80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
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1.000 Songs Seite 26 von 40 Time Will Reveal Debarge · 1984 · Tonart C · ≈ 65 BPM · Harmonie 5/5 · Experte I: | Fm/C C | Fm/C C | · V: | Fm6/C Cmaj7 | Fm6/C Cmaj7 | Fm6/C Cmaj9 | Fm6/C Bm7 E7#11 | Am7 D7 G7 | Am7 D7 Bm7/C | · V2: | Fm6/C Cmaj7 | Fm6/C Cmaj7 | Fm6/C Cmaj9 | Fm6/C Bm7 E7#11 | Am7 D7 G7sus4 G7 | Am7 D7 G7sus4 G7 | Am7 D7 | · PC: | Gmaj7 C7sus4 Fmaj7 Bb7sus4 | Dm7 Em7 Fmaj7 G7sus4 | · C: | Csus4 C Em7 | Fmaj7 F/G G#dim | Am7 Em7 | F#m7 B7 Baug7/D# | Em7 Am7 Dm7 G7 | · INT: | Fm/C Cmaj7 | Fm6/C Cmaj7 | · V3: | Fm6/C Cmaj7 | Fm6/C Cmaj7 | Fm6/C Cmaj9 | Fm6/C Bm7 E7#11 | Am7 D7 G7sus4 G7 | Am7 D7 G7sus4 G7 | Am7 D7 | · PC2: | Gmaj7 C7sus4 Fmaj7 Bb7sus4 | Dm7 Em7 Fmaj7 G7sus4 | · C2: | Csus4 C Em7 | Fmaj7 F/G G#dim | Am7 Em7 | F#m7 B7 Baug7/D# | Em7 Am7 Dm7 G7 | · C3: | Csus4 C Em7 | Fmaj7 F/G G#dim | Am7 Em7 | F#m7 B7 Baug7/D# | Em7 Am7 Dm7 G7 | · V4: | Fm/C Cmaj7 | Fm6/C Cmaj7 | Fm6/C Fm/C C | Fm6/C Fm/C C | Fm6/C Fm/C C | Fm/C Fm6/9/C Bm7 Em7 | Am7 D7 G7sus4 G7 | Am7 D7 G7sus4 G7 | Am7 D7 | · PC3: | Gmaj7 C7sus4 Fmaj7 Bb7sus4 | Dm7 Em7 Fmaj7 G7sus4 | · C4: | Csus4 C Em7 | Fmaj7 F/G G#dim | Am7 Em7 | F#m7 B7 Baug7/D# | Em7 Am7 Dm7 G7 | · C5: | Csus4 C Em7 | Fmaj7 F/G G#dim | · O: | Am7 Em7 | F#m7 B7 Baug7/D# | Em7 Am7 Dm7 G7 | · C6: | Csus4 C Em7 | Fmaj7 F/G G#dim | Am7 Em7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #18 Anhören ↗ That Old Black Magic Louis Prima & Keely Smith · 1958 · Tonart C · ≈ 248 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | C | C | C | C | C | C | · V: | C | C | C | C | C | C | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | C | C | · V2: | C | C | C | C | C | C | F | F | F | F Fm/Ab | C6/G | Cdim | Dm7 | G7 | C | C | · B: | Am | Am | B7 | B7 | E7 | E7 | A7 | A7 | Dm7 | Dm7 | Fm6 | Fm6 | N.C. | Dm7b5 | N.C. | N.C. | · INT: | N.C. | N.C. | C | C | C | C | C | C | · V3: | C | C | C | C | C7 | C7 | C7 | C7 | F | F | Dm | Dm | Dm7/A | Dm7/A Fm6/Ab | Em7/G | Em7/G F#dim | Dm7 | Dm7 | Dm7b5 | Dm7b5 | Dm7b5 | Dm7b5 | C | C | Dm7 | Dm7 | Dm7b5 | Dm7b5 | Dm7 | G7sus4 | C | C | Dm7 | Dm7 | Dm7b5 | Dm7b5 | Dm7 | Dm7 | C | C | · B2: | Am | Am | B7 | B7 | E7 | E7 | A7 | A7 | Dm7 | Dm7 | Fm6 | Fm6 | N.C. | Dm7b5 | N.C. | N.C. | · INT2: | N.C. | N.C. | C | C | C | C | C | C | · V4: | C | C | C | C | C7 | C7 | C7 | C7 | F | F | Dm | Dm | F6/A | F6/A Fm6/Ab | Em7/G | Em7/G F#dim | Dm7 | Dm7 | Ddim | Ddim | Ddim | G7 | C | C | Dm7 | Dm7 | Dm7b5 | Dm7b5 | Dm7 | Dm7 | C | C | Dm7 | Dm7 | Dm7b5 | Dm7b5 | Dm7 | Dm7 | C | C | Dm7 | Dm7 | Dm7b5 | Dm7b5 | C | C | C | C | C | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #18 Anhören ↗ El Condor Pasa Simon & Garfunkel · 1970 · Tonart Em · ≈ 147 BPM · Harmonie 2/5 · Leicht I: | Em/G | Em/G | Em/G | Em/G | Em/G | Em/G | Am/C | Em/B | · V: | Em/B | Em/B | G | G | G | G | G | G | Em | Em | Em | Em | · V2: | Em | Em | G | G | G | G | G | G | Em | Em | Em | Em | · C: | C6 | C6 | C6 | C6 | G | G | G | G | C6 | C6 | C6 | C6 | G | G | G | G | Em | Em | Em | Em | Em | Em | · V3: | Em | Em | G | G | G | G | G | G | Em | Em | · V4: | Em | Em | G | G | G | G | G | G | Em | Em | · C2: | C6 | C6 | C6 | C6 | G | G | G | G | C6 | C6 | C6 | C6 | G | G | G | G | Em | Em | Em | Em | Em | Em | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #18 Anhören ↗ I Don't Blame You At All The Miracles · 1971 · Tonart Ab · ≈ 125 BPM · Harmonie 3/5 · Mittel I: | Ab | Db | · C: | Ab | Gb | Ab | Ab | Ab | Gb | Ab | Ab | · V: | Ab | Ebm Db | Ab | Ebm Db | Gb | Db | Dbmaj7 | Ddim | Ab/Eb Ab | Ab | Ab | Ab | Db/Ab | Ab | · C2: | Ab | Gb | Ab | Ab | Ab | Gb | Ab | Ab | · V2: | Ab | Ebm Db | Ab | Ebm Db | Gb | Db | Db | Ddim | Ab/Eb Ab | Ab | Ab | Ab | Db/Ab | Ab | · C3: | Ab | Gb | Ab | Ab | Ab | Gb | Ab | Ab | · C4: | Ab | Gb | Ab | Ab | Ab | Gb | Ab | Ab | · V3: | Ab | Ebm Db | Ab | Ebm Db | Ab | Ebm Db | Ab | Gb | Db | Db | Db | Ddim | Ab/Eb Ab | Ab | Ab | Ab | Db/Ab Ab | Ab | · C5: | Ab | Gb | Ab | Ab | Ab | Gb | Ab | Ab | · C6: | Ab | Gb | Ab | Ab | · O: | Ab | Gb | Ab | Ab | Ab | Gb | Ab | Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #18 Anhören ↗ Don't Ask Me Why Billy Joel · 1980 · Tonart Bb · ≈ 98 BPM · Harmonie 5/5 · Experte I: | Bb Eb7/Bb Bb Eb7/Bb | Bb Eb7/Bb Bb Eb7/Bb | Bb Eb7/Bb Bb Eb7/Bb | · V: | Bb | C7 | F7 | Bb Eb/Bb | Bb | C7 | F7 | F7 Bb D7/A | · C: | Gm Bb7/F | Em7b5 F7sus4 | Bb Eb7/Bb Bb Eb7/Bb | Bb Eb7/Bb Bb Eb7/Bb | · V2: | Bb | C7 | F7 | Bb Eb/Bb | Bb | C7 | F7 | F7 Bb D7/A | · C2: | Gm Bb7/F | Em7b5 F7sus4 | Bb Eb7/Bb Bb Eb7/Bb | Bb Eb7/Bb Bb Eb7/Bb | · B: | F | Eb | F | Bb | G | C | G | C7 F7 | · V3: | Bb | C7 | F7 | Bb Eb/Bb | Bb | C7 | F7 | Bb D7/A | · C3: | Gm Bb7/F | Em7b5 F7sus4 | Bb Eb7/Bb Bb Eb7/Bb | Bb Eb7/Bb Bb Eb7/Bb | · S: | F | Eb | F | Bb | G | C | G | C7 F7 | · V4: | Bb | C7 | F7 | F7 Bb Eb/Bb | Bb | C7 | F7 | F7 Bb D7/A | · C4: | Gm Bb7/F | Em7b5 F7sus4 | Bb Eb7/Bb Bb Eb7/Bb | Bb Eb7/Bb Bb Eb7/Bb | · O: | Bb Eb7/Bb Bb Eb7/Bb | Bb Eb7/Bb Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #19 Anhören ↗ Don't Treat Me Bad Firehouse · 1991 · Tonart Ab · ≈ 113 BPM · Harmonie 4/5 · Fortgeschritten I: | Ab Eb/Ab | Dbadd9/Ab Eb/Ab | Ab Eb/Ab | Dbadd9/Ab Eb/Ab | · V: | Ab Eb/Ab | Dbadd9/Ab Eb/Ab | Fm7 Cm | Db Eb | Ab Eb/Ab | Dbadd9/Ab Eb/Ab | Fm7 Cm | Db Eb | Db Eb | Cm Fm7 Eb | Db Eb | Cm Fm7 Eb | Db Eb | Cm Fm7 Eb | Bbm | Eb | Eb | · C: | Ab Bbm | Db Eb | Ab Bbm | Db Eb | Ab Bbm | Db Eb | Ab Bbm | Eb | · T: | Ab Db | Bbm Eb | Ab Db | Bbm Eb | · V2: | Ab Eb/Ab | Dbadd9/Ab Eb/Ab | Fm7 Cm | Db Eb | Ab Eb/Ab | Dbadd9/Ab Eb/Ab | Fm7 Cm | Db Eb | Db Eb | Cm Fm7 Eb | Db Eb | Cm Fm7 Eb | Db Eb | Cm Fm7 Eb | Bbm | Eb | Eb | · C2: | Ab Bbm | Db Eb | Ab Bbm | Db Eb | Ab Bbm | Db Eb | Ab Bbm | Eb | Eb N.C. | · T2: | Ab Db | Bbm Eb | Ab Db | Bbm Eb | · S: | Ab Eb/Ab | Dbadd9/Ab Eb/Ab | Fm7 Cm | Db Eb | Fm7 Cm | Db Eb | Bbm | Eb | Eb | Eb | Eb | · T3: | Ab Bbm | Db Eb | Ab Bbm | Db Eb | · C3: | Ab Bbm | Db Eb | Ab Bbm | Db Eb | Ab Bbm | Db Eb | Ab Bbm | Eb | · C4: | Ab Bbm | Db Eb | Ab Bbm | Db Eb | Ab Bbm | Db Eb | Ab Bbm | Eb | · CO: | Ab Db | Bbm Eb | Ab Db | Bbm Eb | Ab Db | Bbm Eb | Ab Db | Bbm