80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 21 von 40 Let's Get Serious Jermaine Jackson · 1980 · Tonart Bbm · ≈ 109 BPM · Harmonie 5/5 · Experte I: | Bbm7 | Ebm7 | Bbm7 | Bbm7 | Bbm7 | Ebm7 | Bbm7 | Bbm7 | Bbm7 | Ebm7 | Bbm7 | Bbm7 | · V: | Bbm7 | Ebm7 | Bbm7 | Bbm7 | Bbm7 | Ebm7 | Bbm7 | Bbm7 | · PC: | Ebm7 Db/F Ebm/Gb Eb7/G | Ab7sus4 Ab7 | Ebm7 Db/F Ebm/Gb Eb7/G | Ab7sus4 F7/A | F7/A | · V2: | Bbm7 | Ebm7 | Bbm7 | Bbm7 | Bbm7 | Ebm7 | Bbm7 | Bbm7 | · PC2: | Ebm7 Db/F Ebm/Gb Eb7/G | Ab7sus4 Ab7 | Ebm7 Db/F Ebm/Gb Eb7/G | Ab7sus4 F7/A | F7/A | · C: | Bbm7 | Bbm7 | Ebm7 Db Ab/C Fm7 | Bbm7 | Bbm7 | Bbm7 | Ebm7 Db Ab/C Fm7 | Bbm7 | · B: | Cbmaj7 | Bbm7 | Cbmaj7 | Bbm7 | Cbmaj7 Bbm7 Ab | Gbmaj7 | F7 | · INT: | Bbm7 | Ebm7 | Bbm7 | Bbm7 | · V3: | Bbm7 | Ebm7 | Bbm7 | Bbm7 | Bbm7 | Ebm7 | Bbm7 | Bbm7 | · PC3: | Ebm7 Db/F Ebm/Gb Eb7/G | Ab7sus4 Ab7 | Ebm7 Db/F Ebm/Gb Eb7/G | Ab7sus4 F7/A | F7/A | · C2: | Bbm7 | Bbm7 | Ebm7 Db Ab/C Fm7 | Bbm7 | Bbm7 | Bbm7 | Ebm7 Db Ab/C Fm7 | Bbm7 | Bbm7 | Bbm7 | Ebm7 Db Ab/C Fm7 | Bbm7 | Bbm7 | Bbm7 | Ebm7 Db Ab/C Fm7 | Bbm7 | Bbm7 | Bbm7 | Ebm7 Db Ab/C Fm7 | Bbm7 | Bbm7 | Bbm7 | Ebm7 Db Ab/C Fm7 | Bbm7 | · O: | Bbm7 | Bbm7 | Ebm7 Db Ab/C Fm7 | Bbm7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Rocky Mountain High John Denver · 1972 · Tonart E · ≈ 82 BPM · Harmonie 4/5 · Fortgeschritten I: | E | F#m7 A B7sus4 | E | F#m7 A B7sus4 | · V: | E | F#m7 D B7sus4 | E | F#m7 A B7sus4 | E | F#m7 D B7sus4 | E | F#m7 A B7sus4 | E | F#m7 D B7sus4 | E | F#m7 A B7sus4 | E | F#m7 D B7sus4 | E | F#m7 A B7sus4 | · C: | B7sus4 A B | E | A B | E | A B | E | A | A B7sus4 | · INT: | E | F#m7 A B7sus4 | E | F#m7 A B7sus4 | · V2: | E | F#m7 D B7sus4 | E | F#m7 A B7sus4 | E | F#m7 D B7sus4 | E | F#m7 A B7sus4 | E | F#m7 D B7sus4 | E | F#m7 A B7sus4 | E | F#m7 D B7sus4 | E | F#m7 A B7sus4 | · C2: | B7sus4 A B | E | A B | E | A B | E | A | A B7sus4 | · INT2: | E | F#m7 A B7sus4 | E | F#m7 A B7sus4 | · V3: | E | F#m7 D B7sus4 | E | F#m7 A B7sus4 | E | F#m7 D B7sus4 | E | F#m7 A B7sus4 | · C3: | B7sus4 A B | E | A B | E | A B | E | A | A B7sus4 | E | A B | E | A B | E | A B | E | A | A B7sus4 | · O: | E | F#m7 A B7sus4 | E | F#m7 A B7sus4 | E | F#m7 A B7sus4 | E | F#m7 A B7sus4 | · O: | E | F#m7 A B7sus4 | E | F#m7 A B7sus4 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Silent Lucidity Queensryche · 1991 · Tonart G · ≈ 70 BPM · Harmonie 5/5 · Experte I: | G Gadd9 | G Gadd9 | Em9 Em7 | Em9 Em7 | · V: | G Gadd9 | G Gadd9 | Em9 Em7 | Em9 Em7 | G Gadd9 | G Gadd9 | Em9 Em7 | Em9 Em7 | C Cadd9 | C Cadd9 | Am7 Am11 | Am7 Am11 | C Cadd9 | C Cadd9 | Am7 Am11 | G5 | · T: | G Gadd9 | G Gadd9 | Em9 Em7 | Em9 Em7 | · V2: | G Gadd9 | G Gadd9 | Em9 Em7 | Em9 Em7 | G Gadd9 | G Gadd9 | Em9 Em7 | Em9 Em7 | C Cadd9 | C Cadd9 | Am7 Am11 | Am7 Am11 | C Cadd9 | C Cadd9 | Am7 Am11 | Am7 | · C: | D | C6/9 | D | C6/9 | D | C6/9 | D | C6/9 | C6/9 | · T2: | G Gadd9 | G Gadd9 | · B: | Eb | Eb | Csus2 C | Csus2 C | Eb | Eb | Csus2 C | Bb | Ab | Cmadd9/G | F7sus2 F | Eb Cm6/Eb | Dm Dmadd9 | Csus4add9 Cm | Bbmaj7 Bbadd9 | Abmaj7 | G | · V3: | G Gadd9 | G Gadd9 | Em9 Em7 | Em9 Em7 | G Gadd9 | G Gadd9 | Em9 Em7 | Em9 Em7 | C Cadd9 | C Cadd9 | Am7 Am11 | Am7 Am11 | C Cadd9 | C Cadd9 | Am7 Am11 | Am7 | · C2: | D | C6/9 | D | C6/9 | D | C6/9 | D | C6/9 | C6/9 | · O: | G Gadd9 | G Gadd9 | G Gadd9 | G Gadd9 | G Gadd9 | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Evil Ways Santana · 1970 · Tonart Gm · ≈ 100 BPM · Harmonie 3/5 · Mittel SON: | N.C. | Gm C7 | Gm C7 | Gm C7 | Gm C7 | · V: | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | D7 | D7 | · INT: | Gm C7 | Gm C7 | Gm C7 | Gm C7 | · V2: | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | D7 | D7 | · S: | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | C7 | Gm C7 | C7 | · V3: | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | D7 | D7 | · S2: | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 | Gm C7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Rock This Town Stray Cats · 1982 · Tonart D · ≈ 201 BPM · Harmonie 3/5 · Mittel I: | D | D | D | D | D | D | D | D | D | D | D | D | · V: | D | D | D | D | D | D | A | A | D | D7 | G | E7 | D | A | · V2: | G | D | D | D | D | D | D | D | · V3: | D | D | D | D | D | D | A | A | D | D7 | G7 | E7 | D | A7 | D | D | · C: | D | D | D | D | D | D | A7 | A7 | D | D7 | G | G | D | A | D | D | · S: | D | D | D | D | D | D | A | A | D | D7 | G | E7 | D | A7 | · V4: | D | D | D | D | D | D | D | D | · V5: | D | D | D | D | D | D | A | A | D | D7 | G7 | E7 | D | A7 | D7 | D7 | · C2: | D | D | D | D | D | D | A | A | D | D7 | G | E7 | D | A7 | D7 | D7 | · S2: | D | D | D | D | D | D | A | A | D | D7 | G | E7 | D | A7 | · PC: | D | D | D | D | D | D | D | D | · C3: | D | D | D | D | D | D | A | A | D | D7 | G | E7 | D | A7 | D | D | · O: | D | A7 | D | D | D | A7 | D | D6/9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Burning Down The House Talking Heads · 1983 · Tonart Dm · ≈ 103 BPM · Harmonie 4/5 · Fortgeschritten I: | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | · C: | G | F | G | F | G | F | G A | F | · C2: | G | F | G | F | G | F | G A | F | · V: | Gsus4 | Fsus4 | Gsus4 | Fsus4 | Gsus4 | Fsus4 | Gsus4 | Fsus4 | · C3: | G | F | G | F | G | F | G A | F | · V2: | Gsus4 | Fsus4 | Gsus4 | Fsus4 | Gsus4 | Fsus4 | Gsus4 | Fsus4 | · INST: | G | F | G | F | G | F | G A | F | · C4: | G | F | G | F | G | F | G A | F | · V3: | Gsus4 | Fsus4 | Gsus4 | Fsus4 | Gsus4 | Fsus4 | Gsus4 | Fsus4 | · INST2: | G(no3,no5) | F(no3,no5) | G(no3,no5) | F(no3,no5) | G(no3,no5) | F(no3,no5) | G(no3,no5) | F(no3,no5) | · INST3: | G5 | F5 | G5 | F5 | G5 | F5 | G5 A5 | F5 | · INST4: | Gsus4 | Fsus4 | Gsus4 | Fsus4 | Gsus4 | Fsus4 | Gsus4 | Fsus4 | · O: | Gsus4 | Fsus4 | Gsus4 | Fsus4 | Gsus4 | Fsus4 | Gsus4 | Fsus4 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ San Franciscan Nights The Animals · 1967 · Tonart C · ≈ 92 BPM · Harmonie 4/5 · Fortgeschritten I: | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | N.C. | · V: | C Em/B | Am7 Em/G | · V2: | C Em/B | Am7 Em/G | C Em/B | Am7 Em/G | Dm F | C | C D | F C | D F | C | · V3: | C Em/B | Am7 Em/G | C Em/B | Am7 Em/G | D F | C | C D | F C | D F | C | · B: | Fm | Em | F | G | G | · S: | C Em/B | Am7 Em/G | C Em/B | Am7 Em/G | D F | C | C D | F C | D F | C | · V4: | C Em/B | Am7 Em/G | C Em/B | Am7 Em/G | D F | C | C D | F C | D F | C | · B2: | Fm | Em | F | G | G | · S2: | C Em/B | Am7 Em/G | C Em/B | Am7 Em/G | · O: | D F | C | C D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ On Broadway The Drifters · 1963 · Tonart F# · ≈ 109 BPM · Harmonie 4/5 · Fortgeschritten I: | F# F#9sus4 | F# F#9sus4 | F# F#9sus4 | F# F#9sus4 | · V: | F# F#9sus4 | F# F#9sus4 | F# F#9sus4 | F# F#9sus4 | F# F#9sus4 | F# F#9sus4 | F# F#9sus4 | F# F#9sus4 | B B9sus4 | B B9sus4 | B B9sus4 | B C# | F# F#7 | F# F#7 | F# F#7 | F# F#7 | · V2: | G G9sus4 | G G9sus4 | G G9sus4 | G G9sus4 | G G9sus4 | G G9sus4 | G G9sus4 | G G9sus4 | C C9sus4 | C C9sus4 | C C9sus4 | C D | G G9sus4 | G G9sus4 | G G9sus4 | G G9sus4 | · V3: | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Db Db9sus4 | Db Db9sus4 | Db Db9sus4 | Db Eb | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | · V4: | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Db Db9sus4 | Db Db9sus4 | Db Db9sus4 | Db Eb | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | · O: | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 | Ab Ab9sus4 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ That's Old Fashioned (That's The Way Love Should Be) The Everly Brothers · 1962 · Tonart