80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 28 von 40 One Way Or Another Blondie · 1979 · Tonart D · ≈ 162 BPM · Harmonie 3/5 · Mittel I: | D | D | D | D | B | B | B | B | D | D | D | D | B | B | B | B | · V: | D | D | D | D | B | B | B | B | D | D | D | D | B | B | B | B | · C: | G | Bm | A | F#m | G | Bm | A | F#m | G A Bm | Em | F# | F# | · V2: | D | D | D | D | B | B | B | B | D | D | D | D | B | B | B | B | · C2: | G | Bm | A | F#m | G | Bm | A | F#m | G A Bm | Em | F# | F# | F# | F# | · S: | F# | F# | A | C#m | F# | F# | A | C#m | B | E | F# | F# | A | A | B | B | · V3: | D | D | D | D | B | B | B | B | D | D | D | D | B | B | B | B | · O: | D | D | B | B | D | D | B | B | D | D | B | B | D | D | B | B | D | D | B | B | D | D | B | B | · O: | D | D | B | B | D | D | B | B | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #24 Anhören ↗ Gotta Serve Somebody Bob Dylan · 1979 · Tonart Am · ≈ 95 BPM · Harmonie 1/5 · Einsteiger I: | Am | Am | Am | Am | · V: | Am | Am | Am | Am | Am | Am | Am | Am | D7 | D7 | Am | Am | E7 | D7 | Am | Am | · V2: | Am | Am | Am | Am | Am | Am | Am | Am | D7 | D7 | Am | Am | E7 | D7 | Am | Am | · V3: | Am | Am | Am | Am | Am | Am | Am | Am | D7 | D7 | Am | Am | E7 | D7 | Am | Am | · V4: | Am | Am | Am | Am | Am | Am | Am | Am | D7 | D7 | Am | Am | E7 | D7 | Am | Am | · V5: | Am | Am | Am | Am | Am | Am | Am | Am | D7 | D7 | Am | Am | E7 | D7 | Am | Am | · V6: | Am | Am | Am | Am | Am | Am | Am | Am | D7 | D7 | Am | Am | E7 | D7 | Am | Am | · V7: | Am | Am | Am | Am | Am | Am | Am | Am | D7 | D7 | Am | Am | E7 | D7 | Am | Am | · CO: | Am | Am | Am | Am | · O: | Am | Am | Am | Am | Am | Am | Am | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #24 Anhören ↗ Levon Elton John · 1971 · Tonart F · ≈ 72 BPM · Harmonie 4/5 · Fortgeschritten I: | F | Bb | F | Bb | · V: | F Bb | F | Bb | F | C/E | Dm | Am Bb | Gm7 | F Bb | F | Bb | F | C/E | Dm | Am Bb | Gm7 | · PC: | Am Dm | Bb F/A | Gm7 F | Bb F/A | Gm7 | Gm7 | · C: | Bbsus4 Bb | F/A | Bbsus4 Bb | F/A | Bbsus4 Bb | F/A | Bb | C | · T: | F | Bb/F | F | Bb/F | · V2: | F Bb/F | F | Bb | F | C/E | Dm | Am Bb | Gm7 | F Bb/F | F | Bb | F | C/E | Dm | Am Bb | Gm7 | · PC2: | Am Dm | Bb F/A | Gm7 F | Bb F/A | Gm7 | Gm7 | · C2: | Bbsus4 Bb | F/A | Bbsus4 Bb | F/A | Bbsus4 Bb | F/A | Bb | C | · C3: | Bbsus4 Bb | F/A | Bbsus4 Bb | F/A | Bbsus4 Bb | F/A | Bb | C | · S: | F | Bb/F | F | Bb/F | F | Bb/F | F | Bb/F | F | Bb/F | F | Bb/F | · O: | F | Bb/F | F | Bb/F | F | Bb/F | F | Bb/F N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #24 Anhören ↗ The Ways Of A Woman In Love Johnny Cash · 1958 · Tonart Bb · ≈ 182 BPM · Harmonie 2/5 · Leicht SON: | F7 | F7 | Bb | Bb | · V: | Bb | Bb | F7 | F7 | F7 | F7 | Bb | Bb | Eb | Eb | Bb | Bb | Bb | F7 | Bb | Bb | · V2: | Bb | Bb | F7 | F7 | F7 | F7 | Bb | Bb | Eb | Eb | Bb | Bb | Bb | F7 | Bb | Bb | · B: | Eb | Eb | Bb | Bb | Eb | Eb | Bb | F7 | F7 | · V3: | Bb | Bb | F7 | F7 | F7 | F7 | Bb | Bb | Eb | Eb | Bb | Bb | Bb | F7 | Bb | Bb | · S: | Eb | Eb | Bb | Bb | Bb | F7 | Bb | Bb | · B2: | Eb | Eb | Bb | Bb | Eb | Eb | Bb | F7 | F7 | · V4: | Bb | Bb | F7 | F7 | F7 | F7 | Bb | Bb | Eb | Eb | Bb | Bb | Bb | F7 | Bb | Bb | Bb | F7 | Bb | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #24 Anhören ↗ Out Of My Mind Johnny Tillotson · 1963 · Tonart G · ≈ 101 BPM · Harmonie 1/5 · Einsteiger V: | G | G7 | C | C | D | D | C G | G | G | G7 | C | C | D | D | G | G7 | · C: | C | C | G | G | D7 | D7 | G | G7 | C | C | G | G | D7 | D7 | G | G | · V2: | G | G7 | C | C | D | D | C G | G | G | G7 | C | C | D | D | G | G7 | · C2: | C | C | G | G | D7 | D7 | G | G7 | C | C | G | G | D7 | D7 | G | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #24 Anhören ↗ Big Yellow Taxi Joni Mitchell · 1975 · Tonart E · ≈ 165 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | A | A | B | B | E | E | E | E | · V: | A | A | E | E | A | B | E | E | · C: | E | Emaj7 | E | E | A | B | E | E | E | E7 | · V2: | A | A | E | E | A | B | E | E | · C2: | E | Emaj7 | E | E | A | B | E | E | E | E7 | · V3: | A | A | E | E | A | B | E | E | · C3: | E | Emaj7 | E | E | A | B | E | E | E | E7 | · S: | A | A | E | E | A | B | E | E | E | Emaj7 | E | E | A | B | E | E | E | E7 | · V4: | A | A | E | E | A | B | E | E | · C4: | E | Emaj7 | E | E | A | B | E | E | E | E7 | · V5: | A | A | E | E | A | B | E | E | · C5: | E | Emaj7 | E | E | A | B | E | E | A | B | E | E | A | B | E | Emaj7 | E | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #24 Anhören ↗ Happy Jack The Who · 1967 · Tonart D · ≈ 262 BPM · Harmonie 2/5 · Leicht I: | N.C. | D | D | D | D | · V: | D | D | A | D | D | D | D | D | D | A | D | D | · T: | N.C. | N.C. | D | D | · V2: | D | D | A | D | D | D | D | D | D | A | D | D | · T2: | D | D | D | D | D | D | D | D | · PC: | G | G | A | A | G | G | A | A | A | A | A | A | · C: | D | D | A | D | D | D | D | D | D | A | D | D | · INT: | A | A | D | D | A | A | D | D | A | A | D | D | A | A | · T3: | D | D | D | D | · C2: | D | D | A | D | D | D | D | D | D | A | D | D | · INT2: | A | A | D | D | A | A | D | D | G | G | A | D | G | G | A | A | A | A | A | A | A | A | · PC2: | G | G | A | A | G | G | A | A | A | A | A | A | · C3: | D | D | A | D | D | D | D | D | D | A | D | D | · CO: | N.C. | N.C. | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #24 Anhören ↗ I've Got A Tiger By The Tail Buck Owens · 1965 · Tonart E · ≈ 193 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | · C: | E | E7 | A7 | A7 | B7 | B7 | E | B7 | E | E7 | A7 | A7 | B7 | B7 | E | E | · V: | E | E7 | A7 | A7 | B7 | B7 | E | B7 | E | E7 | A7 | A7 | B7 | B7 | E | E N.C. | N.C. | · C2: | E | E7 | A7 | A7 | B7 | B7 | E | B7 | E | E7 | A7 | A7 | B7 | B7 | E | E N.C. | · S: | E | E7 | A7 | A7 | B7 | B7 | E | B7 | E | E7 | A7 | A7 | B7 | B7 | E | E | · V2: | E | E7 | A7 | A7 | B7 | B7 | E | B7 | E | E7 | A7 | A7 | B7 | B7 | E | E N.C. | N.C. | · C3: | E | E7 | A7 | A7 | B7 | B7 | E | B7 | E | E7 | A7 | A7 | B7 | B7 | · O: | E A | E A | E A | E B7 E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #25 Anhören ↗ Baby I'm Burnin' Dolly Parton · 1979 · Tonart B · ≈ 135 BPM · Harmonie 3/5 · Mittel I: | B | B | B | B | B | B | B | B | · V: | B | E B | E E/F# | B | B | E B | E E/F# | B | B | E B | E E/F# | B | B | E B | E E/F# | B E | · C: | B F# | B E | B F# | B E | B F# | B E | B F# | · T: | B | B | B | B | · V2: | B | E B | E E/F# | B | B | E B | E E/F# | B F# | · C2: | B F# | B E | B F# | B E | B F# | B E | B F# | B | · T2: | B7 | B7 | B7 | B7 | · C3: | C | G C | F C | G C | F C | G C | F C | G C | G C | G C | F C | G C | F C | G C | F C | G C | · O: | G C | G C | F C | G C | F C | G C | F C | G C | G C | G C | F C | G C | F C | G C | F C | G C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #25 Anhören ↗ This Song George Harrison · 1977 · Tonart E · ≈ 132 BPM · Harmonie 4/5 · Fortgeschritten I: | E | E | E | E | E | E | E | E | E | E | E A | A B9sus4 | · V: | E | D A | B7 | B7 F#m7 | A | D | F#m7 | C#m7 | F#7 | F#7 | F#7 B9sus4 | · C: | E | D | G#m7 | C#7 | F#m7 | F#m7 | E | E | E A | A B9sus4 | · V2: | E | D A | B7 | B7 F#m7 | A | D | F#m7 | C#m7 | F#7 | F#7 | F#7 B9sus4 | · C2: | E | D | G#m7 | C#7 | F#m7 | F#m7 | E | E | E A | A B9sus4 | · S: | E | D A | B7 | B7 F#m7 | A | D | F#m7 | C#m7 | F#7 | F#7 | F#7 B9sus4 | · S2: | E | D | G#m7 | C#7 | F#m7 | F#m7 | · S3: | E | E | E | E | E | E | E | E | E | E | E A | A B9sus4 | · V3: | E | D A | B7 | B7 F#m7 | A | D | F#m7 | C#m7 | F#7 | F#7 | F#7 B9sus4 | · C3: | E | D | G#m7 | C#7 | F#m7 | F#m7 | · INST: | E | E | E | E | E | E | E A | A B9sus4 | · S4: | E | D A | B7 | B7 F#m7 | A | D | F#m7 | C#m7 | F#7 | F#7 | F#7 B9sus4 | · C4: | E | D | G#m7 | C#7 | F#m7 | F#m7 | · O: | E | E | E | E | E | E | E | E | E | E | E | E | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #25 Anhören ↗ Sidewalk Surfin' Jan & Dean · 1964 · Tonart D · ≈ 137 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | D | D | · V: | D | D | D | D | A | A | D | D | G | G | D | D | A F | G A | D | A | · V2: | D | D | D | D | A | A | D | D | G | G | D | D | A F | G A | D | Eb7 | · S: | Eb | Eb | Eb | Eb | Bb | Bb | Eb | Eb | · V3: | Ab | Ab | Eb | Eb | Bb Gb | Ab Bb | Eb | Eb | · V4: | Eb | Eb | Eb | Eb | Bb | Bb | Eb | Eb7 | Ab | Ab | Eb | Eb | Bb Gb | Ab Bb | Eb | Eb | · O: | Bb Gb | Ab Bb | Eb | Eb | Bb Gb | Ab Bb | Eb | Eb | Bb Gb | Ab Bb | Eb | Eb | · O: | Bb Gb | Ab Bb | Eb | Eb | Bb Gb | Ab Bb | Eb | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #25 Anhören ↗ Wonderful World, Beautiful People Jimmy Cliff · 1969 · Tonart D · ≈ 107 BPM · Harmonie 2/5 · Leicht I: | D G | D G | D G | D G | · C: | D G | D G | D G | D G | A | A | A | A | · T: | D C | G | D C | A | · V: | D | F#m | G | D | D | F#m | G | A | D | F#m | G | A | · PC: | D G | D G | D G | A | A | · C2: | D G | D G | D G | D G | A | A | A | A | · T2: | D C | G | D C | A | · V2: | D | F#m | G | D | D | F#m | G | A | D | F#m | G | A | · PC2: | D G | D G | D G | A | A | · C3: | D G | D G | D G | D G | A | A | A | A | · T3: | D C | G | D C | A | · O: | D G | D G | D G | D G | D G | D G | D G | D G | · O: | D G | D G | D G | D G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #25 Anhören ↗ Jimmy's Girl Johnny Tillotson · 1961 · Tonart Db · ≈ 108 BPM · Harmonie 4/5 · Fortgeschritten I: | Dbmaj7 | Ebm7 Ab7 | Dbmaj7 | Ebm7 Ab7 | Dbmaj7 | Ebm7 Ab7 | Dbmaj7 | Ebm7 Ab7 | · V: | Dbmaj7 | Dbmaj7 | Dbmaj7 | Ebm7 Ab13 | Dbmaj7 | Ebm7 Ab13 | Dbmaj7 | Ebm7 Ab13 | Dbmaj7 | Dbmaj7 | Dbmaj7 | Ebm7 Ab13 | Dbmaj7 | Ebm7 Ab13 | Db | Db7 | · B: | Gbmaj7 | Ab7 | Dbmaj7 | Bbm | Ebm7 | Ab13 | Db | Db7 | Gbmaj7 | Ab7 | Dbmaj7 | Bbm | Eb9 | Eb9 | Ab7 | Ab7 | · V2: | Dbmaj7 | Dbmaj7 | Dbmaj7 | Ebm7 Ab13 | Dbmaj7 | Ebm7 Ab13 | Db | Db7 | · B2: | Gbmaj7 | Ab7 | Dbmaj7 | Bbm | Eb9 | Eb9 | Ab7 | Ab7 | · V3: | Dbmaj7 | Dbmaj7 | Dbmaj7 | Ebm7 Ab13 | Dbmaj7 | Ebm7 Ab13 | Dbmaj7 | Ebm7 Ab13 | Dbmaj7 | Ebm7 Ab7 | · CO: | Dbmaj7 | Ab7 | Dbmaj7 | Dbmaj7 N.C. | Db6/9 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #25 Anhören ↗ Make A Little Magic Nitty Gritty Dirt Band · 1980 · Tonart F · ≈ 120 BPM · Harmonie 4/5 · Fortgeschritten I: | F | Fsus4 Fsus2 | F | F Bb | F | Fsus4 Fsus2 | F | C9sus4 | C9sus4 | · V: | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | · PC: | C | Bb | Bb F | Bb F | Am7 | Dm | Gm | Csus4 C | Gm | C | C | · V2: | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | · S: | F | Bbsus2 Csus4 | F | Bbsus2 Csus4 | F | Bbsus2 Csus4 | F | Bbsus2 Csus4 | · PC2: | C | Bb | Bb F | Bb F | Am7 | Dm | Gm | Csus4 C | C7sus4 | C7sus4 | C7sus4 | C7sus4 | · V3: | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | · O: | F F/A | Bbsus2 Csus4 | F F/A | Bbsus2 Csus4 | F F/A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #25 Anhören ↗ Going To A Go-Go The Rolling Stones · 1982 · Tonart E · ≈ 128 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | N.C. | N.C. | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | · C: | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | · V: | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | · C2: | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E D | A E | E D | E | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | · V2: | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | · C3: | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E D | A E | E D | E | · S: | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | · C4: | E D | A E | E D | E | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | · V3: | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | · C5: | E E9sus4 | E9sus4 | E E9sus4 | E9sus4 | E D | A E | E D | E | E D | A E | E D | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #25 Anhören ↗ Let's Work Together Canned Heat · 1970 · Tonart G · ≈ 119 BPM · Harmonie 2/5 · Leicht I: | D7 | C7 | G | G | · C: | G | G | G | G | C7 | C7 | G | G | D7 | C7 | G | G | · C2: | G | G | G | G | C7 | C7 | G | G | D7 | C7 | G | G | · C3: | G | G | G | G | C7 | C7 | G | G | D7 | C7 | G | G | · S: | G | G | G | G | C7 | C7 | G | G | D7 | C7 | G | G | · C4: | G | G | G | G | C7 | C7 | G | G | D7 | C7 | G | G | · S2: | G | G | G | G | C7 | C7 | G | G | D7 | C7 | G | G | D7 | C7 | G | G D7 C7 | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #26 Anhören ↗ Dream Police Cheap Trick · 1979 · Tonart E · ≈ 138 BPM · Harmonie 5/5 · Experte I: | E | B A | E | B A | · C: | E | B A | E | B A | E | B A | E | E | · V: | F#m C#m | D A | C#m G# | E B | F#m C#m | D A | C#m G# | E B | E B | · PC: | E | E | E | E | E D | C G/B | A | A | Em D | C G/B | B | B | · C2: | E | B A | E | B A | E | B A | E | E | · V2: | F#m C#m | D A | C#m G# | E B | F#m C#m | D A | C#m G# | E B | E B | · PC2: | E | E | E | E | E D | C G/B | A | A | Em D | C G/B | B | B | · B: | Em B(no3,no5) | C(no3,no5) G(no3,no5) | A E(no3,no5) | F(no3,no5) C(no3,no5) | Em B(no3,no5) | C(no3,no5) G(no3,no5) | A E(no3,no5) | F(no3,no5) E(no3,no5) | · S: | F#m C#m | D A | C#m G# | E B | F#m C#m | D A | C#m G# | E B | E B | · PC3: | E | E | E | E | E D | C G/B | A | Am | Em D | C G/B | · INT: | B | Em/B | Fdim/B | B7 | D#/B B6 | Cdim/B | B | B | F#7b5 | Gmaj7 | G#m | G# | B#7b5 | C# | D7b9 | D7b9 | D#7b5 | G7b5 | G#maj7 | Am | Bbmaj7 | A7b5 | Bbmaj7 | A7b5 | Bbmaj7 | A7b5 | Bbmaj7 | A7b5 | · C3: | E | B A | E | B A | E | B A | E | B A | · O: | E | B A | E | B A | E | B A | E | B A | E | B A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #26 Anhören ↗ Forever Man Eric Clapton · 1985 · Tonart Dm · ≈ 111 BPM · Harmonie 3/5 · Mittel V: | D7sus4 | D7sus4 | D7sus4 | D7sus4 | D7sus4 | D7sus4 | D7sus4 | D7sus4 | · V2: | Bb C | Dm | Bb C | Dm | Bb C | Dm Gm | Bb C | Dm | Bb C | · V3: | D7sus4 | D7sus4 | D7sus4 | D7sus4 | · V4: | Bb C | Dm | Bb C | Dm | Bb C | Dm Gm | Bb C | Dm | Bb C | · V5: | D7sus4 | D7sus4 | D7sus4 | D7sus4 | · S: | Bb C | Dm | Bb C | Dm | Bb C | Dm Gm | Bb C | Dm | Bb C | · V6: | D7sus4 | D7sus4 | D7sus4 | D7sus4 | · V7: | Bb C | Dm | Bb C | Dm | Bb C | Dm Gm | Bb C | Dm | Bb C | Dm | Bb C | Dm | Bb C | Dm Gm | Bb C | Dm | Bb C | Dm | Bb C | Dm | Bb C | Dm Gm | Bb C | Dm | · V8: | D7sus4 | D7sus4 | D7sus4 | D7sus4 | · S2: | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | · O: | Dm7 | Dm7 | Dm7 | Dm7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #26 Anhören ↗ Willie And The Hand Jive Eric Clapton · 1974 · Tonart A · ≈ 89 BPM · Harmonie 3/5 · Mittel I: | A | A | A | A | A | A | A | A | A | A | A | A | · V: | A | A | A | A | D | D C5 | A | A | · V2: | A | A | A | A | D | D C5 | A | A | · C: | D | A | E7 | · INT: | A | A | · V3: | A | A | A | A | D | D C5 | A | A | · C2: | D | A | E7 | · INT2: | A | A | A | A | A | A | · V4: | A | A | A | A | D | D C5 | A | A | · C3: | D | A | E7 | · O: | A | A | A | A | A | A | A | A | A | A | A | A | A | A | A | A | A N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #26 Anhören ↗ Absolutely Right Five Man Electrical Band · 1971 · Tonart A · ≈ 170 BPM · Harmonie 3/5 · Mittel I: | A | D | A | D | G | E | · V: | A | D | A | D | A | D | A | D | A | D | A | D | A | D | · C: | A | D | G | C | B | E7 | · T: | Am | Dm | C | A | · V2: | A | D | A | D | A | D | A | D | A | D | A | D | · C2: | A | D | G | C | B | E | · T2: | A | D | G | E | · B: | A | D | G | E | A | D | G | E | A | D | G | E | · V3: | A | D | A | D | A | D | A | D | A | D | A | D | · C3: | A | D | G | C | B | E | · C4: | A | D | G | C | B | E | · O: | A | D/A | A | D/A | A | D/A | G D | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #26 Anhören ↗ Abacab Genesis · 1982 · Tonart Cm · ≈ 130 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | C(no3,no5) | C(no3,no5) | Cm | Cm | Cm | Cm | Cm7 | Cm7 | Fm7 | Fm7 | G7sus4 | G7sus4 | G7sus4 | G7sus4 | · I2: | Bb/C C | Csus4 C | Bb/C C | Bb/C Fsus4/C | · V: | Bb/C C | Csus4 C | Bb/C C | Bb/C Fsus4/C | Bb/C C | Csus4 C | Bb/C C | Bb/C Fsus4/C | Bb/C C | Csus4 C Bbmaj7/C | Bb/C C | C7 Bb/C F/C Dm/C | Bb/C C Eb/C | Cm Bb/C F/C | Bb/C C Eb/C | Cm Bb/C F/C | · C: | F/G G | G | F/G G | G | F/G G | G | F/G G | G | · V2: | Bb/C C | Csus4 C | Bb/C C | Bb/C Fsus4/C | Bb/C C | Csus4 C | Bb/C C | Bb/C Fsus4/C | Bb/C C | Csus4 C Bbmaj7/C | Bb/C C | C7 Bb/C F/C Dm/C | Bb/C C Eb/C | Cm Bb/C F/C | Bb/C C Eb/C | Cm Bb/C F/C | · C2: | F/G G | G | F/G G | G | F/G G | G | F/G G | G | · T: | Am | Am | Am | Am | Am | Am | Am | Am | Am | Am | · T2: | B A G | B Em/G | · B: | E | E | E | E | G A | C G | Eb Bb/D | F G | · V3: | Bb/C C | Csus4 C | Bb/C C | Bb/C Fsus4/C | Bb/C C | Csus4 C | Bb/C C | Bb/C Fsus4/C | Bb/C C | Csus4 C Bbmaj7/C | Bb/C C | C7 Bb/C F/C Dm/C | Bb/C C Eb/C | Cm Bb/C F/C | Bb/C C Eb/C | Cm Bb/C F/C | Bb/C C Eb/C | Cm Bb/C F/C | Bb/C C Eb/C | Cm Bb/C F/C | · C3: | F/G G | G | F/G G | G | F/G G | G | F/G G | G | N.C. | · O: | Cm7 | Csus4 | Csus4 | Fm7 | Fm7 | G7sus4 | G7sus4 | G7sus4 | G7sus4 | Bb/C C | Csus4 C | Bb/C C | Bb/C Fsus4/C | Bb/C C | Csus4 C | Bb/C C | Bb/C Fsus4/C | Bb/C C | Csus4 C | Bb/C C | Bb/C Fsus4/C N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #26 Anhören ↗ Loving Her Was Easier (Than Anything I'll Ever Do Again) Kris Kristofferson · 1971 · Tonart C · ≈ 80 BPM · Harmonie 2/5 · Leicht I: | C | F | C | C | · V: | C | F | C | C | C | F | C | C | · C: | F | F | C | C | C | F | C | C | · V2: | C | F | C | C | C | F | C | C | · C2: | F | F | C | C | C | F | C | C | · R: | C | G | C | C | · C3: | F | F | C | C | G | F | C | C | F | F | C | C | C | F | C | C | · R2: | C | G | C | C | · O: | C | F | C | C | C | F | C | C | · O2: | F | F | C | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #26 Anhören ↗ Big Iron Marty Robbins · 1960 · Tonart E · ≈ 230 BPM · Harmonie 2/5 · Leicht I: | C#m | C#m | C#m | C#m | G# | C#m | · V: | E | E | C#m | C#m | C#m | C#m | E | E | E | C#m | C#m | C#m | A | A | E | E | E | E | C#m | C#m | A | E | E | E | E | · V2: | E | E | C#m | C#m | C#m | C#m | E | E | E | C#m | C#m | C#m | A | A | E | E | E | E | C#m | C#m | A | E | E | E | E | · V3: | E | E | C#m | C#m | C#m | C#m | E | E | E | C#m | C#m | C#m | A | A | E | E | E | E | C#m | C#m | A | E | E | E | E | · V4: | E | E | C#m | C#m | C#m | C#m | E | E | E | C#m | C#m | C#m | A | A | E | E | E | E | C#m | C#m | A | E | E | E | E | · V5: | E | E | C#m | C#m | C#m | C#m | E | E | E | C#m | C#m | C#m | C#m | A | A | E | E | E | E | C#m | C#m | A | E | E | E | E | · V6: | E | E | C#m | C#m | C#m | C#m | E | E | E | C#m | C#m | C#m | A | A | E | E | E | E | C#m | C#m | A | E | E | E | E | · V7: | E | E | C#m | C#m | C#m | C#m | E | E | E | C#m | C#m | C#m | A | A | E | E | E | E | C#m | C#m | A | E | E | E | E | · V8: | E | E | C#m | C#m | C#m | C#m | E | E | E | C#m | C#m | C#m | A | A | E | E | E | E | C#m | C#m | A | E | E | E | E | A | A | E | E | E | E | C#m | C#m | A | E | E | E | E | · O: | C#m | C#m | C#m | C#m | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #26 Anhören ↗ I Can't Drive 55 Sammy Hagar · 1984 · Tonart E · ≈ 134 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | · INT: | E5 | A5 E5 | E5 | E5 G5 A5 | E5 | A5 E5 | E5 | E5 G5 A5 | A5 E5 | E5 | E5 | E5 | E5 | E5 | · V: | E5 | E5 | E5 G5 | A5 G5 A5 | A5 E5 | E5 | E5 | E5 | E5 G5 | A5 G5 A5 | E5 | E5 | G5 | A5 | B5 | B5 | · C: | A5 | A5 | E5 | E5 | A5 | A5 | B5 | B5 | · INT2: | N.C. E5 | A5 E5 | E5 | E5 G5 A5 | E5 | A5 E5 | E5 | E5 G5 A5 | A5 E5 | E5 | E5 | E5 | · V2: | E5 | E5 | E5 G5 | A5 G5 A5 | A5 E5 | E5 | E5 | E5 | E5 G5 | A5 G5 A5 | E5 | E5 | G5 | A5 | B5 | B5 | · C2: | A5 | A5 | E5 | E5 | A5 | A5 | B5 | B5 | · B: | E5 | A5 E5 | D5 | D5 | E5 | E5 | D5 | D5 | E5 | E5 | D5 | D5 | E5 | E5 | D5 | D5 | E5 G5 | E5 | E5 G5 | E5 D5 | E5 | E5 | E5 | E5 | · V3: | E5 | E5 | E5 G5 | A5 G5 A5 | E5 | E5 | E5 G5 | A5 G5 A5 | E5 | E5 | G5 | A5 | B5 | B5 | · C3: | A5 | A5 | E5 | E5 | A5 | A5 | B5 | B5 | · O: | E5 | A5 E5 | E5 | E5 G5 A5 | E5 | A5 E5 | E5 | E5 G5 A5 | · O: | E5 | A5 E5 | E5 | E5 G5 A5 | E5 | A5 E5 | E5 | E5 G5 A5 | E5 | A5 E5 | E5 | E5 G5 A5 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #26 Anhören ↗ Long Dark Road The Hollies · 1972 · Tonart E · ≈ 123 BPM · Harmonie 3/5 · Mittel T: | E | A | E | A | · V: | E | B | D | E | E | B | D | A | · T2: | E | A | E | A | · V2: | E | B | D | E | E | B | D | A | · PC: | E D | A | E A | B | · C: | E | A | B | B | E | A | B | B | E | E7/D | A/C# | A/C# | E | E7/D | A/C# | A/C# | · S: | E | B | D | E | E | B | D | A | · PC2: | E D | A | E A | B | · C2: | E | A | B | B | E | A | B | B | E | E7/D | A/C# | A/C# | E | E7/D | A/C# | A/C# | · V3: | E | B | D | E | E | B | D | A | · PC3: | E D | A | E A | B | · C3: | E | A | B | B | E | A | B | B | E | E7/D | A/C# | A/C# | E | E7/D | A/C# | A/C# | · O: | E | A | B | B | E | A | B | B | E | A | B | B | E | A | B | B | E | A | B | B | · O: | E | A | B | B | E | A | B | B | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #26 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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