Eb | Ab Db | Bbm Eb | Ab Db | Bbm Eb | Ab Db Eb | Db Eb Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #19 Anhören ↗ Crackerbox Palace George Harrison · 1977 · Tonart Bb · ≈ 123 BPM · Harmonie 4/5 · Fortgeschritten I: | Bb F | F9/C Eb | Bb F | F9/C Eb | Bb F | F9/C Eb | Bb F | F9/C Eb | · V: | Bb F | F9/C Eb | Bb F | F9/C Eb | Bb F | F9/C Eb | Bb F | F9/C Eb | · C: | Bb F | Gm F Eb | Bb F | Dm | Eb F | Gm F Eb | Ebm7 | Ebm7 | · INT: | Bb F | Gm F Eb | Ebm7 | Ebm7 | · V2: | Bb F | F9/C Eb | Bb F | F9/C Eb | Bb F | F9/C Eb | Bb F | F9/C Eb | · C2: | Bb F | Gm F Eb | Bb F | Dm | Eb F | Gm F Eb | Ebm7 | Ebm7 | · INT2: | Bb F | Gm F Eb | Ebm7 | Ebm7 | · S: | Bb F | Cm11 Eb | Bb F | Cm11 Eb | Bb F | Cm11 Eb | Bb F | Cm11 Eb | · C3: | Bb F | Gm F Eb | Bb F | Dm | Eb F | Gm F Eb | Ebm7 | Ebm7 | · INT3: | Bb F | Cm11 | Bb F | Cm11 | Bb F | Cm11 | Bb F | Cm11 | · V3: | Bb F | F9/C Eb | Bb F | F9/C Eb | Bb F | F9/C Eb | Bb F | F9/C Eb | · C4: | Bb F | Gm F Eb | Bb F | Dm | Eb F | Gm F Eb | Ebm7 | Ebm7 | · INT4: | Bb F | Gm F Eb | Ebm7 | Ebm7 | · C5: | Bb F | Gm F Eb | Bb F | Dm | Eb F | Gm F Eb | Ebm7 | Ebm7 | · C6: | Bb F | Gm F Eb | Bb F | Dm | Eb F | Gm F Eb | Ebm7 | Ebm7 | Ebm7 | Ebm7 | · O: | Eb F | Gm F Eb | Ebm7 | Ebm7 | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #19 Anhören ↗ Letter Full Of Tears Gladys Knight & The Pips · 1962 · Tonart E · ≈ 112 BPM · Harmonie 3/5 · Mittel I: | E | C#m | A | B | · V: | E | E | C#m | C#m | A | A | E | E | G#7 | G#7 | A | A#dim7 | · C: | E | C#m | E | C#m | E | E7 | · B: | A | A | E | E7 | A | A | E | E7 | A | A | E | C#m | F#7 | F#7 | B7 | B7 | · V2: | E | E | C#m | C#m | A | A | E | E | G#7 | G#7 | A | A#dim7 | · C2: | E | C#m | E | C#m | E | C#m | E | C#m | E | C#m | E | C#m | E | E | E | · O: | E | C#m | E | C#m | · O: | E | C#m | E | C#m | E | C#m | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #19 Anhören ↗ Walk Like A Man Grand Funk Railroad · 1973 · Tonart E · ≈ 127 BPM · Harmonie 4/5 · Fortgeschritten I: | E | E D | E | E D A | E | E D A | E | E | · INST: | D A | E | D A | E | D A | E | D A | E | · C: | D A | E | D A | E | D A | E | D A | E | · V: | D A | E | D A | E | D A | E | D A | E | · C2: | D A | E | D A | E | D A | E | D A | E | · T: | D | A | E | E | · V2: | D A | E | D A | E | D A | E | D A | E | · C3: | D A | E | D A | E | D A | E | D A | E | · B: | Fadd4 Esus4add9 Bmaj7/D# | Bmaj7/D# | A B C | C D D# E | D | A | · INT: | E | E D | E | E D A | E | E D A | E | E | · S: | D A | E | D A | E | D A | E | D A | E | D A | E | D A | E | D A | E | D A | E | D A | E | D A | E | D A | E | D A | E | · B2: | Fadd4 Esus4add9 Bmaj7/D# | Bmaj7/D# | A B C | C D D# E | D | A | E | E | D | A | · INST2: | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | Em7 | · C4: | D A | E | D A | E | D A | E | D A | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #19 Anhören ↗ Boulevard Jackson Browne · 1980 · Tonart A · ≈ 141 BPM · Harmonie 3/5 · Mittel C: | D/A A | D/A A | A E/G# D/F# E | D A | D/A A | D/A A | A E/G# D/F# E | D A | D/A A | D/A A | A E/G# D/F# E | D A | D/A A | D/A A | A E/G# D/F# E | D A | · V: | E | E | F#m | F#m | E | E | F#m | F#m D | D | · C2: | D/A A | D/A A | A E/G# D/F# E | D A | D/A A | D/A A | A E/G# D/F# E | D A | D/A A | D/A A | A E/G# D/F# E | D A | D/A A | D/A A | A E/G# D/F# E | D A | · V2: | E | E | F#m | F#m | E | E | F#m | F#m D | D | · B: | D | E | D | E | D | E | D | E | · C3: | D/A A | D/A A | A E/G# D/F# E | D A | D/A A | D/A A | A E/G# D/F# E | D A | D/A A | D/A A | A E/G# D/F# E | D A | D/A A | D/A A | A E/G# D/F# E | D A | · V3: | E | E | F#m | F#m | E | E | F#m | F#m D | D | · B2: | D | E | D | E | D | E | D | E | · C4: | D/A A | D/A A | A E/G# D/F# E | D A | D/A A | D/A A | A E/G# D/F# E | D A | D/A A | D/A A | A E/G# D/F# E | D A | D/A A | D/A A | A E/G# D/F# E | D A | D/A A | D/A A | A E/G# D/F# E | D A | D/A A | D/A A | A | · O: | A | A | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #19 Anhören ↗ Pinball Wizard The Who · 1969 · Tonart Bm · ≈ 123 BPM · Harmonie 5/5 · Experte I: | Bm7/F# | Bm11/F# | C#m7/F# | F#7 | F#m7 | C#m7b5/F# | Em/G | F#7 | F#7 | · V: | Bsus4 | B | Bsus4 | B | Bsus4 | B | Bsus4 | B | · V2: | Bsus4 | B | Asus4 | A | Gsus4 | G | F#sus4 | F#sus4 | B A D | E | B A D | E | · V3: | Bsus4 | B | Asus4 | A | Gsus4 | G | F#sus4 | F#sus4 | B A D | E | B A D | E | · C: | E F# B | E F# B | E F# B | G | D | D | · V4: | D7sus4 | D7 | D7sus4 | D7 | · V5: | Bsus4 | B | Asus4 | A | Gsus4 | G | F#sus4 | F#sus4 | B A D | E | B A D | E | · C2: | E F# B | E F# B | E F# B | G | D | D | · V6: | Dsus4 | D | Dsus4 | D | Dsus4 | D | Dsus4 | D | · V7: | Dsus4 | D | Csus4 | C | Bbsus4 | Bb | Asus4 | A | D C F | · O: | Bb7sus4 | Bb7 | Bb7sus4 | Bb7 | Bb7 | Bb7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #19 Anhören ↗ Pressure Billy Joel · 1983 · Tonart Dm · ≈ 149 BPM · Harmonie 5/5 · Experte I: | G5 | G5 | D5 | C/D D C(no3,no5) D(no3,no5) | G5 | G5 | D5 | C/D D C(no3,no5) D(no3,no5) | · C: | Dm Gm/D | A7/D Dm | Bdim/D Gsus4/D | A7/D D | Dm Gm/D | A7/D Dm | Bdim/D Gsus4/D | A7/D D | · V: | G5 | G5 | D5 | C/D D C D | G5 | G5 | D5 | C/D D C D | · PC: | Gm | C C#dim | Dm | Dm C | Bb | F/A | G7 | A7/E A7/C# | Dm C | Bb | Gm | Asus4/E A/C# | · C2: | Dm Gm/D | A7/D Dm | Bdim/D Gsus4/D | A7/D D | Dm Gm/D | A7/D Dm | Bdim/D Gsus4/D | A7/D D | · V2: | G5 | G5 | D5 | C/D D C D | G5 | G5 | D5 | C/D D C D | · PC2: | Gm | C C#dim | Dm | Dm C | Bb | F/A | G7 | A7/E A7/C# | Dm C | Bb | Gm | Asus4/E A/C# | · C3: | Dm Gm/D | A7/D Dm | Bdim/D Gsus4/D | A7/D D | Dm Gm/D | A7/D Dm | Bdim/D Gsus4/D | A7/D D | · B: | Gadd9 | Gadd9 | Dmaj7/F# | Dmaj7/F# | Gadd9 | Gadd9 | Dmaj7/F# | Dmaj7/F# | F | F | Em | Em | Ebaug | Ebaug | D | D | · INT: | G5 | G5 | D5 | C/D D C(no3,no5) D(no3,no5) | G5 | G5 | D5 | C/D D C(no3,no5) D(no3,no5) | · V3: | G5 | G5 | D5 | C/D D C D | G5 | G5 | D5 | C/D D C D | · PC3: | Gm | C C#dim | Dm | Dm C | Bb | F/A | G7 | A7/E A7/C# | Dm C | Bb | Gm | Asus4/E A/C# | · C4: | Dm Gm/D | A7/D Dm | Bdim/D Gsus4/D | A7/D D | Dm Gm/D | A7/D Dm | Bdim/D Gsus4/D | A7/D D | · B2: | Gadd9 | Gadd9 | Dmaj7/F# | Dmaj7/F# | Gadd9 | Gadd9 | Dmaj7/F# | Dmaj7/F# | F | F | Em | Em | Ebaug | Ebaug | D | D | · S: | G(no3,no5) | G(no3,no5) | D(no3,no5) | D(no3,no5) | G(no3,no5) | G(no3,no5) | D(no3,no5) | D(no3,no5) | · PC4: | Gm | C C#dim | Dm | Dm C | Bb | F/A | G7 | A7/E A7/C# | Dm C | Bb | Gm | Asus4/E A/C# | · C5: | Dm Gm/D | A7/D Dm | Bdim/D Gsus4/D | A7/D D | Dm Gm/D | A7/D Dm | Bdim/D Gsus4/D | A7/D D | Dm Gm/D | A7/D Dm | Bdim/D Gsus4/D | A7/D D | Dm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #20 Anhören ↗ Young Hearts Run Free Candi Staton · 1976 · Tonart Eb · ≈ 120 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | Bbsus4add9/A | Bbsus4add9/A | Bbsus4add9/A | Bbsus4add9/A | · V: | Eb Ab/Eb | Ebmaj7 Ab/Eb | Eb Ab/Eb | Ebmaj7 Ab/Eb | Ab Ab6 | Abmaj7 Ab6 | Eb/Bb Cm7 | Eb/Bb Cm7 | Eb Ab/Eb | Ebmaj7 Ab/Eb | Eb Ab/Eb | Ebmaj7 Ab/Eb | Ab Ab6 | Abmaj7 Ab6 | Eb/Bb Cm7 | Eb/Bb Cm7 | · PC: | Bbsus4add9 | Bbsus4add9 | Bbsus4add9 | Bbsus4add9 | Bbsus4add9 | · C: | Ab Fm7 | Ab Fm7 | Ab Fm7 | Ab Fm7 | Abmaj7 Eb | Eb/Bb Cm7 | Abmaj7 Eb | Eb | Ab Fm7 | Ab Fm7 | Ab Fm7 | Ab Fm7 | Abmaj7 Eb | Eb/Bb Cm7 | Abmaj7 Eb | Eb/Bb Cm7 | · V2: | Eb Ab/Eb | Ebmaj7 Ab/Eb | Eb Ab/Eb | Ebmaj7 Ab/Eb | Ab Ab6 | Abmaj7 Ab6 | Eb/Bb Cm7 | Eb/Bb Cm7 | Eb Ab/Eb | Ebmaj7 Ab/Eb | Eb Ab/Eb | Ebmaj7 Ab/Eb | Ab Ab6 | Abmaj7 Ab6 | Eb/Bb Cm7 | Eb/Bb Cm7 | · PC2: | Bbsus4add9 | Bbsus4add9 | Bbsus4add9 | Bbsus4add9 | Bbsus4add9 | · C2: | Ab Fm7 | Ab Fm7 | Ab Fm7 | Ab | Abmaj7 Eb | Eb/Bb Cm7 | Abmaj7 Eb | Eb | Ab Fm7 | Ab Fm7 | Ab Fm7 | Ab | Abmaj7 Eb | Eb/Bb Cm7 | Abmaj7 Eb | Eb/Bb Cm7 | · INT: | Bbsus4add9 | Bbsus4add9 | Bbsus4add9 | Bbsus4add9 | · C3: | Ab Fm7 | Ab Fm7 | Ab Fm7 | Ab | Abmaj7 Eb | Eb/Bb Cm7 | Abmaj7 Eb | Eb | Ab Fm7 | Ab Fm7 | Ab Fm7 | Ab | Abmaj7 Eb | Eb/Bb Cm7 | Abmaj7 Eb | Eb/Bb Cm7 | · C4: | Ab Fm7 | Ab Fm7 | Ab Fm7 | Ab | Abmaj7 Eb | Eb/Bb Cm7 | Abmaj7 Eb | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #20 Anhören ↗ My Boy Elvis Presley · 1975 · Tonart Bm · ≈ 93 BPM · Harmonie 4/5 · Fortgeschritten I: | D | · V: | D | A/C# | Bm | F#m | Bm | Bm | Gmaj7 | F#m7 | Em7 | F#7sus4 | F#7 | · C: | Bm | Em7 | A7 | Dmaj7 | G#m7b5 | C#7 | F#7sus4 | F#7 | · T: | D | · V2: | D | A/C# | Bm | F#m | Bm | Bm | Gmaj7 | F#m7 | Em7 | F#7sus4 | F#7 | · C2: | Bm | Em7 | A7 | Dmaj7 | G#m7b5 | C#7 | F#7sus4 | F#7 | · T2: | D | · V3: | D | A/C# | Bm | F#m | Bm | Bm | Gmaj7 | F#m7 | Em7 | F#7sus4 | F#7 | · C3: | Bm | Em7 | A7 | Dmaj7 | G#m7b5 | C#7 | F#7sus4 | F#7 | · C4: | Bm | Em7 | A7 | Dmaj7 | G#m7b5 | C#7 | F#7sus4 | F#7 | · C5: | Bm | Em7 | A7 | Dmaj7 | · O: | G#m7b5 | C#7 | F#7sus4 | F#7 | Bm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #20 Anhören ↗ Secret Love Freddy Fender · 1975 · Tonart G · ≈ 93 BPM · Harmonie 3/5 · Mittel V: | G | G | G | G | G | G | Am | D | Am | D | Am | D | Am | D | G | G | · V2: | G | G | G | G | G | G | Am | D | Am | D | Am | D | Am | D | G | G | · C: | Em | A | D | D | Dm | G G7 | C | Cm | G | G | G F | E E7 | Am | D | G | G | G | G | G F | E | A | D | G | G | · C2: | Em | A | D | D | Dm | G G7 | C | Cm N.C. | G | G | G F | E E7 | Am | D | G F | E E7 | Am | D N.C. | G | G | G | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #20 