G · ≈ 118 BPM · Harmonie 4/5 · Fortgeschritten I: | G | C | G | Am7 D | G C | G D(no3,no5) | · V: | G C | G C | G C | G F Em Dm | C D | C D | G C | G | C D | C D | G F# F | E7 | A7 | D7 | G C | G D7 | · V2: | G C | G C | G C | G F Em Dm | C D | C D | G C | G | C D | C D | G F# F | E7 | A7 | D7 | G C | G | · B: | C D | G Em | C D | G | C D | G Em | A7 | D7 | · V3: | G C | G C | G C | G F Em Dm | C D | C D | G C | G | C D | C D | G F# F | E7 | A7 | D7 | G C | G | · CO: | G | C | G | Am7 D | G | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Carrie-Anne The Hollies · 1967 · Tonart C · ≈ 119 BPM · Harmonie 3/5 · Mittel I: | C | G7 | C | G7 | C | G7 | C | G7 | · V: | C F | C F | C F | C F | C F | C F | C F | G | · C: | C F | G7 | C F | G7 | C F | G7 | C F | G7 | · V2: | C F | C F | C F | C F | C F | C F | C F | G | · C2: | C F | G7 | C F | G7 | C F | G7 | C F | G7 | · B: | F | F | Bb | F | F | F | Bb | G | G | · S: | C F | C F | C F | C F | C F | C F | C F | G | · C3: | C F | G7 | C F | G7 | C F | G7 | C F | G7 | · V3: | C F | C F | C F | C F | C F | C F | C F | G | · C4: | C F | G7 | C F | G7 | C F | G7 | C F | G7 | · O: | F | C/E | G7/D | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Have You Seen Your Mother, Baby, Standing In The Shadow? The Rolling Stones · 1966 · Tonart G · ≈ 202 BPM · Harmonie 3/5 · Mittel I: | G N.C. | D | D7 | · C: | G | G | D | D7 | G | G | D | D7 | · B: | B | B | G | G | B | D | C | C | · R: | G/B | G | D | D | D | D7 | · C2: | G | G | D | D7 | G | G | D | D7 | · B2: | B | B | G | G | B | D | C | C | · R2: | G | G | D | D | D | D7 | · INT: | G | C/G G | G | C/G G | G | C/G G | G | C/G G | G | C/G G | G | C/G G | G | C/G G | G | C/G G | D | D | D | D7 | · C3: | G | G | D | D7 | G | G | D | D7 | · B3: | B | B | G | G | B | D | C | C | · R3: | G | G | D | D | D | D7 | · C4: | G | G | D | D7 | G | G | D | D7 | · B4: | B | B | G | G | B | D | C | C | · R4: | G | G | D | D | D | D7 | · O: | D | D7 | C | D | D | C | D | G | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Heart Full Of Soul The Yardbirds · 1965 · Tonart Dm · ≈ 135 BPM · Harmonie 3/5 · Mittel I: | Dm | Dm | Dm | Dm | · V: | Dm | G | Bb | F | Dm | G | Bb | F | Dm | G | Bb | F | Dm | G | Bb | F | · C: | D | F G | D | Bb F | D | A | G F Dm C | · T: | Dm | Dm | Dm | Dm | · S: | Dm | G | Bb | F | Dm | G | Bb | F | · C2: | D | F G | D | Bb F | D | A | G F Dm C | · T2: | Dm | Dm | Dm | Dm | · V2: | Dm | G | Bb | F | Dm | G | Bb | F | Dm | G | Bb | F | Dm | G | Bb | F | · C3: | D | F G | D | Bb F | D | A | G F Dm C | · T3: | Dm | Dm | Dm | Dm | · O: | Dm | Dm | Dm | Dm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ An Innocent Man Billy Joel · 1984 · Tonart C · ≈ 107 BPM · Harmonie 4/5 · Fortgeschritten I: | C | C | C | C | · V: | C | C | Dm | Dm | F | G | G | C | C | C | Dm | Dm | F | G | G | C | · B: | Gm7 | C/G | Bb/F | F | G | · V2: | C | C | Dm | Dm | F | G | G | C | C | C | Dm | Dm | F | G | G | · C: | C F/C C | C F/A G/B | C F/C C | C Dm7 C/E | Bb/F F | F Bb/F F | Bb/F F | F G G/B | · INST: | C | C | C | C | · V3: | C | C | Dm | Dm | F | G | G | C | C | C | Dm | Dm | F | G | G | C | · B2: | Gm7 | C/G | Bb/F | F | G | · V4: | C | C | Dm | Dm | F | G | G | C | C | C | Dm | Dm | F | G | G | · C2: | C F/C C | C F/A G/B | C F/C C | C Dm7 C/E | Bb/F F | F Bb/F F | Bb/F F | F G G/B | C F/C C | C F/A G/B | C F/C C | C Dm7 C/E | · T: | Gm7 | C/G | Bb/F | F | G | N.C. | · V5: | C | C | Dm | Dm | F | G | G | C | C | C | Dm | Dm | F | G | G | · C3: | C F/C C | C F/A G/B | C F/C C | C Dm7 C/E | Bb/F F | F Bb/F F | Bb/F F | F G G/B | C F/C C | C F/A G/B | C F/C C | C Dm7 C/E | G | G | · O: | C | C | C | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ Feelin' Stronger Every Day Chicago · 1973 · Tonart C · ≈ 159 BPM · Harmonie 5/5 · Experte I: | Dm7 Fmaj7 G7 | G7 | G C F | F | Dm7 Fmaj7 G7 | G7 | G C F | F | C7 | C7 | · V: | C | Eb Bb | Bb Eb/Bb Bb F | F Eb/Bb Bb F | C | Eb Bb | Bb Eb/Bb Bb F | F Eb/Bb Bb F | · C: | Am7 | Dm7 | Am7 | Dm7 Fmaj7 G7 | G7 | · V2: | C | C Eb Bb | Bb Eb/Bb Bb F | F Eb/Bb Bb F | C | C Eb Bb | Bb Eb/Bb Bb F | F Eb/Bb Bb F | · C2: | Am7 | Dm7 | Am7 | · INT: | Dm7 F G | G | G C F | F | Dm7 F G | G | G C F | F | F C7 | C7 | · B: | G C | D C | G C | A7 | A7 | A7 | A7 | A7 | A7 | E7 | E7 | B | F# | C# | C# B | A7 | A7 | E7 | E7 | B | F# | C# | C# B | · O: | A | E | B7 | B7 | A | E | B7 | B7 | A | E | B7 | B7 | A | E | B7 | B7 | A | E | B7 | B7 | A | E | B7 | B7 | A | E | B7 | B7 | A | E | B7 | B7 | A | E | B7 | B7 | A | E | B7 | B7 | A | E | B7 | B7 | A | E | B7 | B7 | · O: | A | E | B7 | B7 | A | E | B7 | B7 | A | E | B7 | B7 | A | E | B7 | B7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ The Goonies R Good Enough Cyndi Lauper · 1985 · Tonart E · ≈ 139 BPM · Harmonie 4/5 · Fortgeschritten I: | C#m | C#m | C#m | C#m | · INST: | C#m7 | C#m7 | C#m7 | C#m7 | C#7 | C#7 | C#7 | C#7 | C#m7 | C#m7 | C#m7 | C#m7 | C#7 | C#7 | C#m7 | C#m7 | · V: | E | E | C#madd9 | C#madd9 | E | E | C#madd9 | C#madd9 | · PC: | A | B | E | F#m6 G# | A | B | · C: | E | E | C#m | A | B | B | E/G# | A B | · INT: | C#m7 | C#m7 | C#m7 | C#m7 | · V2: | E | E | C#madd9 | C#madd9 | E | E | C#madd9 | C#madd9 | · PC2: | A | B | E | F#m6 G# | A | B | · C2: | E | E | C#m | A | B | B | E/G# | A B | · C3: | E | E | C#m | A | B | B | E/G# | A B | · INT2: | C#m7 | C#m7 | C#m7 | C#m7 | · INST2: | C#m7 | C#m7 | C#m7 | C#m7 | C#7#9 | C#7#9 | C#7#9 | C#7#9 | C#7#9 | C#7#9 | C#7#9 | N.C. | · PC3: | A | B | E | F#m6 G# | A | B | · C4: | E | E | C#m | A | B | B | E/G# | A B | · C5: | E | E | C#m | A | B | B | E/G# | A B | · C6: | E | E | C#m | A | B | B | E/G# | A B | · CO: | C#m | C#m | C#m | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ Golden Years David Bowie · 1976 · Tonart F# · ≈ 109 BPM · Harmonie 4/5 · Fortgeschritten I: | F# E | F# | F# E | F# | · C: | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | · V: | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | · C2: | D Bmadd4 | D Bmadd4 | · C3: | F# E | F# E | F# E | F# E | · V2: | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | · C4: | D Bmadd4 | D Bmadd4 | G C | A C#dim | Bm Em7 | N.C. | · C5: | F# E | F# E | F# E | F# E | · V3: | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | · C6: | D Bmadd4 | D Bmadd4 | · C7: | F# E | F# E | F# E | F# E | · V4: | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | · C8: | D Bmadd4 | D Bmadd4 | G C | A C#dim | Bm E7#9 | N.C. | · O: | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | F# E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ I Will Dean Martin · 1965 · Tonart D · ≈ 104 BPM · Harmonie 3/5 · Mittel I: | D D6 | Dmaj7 D6 | D D6 | Dmaj7 D6 | · V: | D D6 | Dmaj7 D6 | A Aadd9 | A Aadd9 | A Aadd9 | A Aadd9 | D D6 | Dmaj7 D6 | D7 | D7 | G | Gm | D | A7 | D D6 | Dmaj7 D6 | · V2: | D D6 | Dmaj7 D6 | A Aadd9 | A Aadd9 | A Aadd9 | A Aadd9 | D D6 | Dmaj7 D6 | D7 | D7 | G | Gm | D | A7 | D D6 | A7 | · V3: | D D6 | Dmaj7 D6 | A Aadd9 | A Aadd9 | A Aadd9 | A Aadd9 | D D6 | Dmaj7 D6 | D7 | D7 | G | Gm | D | A7 | D D6 | Dmaj7 D6 | D | A7 N.C. | D | D | D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ Love Came To Me Dion · 1962 · Tonart G · ≈ 119 BPM · Harmonie 2/5 · Leicht I: | G | G | Em | Em | C | C | D | D | · V: | G | G | Em | Em | C | C | D | D | G | G | Em | Em | C | C | D | D | · INT: | G | G | Em | Em | C | C | D | D | · C: | C | Cm7 | G | G7 | C | Cm7 | A | D7 | G | G | Em | Em | C | C | D | D | · INT2: | G | G | Em | Em | C | C | D | D | · C2: | C | Cm7 | G | G7 | C | Cm7 | A | D7 | G | G | Em | Em | C | C | D | D | · INT3: | G | G | Em | Em | C | C | D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ I Can't Stand It Eric Clapton · 1981 · Tonart Dm · ≈ 121 BPM · Harmonie 3/5 · Mittel I: | Dm | Am | G | G | Dm | Am | G | G | · V: | Dm | Am | G | G | Dm | Am | G | G | · C: | Am | F G | Am | F G | Am | F G | Am | Am | · V2: | Dm | Am | G | G | Dm | Am | G | G | · C2: | Am | F G | Am | F G | Am | F G | Am | Am | · S: | Dm | Am | G | G | Dm | Am | G | G | · C3: | Am | F G | Am | F G | Am | F G | Am | Am | · V3: | Dm7 | Am7 | G7 | G7 | Dm7 | Am7 | G7 | G7 | · C4: | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | Am | F G | · O: | Am | F G | Am | F G | Am | F G | Am | F G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ It's Only Make Believe Glen Campbell · 1970 · Tonart C · ≈ 75 BPM · Harmonie 3/5 · Mittel I: | C | Am | F | G | C | Gsus4 G | · V: | C | Am | F | G | F | G | C | F | G | F | C F | C Ab7 | · V2: | Db | Bbm | Gb | Ab | Gb | Ab | Db | Gb | Ab | Gb | Db Gb | Db A7 | · V3: | D | Bm | G | A | G | A | D | G | A | G | D G | D G | D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ Twilight Zone Golden Earring · 1983 · Tonart Bm · ≈ 119 BPM · Harmonie 3/5 · Mittel I: | Bm | Bm | · INST: | B5 | B5 | F#5 | F#5 | C#5 | C#5 | B5 | B5 | · V: | Bm | Bm | Em | Em | F#m | F#m | Bm | Bm | Bm | Bm | Em | Em | F#m | F#m | Bm | Bm | · C: | Bm | Bm | Asus4 | Asus4 | Gsus4 | Gsus4 | F#sus4 | F#sus4 | G5 | E5 | B5 | B5 | G5 | E5 | B5 | B5 | · V2: | Bm | Bm | Em | Em | F#m | F#m | Bm | Bm | Bm | Bm | Em | Em | F#m | F#m | Bm | Bm | · C2: | Bm | Bm | Asus4 | Asus4 | Gsus4 | Gsus4 | F#sus4 | F#sus4 | G5 | E5 | B5 | B5 | G5 | E5 | B5 | E5 | E5 | · S: | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | · C3: | Bm | Bm | Asus4 | Asus4 | Gsus4 | Gsus4 | F#sus4 | F#sus4 | Bm | Bm | Asus4 | Asus4 | Gsus4 | Gsus4 | F#sus4 | F#sus4 | G5 | E5 | B5 | B5 | G5 | E5 | B5 | B5 | G5 | E5 | B5 | B5 | · O: | G5 | E5 | B5 | B5 | G5 | E5 | B5 | B5 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ If I Could Build My Whole World Around You Marvin Gaye & Tammi Terrell · 1967 · Tonart Db · ≈ 123 BPM · Harmonie 4/5 · Fortgeschritten I: | Db Gb | Gb Db | Db Gb | Gb Db | · V: | Db Gb | Gb Db | Db Gb | Gb Db | Db Gb | Gb Db | Db Gb | Gb Db | · V2: | Fm | Bbm | Fm | Bbm | Ebm Fm | Absus4 | Db Gb | Gb Db Ab | · V3: | Db Gb | Db Gb | Db Gb | Db Gb | Db Gb | Db Gb | Db Gb | Db Gb | · V4: | Fm | Bbm | Fm | Bbm | Ebm Fm | Absus4 | Db Gb | Gb Db Ab | · INT: | Db Gb | Db Gb | Db Gb | Gb Db | Ebm Fm | Fm7 Bb | · V5: | Eb Ab | Eb Ab | Eb Ab | Eb Ab | Eb Ab | Eb Ab | Eb Ab | Eb