80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 25 von 40 The Best Tina Turner · 1989 · Tonart F · ≈ 104 BPM · Harmonie 4/5 · Fortgeschritten I: | F | F | F(no3,no5) | F(no3,no5) | · V: | F | F | F F6 | Fmaj7 F | F | F | F F6 | Fmaj7 F | Dm9 | Dm9 | Bb | Bbadd9 | · V2: | F | F | F F6 | Fmaj7 F | F | F | F F6 | Fmaj7 F | Dm9 | Dm9 | Bb | C7 | · C: | F Fadd9 | Fsus4 F | F Fadd9 | Fsus4 F | Dm7 Dm11 | Bbadd9/D Dm7 | C | C | F Fadd9 | Fsus4 F | F Fadd9 | Fsus4 F | Dm7 Dm11 | Bbadd9/D Dm7 | C | C | · V3: | F | F | F F6 | Fmaj7 F | F | F | F F6 | Fmaj7 F | Dm9 | Dm9 | Bb | C7 | · C2: | F Fadd9 | Fsus4 F | F Fadd9 | Fsus4 F | Dm7 Dm11 | Bbadd9/D Dm7 | C | C | F Fadd9 | Fsus4 F | F Fadd9 | Fsus4 F | Dm7 Dm11 | Bbadd9/D Dm7 | C | C | · B: | Bbadd9 | Bbadd9 | Dm7 | Dm7 | Bb | Bb | C | C D | · S: | G Gadd9 | Gsus4 G | G Gadd9 | Gsus4 G | Em7 Em11 | Cadd9/E Em7 | D | D | · C3: | G Gadd9 | Gsus4 G | G Gadd9 | Gsus4 G | Em7 Em11 | Cadd9/E Em7 | D | D | G Gadd9 | Gsus4 G | G Gadd9 | Gsus4 G | Em7 Em11 | Cadd9/E Em7 | D | D | Gadd9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #15 Anhören ↗ Detroit City Bobby Bare · 1963 · Tonart E · ≈ 121 BPM · Harmonie 3/5 · Mittel I: | E(no3,no5) | F(no3,no5) | F#(no3,no5) | F(no3,no5) | E | E | · C: | E | E7 | A | A | E | B | E | E | · V: | E | B | E | E | B | B | E | E7 | A | A | E | E | F# | F# | B | B | · C2: | E | E7 | A | A | E | B | · INT: | E(no3,no5) | F(no3,no5) | F#(no3,no5) | F(no3,no5) | B | B | · V2: | B | F# | B | B | F# | F# | B | B | E | E | B | B | C# | C# | F# | F# | · V3: | B | F# | B | B | F# | F# | B | B | E | E | B | B | C# | C# | F# | F# | · C3: | B | B | E | E | B | F# | F#(no3,no5) | F(no3,no5) | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #16 Anhören ↗ On The Road Again Canned Heat · 1968 · Tonart E · ≈ 130 BPM · Harmonie 4/5 · Fortgeschritten I: | E(no3,no5) | Eadd4 | · I2: | E7#9 | E7#9 | E7#9 G(no3,no5) A(no3,no5) | E7#9 | E7#9 | E7#9 | E7#9 G(no3,no5) A(no3,no5) | E7#9 | E7#9 | E7#9 | E7#9 G(no3,no5) A(no3,no5) | E7#9 | · V: | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | · V2: | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | · V3: | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | · S: | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | · V4: | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | · V5: | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | · S2: | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | E7#9 | E7#9 | Eadd9 G A | E7#9 | · O: | E(no3,no5) | Eadd4 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #16 Anhören ↗ Teach Your Children Crosby, Stills & Nash · 1970 · Tonart D · ≈ 