Anhören ↗ D'yer Mak'er Led Zeppelin · 1973 · Tonart C · ≈ 82 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | C Am | F G | C Am | F G | · V: | C Am | F G | C Am | F G | C Am | F G | Am | Am | C Am | F G | C Am | F G | C Am | F G | Am | Am | · B: | Am | G | Am | G | Am | G | F | G | · V2: | C Am | F G | C Am | F G | C Am | F G | Am | Am | C Am | F G | C Am | F G | C Am | F G | Am | Am | · B2: | Am | G | Am | G | Am | G | F | G | · V3: | C Am | F G | C Am | F G | C Am | F G | Am | Am | C Am | F G | C Am | F G | C Am | F G | Am | Am | · O: | C Am | F G | C Am | F G | C Am | F G | C Am | F G | C Am | F G | C Am | F G | C Am | F G | C Am | F G | · O: | C Am | F G | C Am | F G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #20 Anhören ↗ Oh Father Madonna · 1990 · Tonart F · ≈ 77 BPM · Harmonie 4/5 · Fortgeschritten I: | F | F | F | F | F | F | F | F7/Eb | · I2: | Eb Bb/F F | C | Bb C/Bb Am | Gsus2 G | Eb Bb/F F | C | Bb C/Bb Am | Gsus2 G | F C | · V: | Bb Dm7 | F C | Eb Bb | F C | Dm Bb/D | C F/C | · C: | Eb Bb/F F | C | Bb C/Bb Am | G | Eb Bb/F F | C | Bb C/Bb Am | G | F C | · V2: | Bb Dm7 | F C | Eb Bb | F C | Dm Bb/D | C F/C | · C2: | Eb Bb/F F | C | Bb C/Bb Am | G | Eb Bb/F F | C | Bb C/Bb Am | G | · INT: | Am | G C | G Em | F C | Am | G C | G Em | F C | · B: | Am | G C | G Em | F C | Am | G C | G Em | F C | F C | · V3: | Bb Dm7 | F C | Eb Bb | F C | Dm Bb/D | C F/C | · C3: | Eb Bb/F F | C | Bb C/Bb Am | G | Eb Bb/F F | C | Bb C/Bb Am | G | Eb Bb/F F | C | Bb C/Bb Am | G | Eb Bb/F F | C | Bb C/Bb Am | G | Eb Bb/F F | C | Bb C/Bb Am | G | Eb Bb/F F | C | Bb C/Bb Am | G | Eb Bb/F F | C | Bb C/Bb Am | G N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #20 Anhören ↗ Little Too Late Pat Benatar · 1983 · Tonart E · ≈ 135 BPM · Harmonie 5/5 · Experte I: | N.C. | N.C. | N.C. | N.C. | B | E/G# A | B | E/G# A | B | E/G# A | B | E/G# A | · V: | E | A C#m | D | A | E | A C#m | D | A | B | E/G# Aadd9 | B | E/G# Aadd9 | E/G# A | E/G# A | E/G# A | B Bsus4 B Bsus4 | B | · C: | Eadd4 E | Eadd4 E | A/E A6/E | A/E A G#m | F#m7 G#m7 | B | E | B | Eadd4 E | Eadd4 E | A/E A6/E | A/E A G#m | F#m7 G#m7 | B | E B | E | · V2: | E | A C#m | D | A | E | A C#m | D | A | B | E/G# Aadd9 | B | E/G# Aadd9 | E/G# A | E/G# A | E/G# A | B Bsus4 B Bsus4 | B | · C2: | Eadd4 E | Eadd4 E | A/E A6/E | A/E A G#m | F#m7 G#m7 | B | E | B | Eadd4 E | Eadd4 E | A/E A6/E | A/E A G#m | F#m7 G#m7 | B | E B | E | · INT: | B | E/G# A | B | E/G# A | B | E/G# A | B | E/G# A | · C3: | Eadd4 E | Eadd4 E | A/E A6/E | A/E A G#m | F#m7 G#m7 | B | E | B | Eadd4 E | Eadd4 E | A/E A6/E | A/E A G#m | F#m7 G#m7 | B | E B | E | · C4: | E(no3,no5) | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | E(no3,no5) | N.C. | N.C. | N.C. A G#m | F#m7 G#m7 | B | N.C. | · C5: | Eadd4 E | Eadd4 E | A/E A6/E | A/E A G#m | F#m7 G#m7 | B | E | B | Eadd4 E | Eadd4 E | A/E A6/E | A/E A G#m | F#m7 G#m7 | B | F#m7 G#m7 | B | F#m7 G#m7 | B | E | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #20 Anhören ↗ The Way You Do The Things You Do Rita Coolidge · 1978 · Tonart E · ≈ 109 BPM · Harmonie 4/5 · Fortgeschritten