80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 23 von 40 My Wish Came True Elvis Presley · 1959 · Tonart D · ≈ 67 BPM · Harmonie 4/5 · Fortgeschritten C: | N.C. D A7 | D | D D6 | G | G D/A A7 | D | E7 | A7 G G#m7b5 | A7 D/A A7 | D | D D6 | G | G D/A A7 | · V: | D | Em7 A7 | D G | D | A9sus4 | A7 | D | D | C#9 | C#9 | F#m | A7 D/A A7 | · C2: | D | D D6 | G | G D A7 | D | E7 | A7 G G#m7b5 | A7 D/A A7 | D | D D7 | G | G A | D | D D6 | G | G D/A A7 N.C. | D | Em A7 | D | Dmaj7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ There's The Girl Heart · 1988 · Tonart Bm · ≈ 129 BPM · Harmonie 4/5 · Fortgeschritten I: | Bm | F#m7 | G6 | Aadd9 | Bm | F#m7 | G6 | Aadd9 | Aadd9 | · V: | Bm | G A | Bm | G A | Em9 | F#m7 | Bmadd4 | G A | Bm | G A | Em9 | F#m7 | G | A | · C: | Bm7 | F#m7 | G | A | Bm7 | F#m7 | G | A | · T: | Bm7 | F#m7 | G | A | · V2: | Bm | G A | Bm | G A | Em9 | F#m7 | Bmadd4 | G A | Bm | G A | Em9 | F#m7 | G | A | · C2: | Bm7 | F#m7 | G | A | Bm7 | F#m7 | G | A | Bm7 | F#m7 | G | A | Bm7 | F#m7 | G | A | · T2: | Bm7 | F#m7 | G | A | Bm7 | F#m7 | G | A | · B: | Em9 | D/F# | G | A | Em9 | D/F# | G | A | A | · C3: | Bm7 | F#m7 | G | A | Bm7 | F#m7 | G | A | Bm7 | F#m7 | G | A | Bm7 | F#m7 | G | A | · T3: | Bm7 | F#m7 | G | A | Bm7 | F#m7 | G | A | · O: | Bm7 | F#m7 | G | A | Bm7 | F#m7 | G | A | · O: | Bm7 | F#m7 | G | A | Bm7 | F#m7 | G | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ Love Me Warm And Tender Paul Anka · 1962 · Tonart D · ≈ 110 BPM · Harmonie 1/5 · Einsteiger I: | D | D | D | D | · V: | D | D | D | D | Em | Em | Em | Em | Em | Em | D | D | · V2: | D | D | D | D | Em | Em | Em | Em | Em | Em | D | D | · B: | Bb | Bb | Bb | Bb | Bb | Bb | F7 | F7 | F7 | F7 | Bb | Bb | · V3: | D | D | D | D | Em | Em | Em | Em | Em | Em | D | D | · V4: | D | D | D | D | Em | Em | · O: | Em | Em | Em | Em | D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ Never My Love The 5th Dimension · 1971 · Tonart G · ≈ 80 BPM · Harmonie 5/5 · Experte I: | D | · V: | G | G | G | G | · V2: | G | D/F# | F | C G | Em | Gmaj7 | Cmaj7 | G | · V3: | G | D/F# | F | C G | Em | G | C | G | · C: | B9sus4 B7 | Em7 A7sus4 A7 | D G | C Cmaj7 | C6 | Bm | D/C | · INST: | G | D/F# | F | C G | Em | G | Dmaj7 | A | · V4: | A | E/G# | G | D A | F#m | A | D | A | · C2: | C#9sus4 C#7 | F#m7 B7sus4 B7 | E A | Dmaj7 D6 | D6 | C#m7 | Dmaj13 | Dmaj13 N.C. | · O: | A | A/G | F#m | F G | A | A/G | F#m | F G | A | A/G | F#m | F G | A | A/G | F#m | F G | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ Liar, Liar The Castaways · 1965 · Tonart Cm · ≈ 146 BPM · Harmonie 4/5 · Fortgeschritten I: | C Cm/Eb | Gm F | C Cm/Eb | Gm F | · C: | C Cm/Eb | Gm F | C Cm/Eb | Gm F | · V: | C Cm/Eb | Gm F | C Cm/Eb | Gm F | C Cm/Eb | Gm F | C