Ab | · V6: | Gm | Cm | Gm | Cm | Fm Gm | Bb11 | Fm Gm | Bb11 | Eb Ab | Ab Eb | · O: | Fm Gm | Bb11 | Fm Gm | Bb11 | Eb Ab | Ab Eb | Fm Gm | Bb11 | Fm Gm | Bb11 | Eb Ab | Ab Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ Maybe I'm Amazed Paul McCartney · 1977 · Tonart D · ≈ 79 BPM · Harmonie 5/5 · Experte I: | N.C. A | D/F# F6 | Em7 A | A | A | · V: | Bb F/A | C G/C | Bb F/A | C | Bb F/A | C G | Bb F/A | Ab Eb/G | C | · C: | D Dmaj9 | D9 D7 D7/F# | G | Dadd9 | D Dmaj9 | D9 D7 D7/F# | G | D/F# F6 | Em7 A | · S: | Bb F/A | C G | Bb F/A | C | Bb F/A | C G | Bb F/A | Ab Eb/G | C | · C2: | D Dmaj9 | D9 D7 D7/F# | G | Dadd9 | D Dmaj9 | D9 D7 D7/F# | G | D/F# F6 | Em7 A | · V2: | Bb F/A | C G | Bb F/A | C | Bb F/A | C G | Bb F/A | Ab Eb/G | C | · S2: | D Dmaj9 | D7 | G | Dadd9 | D Dmaj9 | D7 | G | D/F# F6 | Em7 A | A N.C. | · S3: | Bb F/A | C G | Bb F/A | C | Bb F/A | C G | Bb F/A | Ab Eb/G | C | · O: | D Dmaj9 | D7 | G | Dadd9 | D Dmaj9 | D7 | G | D/F# F6 | Em7 A | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ If I Could Reach You The 5th Dimension · 1972 · Tonart Bb · ≈ 76 BPM · Harmonie 4/5 · Fortgeschritten I: | Bb Bbmaj7 | Ab6/Bb Bbmaj7 | Bb Bbmaj7 | Ab6/Bb Bbmaj7 | · V: | Gm | Dm | Eb | Bb | Eb | Bb/D Bb | Cm | Eb/F F | Gm | Dm | Eb | Bb | Eb | Bb/D | Cm | Eb/F F | · C: | Bbmaj7 | Ebmaj7 | Bbmaj7 | Ebmaj7 | Dm | Gm | Dm | Gm | Cm | Eb/F F | · T: | Bb Bbmaj7 | Ab6/Bb Bbmaj7 | Bb Bbmaj7 | Ab6/Bb Bbmaj7 | · V2: | Gm | Dm | Eb | Bb | Eb | Bb/D | Cm | Eb/F F | · C2: | Bbmaj7 | Ebmaj7 | Bbmaj7 | Ebmaj7 | Dm | Gm | Dm | Gm | Cm Cmmaj7 | Eb/F F | · O: | Bbmaj7 | Ebmaj7 | Bbmaj7 | Ebmaj7 | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ Sweet Talkin' Guy The Chiffons · 1966 · Tonart B · ≈ 149 BPM · Harmonie 4/5 · Fortgeschritten I: | B | B | Bsus4 | Bsus4 | B/F# | B/F# | F#7sus4 | F#7sus4 | · V: | B | B | F#/A# | F#/A# | D#dim/A | D#dim/A | E/G# | E/G# | Em/G | Em/G | B/F# | B/F# | F#7 | F#7 | F#7 | F#7 | · V2: | B | B | F#/A# | F#/A# | D#dim/A | D#dim/A | E/G# | E/G# | Em/G | Em/G | B/F# | B/F# | F#7 | F#7 | F#7 | F#7 | · T: | D | G | C | F#7 | · INST: | B | B | F#/A# | F#/A# | D#dim/A | D#dim/A | E/G# | E/G# | Em/G | Em/G | B/F# | B/F# | F#7 | F#7 | F#7 | F#7 | · C: | B | B | F#/A# | F#/A# | D#dim/A | D#dim/A | E/G# | E/G# | Em/G | Em/G | B/F# | B/F# | F#7 | F#7 | F#7 | F#7 | F#7 | F#7 | · C2: | B | B | F#/A# | F#/A# | D#dim/A | D#dim/A | E/G# | E/G# | Em/G | Em/G | B/F# | B/F# | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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