | A A7 | Dm | F/C | G/B G | C | C | C7/Bb | F | Fm | C/G | G7 | F6 | C | · C2: | C | C7/Bb | F | F | Dm | G7 | Em | Am | Dm7 | G7 | F6 | C | · CO: | Ab6 G7sus4 | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #22 Anhören ↗ We Two Little River Band · 1983 · Tonart A · ≈ 125 BPM · Harmonie 5/5 · Experte I: | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | · V: | A5 | Aaug | A5 | Aaug | A5 | Aaug | A5 | Aaug | D | Gm/D | D | Gm/D | D | Gm/D | D | Gm/D | A | Dm/A | A | Dm/A | Em | Dm7 | · T: | Aadd9 | Dm6/A | Aadd9 | Dm6/A | · V2: | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | D | Gm/D | D | Gm/D | D | Gm/D | D | Gm/D | A | Dm/A | A | Dm/A | Em | Dm7 | A | Dm/A | · B: | Dsus4 | D | Aadd9 | Aadd9 | Dsus4 | D | A | E | · INT: | A5 | Dm6/A | A5 | Dm6/A | A5 | Dm6/A | A5 | Fadd9 Gm Bm7 | · V3: | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | D | Gm/D | D | Gm/D | D | Gm/D | D | Gm/D | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Bm | Dm6 | Dm6 | · T2: | Aadd9 | Dm6/A | Aadd9 | Dm6/A | · C: | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Dm6/A | · O: | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | · O: | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Dm6/A | Aadd9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #22 Anhören ↗ Shape Of Things To Come Max Frost & The Troopers · 1968 · Tonart Fm · ≈ 158 BPM · Harmonie 4/5 · Fortgeschritten I: | Fm | Fm | Fm | Fm N.C. | F(no3,no5) | Ab(no3,no5) | Bb(no3,no5) | C(no3,no5) | · V: | Fm | Ab | Bb | Db | Fm | Ab | Bb | C | Fm | Cm | Fm | Bb | Fm Ab | Bb/D Db | Fm | Fm C | · V2: | Fm | Ab | Bb | Db | Fm | Ab | Bb | C | Fm | Cm | Fm | Bb | Fm Ab | Bb/D Db | Fm | Fm | · B: | Eb | Eb | Ab | Ab | Bb | Bb | C | C | · V3: | Fm | Ab | Bb | Db | Fm | Ab | Bb | C | Fm | Cm | Fm | Bb | Fm Ab | Bb/D Db | Fm Ab | Bb/D Db | Fm Ab | Bb/D Db | Fm Ab | Bb/D Db | Fm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #22 Anhören ↗ Woman To Woman Shirley Brown · 1975 · Tonart Eb · ≈ 62 BPM · Harmonie 3/5 · Mittel I: | Ebmaj7 | Cm | Ebmaj7 | Cm | Ebmaj7 | Cm | Ebmaj7 | Cm | Ebmaj7 | Cm | Ebmaj7 | Cm | Ebmaj7 | Cm | Ebmaj7 | Cm | Ebmaj7 | Cm | Ebmaj7 | Cm | Ebmaj7 | Cm | Bb9sus4 | Bb9sus4 | · V: | Ebmaj7 | Abmaj7 | Ebmaj7 | Cm Bbm Ab | Ebmaj7 | Abmaj7 | Ebmaj7 | Bb9sus4 | Bb9sus4 | · V2: | Ebmaj7 | Abmaj7 | Ebmaj7 | Abmaj7 | Ebmaj7 | Abmaj7 | Ebmaj7 | Bb9sus4 | Bb9sus4 | · V3: | Ebmaj7 | Abmaj7 | Ebmaj7 | Cm Bbm Ab | Ebmaj7 | Abmaj7 | Ebmaj7 | Bb9sus4 | Bb9sus4 | · V4: | Ebmaj7 | Abmaj7 | Ebmaj7 | Cm Bbm Ab | · O: | Ebmaj7 | Abmaj7 | Ebmaj7 | Cm Bbm Ab | Ebmaj7 | Abmaj7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #22 Anhören ↗ Smoking Gun The Robert Cray Band · 1987 · Tonart Em · ≈ 126 BPM · Harmonie 3/5 · Mittel I: | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Em7 | Em9 Em7 | · V: | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Am7 | Am7 | Am7 Em7 | Em7 | Am7 | Am7 | Am7 Bb(no3,no5) A(no3,no5) | · T: | Em7 | Em9 Em7 | Em7 | Em9 Em7 | · V2: | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Am7 | Am7 | Em7 | Em7 | Em7 Am7 | Am7 | Am7 Bb(no3,no5) A(no3,no5) | · T2: | Em7 | Em9 Em7 | Em7 | Em9 Em7 | · S: | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Am7 | Am7 | Em7 | Em7 | Am7 | Am7 | Bb(no3,no5) A(no3,no5) | · T3: | Em7 | Em9 Em7 | Em7 | Em9 Em7 | · S2: | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Am7 | Am7 | Em7 | Em7 | Am7 | Am7 | Bb(no3,no5) A(no3,no5) | · T4: | Em7 | Em9 Em7 | Em7 | Em9 Em7 | · V3: | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Em7 | Em9 Em7 | Am7 | Am7 | Em7 | Em7 | Em7 Am7 | Am7 | Am7 Bb(no3,no5) A(no3,no5) | · O: | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | · O: | Em7 | Em7 | Em7 | Em7 | Em7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #22 Anhören ↗ Hot In The City Billy Idol · 1982 · Tonart C · ≈ 111 BPM · Harmonie 4/5 · Fortgeschritten I: | C | C | C | C | C | C | C | C | · V: | C | C | C | C | C | C | C | C | · PC: | G G/F | G | G | G | · C: | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | G | G | · INT: | C | C | C | C | · V2: | C | C | C | C | C | C | C | C | · PC2: | G G/F | G | G | G | · C2: | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | · B: | G G6 | G7 G6 | G G6 | G7 G | G G6 | G7 G6 | G G6 | G7 G | G G6 | G7 G6 | G G6 | G7 G | G G6 | G7 G6 | G G6 | G7 G | G G6 | G7 G6 | F | F | · C3: | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | · C4: | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | · O: | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | C Amadd4 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #23 Anhören ↗ Daddy's Home Cliff Richard · 1982 · Tonart E · ≈ 55 BPM · Harmonie 4/5 · Fortgeschritten I: | E C#m7 | F#m7 B7 | E F | E F#m7 B7 | · V: | Emaj7 C#m7 | F#m7 B7 | Emaj7 C#m7 | F#m7 B7 | Emaj7 C#m7 | F#m7 B7 | Emaj7 C#m7 | F#m7 B7 | · V2: | Emaj7 C#m7 | F#m7 B7 | Emaj7 C#m7 | F#m7 B7 | Emaj7 C#m7 | F#m7 B7 | E F | E7 | · B: | A B7 | Emaj7 | A B7 | Emaj7 | A B7 | Emaj7 E/D# C#m | F#7 F#7/E F#7/D# F#7/C# | B7 B7/A B7/G# B7/F# | · V3: | Emaj7 C#m7 | F#m7 B7 | Emaj7 C#m7 | F#m7 B7 | Emaj7 C#m7 | F#m7 B7 | Emaj7 C#m7 | F#m7 B9 B7b9 N.C. | Emaj7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #23 Anhören ↗ Here Come Those Tears Again Jackson Browne · 1977 · Tonart Bb · ≈ 116 BPM · Harmonie 5/5 · Experte I: | Bb | Bb/Ab | Gm7 | Eb9sus4#11 Ebadd4 | Bb/F | F9sus4 | Bb/F | F9sus4 | · V: | Gm7 | Gm7 | Eb9sus4#11 Ebadd4 | Ebadd4 | Fsus4 | Fsus4 | Fsus4 | Fsus4 | · PC: | Bb | Bb/Ab | Gm | Eb | Fsus4 | Fsus4 | Fsus4 | D7 | · V2: | Gm | Fsus4 Gm | Eb | Cm Bb Eb | Fsus4 | Fsus4 | Fsus4 | Fsus4 | · C: | Bb | Bb/Ab | Gm | Eb | Fsus4 | Fsus4 | Fsus4 | Fsus4 | · S: | Bb | Bb/Ab | Gm | Eb | Fsus4 | Fsus4 | D7 | Gm F7/A | · V3: | Bb | Bb/Ab | Gm | Eb | Fsus4 | Fsus4 D7 | · V4: | Gm | Gm F7sus4 Gm7 F/A | Eb | Eb | Fsus4 | Fsus4 | · PC2: | Bb | Bb/Ab | Gm | Eb | Fsus4 | Fsus4 | Fsus4 | D7 | · V5: | Gm | Fsus4 Gm | Eb | Cm Bb Eb | Fsus4 | Fsus4 | Fsus4 | Fsus4 | · C2: | Bb | Bb/Ab | Gm | Eb | Fsus4 | Fsus4 | Fsus4 | Fsus4 | · C3: | Bb | Bb/Ab | Gm | Eb | Fsus4 | Fsus4 | Fsus4 | Fsus4 | · O: | Bb | Bb/Ab | Gm | Eb | · O: | Fsus4 | Fsus4 | Fsus4 | Fsus4 | Bb | Bb/Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #23 Anhören ↗ Heartbreaker Pat Benatar · 1980 · Tonart Fm · ≈ 157 BPM · Harmonie 5/5 · Experte I: | N.C. | N.C. Ab | Fm | F Ab | Fm | F Ab | Fm | Fm | · V: | F5 | Eb5 | Db5 | Bb5 C Eb | F5 | Eb5 | Db5 | Bb5 C Eb | Fm Eb | Db | Bb | C | Fm Eb | Db | Bb | C5 | C | · C: | Fm Gm | Ab | Bb C | Db C | Fm Gm | Ab | Bb C | Db C | Fm | Fm Ab | Fm | Fm Ab | · V2: | F5 | Eb5 | Db5 | Bb5 C Eb | F5 | Eb5 | Db5 | Bb5 C Eb | Fm Eb | Db | Bb | C | Fm Eb | Db | Bb | C5 | C | · C2: | Fm Gm | Ab | Bb C | Db C | Fm Gm | Ab | Bb C | Db C | Fm | Fm Ab | Fm | Fm Ab | · B: | Eb F | C Bb | Ab Gb | Fm Eb D | Eb F | C Bb | Ab(no3,no5) Eb(no3,no5) | C(no3,no5) G(no3,no5) F(no3,no5) | C(no3,no5) | C(no3,no5) | C(no3,no5) | C | · V3: | F(no3,no5) | Db(no3,no5) | Bb(no3,no5) | C(no3,no5) Bb(no3,no5) Ab(no3,no5) Gb(no3,no5) | F(no3,no5) | Db(no3,no5) | Bb(no3,no5) | C5 | C | · C3: | N.C. | N.C. | N.C. | N.C. | Fm Gm | Ab | Bb C | Db C | Fm | Ab | Bb | Db C | Fm | Ab | Bb | Db C | · S: | Fm | Ab | Bb | Db C | Fm | Ab | Bb | Db C | Fm | Ab | Bb | Db C | Fm | Ab | Bb | Db C | Fm | Ab | Bb | Db C | Fm | Ab | Bb | Db C | · O: | Fm | Fm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #23 Anhören ↗ You Can Call Me Al Paul Simon · 1986 · Tonart F · ≈ 128 BPM · Harmonie 4/5 · Fortgeschritten I: | F C | Bb C | F C | Bb C | F C | Bb C | F C | Bb C | · V: | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | · C: | F C | Bb C | F C | Bb C | F C | Bb C | F C | Bb C | · V2: | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | · C2: | F C | Bb C | F C | Bb C | F C | Bb C | F C | Bb C | · S: | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | · INT: | F C | Bb C | F C | Bb C | F C | Bb C | F C | Bb C | · V3: | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | · C3: | F C | Bb C | F C | Bb C | F C | Bb C | F C | Bb C | · INST: | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | F Csus4 | Bb Csus4 | N.C. | N.C. | · O: | F C | Bb C | F C | Bb C | F C | Bb C | F C | Bb C | F C | Bb C | F C | Bb C | F C | Bb C | F C | Bb C | · O: | F C | Bb C | F C | Bb C | F C | Bb C | F C | Bb C | F C | Bb C | F C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #23 Anhören ↗ Rock And Roll, Hoochie Koo Rick Derringer · 1974 · Tonart A · ≈ 98 BPM · Harmonie 4/5 · Fortgeschritten I: | F G | A | F C G | A | E7 | E7 | · V: | A5 C5 D5 | A5 | A5 C5 D5 | A5 | A5 C5 