Cm/Eb | Gm F | · T: | C Ab | G F | · V2: | C Cm/Eb | Gm F | C Cm/Eb | Gm F | C Cm/Eb | Gm F | C Cm/Eb | Gm F | · T2: | C Ab | G F N.C. | · S: | C Cm/Eb | Gm F | C Cm/Eb | Gm F | · C2: | C Cm/Eb | Gm F | C Cm/Eb | Gm F | · V3: | C Cm/Eb | Gm F | C Cm/Eb | Gm F | C Cm/Eb | Gm F | C Cm/Eb | Gm F | · T3: | C Ab | G F | · V4: | C Cm/Eb | Gm F | C Cm/Eb | Gm F | C Cm/Eb | Gm F | C Cm/Eb | Gm F | · T4: | C Ab | G F | · C3: | C Cm/Eb | Gm F | C Cm/Eb | Gm F | · O: | C Cm/Eb | Gm F | C Cm/Eb | Gm F | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ Must Of Got Lost The J. Geils Band · 1974 · Tonart C · ≈ 103 BPM · Harmonie 4/5 · Fortgeschritten I: | C | F | C | F | · V: | C Gm | F | C Gm | F | C Gm | F Em | Dm G | C | C Gm | F | C Gm | F | C Gm | F Em | Dm G | C | · C: | C F/C C | Dm7 | F G | C F/G C | C F/C C | Dm7 | F G | C F C | · V2: | C Gm | F | C Gm | F | C Gm | F Em | Dm G | C | · C2: | C F/C C | Dm7 | F G | C F/G C | C F/C C | Dm7 | F G | C F/G C | · B: | C | F | C | F | C | F | · C3: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · C4: | C F/C C | Dm7 | F G | C F/G C | C F/C C | Dm7 | F G | C F/G C | C F/C C | Dm7 | F G | C F/G C | · O: | C F/C C | Dm7 | F G | C F/G C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ I Love Tom T. Hall · 1973 · Tonart E · ≈ 93 BPM · Harmonie 2/5 · Leicht I: | E | E | · V: | E | A E | A E | B7 | E | E | A E | A E | B7 | E | E | · C: | A | B7 | E | E | · V2: | E | A E | A E | B7 | E | E | A E | A E | B7 | E | E | · C2: | A | B7 | E | C7 | · V3: | F | Bb F | Bb F | C7 | F | F | Bb F | Bb F | C7 | F | F | · C3: | Bb | C7 | F | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ Fernando ABBA · 1976 · Tonart A · ≈ 104 BPM · Harmonie 2/5 · Leicht I: | A | · I: | D | D | A | A | A | A | · V: | A | A | A | F#m | F#m | Bm | Bm | Bm | E | E | E | A | A | A | A | A | F#m | F#m | Bm | Bm | Bm | E | E | E | A | A | · C: | E | E | A | A | E | E | A | A/G | F# | B | B | E | E | A | A | E | E | D | D | A | A | E | E | A | A | · V2: | A | A | A | F#m | F#m | Bm | Bm | Bm | E | E | E | A | A | · C2: | E | E | A | A | E | E | A | A/G | F# | B | B | E | E | A | A | E | E | A | A | E | E | A | A/G | F# | B | B | · O: | E | E | A | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Rock 'N' Roll Fantasy Bad Company · 1979 · Tonart E · ≈ 112 BPM · Harmonie 3/5 · Mittel I: | E7#9 | E7#9 | E7#9 | E7#9 | E7#9 | · V: | E7#9 | C D | E7#9 | C D | E7#9 | C D | E7#9 | E7#9 | · T: | E7#9 | E7#9 | E7#9 | E7#9 | · V2: | E7#9 | C D | E7#9 | C D | E7#9 | C D | E7#9 | E7#9 | · C: | C A | G D | A | A | C A | G D | A | A | · T2: | E7#9 | E7#9 | · S: | E7#9 | E7#9 | E7#9 | E7#9 | E7#9 | E7#9 | E7#9 | E7#9 | · C2: | C A | G D | A | A | C A | G D | A | A | · T3: | E7#9 | E7#9 | E7#9 | E7#9 | · V3: | E7#9 | C D | E7#9 | C D | E7#9 | C D | E7#9 | E7#9 | · C3: | C A | G D | A | A | C A | G D | A | A | · C4: | C A | G D | A | A | C A | G D | A | A | · CO: | A | A | A | A | A | A | A | A | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Tarzan Boy (from the film Teenage Mutant Ninja Turtles III) Baltimora · 1986 · Tonart F · ≈ 107 BPM · Harmonie 3/5 · Mittel I: | F C | Dm | Bb C | F | F C | Dm | Bb C | F | F C | Dm | Bb C | F | F C | Dm | Bb C | F | · V: | Dm Bb | C | Dm Bb | C | Dm Bb | C C#dim7 | Dm C/E | F | Dm Bb | C | Dm Bb | C | Dm Bb | C C#dim7 | Dm C/E | F | · C: | F C | Dm | Bb C | F | F C | Dm | Bb C | F | F C | Dm | Bb C | F | F C | Dm | Bb C | F | · B: | Bb | C | Bb | C | Bb | C | Dm | Dm | · C2: | F C | Dm | Bb C | F | F C | Dm | Bb C | F | · V2: | Dm Bb | C | Dm Bb | C | Dm Bb | C C#dim7 | Dm C/E | F | Dm Bb | C | Dm Bb | C | Dm Bb | C C#dim7 | Dm C/E | F | · B2: | Bb | C | Bb | C | Bb | C | Dm | Dm | · C3: | F C | Dm | Bb C | F | F C | Dm | Bb C | F | F C | Dm | Bb C | F | · O: | F C | Dm | Bb C | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ American Storm Bob Seger · 1986 · Tonart E · ≈ 151 BPM · Harmonie 3/5 · Mittel I: | E | E | A | Bsus4 B | E | E | A | Bsus4 B | · T: | E | E | E | E | · V: | E | E | A | Bsus4 B | E | E | A | Bsus4 B | E | E | A | Bsus4 B | E | E | A | Bsus4 B | · PC: | A | A | E | E7 | A | A | Bsus4 | B | B | · C: | E | E | C#m | C#m | A | A | Bsus4 | B | E | E | C#m | C#m | A | A | Bsus4 | B | · INT: | E | E | A | Bsus4 B | E | E | A | Bsus4 B | · V2: | E | E | A | Bsus4 B | E | E | A | Bsus4 B | E | E | A | Bsus4 B | E | E | A | Bsus4 B | · PC2: | A | A | E | E7 | A | A | Bsus4 | B | B | · C2: | E | E | C#m | C#m | A | A | Bsus4 | B | E | E | C#m | C#m | A | A | Bsus4 | B | · C3: | E | E | C#m | C#m | A | A | Bsus4 | B | E | E | C#m | C#m | A | A | Bsus4 | B | · B: | C | C | Am | Am | · INT2: | E | E | A | Bsus4 B | E | E | A | Bsus4 B | E | E | A | Bsus4 B | E | E | A | Bsus4 B | E | E | A | Bsus4 B | · O: | E | E | A | Bsus4 B | E | E | A | Bsus4 B | E | E | A | Bsus4 B | E | E | A | Bsus4 B | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Too Many Rivers Brenda Lee · 1965 · Tonart Bb · ≈ 98 BPM · Harmonie 4/5 · Fortgeschritten I: | Cm9 | F13 | Bb Eb | Bb/D F7/C F7 | · V: | Bb | G7 | C7 | C7 | Cm | F7 | Bb | F7 | Bb | G7 | C7 | C7 | Cm7 | F7 | Bb Eb | Bb | · C: | Bb | G7 | C7 | C7 | Cm7 | F7 | Bb | F7 | Bb | G7 | C7 | C7 | Cm7 | F7 | Bb Eb | Bb/D F7/C F7 | · V2: | Bb | G7 | C7 | C9 | Cm7 | F7 | Bb | F13 | Bb | G7 | C7 | C9 | Cm7 | F7 | Bb Eb | Bb | · C2: | Bb | G7 | C7 | C7 | Cm7 | F9 | Bb | F13 | Bb | G7 | C7 | C7 | Cm7 | F7 | Bb Eb | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Too Weak To Fight Clarence Carter · 1968 · Tonart Db · ≈ 103 BPM · Harmonie 