I: | E/B | E/B Eb/Bb D/A | E7 | E7 | E7 | E7 | · V: | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | A7 | A7 | E7 | E7 | E7 | E7 | E7 | E7 B | B7 | A7 | B7 | A7 | E7 | E7 | E7 | E7 | · V2: | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | A7 | A7 | E7 | E7 | E7 | E7 | E7 | E7 B7 | B7 | A7 | B7 | A7 | E7 | E7 | E7 | E7 | · S: | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 B7 | B7 | A7 | B7 | A7 | E7 | E7 | F7 | F7 | · V3: | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 C7 | C7 | Bb7 | C7 | Bb7 | F7 | F7 | F7 | F7 | · O: | F7 | F7 Ab Bb | F7 | F7 Ab Bb | · O: | F7 | F7 Ab Bb | F7 | F7 Ab Bb | F7 | F7 Ab Bb | F7 | F7 Ab Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #20 Anhören ↗ This Should Go On Forever Rod Bernard · 1959 · Tonart Gb · ≈ 73 BPM · Harmonie 3/5 · Mittel I: | Dbaug | · C: | Gb | Gb | Db | Db | Ab Ab/G | Gb | Db Gb | Db | · C2: | Gb | Gb | Db | Db | Ab Ab/G | Gb | Db Gb | Db | · B: | Gb | Gb | Db | Db | Eb | Eb | Ab Eb7/G | Ab | · C3: | Gb | Gb | Db | Db | Ab Ab/G | Gb | Db | Db | · B2: | Gb | Gb | Db | Db | Eb | Eb | Ab Eb7/G | Ab | · C4: | Gb | Gb | Db | Db | Ab Ab/G | Gb | Db Gb | Db9 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #20 Anhören ↗ I Wouldn't Have Missed It For The World Ronnie Milsap · 1981 · Tonart G · ≈ 114 BPM · Harmonie 3/5 · Mittel I: | G | C | G | C | · V: | Am | Am | G | G | Cmaj7 | Cmaj7 | G | G | Em | Em | C | C | Am | Am | D C | Bm Am | · C: | G | C | Am | D B7/D# | Em | Em/D | Am | Dsus4 | G | C | Am | D B7/D# | Em | Em/D | Am | Dsus4 | Dsus4 | · T: | G | C | G | C | · V2: | Am | Am | G | G | Cmaj7 | Cmaj7 | G | G | Em | Em | C | C | Am | Am | D C | Bm Am | · C2: | G | C | Am | D B7/D# | Em | Em/D | Am | Dsus4 | G | C | Am | D B7/D# | Em | Em/D | Am | Dsus4 | Dsus4 | · S: | G | C | Am | D B7/D# | Em | Em/D | Am | Dsus4 | · C3: | G | C | Am | D B7/D# | Em | Em/D | Am | Dsus4 | Dsus4 | · O: | G | C | Am | D B/D# | Em | Em/D | Am | Dsus4 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #20 Anhören ↗ There's No Other (Like My Baby) The Crystals · 1961 · Tonart D · ≈ 94 BPM · Harmonie 2/5 · Leicht I: | D | G A | D | G A | · C: | D Bm | G A | D G | D A | · C2: | D Bm | G A | D G | D A | · V: | D Bm | G A | D Bm | G A | · C3: | D Bm | G A | D G | D A | · V2: | D Bm | G A | D Bm | G A | · C4: | D Bm | G A | D G | D A | · B: | D | Bm | G | A | · C5: | D Bm | G A | D G | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #20 Anhören ↗ Last Child Aerosmith · 1976 · Tonart Eb · ≈ 84 BPM · Harmonie 4/5 · Fortgeschritten I: | Dbmadd9 | Dbmadd9 | Gb6 | Gb6 | Eb7 | Eb7 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | · V: | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Ab7 | Ab7 | Ab7 | Ab7 | Eb7#9 | Eb7#9 | Db | Ab | Eb7#9 | Eb7#9 | · V2: | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Ab7 | Ab7 | Ab7 | Ab7 | Eb7#9 | Eb7#9 | Db | Ab | Eb7#9 | Eb7#9 | · S: | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Db | Ab | Eb7#9 | Eb7#9 | Db | Ab | · O: | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | · O: | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #21 