D5 | A5 | A5 C5 D5 | A5 | · C: | F G | A | F C G | A | F G | A | F C G | A | E7 | E7 | · V2: | A5 C5 D5 | A5 | A5 C5 D5 | A5 | A5 C5 D5 | A5 | A5 C5 D5 | A5 | · C2: | F G | A | F C G | A | F G | A | F C G | A | E7 | E7 | · S: | A5 C5 D5 | A5 C5 D5 | A5 C5 D5 | A5 C5 D5 | A5 C5 D5 | A5 C5 D5 | A5 C5 D5 | A5 C5 D5 | A5 | A5 | A5 | A5 | A5 C5 D5 | A5 C5 D5 | A5 C5 D5 | A5 C5 D5 | · V3: | A5 C5 D5 | A5 | A5 C5 D5 | A5 | A5 C5 D5 | A5 | A5 C5 D5 | A5 | · C3: | F G | A | F C G | A | F G | A | F C G | A | · C4: | F G | A | F C G | A | F G | A | F C G | A | · O: | F G | A | F C G | A | F G N.C. | · C: | A5 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #23 Anhören ↗ Give To Live Sammy Hagar · 1987 · Tonart D · ≈ 67 BPM · Harmonie 3/5 · Mittel V: | Em A | D G/B | G A | D | Em A | D Bm | G | A A/G | A/F# A/E | · C: | D G | A | D G | A | D Em | F#m A | Bm G | A F#m | · T: | Bm | · V2: | Em A | D G/B | G A | D | Em A | D Bm | G | A A/G | A/F# A/E | · C2: | D G | A | D G | A | D Em | F#m A | Bm G | A F#m | · T2: | Bm | Bm | · B: | C | G | D | A | C | G | A A/G | A/F# A/E | D | · V3: | Em A | D G/B | G A | D | Em A | D Bm | G | G | A A/G | A/F# A/E N.C. | · C3: | D G | A | D G | A | D Em | F#m A | D G | A | · O: | D G | A | D G | A | D G | A | D G | A | D G | A | D G | A | D G | A | D G | A | D G | A | D G | A | D/A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #23 Anhören ↗ Fakin' It Simon & Garfunkel · 1967 · Tonart E · ≈ 102 BPM · Harmonie 4/5 · Fortgeschritten I: | E | E | E | E | E | · V: | E | E | A G#m | A G# | C# | C# | · C: | F# C# | C# F#7 | A E/G# F#m | E F#m E/G# | A E/G# F#m | · INT: | E | E | E | · V2: | E | E | A G#m | A G# | C# | C# | · C2: | F# C# | C# F#7 | A E/G# F#m | E F#m E/G# | A E/G# F#m | · INT2: | E | E | E | · V3: | E | E | A G#m | A G# | C# | C# | · C3: | F# C# | C# F#7 | A E/G# F#m | E F#m E/G# | A E/G# F#m | E F#m E/G# | A E/G# F#m | E F#m E/G# | A E/G# F#m | · INT3: | E | E | E | · V4: | E | E | A G#m | A G# | C# | C# N.C. | · C4: | F# C# | C# F#7 | A E/G# F#m A F#m | E F#m E/G# | A E/G# F#m | E F#m E/G# | A E/G# F#m | E F#m E/G# | A E/G# F#m | E F#m E/G# | A E/G# F#m | E F#m E/G# | A E/G# F#m | E F#m E/G# | A E/G# F#m | · O: | E | E | E | E | · O: | E | E | E | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #23 Anhören ↗ In My Room The Beach Boys · 1963 · Tonart B · ≈ 105 BPM · Harmonie 4/5 · Fortgeschritten I: | B G#m7 | C#m7 F#7 | · V: | B | B | B A | B G#m7 | · C: | C#m7 A | F# | B A | B | · V2: | B | B | B A | B G#m7 | · C2: | C#m7 A | F# | B A | B | · B: | G#m7 | F# | G#m F# G#m F# | B | G#m7 | F# | C#m7 | Esus4 F# | · V3: | B | B | B A | B G#m7 | · C3: | C#m7 A | F# | B A | B A | · O: | B A | B A | B A | B A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #23 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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