4/5 · Fortgeschritten I: | Db | Ab | Gb | Ab | · V: | Db6 | Gb6 | Db6/9 | Gb6 | Db6/9 | Gb6 | Bbm | Gb6 | Db6/9 | Gb6 | Db6/9 | Gb6 | Db6/9 | Ab7 | Bbm | Ab | · C: | Gb6 | Ab7 | Bbm | Ab | · V2: | Db6/9 | Gb6 | Db6/9 | Gb6 | Db6/9 | Gb6 | Bbm | Gb6 | Db6/9 | Gb6 | Db6/9 | Gb6 | Db6/9 | Ab7 | Bbm | Ab | · C2: | Gb6 | Ab7 | Bbm | Ab | · O: | Db6/9 | Gb6 | Db6/9 | Gb6 | Db6/9 | Gb6 | Db6/9 | Gb6 | · O: | Db6/9 | Gb6 | Db6/9 | Gb6 | Db6/9 | Gb6 | Db6/9 | Gb6 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Town Without Pity Gene Pitney · 1961 · Tonart Bm · ≈ 121 BPM · Harmonie 4/5 · Fortgeschritten I: | Bmadd9 | Emadd9 | G9 | F#7sus4b13 F#7#5 | · V: | Bm | Bm | Em | Em | F#m7b5/C B7 | Em Em/G | D/A | F#7sus4 F#7 | · V2: | Bm | Bmadd9 | Em | Emadd9 | F#m7b5/C B7 | Em Em/G | D/A A7 | D | · B: | G G6 | G G6 | G | E7sus4 E7 | A A6 | Amaj7 F#m7 | Bm E | A A/G | · V3: | Bm | Bmadd9 | Em | Emadd9 | F#m7b5/C B7 | Em Em/G | D/A G | F#7sus4 F#7 | Em/G A | D | G7#5 | Cmadd9 | Cmadd9 | Fmadd9 | Fm | · V4: | Gm7b5/Db C7 | Fm Fm/Ab | Eb/Bb | G7sus4 G7 | · O: | Ab7 | G7sus4 G7 | Cm G/B Gm/Bb | F/A Fm/Ab G | N.C. | Cmadd9 | Fmadd9 | C6 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Through The Years Kenny Rogers · 1981 · Tonart G · ≈ 66 BPM · Harmonie 5/5 · Experte I: | Gadd9 Esus4add9 Emadd9 | Am7 D11 D7/C | Bm7 Em7 | Am7 D9sus4 | · V: | G F#7sus4 B7 | Em Dm7 G7 | Cadd9 D7/C | Bm7 D9sus4 | G F#7sus4 B7 | Em Dm7 G7 | Cadd9 Gadd9/B | Am7 D9sus4 | · C: | Gadd9 Esus4add9 Emadd9 | Am7 D11 D/C | Bm7 Em7 | Am7 D9sus4 D7/C | Bm7 E7 | Am7 D D7/C | Bm7 E7b9 | Cmaj9 | Am9 D9sus4 | · T: | G E7sus4 Em7 | Csus4add9 C D9sus4 | · V2: | G F#7sus4 B7 | Em Dm7 G7 | Cadd9 D7/C | Bm7 D9sus4 | G F#7sus4 B7 | Em Dm7 G7 | Cadd9 Gadd9/B | Am7 D9sus4 | · C2: | Gadd9 Esus4add9 Emadd9 | Am7 D11 D/C | Bm7 Em7 | Am7 D9sus4 D7/C | Bm7 E7 | Am7 D D7/C | Bm7 E7b9 | Cmaj9 | Am9 D9sus4 | · T2: | G | Eb11 | · C3: | Abadd9 Fsus4add9 Fmadd9 | Bbm7 Eb11 Eb/Db | Cm7 Fm7 | Bbm7 Eb9sus4 Eb7/Db | Cm7 F7 | Bbm7 Eb Eb7/Db | Cm7 F7b9 | Dbmaj9 | Bbm9 Eb9sus4 | · INST: | Abadd9 Fsus4add9 Fmadd9 | Bbm7 Eb11 Eb/Db | Cm7 Fm7 | Bbm7 Eb9sus4 Eb7/Db | Cm7 F7 | Bbm7 Eb Eb7/Db | Cm7 F7b9 | Dbmaj9 | Bbm9 Eb9sus4 | · C4: | Abadd9 Fsus4add9 Fmadd9 | Bbm7 Eb11 Eb/Db | Cm7 Fm7 | Bbm7 Eb9sus4 Eb7/Db | Cm7 F7 | Bbm7 Eb Eb7/Db | Cm7 F7b9 | Dbmaj9 | Bbm9 Eb9sus4 | · O: | Abadd9 Fsus4add9 Fmadd9 | Bbm7 Eb11 Eb/Db | Cm7 Fm7 | Bbm7 Eb9sus4 Eb7/Db | Cm7 F7 | Bbm7 Eb Eb7/Db | Cm7 F7b9 | Dbmaj9 | Bbm9 Eb9sus4 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Walking In Memphis Marc Cohn · 1991 · Tonart C · ≈ 131 BPM · Harmonie 5/5 · Experte I: | F G5 | C5 A5 | F G5 | C5 A5 | · V: | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 Am7 | F Gsus4add9 | C Am7 | F Gsus4add9 | C Am7 | F