Anhören ↗ Talk To Me Chico DeBarge · 1987 · Tonart Ab · ≈ 115 BPM · Harmonie 4/5 · Fortgeschritten I: | Bb | Bb | Bb | Bb | · I2: | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | · V: | Ab7 | Ab7 | Ab7 | Ab7 | Ab7 | Ab7 | Ab7 | Ab7 | Ab9 | Ab9 | Ab(no3,no5) | Ab(no3,no5) | Ab9 | Ab9 | Ab(no3,no5) | Ab(no3,no5) | Ab7 | Ab7 | Ab7 | Ab7 | Ab7 | Ab7 | Ab7 | Ab7 | Ab9 | Ab9 | Ab(no3,no5) | Ab(no3,no5) | Ab9 | Ab9 | Ab(no3,no5) | Ab(no3,no5) | · INT: | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | · C: | Gb | Bbm | Cb | Db7sus4 | Gb | Bbm | Cb | Bb | · H: | Gbsus2 | Gbsus2 | Gbsus2 | Gbsus2 | Gbsus2 | Gbsus2 | Gbsus2 | Gbsus2 | Ab7 | Ab7 | Ab7 | Ab7 | · V2: | Ab7 | Ab7 | Ab(no3,no5) | Ab(no3,no5) | Ab9 | Ab9 | Ab(no3,no5) | Ab(no3,no5) | Ab7 | Ab7 | Ab(no3,no5) | Ab(no3,no5) | Ab9 | Ab9 | Ab(no3,no5) | Ab(no3,no5) | Ab7 | Ab7 | Ab(no3,no5) | Ab(no3,no5) | Ab9 | Ab9 | Ab(no3,no5) | Ab(no3,no5) | · O: | Ab7 | Ab7 | Ab(no3,no5) | Ab(no3,no5) | Ab9 | Ab9 | Ab(no3,no5) | Ab(no3,no5) | Ab9 | Ab9 | Ab(no3,no5) | Ab(no3,no5) N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #21 Anhören ↗ Judy Blue Eyes Crosby, Stills & Nash · 1969 · Tonart E · ≈ 152 BPM · Harmonie 4/5 · Fortgeschritten I: | E | E | E | E | E | E | E | · V: | E | Asus4 A | Asus4 A | E | B | B | A11 | A11 | E | Asus4 A | Asus4 A | E | B | B | A11 | A11 | · C: | E | B | A11 | A11 | E | A11 | · V2: | E | Asus4 A | Asus4 A | E | B | B | A11 | A11 | E | Asus4 A | Asus4 A | E | B | B | A11 | A11 | · C2: | E | B | A11 | A11 | · INT: | E | E | E | E | E | E | E | · V3: | E | Asus4 A | Asus4 A | E | B | B | A11 | A11 | E | Asus4 A | Asus4 A | E | B | B | A11 | A11 | · C3: | E | B | A11 | A11 | E | A11 | · V4: | E | Asus4 A | Asus4 A | E | B | B | A11 | A11 | E | Asus4 A | Asus4 A | E | B | B | A11 | A11 | · C4: | E | B | A11 | A11 | E | A11 | E | A11 | E | A11 | E | E | · T: | E | E | E | E | · V5: | E | E | E | E | E | E | A | A11 | A11 | A11 | E | E | E | E | E | E | E | E | E | E | A | A11 | A11 | A11 | E | E | E | E | · C5: | D | D | A | A | D | D | A | A | · INT2: | E | E | E | E | · V6: | E | E | E | E | E | E | A | A11 | A11 | A11 | E | E | E | E | E | E | E | E | E | E | A | A11 | A11 | A11 | E | E | E | E | · S: | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | · V7: | Bm/E | Bm/E E | Bm/E | E7sus4 E7 | E | E | E | Dmaj7/E C#m7/E | C#m7/E | · S2: | E | E | E | E | E | E | E | E | E | · V8: | Bm/E | Bm/E E | Bm/E | E7sus4 E7 | E | E | E | Dmaj7/E C#m7/E | C#m7/E | · S3: | E | E | E | E | E | E | E | E | E | · V9: | Bm/E | Bm/E E | Bm/E | E7sus4 E7 | E | E | E | Dmaj7/E C#m7/E | C#m7/E | · S4: | E | E | E | E | E | E | E | E | E | · O: | A Bm7 | F#m D E | A Bm7 | F#m D E | A Bm7 | F#m D E | A Bm7 | F#m D E | A Bm7 | F#m D E | A Bm7 | F#m D E | A Bm7 | F#m D E | A Bm7 | F#m D E | A Bm7 | F#m D E | A Bm7 | F#m D E | A Bm7 | F#m D E | A Bm7 | F#m D E | A Bm7 | F#m D E | A Bm7 | F#m D E | A Bm7 | F#m D E | A Bm7 | F#m D E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #21 Anhören ↗ Die Popularitätssortierung 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