155 BPM · Harmonie 2/5 · Leicht I: | D | D | G | G | D | D | A | A | · V: | D | D | G | G | D | D | A | A | D | D | G | G | D | D | A | A | · C: | D | D | G | G | D | D | A | A | D | D | G | G | D | D | A | A | D | D | G | G | D | D | Bm | Bm | G | A | · T: | D | D | G | G | D | D | A | A | · V2: | D | D | G | G | D | D | A | A | D | D | G | G | D | D | A | A | · C2: | D | D | G | G | D | D | A | A | D | D | G | G | D | D | A | A | D | D | G | G | D | D | Bm | Bm | G | A | · S: | D | D | G | G | D | A | D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #16 Anhören ↗ Who Wears These Shoes? Elton John · 1984 · Tonart Bm · ≈ 169 BPM · Harmonie 4/5 · Fortgeschritten I: | G | G | D | D7 | G | G | Bm | Bm | G | G | D | D | G | G | · V: | Bm | Bm | Em | Em | D | A | Em | Em | Bm | Bm | Em | Em | Bm/F# | G7 | F#7 | F#7 | · R: | Bm | Bm | Em | Em | Bm | Bm | Em | Em | · V2: | Bm | Bm | Em | Em | D | A | Em | Em | Bm | Bm | Em | Em | Bm/F# | G7 | F#7 | F#7 | · R2: | Bm | Bm | · V3: | D | D | A/C# | A/C# | Em | Em | Em | F# | D | D | A/C# | A/C# | Bm | G | Em7 D/F# | G A | · R3: | Bm | Bm | Em | Em | Bm | Bm | Em | Em | · C: | G | G | G A | A | D G/D D | G/D D | D Em7 | D7/F# | G | Gsus4 G | G A | Asus4 A | Em | Em | F#7 | F#7 | · V4: | D | D | A/C# | A/C# | Em | Em | Em | F# | D | D | A/C# | A/C# | Bm | Bm G | Em7 D/F# | G A | · R4: | Bm | Bm | Em | Em | Bm | Bm | Em | Em | · C2: | G | G | D | D | G | G | Bm | Bm | G | G | D | D | G | G | Bm | Bm | G | G | D | D | G | G | Bm | Bm | G | G | D | D | · O: | G | G | Bm | Bm | G | G | D | D | G | G | Bm | Bm | Bm G | G | G D | D | G | G | Bm | Bm | Bm G | G | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #16 Anhören ↗ Blow Away George Harrison · 1979 · Tonart D · ≈ 115 BPM · Harmonie 4/5 · Fortgeschritten I: | D | Bm7 | F#m7 | A7sus4 A | D | Bm7 | F#m7 | A7sus4 A | A7sus4 | · V: | D | Bm7 | F#m7 | F#m7 A7sus4 A | D | Bm7 | F#m7 | A7sus4 A | A7sus4 | · C: | D Bm | F#m A7sus4 A7 | D Bm | C G | F#m7 Bm | F#m A7 | F C | A7sus4 A | D Bm | F#m A7sus4 A7 | D Bm | C G | F#m7 Bm | F#m A7 | F C | G C | · INT: | F C | A7sus4 | A7sus4 | · V2: | D | Bm7 | F#m7 | F#m7 A7sus4 A | D | Bm7 | F#m7 | F#m7 A7sus4 A | A7sus4 | · C2: | D Bm | F#m A7sus4 A7 | D Bm | C G | F#m7 Bm | F#m A7 | F C | A7sus4 A | D Bm | F#m A7sus4 A7 | D Bm | C G | F#m7 Bm | F#m A7 | F C | G C | · INT2: | F C | A7sus4 | A7sus4 | · V3: | D | Bm7 | F#m7 | F#m7 A7sus4 A | D | Bm7 | F#m7 | F#m7 A7sus4 A | A7sus4 | · C3: | D Bm | F#m A7sus4 A7 | D Bm | C G | F#m7 Bm | F#m A7 | F C | A7sus4 A | D Bm | F#m A7sus4 A7 | D Bm | C G | F#m7 Bm | F#m A7 | F C | G C | · INT3: | F C | A7sus4 | A7sus4 | · S: | D Bm | F#m A7sus4 A7 | D Bm | C G | · C4: | F#m7 Bm | F#m A7 | F C | A7sus4 A | D Bm | F#m A7sus4 A7 | D Bm | C G | F#m7 Bm | F#m A7 | F C | G C | · O: | F C | A7sus4 | A7sus4 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #16 Anhören ↗ California Nights Lesley Gore · 1967 · Tonart Fm · ≈ 124 BPM · Harmonie 4/5 · Fortgeschritten I: | Fm | Fm | Gb/Db | Gb/Db | Fb | Fb | C | C | · V: | F/C | Cmaj7 | F/C | Em7 Am7 | F/C | Cmaj7 | F/C | Em7 Am7 | Em7 Am7 | Dm7 G | Csus4 C Csus4 C | Fm/C C Fm/C C | · C: | C Fm | Fm | Gb | Gb | Fb | Fb | C | C | C Fm | Fm | Gb | Gb | Fb | Fb | Fb C | C | · V2: | F/C | Cmaj7 | F/C | Em7 Am7 | F/C | Cmaj7 | F/C | Em7 Am7 | Am7 Em7 Am7 | Dm7 G | Csus4 C Csus4 C | Fm/C C Fm/C C | · C2: | C Fm | Fm | Gb | Gb | Fb | Fb | C | C | Fm | Fm | Gb | Gb | Fb | Fb | C | C | · INT: | G7 | G7 | G7 | G7 | G7 | G7 | G7 | G7 | · C3: | G7 Fm | Fm | Gb | Gb | Fb | Fb | C | C | · O: | Fm | Fm | Gb | Gb | Fb | Fb | C | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #16 Anhören ↗ Happy Anniversary Little River Band · 1978 · Tonart Em · ≈ 130 BPM · Harmonie 4/5 · Fortgeschritten C: | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | · INT: | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | · V: | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | · C2: | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | · B: | Dmaj7 | Gmaj7 | Dmaj7 | Em7/G | Dmaj7 | Gmaj7 | Dmaj7 | C#m7 F#7 | Bm7 | E7 | Em/A | A7 | · S: | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | · C3: | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | · V2: | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | · C4: | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | · C5: | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | · O: | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | · O: | Em7 | A13 | Em7 | A13 | Em7 | A13 | Em7 | A13 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #16 Anhören ↗ Born To Be Alive Patrick Hernandez · 1979 · Tonart D · ≈ 261 BPM · Harmonie 4/5 · Fortgeschritten I: | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Dadd9 | Dadd9 | C | Aadd9 | Dadd9 | Dadd9 | C | Aadd9 | · C: | Bm | Bm | C | Bm | D | D | D | D | Bm | Bm | A | A | G | G | G | G | Dm7 | Dm7 | Dm7 | Dm7 | · V: | D | D | G | G | D | D | C | G | D | D | G | G | D | D | D | D | · C2: | Bm | Bm | C | Bm | D | D | D | D | Bm | Bm | A | A | G | G | G | G | Dm7 | Dm7 | Dm7 | Dm7 | · V2: | D | D | G | G | D | D | C | G | D | D | G | G | D | D | D | D | · C3: | Bm | Bm | C | Bm | D | D | D | D | Bm | Bm | A | A | G | G | G | G | · B: | Bm | Bm | Bm | Bm | G | G | G | G | Bm | Bm | Bm | Bm | G | G | G | G | F#7sus4 | F#7sus4 | F#7 | F#7 | Bm | Bm | Bm | Bm | G | G | G | G | Bm | Bm | Bm | Bm | G | G | G | G | F#7sus4 | F#7sus4 | F#7 | F#7 | · INT: | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | · V3: | D | D | G | G | D | D | C | G | D | D | G | G | D | D | D | D | · C4: | Bm | Bm | C | Bm | D | D | D | D | Bm | Bm | A | A | G | G | G | G | · C5: | Bm | Bm | C | Bm | D | D | D | D | · O: | Bm | Bm | A | A | G | G | G | G | Bm | Bm | C | Bm | D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #16 Anhören ↗ Super Freak (Part I) Rick James · 1981 · Tonart Am · ≈ 131 BPM · Harmonie 3/5 · Mittel I: | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | · V: | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | · C: | Am/D Am | G/F Am | Am/D Am | G/F Am | Am/D Am | G/F Am | Am/D Am | G/F Am | · B: | F G Am7 | F G Am7 | F G Am7 | Am | Am | Am/F | A/E | · INT: | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | · V2: | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | · C2: | Am/D Am | G/F Am | Am/D Am | G/F Am | Am/D Am | G/F Am | Am/D Am | G/F Am | · B2: | F G Am7 | F G Am7 | F G Am7 | Am | Am | Am/F | A/E | · INT2: | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | · V3: | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | Am/D Am | G Am | · S: | Am/D Am | G/F Am | Am/D Am | G/F Am | · O: | Am/D Am | G/F Am | Am/D Am | G/F Am | Am/D Am | G/F Am | Am/D Am | G/F Am | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #16 Anhören ↗ Go Where You Wanna Go The 5th Dimension · 1967 · Tonart G · ≈ 115 BPM · Harmonie 4/5 · Fortgeschritten I: | G C | G C | G C | G C | · V: | G C | G C | G C | G C | G C | G C | G C | G C | · C: | G B7 | Em Em/D | C | C | D | D | G | F | Em | D | Em | A D | G | Em | Em | D | · V2: | G C | G C | G C | G C | G C | G C | G C | G C | · C2: | G B7 | Em Em/D | C | C | D | D | G | F | Em | D | Em | A D | G | Em | Am | D | Eb | · V3: | Ab Db | Ab Db | Ab Db | Ab Db | Ab Db | Ab Db | Ab Db | Ab Db | Ab Db | Ab Db | Ab Db | Ab Db | · O: | Ab Db | Ab Db | Ab Db | Ab Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #16 Anhören ↗ Journey To The Center Of The Mind The Amboy Dukes · 1968 · Tonart A · ≈ 150 BPM · Harmonie 4/5 · Fortgeschritten I: | A | A | C | C | A | A | C | C | A | A | C | C | A | A | C | C | · S: | A | A | C | C | A | A | C | C | A | A | C | C | A | E | · V: | E | E | E | E | D | D | E | E | · C: | A | C B Bb | A | C B Bb | A | C B Bb | B | · V2: | E | E | E | E | D | D | E | E | · C2: | A | C B Bb | A | C B Bb | A | C B Bb | B | · B: | E | E | E | E | C#m | A | F# | E | C#m | A | F# | Bsus4 | B | B | B | · S2: | A | A | C | C | A | A | C | C | A | A | C | C | A | E | · INT: | A(no3,no5) | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | E | · C3: | A | C B Bb | A | C B Bb | A | C B Bb | B | · V3: | E | E | E | E | D | D | E | E | D | D | E | E | E | E | A | A | C | C | A | A | C | C | · O: | A | A | B | B | B | B | B | B | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #16 Anhören ↗ It's Only Rock 'N Roll (But I Like It) The Rolling Stones · 1974 · Tonart E · ≈ 129 BPM · Harmonie 2/5 · Leicht I: | E | E | E | E | · V: | E | E | E | E | E | E | E | E | A G E | E | E | E | E | E | E | E | E | A G E | E | · C: | A | A | E | E | A | A | E D | A E | A | A | E | E | A | A | D A | D A | E | E | · V2: | E | E | E | E | E | E | E | E | A G E | E | E | E | E | E | E | E | E | A G E | E | · C2: | A | A | E | E | A | A | E D | A E | A | A | E | E | A | A | D A | D A | E | E | · B: | B | B | A | A | B | B | A | A | · S: | E | E | E | E | E | E | E | E | A G E | E | · C3: | A | A | E | E | A | A | E | E | A | A | E | E | A | A | E D | A E | A | A | E | E | A | A | E | E | A | A | E | E | A | A | E | E | A | A | E | E | A | A | E | E | A | A | E | E | A | A | E | E | A | A | E | E | A | A | E | E | A | A | E | E | A | A | E | E | A | A | E | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #16 Anhören ↗ Floy Joy The Supremes · 1972 · Tonart F · ≈ 136 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · INT: | Fadd9 | Fadd9 | Fadd9 | Fadd9 | · C: | F | F | Gm | Gm | · V: | F F/Eb | D | Bb | Gm7 Gm7/C | F F/Eb | D | Bb | Gm7 Gm7/C | · C2: | F | F | Gm | Gm | · V2: | F F/Eb | D | Bb | Gm7 Gm7/C | F F/Eb | D | Bb | Gm7 Gm7/C | · C3: | F | F | Gm | Gm | F | F | Gm | Gm | F | F | Gm | Gm | · B: | Bb | Am | Ab Eb | F | Bb | Am | Gm7 | C | · C4: | F | F | Gm | Gm | · V3: | F F/Eb | D | Bb | Gm7 Gm7/C | F F/Eb | D | Bb | Gm7 Gm7/C | · C5: | F | F | Gm | Gm | F | F | Gm | Gm | F | F | Gm | Gm | · O: | F | F | Gm | Gm | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #16 Anhören ↗ Dance Hall Days Wang Chung · 1984 · Tonart G · ≈ 103 BPM · Harmonie 4/5 · Fortgeschritten I: | Fadd9 C | G | Fadd9 C | G | Fadd9 C | G | Fadd9 C | G | · V: | F C | G | F C | G | F C | G | F C | G | · C: | F C/E | G | F C/E | G | F C/E | G | F C/E | Cm/Eb G/D | F E | Am G/B C | · T: | F C | G | F C | G7 | · V2: | F C | G | F C | G | F C | G | F C | G | · C2: | F C/E | G | F C/E | G | F C/E | G | F C/E | Cm/Eb G/D | F E | Am G/B C | · T2: | Fadd9 C | G | Fadd9 C | G | Fadd9 C | G | Fadd9 C | G7 | · V3: | F C | G7sus4 | F C | G | F C | G7sus4 | F C | G7sus4 | F C | G7 | F C | G7 | F C | G7 | F C | G7 | · C3: | F C/E | G | F C/E | G | F C/E | G | F C/E | Cm/Eb G/D | F E | Am G/B C | · T3: | Fadd9 C | G | Fadd9 C | G | F C | G7 | F C | G7 | · O: | F C | G7 | F C | G7 | F C | G7 | F C | G7 | F C | G7 | F C | G7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #16 Anhören ↗ The Stroke Billy Squier · 1981 · Tonart Dm · ≈ 91 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | N.C. | N.C. | · V: | N.C. | N.C. | N.C. | N.C. | G5 | D5 | G5 | A5 G(no3,no5) F(no3,no5) E(no3,no5) | · T: | Dm7 C/D Dm7 C/D | Dm7 C/D C5/G G5 | Dm7 C/D Dm7 C/D | Dm7 C/D G5 F5 | · V2: | Dm | Dm G5 F5 | Dm | Dm | G5 | D5 | G5 | A5 G(no3,no5) F(no3,no5) E(no3,no5) | · C: | C Dm | Dm G5 F5 | C Dm | Dm G5 F5 | C Dm | Dm G5 F5 | C Dm | Dm | · T2: | Dm7 C/D Dm7 C/D | Dm7 C/D C5/G G5 | Dm7 C/D Dm7 C/D | Dm C/D G5 F5 | · V3: | Dm | Dm G5 F5 | Dm | Dm | G5 | D5 | G5 | A5 G(no3,no5) F(no3,no5) E(no3,no5) | · C2: | C Dm | Dm G5 F5 | C Dm | Dm G5 F5 | C Dm | Dm G5 F5 | C Dm | Dm | · INT: | D5 N.C. | N.C. | N.C. | N.C. | · T3: | Dm7 C/D Dm7 C/D | Dm7 C/D C5/G G5 | Dm7 C/D Dm7 C/D | Dm7 C/D G5 F5 | · V4: | Dm | Dm G5 F5 | Dm | Dm | G5 | D5 | G5 | A5 G(no3,no5) F(no3,no5) E(no3,no5) | · C3: | C Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm C5/G G5 | · C4: | C Dm | Dm C5/G G5 | C Dm | Dm G5 F5 | C Dm | Dm C5/G G5 | C Dm | Dm G5 F5 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #17 Anhören ↗ Unforgettable Dinah Washington · 1959 · Tonart F · ≈ 93 BPM · Harmonie 4/5 · Fortgeschritten I: | C Am | Dm7 G7 | C A7 | Dm7 G9 | · V: | Cmaj7 Baug | C | Ebdim | Ebdim | Fmaj7 | Fmaj7 | D7 D7sus4/E | Dm7b5/F D7/F# | Bb | Bbm | F Cm6 | D7 | G9 | G9 F#7 | G7 | G7 | · V2: | Cmaj7 Baug | C | Ebdim | Ebdim | Fmaj7 | Fmaj7 | D7 D7sus4/E | Dm7b5/F D7/F# | Bb | Bbm | F Cm6 | D7 | G9 | C9sus4 C7 | Fmaj7 | D9 | G7 | C7 | F | F | N.C. | N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #17 Anhören ↗ Wish Someone Would Care Irma Thomas · 1964 · Tonart D · ≈ 55 BPM · Harmonie 2/5 · Leicht I: | Bm | D | Bm | D | · V: | D | Bm | G | A7 | D | Bm | G | A7 | · C: | D | Bm | D | Bm A | · V2: | D | Bm | D | Bm | D | Bm | D | Bm | G | A | · C2: | D | Bm | · O: | D | Bm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #17 Anhören ↗ I've Passed This Way Before Jimmy Ruffin · 1967 · Tonart Bb · ≈ 111 BPM · Harmonie 4/5 · Fortgeschritten I: | Eb F | Bb | Bb Eb F | · V: | Bb Dm | Dm Cm/Eb | Cm/Eb Cm | Eb F Bb | Bb Dm | Dm Cm/Eb | Cm/Eb Cm | Eb F Bb | · C: | Bb Dm | Dm Cm/Eb | Cm/Eb Cm | Eb F Bb | Bb Dm | Dm Cm/Eb | Cm/Eb Cm | Eb F Bb | · INT: | Eb F | · V2: | Bb | Dm | Gm | Eb F | Bb | Dm | Gm | Eb F | Bb | Dm | Gm | Eb F | Bb | Dm | Gm | G | · C2: | C Em | Em Dm/F | Dm/F Dm | F G C | C Em | Em Dm/F | Dm/F Dm | F G C | · V3: | C | Em | Am | F G | C | Em | Am | F G | C | Em | Am | F G | C | Em | Am | F G | · INT2: | C | C | G | G Ab | · C3: | Db Fm | Fm Ebm/Gb | Ebm/Gb Ebm | Gb Ab Db | Db Fm | Fm Ebm/Gb | Ebm/Gb Ebm | Gb Ab Db | · O: | Db Fm | Fm Ebm/Gb | Ebm/Gb Ebm | Gb Ab Db | Db Fm | Fm Ebm/Gb | Ebm/Gb Ebm | Gb Ab Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #17 Anhören ↗ Fire And Ice Pat Benatar · 1981 · Tonart Cm · ≈ 118 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | · I2: | C5 | C5 | C5 | C5 | · V: | C5 | Ab | Eb | G | C5 | Ab | Eb | G | · T: | G | Ab | Ab | · C: | Cm | Abmaj7 | Bbadd9 | Bbadd9 | Cm | Abmaj7 | Bbadd9 | Bbadd9 | · INT: | F | Ab | · I3: | C5 | C5 | C5 | C5 | · V2: | C5 | Ab | Eb | G | C5 | Ab | Eb | G | · T2: | G | Ab | Ab | · C2: | Cm | Abmaj7 | Bbadd9 | Bbadd9 | Cm | Abmaj7 | Bbadd9 | Bbadd9 | · T3: | Ab | Bb | · B: | G7sus4 | G7/B | Ab5/Eb Ab5 | Ab5 | G7sus4 | G7/B | Ab | Bb | · S: | Cm | Abmaj7 | Bbadd9 | Bbadd9 | Cm | Abmaj7 | Bbadd9 | Bbadd9 | · S2: | Ab | Bb | · C3: | Cm | Abmaj7 | Bbadd9 | Bbadd9 | Cm | Abmaj7 | Bbadd9 | Bbadd9 | · O: | Cm | Abmaj7 | Bbadd9 | Bbadd9 | Cm | Abmaj7 | Bbadd9 | Bbadd9 | Cm | Abmaj7 | Bbadd9 | Bbadd9 | Cm | Abmaj7 | Bbadd9 | Bbadd9 | Cm | Abmaj7 | Bbadd9 | Bbadd9 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #17 Anhören ↗ Double Shot (Of My Baby's Love) Swingin' Medallions · 1966 · Tonart Ab · ≈ 131 BPM · Harmonie 3/5 · Mittel I: | N.C. | · I2: | Ab | Fm | Ab | Fm | Ab | Fm | Ab | Eb | · V: | Ab | Fm | Db | Eb | Ab | Fm | Db | Eb | Ab | Fm | Db | Eb | Ab | Fm | Db Eb | Ab Eb | · C: | Ab | Fm | Ab | Fm | Ab | Fm | Db Eb | Ab Eb | · INT: | Ab | Fm | Ab | Fm | Ab | Fm | Ab | Ab Eb | · V2: | Ab | Fm | Db | Eb | Ab | Fm | Db | Eb | Ab | Fm | Db | Eb | Ab | Fm | Db Eb | Ab Eb | · C2: | Ab | Fm | Ab | Fm | Ab | Fm | Db Eb | Ab Eb | · O: | Ab | Fm | Ab | Fm | Ab | Fm | Ab | Fm | Ab | Fm | Ab | Fm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #17 Anhören ↗ The Best Disco In Town The Ritchie Family · 1976 · Tonart Ab · ≈ 122 BPM · Harmonie 5/5 · Experte I: | Ab | Dbadd9/Ab | Ab | Dbadd9/Ab | · C: | Ab Fm7 | Db Ab/C | Bbm7 Ab/C | Db Eb | Ab Fm7 | Db Ab/C | Bbm7 Ab/C | Db Eb | Bbm7 | Eb7 | Bbm7 | Eb7 | Bbm7 | Eb7 | Bbm7 Ab/C Db | Bb7/D | Eb7sus4 | Eb7 | · C2: | Ab Fm7 | Db Ab/C | Bbm7 Ab/C | Db Eb | Ab Fm7 | Db Ab/C | Bbm7 Ab/C | Db Eb | Bbm7 | Eb7 | Bbm7 | Eb7 | Bbm7 | Eb7 | Bbm7 Ab/C Db | Bb7/D | Eb7sus4 | Eb7 | · B: | Ab | Dbadd9/Ab | Ab | Dbadd9/Ab | Ab | Dbadd9/Ab | Ab | N.C. | Ab | Dbm/Ab | Ab Abadd9 | Fm7 | Bb7sus4 Bb | Fm7 Gm7 | Fm7 Gm7 | Fm7 Gm7 | Fm7 Gm7 | Cm7 | Cm7 | F7sus4 | F | F7sus4 | Bb6 | Eb | Cm7 | Fm7 | Eb/Bb Bb7 | F7sus4 | Bb6 | Eb | Eb | Cm7 | Cm7 | F9sus4 F9sus4/G | F9sus4/G Ab | Am7 | D7 | Gmaj7 | Gmaj7 Gb F | E Eb D Db | C B Bb A | · INT: | Ab | Dbadd9/Ab | Ab | Dbadd9/Ab | · C3: | Ab | Db Ab/C | Bbm Ab/C | Db Eb | Ab | Db Ab/C | Bbm Ab/C | Db Eb | · O: | Bbm | Eb | Bbm | Eb | Bbm | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #17 Anhören ↗ Take Me Down Alabama · 1982 · Tonart C · ≈ 94 BPM · Harmonie 5/5 · Experte I: | C | C | F/C | F/C | C6 | C | Fadd9/C | F6/C F/C | · V: | C | C | C | C | G | Dm7 | C | C G9sus4 | C | C G9sus4 | C | C | G | Dm7 | C | C B(no3,no5) | · C: | Am | Dm | Am | Dm Em F G9sus4 | C G/B | Am Em | F | Fmaj7 F6 | · INT: | C | C | Fadd9/C | F6/C F/C | · V2: | C | C | C | C | G | Dm7 | C | C G9sus4 | C | C G9sus4 | C | C | G | Dm7 | C | C | · B: | Fmaj7 F6 | Fmaj7 F6 | C | C | Fmaj7 F6 | Fmaj7 F6 | Dm7 | E | · C2: | Am | Dm | Am | Dm Em F G9sus4 | C G/B | Am Em | F | Fmaj7 F6 | · O: | C | G/C | Fmaj7 | Fmaj7 | C | G/C | Fmaj7 | Fmaj7 | C | G/C | Fmaj7 | Fmaj7 | C | G/C | Fmaj7 | Fmaj7 | C | G/C | Fmaj7 | Fmaj7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #18 Anhören ↗ Amor Ben E. King · 1961 · Tonart Bb · ≈ 101 BPM · Harmonie 5/5 · Experte I: | Bb6 | Bb6 | Bb6 | Bb6 | · V: | Bb6 | Bb6 | Bb6 | Bb6 | Bb6 | Bb6 | F/C | F/C | Cm | Cm | Cm | Fadd9/C | F | F | Bb6 | Bb6 A7 | · C: | Dm | A7 | A7 | Dm | F F#dim | Gm7 C7 | C7 | F7 | · V2: | Bb6 | Bb6 | Bb6 | Bb6 | Bb6 | Bb6 | F/C | F/C | Cm | Cm | Cm | Fadd9/C | F | F | Bb6 | Bb6 A7 | · INST: | Dm | A7 | A7 | Dm | F F#dim | Gm7 C7 | C7 | F7 | · V3: | Bb6 | Bb6 | Bb6 | Bb6 | Bb6 | Bb6 | F/C | F/C | Cm | Cmmaj7 | Cm7 | Fadd9/C | F | F | · O: | Bb7#11 | Bb7#11 | Bb7#11 | Bb7#11 | · O: | Bb7#11 | Bb7#11 | Bb7#11 | Bb7#11 | Bb7#11 | Bb7#11 | Bb7#11 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #18 Anhören ↗ Southern Cross Crosby, Stills & Nash · 1982 · Tonart A · ≈ 82 BPM · Harmonie 3/5 · Mittel I: | A Gmaj9 | D | A Gmaj9 | D A | · V: | A G | D | A G | D A | A G | D | A G | D A | A G | D | A G | D A | A G | D | A G | D Bm A | A | · B: | G D | G A | G D | G A | G D | G | A | A | · C: | D G | A | D G | A | D G | A | D G | A | · INT: | A G | D | A G | D A | · V2: | A G | D | A G | D A | A G | D | A G | D | A | A G | D | A G | D A | A G | D | A G | D Bm A | A | · B2: | G D | G A | G D | G A | G D | G | A | A | · C2: | D G | A | D G | A | D G | A | D G | A | · INT2: | A G | D | A G | D A | · S: | A G | D | A G | D A | A G | D | A G | D A | · V3: | A G | D | A G | D A | A G | D | A G | D | A | · O: | A G | D | A G | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #18 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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