Gsus4add9 | C Am7 | F Gsus4add9 | F9sus4 C5/G | C Am7/D | F9sus4 C5/G | C Am7/D | F9sus4 C5/G | C Am7/D | F9sus4 C5/G | C Am7/D | F9sus4 C5/G | C Am7 | F9sus4 C5/G | C Am7/D | F9sus4 C5/G | C Am7 | F9sus4 | C | F9sus4 | C | · C: | F Gsus4add9 | C Am7 | F Gsus4add9 | Am7 | F Gsus4add9 | C Am7 | F Gsus4add9 | · INT: | C7sus4 | C | C9sus4 | C | C7sus4 | C | C9sus4 | C | C7sus4 | C | C9sus4 | C | E7 | F | F#dim G | G | G | · V2: | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 A5 | F9sus4 C5/G | C Am7 | F9sus4 C5/G | C Am7/D | F9sus4 C5/G | C Am7 | F9sus4 | C | · C2: | F Gsus4add9 | C Am7 | F Gsus4add9 | Am7 | F Gsus4add9 | C Am7 | F Em7 | C Am7 | F Gsus4add9 | C Am7 | F Gsus4add9 | Am7 | F Gsus4add9 | C Am7 | F Gsus4add9 | C | · O: | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 Am7 | F G | F G5 | C5 A5 | F G5 | C5 A5 | F G5 | C5 A5 | F G | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Money Pink Floyd · 1973 · Tonart Bm · ≈ 127 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | Bm | Bm | Bm | Bm | · V: | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | F#m | F#m | Em | Bm | Bm | · V2: | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | F#m | F#m | Em | Bm | Bm | · S: | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | F#m | F#m | Em | Bm | Bm | · S2: | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Em | Em | Em | Em | Bm | Bm | Bm | Bm | F#m | F#m | B(no3,no5) A(no3,no5) G(no3,no5) F#(no3,no5) | E(no3,no5) D(no3,no5) C#(no3,no5) C(no3,no5) | Bm | Bm | · V3: | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | F#m | F#m | Em | · O: | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ A Hazy Shade Of Winter Simon & Garfunkel · 1966 · Tonart Dm · ≈ 141 BPM · Harmonie 3/5 · Mittel I: | Dm | C7 | Bb7 | A7 | · V: | Dm | Dm | C | C | Bb | Bb | F/C | F/C | C | C | · C: | Dm | C7 | Bb7 | A7 | · V2: | Dm | Dm | C | C | Bb | Bb | Fmaj7 | Fmaj7 | C | C | · C2: | Dm | C7 | Bb7 | A7 | · V3: | Dm7 | Dm7 | Cadd9 | Cadd9 | Bbadd9 | Bbadd9 | Fmaj7 | Fmaj7 | C | C | · C3: | Dm | C7 | Bb7 | A7 | · V4: | Dm | Dm | Gm | Gm | F | F | C | C | Dm | Dm | C | C | Bb | Bb | Fmaj7 | Fmaj7 | C | C | · C4: | Dm | C7 | Bb7 | A7 | Dm | C7 | Bb7 | A7 | Dm | C7 | Bb7 | A7 | Dm | C7 | Bb7 | A7 | N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Back In The High Life Again Steve Winwood · 1987 · Tonart D · ≈ 84 BPM · Harmonie 4/5 · Fortgeschritten I: | D Dsus4 | Dsus4 | D Dsus4 | Dsus4 | D G/D | D Asus4 | D G/D | D Asus4 | · V: | D G/D | D Asus4 | D G/D | D Asus4 | D G/D | D Asus4 | D G/D | D Asus4 | · C: | D A7/E | D/F# G | D/A A7sus4 | D A7sus4 | D A7/E | D/F G | D/A A7sus4 | · INT: | D Dsus4 | Dsus4 | D Dsus4 | Dsus4 | D G/D | D Asus4 | · V2: | D G/D | D Asus4 | D G/D | D Asus4 | D G/D | D Asus4 | D G/D | D Asus4 | · C2: | D A7/E | D/F# G | D/A A7sus4 | D A7sus4 | D A7/E | D/F# G | D/A A7sus4 | D | · B: | G D | A D | G D | D/F# G | D/A | A7sus4 | · INT2: | D D/F# G | G F/A Bb | F F/A Bb | Bb Eb/Bb C | D D/F# G | G F/A Bb | F F/A Bb | Bb Eb/Bb C | · S: | D G/D | D Asus4 | D G/D | D Asus4 | D G/D | D Asus4 | D G/D | D Asus4 | · C3: | D A7/E | D/F# G | D/A A7sus4 | D A7sus4 | D A7/E | D/F# G | D/A A7sus4 | D | · B2: | G D | A D | G D | D/F# G | D/A | A7sus4 | · O: | D Dsus4 | Dsus4 | D Dsus4 | Dsus4 | D G/D | D G/D | D G/D | D G/D | · O: | D G/D | D G/D | D G/D | D G/D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Do I Do Stevie Wonder · 1982 · Tonart B · ≈ 113 BPM · Harmonie 5/5 · Experte I: | Bmaj9 | Bmaj9 | E7 | F#9sus4 | Bmaj9 | Bmaj9 | E7 | F#9sus4 | · V: | Bmaj7 | Bmaj7 | E7 | F#9sus4 | Bmaj7 | Bmaj7 | E7 | F#9sus4 G#9sus4 | · C: | G#m7 | D#7sus4 G#9sus4 | G#m7 | D#7sus4 G#9sus4 | G#m7 | Dmaj7 Cadd4 | · INT: | Bmaj9 | Bmaj9 | E7 | F#9sus4 | · V2: | Bmaj7 | Bmaj7 | E7 | F#9sus4 | Bmaj7 | Bmaj7 | E7 | F#9sus4 G#9sus4 | · C2: | G#m7 | D#7sus4 G#9sus4 | G#m7 | D#7sus4 G#9sus4 | G#m7 | Dmaj7 Cadd4 | · INT2: | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 | · B: | C#6/9/G# G#7 | C#maj7 | F9sus4 Bb7 | Ebmaj7 | C9sus4 C7 | Fmaj7 | F#7sus4 B6/F# | Baug/F# N.C. | · INT3: | B(no3,no5) | B(no3,no5) | E(no3,no5) | F#(no3,no5) | · V3: | Bmaj7 | Bmaj7 | E7 | F#9sus4 | Bmaj7 | Bmaj7 | E7 | F#9sus4 G#9sus4 | · C3: | G#m7 | D#7sus4 G#9sus4 | G#m7 | D#7sus4 G#9sus4 | G#m7 | Dmaj7 Cadd4 | · INT4: | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 | · B2: | C#6/9/G# G#7 | C#maj7 | F9sus4 Bb7 | Ebmaj7 | C9sus4 C7 | Fmaj7 | F#7sus4 B6/F# | Baug/F# N.C. | · INT5: | B(no3,no5) | B(no3,no5) | E(no3,no5) | F#(no3,no5) | B(no3,no5) | B(no3,no5) | E(no3,no5) | F#(no3,no5) | B(no3,no5) | B(no3,no5) | E(no3,no5) | F#(no3,no5) | B(no3,no5) | B(no3,no5) | E(no3,no5) | F#(no3,no5) | Bmaj7 | Bmaj7 | E7 | F#9sus4 | Bmaj7 | Bmaj7 | E7 | F#9sus4 | · S: | Bmaj7 | Bmaj7 | E7 | F#9sus4 | Bmaj7 | Bmaj7 | E7 | F#9sus4 G#9sus4 | · S2: | G#m7 | D#7sus4 G#9sus4 | G#m7 | D#7sus4 G#9sus4 | G#m7 | Dmaj7 Cadd4 | · S3: | Bmaj7 | Bmaj7 | E7 | F#9sus4 | Bmaj7 | Bmaj7 | E7 | F#9sus4 | Bmaj7 | Bmaj7 | E7 | F#9sus4 G#9sus4 | · C4: | G#m7 | D#7sus4 G#9sus4 | G#m7 | D#7sus4 G#9sus4 | G#m7 | Dmaj7 Cadd4 | · INT6: | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 | · B3: | C#6/9/G# G#7 | C#maj7 | F9sus4 Bb7 | Ebmaj7 | C9sus4 C7 | Fmaj7 | F#7sus4 B6/F# | Baug/F# | Baug/F# | · INT7: | B(no3,no5) | B(no3,no5) | E(no3,no5) | F#(no3,no5) | · V4: | Bmaj7 | Bmaj7 | E7 | F#9sus4 | Bmaj7 | Bmaj7 | E7 | F#9sus4 G#9sus4 | · C5: | G#m7 | D#7sus4 G#9sus4 | G#m7 | D#7sus4 G#9sus4 | G#m7 | Dmaj7 Cadd4 | · INT8: | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | Bmaj9 | Bmaj9 Bb6/F | E7 | F#9sus4 Cmaj9 | · INT9: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | B(no3,no5) | B(no3,no5) | B(no3,no5) | B(no3,no5) | N.C. | N.C. | N.C. | N.C. | · INT10: | B(no3,no5) | B(no3,no5) | E(no3,no5) | F#(no3,no5) | B(no3,no5) | B(no3,no5) | E(no3,no5) | F#(no3,no5) | B(no3,no5) | B(no3,no5) | E(no3,no5) | F#(no3,no5) | B(no3,no5) | B(no3,no5) | E(no3,no5) | F#(no3,no5) | B(no3,no5) | B(no3,no5) | E(no3,no5) | F#(no3,no5) | B(no3,no5) | B(no3,no5) | E(no3,no5) | F#(no3,no5) | B(no3,no5) | B(no3,no5) | E(no3,no5) | F#(no3,no5) | B(no3,no5) | B(no3,no5) | E(no3,no5) | F#(no3,no5) | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. B(no3,no5) | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Every Time I Think Of You The Babys · 1979 · Tonart G · ≈ 121 BPM · Harmonie 4/5 · Fortgeschritten I: | G | G | · V: | G | Cm | C | G D/F# | Em | Bm | C | D | G | Cm | C | G D/F# | Em | Bm | Dm7 | Eb | · C: | Bb | Dm7 | Eb | Eb | Db | Fm7 | Gb | Gb | Bb | Ebm | Bb | Ebm | Bb | Ebm | G | G | · V2: | G | Cm | C | G D/F# | Em | Bm | C | D | G | Cm | C | G D/F# | Em | Bm | Dm7 | Eb | · C2: | Bb | Dm7 | Eb | Eb | Db | Fm7 | Gb | Gb | Bb | Ebm | Bb | Ebm | Bb | Ebm | G | G | · S: | G | Cm | C | G D/F# | Em | Bm | C | D | G | Cm | C | G D/F# | Em | Bm | Dm7 | Eb | · C3: | Bb | Dm7 | Eb | Eb | Db | Fm7 | Gb | Gb | · O: | G | Cm | G | Cm | G | Cm | G | Cm | G | Cm | G | Cm | G | Cm | G | Cm | G | Cm | G | Cm | G | Cm | G | Cm | · O: | G | Cm | G | Cm | G | Cm | G | Cm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Dial My Heart The Boys · 1988 · Tonart A · ≈ 101 BPM · Harmonie 5/5 · Experte I: | N.C. | N.C. | N.C. | Gmaj9 | · INST: | A/B | Em7 Em9/F# | A/B | Em9 | A/B | Em7 Em9/F# | A/B | Em9 | · V: | B(no3,no5) | E(no3,no5) F#(no3,no5) | B(no3,no5) | G(no3,no5) F#(no3,no5) E(no3,no5) | Em9 | A/B | Em9 | A Bbdim | · C: | A/B | Em9 | A/B | Em9 | A/B | Em9 | A/B | Em9 | · INT: | Bm Bb | Asus4 A | Bm E7b5/Bb | Gmaj7/A A | Bm | E(no3,no5) F#(no3,no5) | Bm | G(no3,no5) F#(no3,no5) E(no3,no5) | · V2: | B(no3,no5) | E(no3,no5) F#(no3,no5) | B(no3,no5) | G(no3,no5) F#(no3,no5) E(no3,no5) | Em9 | A/B | Em9 | A Bbdim | · C2: | A/B | Em9 | A/B | Em9 | A/B | Em9 | A/B | Em9 | · INST2: | A/B | Em7 | A/B | Em9 | A/B | Em7 | A/B | Em9 | · S: | Em9 | A/B | Em9 | A/B | Em9 | A/B | Em9 | A Bbdim | · C3: | A/B | Em9 | A/B | Em9 | A/B | Em9 | A/B | Em9 | · C4: | A/B | Em9 | A/B | Em9 | A/B | Em9 | A/B | Em9 | · INT2: | A/B | Em7 | A/B | Em9 | A/B | Em7 | A/B | Em9 | · C5: | A/B | Em9 | A/B | Em9 | A/B | Em9 | A/B | Em9 | · O: | A/B | Em7 | A/B | Em9 | A/B | A/B | Em7 | A/B | Em9 | A/B | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Waiting On A Friend The Rolling Stones · 1982 · Tonart C · ≈ 117 BPM · Harmonie 3/5 · Mittel I: | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | · V: | Am | F | G | C | G7 | G7 | C | C | G7 | G7 | C | C | · V2: | Am | F | G | C | G7 | G7 | C | C | G7 | G7 | C | C | · V3: | Am | F | G | C | G7 | G7 | C | C | G7 | G7 | · T: | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | · S: | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | · V4: | Am | F | G | C | G7 | G7 | C | C | G7 | G7 | C | C | · V5: | Am | F | G | C | G7 | G7 | C | C | G7 | G7 | · T2: | Cadd9 | Dm/F F | Cadd9 | Dm/F F | · S2: | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | · O: | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Dm/F F | Cadd9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Ain't Too Proud To Beg The Temptations · 1966 · Tonart C · ≈ 119 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. F | C | C F | C | C F | C | C F | · C: | C F | C F | C F | C F | C F | C F | C F | C F | · V: | C | N.C. | C | N.C. | C | N.C. | C | G | · C2: | C F | C F | C F | C F | C F | C F | C F | C F | · V2: | C | N.C. | C | N.C. | C | N.C. | C | G | · C3: | C F | C F | C F | C F | C F | C F | C F | G | · S: | C F | C F | C F | C F | C F | C F | C F | G | · V3: | C | N.C. | C | N.C. | C | N.C. | C | G | · C4: | C F | C F | C F | C F | C F | C F | C F | C F | · O: | C F | C F | C F | C F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ What You Get Is What You See Tina Turner · 1987 · Tonart F · ≈ 156 BPM · Harmonie 4/5 · Fortgeschritten I: | F | Fsus2 Bb | C | Bb | F | Fsus2 Bb | C | Bb | F | Bb C | F | Bb C | F | Bb C | F | Bb C | · V: | F | Bb C | F | Bb C | F | Bb C | F | Bb C | F | Bb C | F | Bb C | F | Bb C | F | Bb C | · PC: | Bb | C F | Bb | C | Bb | C F | Bb | C | C | · C: | F | Gm7 Bb/A | C | Bb C | F | Gm7 Bb/A | C | Bb C | F | Gm7 Bb/A | C | Bb C | F Gm7 F/A | Bb | C | · T: | F | Bb C | F | Bb C | · V2: | F | Bb C | F | Bb C | F | Bb C | F | Bb C | F | Bb C | F | Bb C | F | Bb C | F | Bb C | · PC2: | Bb | C F | Bb | C | Bb | C F | Bb | C | C | C | C | · C2: | F | Gm7 Bb/A | C | Bb C | F | Gm7 Bb/A | C | Bb C | F | Gm7 Bb/A | C | Bb C | F Gm7 F/A | Bb | C | · S: | F | Gm7 Bb/A | C | Bb C | F | Gm7 Bb/A | C | Bb C | F | Gm7 Bb/A | C | Bb C | · PC3: | Bb | C F | Bb | C | Bb | C F | Bb | C | C | C | C | · C3: | F | Gm7 Bb/A | C | Bb C | F | Gm7 Bb/A | C | Bb C | F | Gm7 Bb/A | C | Bb C | F Gm7 F/A | Bb | C | · C4: | F | Gm7 Bb/A | C | Bb C | F | Gm7 Bb/A | C | Bb C | F | Gm7 Bb/A | C | Bb C | F | Gm7 Bb/A | C | Bb C | F | Gm7 Bb/A | C | Bb C | · O: | F | Gm7 Bb/A | C | Bb C | F | Gm7 Bb/A | C | Bb C | F | Gm7 Bb/A | C | Bb C N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #13 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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