80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 9 von 40 Undercover Angel Alan O'Day · 1977 · Tonart Bb · ≈ 99 BPM · Harmonie 5/5 · Experte I: | Bb(no3,no5) | Bb(no3,no5) | Eb/Bb Bb | F/Bb Bb | Eb/Bb Bbmaj7 | Ebm/Bb Bb | · V: | Eb/Bb Bb | F/Bb Bb | Eb/Bb Bbmaj7 | Ebm/Bb Bb | Eb/Bb Bb | F/Bb Bb | Eb/Bb Bbmaj7 | Ebm/Bb Bb | · PC: | Bb7 Absus2 | Gm7 | Gb Ab7sus2 | Bb Gm7 F | · C: | Bb F/A | Gm Ab6 | Eb Bb/D | C7 F Faug | Bb F/A | Gm Ab6 | Eb Bb/D | Dbdim Cm7 | · T: | Bb7 Absus2 | Gm7 | Gb Ab7sus2 | Bb Fmaj7/Bb F | · V2: | Eb/Bb Bb | F/Bb Bb | Eb/Bb Bbmaj7 | Ebm/Bb Bb | Eb/Bb Bb | F/Bb Bb | Eb/Bb Bbmaj7 | Ebm/Bb Bb | · PC2: | Bb7 Absus2 | Gm7 | Gb Ab7sus2 | Bb Gm7 F | · C2: | Bb F/A | Gm Ab6 | Eb Bb/D | C7 F Faug | Bb F/A | Gm Ab6 | Eb Bb/D | Dbdim Cm7 | · T2: | Bb7 Absus2 | Gm7 | Gb Ab7sus2 | Bb Fmaj7/Bb F | · V3: | Eb/Bb Bb | F/Bb Bb | Eb/Bb Bbmaj7 | Ebm/Bb Bb | Eb/Bb Bb | F/Bb Bb | Eb/Bb Bbmaj7 | Bb | · PC3: | Bb7 Absus2 | Gm7 | Bb7 Absus2 | Gm7 | · PC4: | Bb7 Absus2 | Gm7 | Gb Ab7sus2 | Bb G7 | · C3: | C G/B | Am Bb6 | F C/E | D7 G Gaug | C G/B | Am Bb6 | F C/E | Ebdim Dm7 | C G7 Gaug7 | · PC5: | C Am G | · O: | C G/B | Am Bb6 | F C/E | D7 G Gaug | C G/B | Am Bb6 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Shadow Dancing Andy Gibb · 1978 · Tonart Gm · ≈ 102 BPM · Harmonie 4/5 · Fortgeschritten I: | F Eb Dadd9 | Dadd9 | Eb D Cm7 | Cm7 | Cm7 Bb/D Eb | Eb | F | Gm7 | Gm7 | Gm7 | Gm7 | · V: | Gm7 | F | Ebmaj7 | D7 | Ebmaj7 | F | Gm7 | Gm7 | · PC: | Cm7 F7 | Bbmaj7 Gm7 | Cm7 D7 | Gm | Cm7 F7 | Bbmaj7 Gm7 | Cm7 | D7 | · C: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | · INT: | F Eb Dadd9 | Dadd9 | Eb D Cm7 | Cm7 | Cm7 Bb/D Eb | Eb | F | Gm7 | Gm7 | Gm7 | Gm7 | · V2: | Gm7 | F | Ebmaj7 | D7 | Ebmaj7 | F | Gm7 | Gm7 | · PC2: | Cm7 F7 | Bbmaj7 Gm7 | Cm7 D7 | Gm | Cm7 F7 | Bbmaj7 Gm7 | Cm7 | D7 | · C2: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | · PC3: | Cm7 F7 | Bbmaj7 Gm7 | Cm7 D7 | Gm | Cm7 F7 | Bbmaj7 Gm7 | Cm7 | D7 | D7 | · C3: | G(no3,no5) | G(no3,no5) | G(no3,no5) | G(no3,no5) | G(no3,no5) | G(no3,no5) | G(no3,no5) | G(no3,no5) | · C4: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | · C5: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | · C6: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | · O: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Venus Bananarama · 1986 · Tonart Em · ≈ 126 BPM · Harmonie 4/5 · Fortgeschritten T: | B7sus4 | B7sus4 | · I: | Em A6 | Em A6 | · T2: | B7sus4 | B7sus4 | · INST: | Em A6 | Em A6 | Em A6 | Em A6 | · V: | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em | · C: | Am7 D6 | Am7 D6 | Em A6 | Em A6 | C | B7sus4 B7 | Em A6 | Em A6 | C | B7sus4 B7 | Em A6 | Em A6 | · V2: | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em | · C2: | Am7 D6 | Am7 D6 | Em A6 | Em A6 | C | B7sus4 B7 | Em A6 | Em A6 | C | B7sus4 B7 | Em A6 | Em A6 | · T3: | B7sus4 | B7sus4 | · S: | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em | · C3: | Am7 D6 | Am7 D6 | Em A6 | Em A6 | C | B7sus4 B7 | Em A6 | Em A6 | C | B7sus4 B7 | Em A6 | Em A6 | · V3: | Em A | Em7 A | Em A | Em7 A | Em A | Em7 A | Em A | Em7 A | · C4: | Am7 D6 | Am7 D6 | Em A6 | Em A6 | C | B7sus4 B7 | Em A6 | Em A6 | C | B7sus4 B7 | Em A6 | Em A6 | · T4: | B7sus4 | B7sus4 | B7sus4 | B7sus4 | · O: | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | · O: | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Em A6 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Saturday Night Bay City Rollers · 1975 · Tonart G · ≈ 138 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | N.C. | N.C. | G | G | G | G | · V: | G | Em | C | D | G | Em | C | D | · PC: | Em | Bm | C | D | D | · C: | G | C | G | D | G | C | G | D | · C2: | C | G/B | Am7 | G | C | G/B | Am7 | · INT: | G | G | N.C. | N.C. | G | G | G | G | · V2: | G | Em | C | D | G | Em | C | D | · PC2: | Em | Bm | C | D | D | · C3: | G | C | G | D | G | C | G | D | · C4: | C | G/B | Am7 | G | C | G/B | Am7 | · INT2: | G | G | N.C. | N.C. | G | G | G | G | G | G | G | G | G | · C5: | C | G/B | Am7 | G | C | G/B | Am7 | G | · O: | C | G/B | Am7 | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ I Can Help Billy Swan · 1974 · Tonart C · ≈ 189 BPM · Harmonie 4/5 · Fortgeschritten SON: | Gaug7 | · I: | C | C | C | C | G | G | C | C | · V: | C | C | C | C | F | F | C | C | · R: | G | Bb F G | C | C | · V2: | C | C | C | C | F | F | C | C | · R2: | G | Bb F G | C | C | · B: | F | G | C | C7 | F | D7 | G7 | Gaug7 | · V3: | C | C | C | C | F | F | C | C | · R3: | G | Bb F G | C | C | · S: | C | C | C | C | G | G | C | C | · B2: | F | G | C | C7 | F | D7 | G7 | Gaug7 | · V4: | C | C | C | C | F | F | C | C | · R4: | G | Bb F G | C | C | · O: | C | C | C | C | G | G | C C/E F D/F# | G C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Ode To Billie Joe Bobbie Gentry · 1976 · Tonart D · ≈ 121 BPM · Harmonie 2/5 · Leicht I: | D7 | D7 | D7 | D7 | · V: | D7 | D7 | D7 | D7 | D7 | D7sus4/A | D7 | D7 | G7 | G7 | G7 | G7 | D7 | D7 | D7 | D7 | G7 | G7 | G7 | G7 | D7 | C7 | D7 | D7 | · V2: | D7 | D7sus4/A | D7 | D7 | D7 | D7sus4/A | D7 | D7 | G7 | G7 | G7 | G7 | D7 | D7 | D7 | D7 | G7 | G7 | G7 | G7 | D7 | C7 | D7 | D7 | · V3: | D7 | D7/A | D7 | D7 | D7 | D7/A | D7 | D7 | G7 | G7 | G7 | G7 | D7 | D7 | D7 | D7 | G7 | G7 | G7 | G7 | D7 | C7 | D7 | D7 | · V4: | D7 | D7sus4/A | D7 | D7 | D7 | D7sus4/A | D7 | D7 | G7 | G7 | G7 | G7 | D7 | D7 | D7 | D7 | G7 | G7 | G7 | G7 | D7 | C7 | D7 | D7 | · V5: | D7 | D7sus4/A | D7 | D7 | D7 | D7sus4/A | D7 | D7 | G7 | G7 | G7 | G7 | D7 | D7 | D7 | D7 | G7 | G7 | G7 | G7 | D7 | C7 | D7 | D7 | · O: | D7 | D/A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Amanda Boston · 1986 · Tonart G · ≈ 63 BPM · Harmonie 5/5 · Experte I: | G C/G | G C/G | · V: | G C/G | G Em7 | Bm7 | C G/B | Am7 G | D | D | G C/G | G Em7 | Bm7 | C G/B | Am7 G | D | D | · C: | Em Am | D | Em Am | D | Em Am | D | Csus2#11 | N.C. | · V2: | G C/G | G Em7 | Bm7 | C G/B | Am7 G | D | G C/G | G Em7 | Bm7 | C G/B | Am7 G | D | D | · S: | Em Am | D | Em Am | D | · C2: | Em Am | D | Em Am | D | Em Am | D | · B: | E | Bm7 | E | Bm7 | E | Bm7 | E | Bm7 | C D | G D/F# Em D | C Bm Am G | D Dsus4/C | Bm D/A | · V3: | G C/G | G Em7 | Bm7 | Am Am7/G | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Hey! Baby Bruce Channel · 1962 · Tonart A · ≈ 130 BPM · Harmonie 5/5 · Experte I: | A F#7 | Bm7 E7 | A F#7 | Bm7 E7 | A F#7 | Bm7 E7 | A F#7 | Bm7 E7 | · C: | A F#7 | Bm7 E7 | A F#7 | Bm7 E7 | A F#7 | Bm7 E7 | A F#7 | Bm7 E7 | · C2: | A F#7 | Bm7 E7 | A D | A A7 | A F# | Bm E | A D | A A7 | · V: | D | D | A | A7 | D | D | B | N.C. | · C3: | A F#7 | Bm7 E7 | A F#7 | Bm7 E7 | A F#7 | Bm7 E7 | A D | A Ab(no3,no5) G(no3,no5) | · B: | F#7 | F#7 | B7 | B7 | E7 | E7 | A | N.C. | · C4: | A F# | Bm7 E7 | A F# | Bm7 E7 | A F# | Bm7 E7 | A F# | Bm7 E7 | · B2: | F#7 | F#7 | B7 | B7 | E7 | E7 | A | A | · C5: | A F#7 | Bm E7 | A F#7 | Bm7 E7 | A F#7 | Bm E7 | A F#7 | Bm7 E7 | · O: | A F#7 | Bm E7 | A F#7 | Bm7 E7 | A F#7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ The Twist Chubby Checker · 1962 · Tonart E · ≈ 157 BPM · Harmonie 3/5 · Mittel I: | B | A | E | E | · V: | E | E | E | E | A | A | E | E | B | A N.C. | E | E | · C: | E | E | E | E | A | A | E | E | B | A N.C. | E | E | · V2: | E | E | E | E | A | A | E | E | B | A N.C. | E | E | · C2: | E | E | E | E | A | A | E | E | B | A N.C. | E | E | · S: | E | E | E | E | A | A | E | E | B | A | E | E | · V3: | E | E | E | E | A | A | E | E | B | A N.C. | E | E | · C3: | E | E | E | E | A | A | E | E | B | A N.C. | E | E | · C4: | E | E | E | E | A | A | E | E | B | A N.C. | E | E(no3,no5) | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ I Adore Mi Amor Color Me Badd · 1991 · Tonart Eb · ≈ 92 BPM · Harmonie 5/5 · Experte I: | Eb | B Ddim | Eb | B | Db | N.C. | Gb6 Ab6 | Eb | Gb6 Ab6 | Eb | Gb6 Ab6 | Eb | Gb6 Ab6 | Eb | Eb | · V: | Ebm11 | Abm11 Bbm | Ebm11 | Abm11 Bbm | Abm11 Abm9 | Ebm13 | Abm9 | Bbsus4 Bb | Bb | · V2: | Ebm11 | Abm11 Bbm | Ebm11 | Abm11 Bbm | Abm11 Abm9 | Ebm13 | Abm9 | Bbsus4 Bb | · C: | Eb | B Bb7 | Eb | Abm7 | Bb11 | Ebmaj9 | Gb Ab11 | Ebmaj9 | Gb Ab11 | Ebmaj9 | Gb Ab11 | Ebmaj9 | Gb Ab11 | · T: | Ebmaj9 | Ebmaj9 | · V3: | Ebm11 | Abm11 Bbm | Ebm11 | Abm11 Bbm | Abm11 Abm9 | Ebm13 | Abm9 | Bbsus4 Bb | · V4: | Ebm11 | Abm/Eb | Ebm11 | Abm11 Bbm | Abm11 Abm9 | Ebm13 | Abm9 Adim | Bbsus4 Bb | · C2: | Eb | B Bb7 | Eb | Abm7 | Bb11 | Ebmaj9 | Gb Ab11 | Ebmaj9 | Gb Ab11 | Ebmaj9 | Gb Ab11 | Ebmaj9 | Gb Ab11 | · T2: | Ebmaj9 | Ebmaj9 | · INT: | Ebm11 | Abm11 Bbm | Ebm11 | Abm11 Bbm | Ebm11 | Abm11 Bbm | Ebm11 | Abm11 Bbm | Abm11 Abm9 | Ebm13 | Abm9 | Bbsus4 Bb | Bb11 | · C3: | Ebmaj9 | Gb Ab11 | Ebmaj9 | Gb Ab11 | Ebmaj9 | Gb Ab11 | Ebmaj9 | Gb Ab11 | · C4: | Ebmaj9 | Gb Ab11 | Ebmaj9 | Gb Ab11 | · O: | Ebmaj9 | Gb Ab11 | Ebmaj9 | Gb Ab11 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Still Commodores · 1980 · Tonart Db · ≈ 63 BPM · Harmonie 4/5 · Fortgeschritten I: | Db | Ebm/Db | Db | Ebm/Db | · V: | Dbsus4 Db | Db Dbsus4 Db | Gbmaj7 Gb6 | Absus4 Ab Absus4 Ab | Dbsus4 Db | Db | Dbsus4 Db | Db Dbsus4 Db | Gbmaj7 Gb6 | Absus4 Ab Absus4 Ab | Dbsus4 Db | Db Db/C Ebm/Bb Db/Ab | · C: | Gbmaj7 | Ebm7 Ab | Dbmaj7 | Db7 Db/C Ebm/Bb Ab | Gbmaj7 | Ebm7/Ab Ab | Dbmaj7 | Cb/Db Db7 Gb/Bb Ab | Gbmaj7 | Ebm7 Ab | Dbmaj7 | Cb/Db Db7 Gb/Bb Ab | Gbmaj7 | Gbmaj7 Db/F Ebm7 | Ebm7 | Ab Absus4 Ab N.C. | · INST: | Dbsus4 Db | Db Dbsus4 Db | Gbmaj7 Gb6 | Absus4 Ab Absus4 Ab | Dbsus4 Db | Db Db/C Ebm/Bb Ab | · C2: | Gbmaj7 | Ebm7 Ab | Dbmaj7 | Cb/Db Db7 Gb/Bb Ab | Gbmaj7 | Ebm7 Ab | Dbmaj7 | Cb/Db Db7 Gb/Bb Ab | Gbmaj7 | Ebm7 Ab | Dbmaj7 | Cb/Db Db7 Gb/Bb Ab | Gbmaj7 | Gbmaj7 Db/F Ebm7 | Ebm7 | Ab Absus4 Ab N.C. | · CO: | Dbsus4 Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Three Times A Lady Commodores · 1978 · Tonart Ab · ≈ 75 BPM · Harmonie 5/5 · Experte I: | Absus2 | Absus2 | · V: | Ab | Ab7/Gb | Fm | C7#5/E | Ab | Ab7/Gb | Fm | C7#5/E | Ab | Ab7/Gb | Fm | C7#5/E | Ab | Ab7/Gb | Fm | C7#5/E | C7#5/E | · C: | Ab | Eb/G | Gb | Db/F | Bbm7 | Ab | Eb | Eb/Db | Ab | Eb/G | Gb | Db/F | Bbm7 | Ab | Eb | Eb/Db | Cm7 | Eb9sus4/Bb | Ab | Eb/Ab | Db | Eb7sus4 | · V2: | Ab | Eb/Ab | Db/Ab | Eb7sus4 | Ab | Eb/Ab | Db/Ab | Eb7sus4 | Ab | Eb/Ab | Db/Ab | Eb7sus4 | Ab | Eb/Ab | Db/Ab | Eb7sus4 | · INST: | Ab | Eb/Ab | Db/Ab | Eb7sus4 | Ab | Eb/Ab | Db/Ab | Eb7sus4 | Ab | Eb/Ab | Db/Ab | Eb7sus4 | Ab | Eb/Ab | Db/Ab | Db/Ab | Db/Ab | · C2: | Ab | Eb/G | Gb | Db/F | Bbm7 | Ab | Eb | Eb/Db | Cm7 | Eb9sus4/Bb | Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Karma Chameleon Culture Club · 1984 · Tonart Bb · ≈ 184 BPM · Harmonie 4/5 · Fortgeschritten I: | F(no3,no5) | F(no3,no5) | Bb(no3,no5) | N.C. | F(no3,no5) | F(no3,no5) | Bb | Bb | Bb | Bb | · V: | Bb | F | Bb | Bb | Bb | F | Bb | Bb | Eb | Eb | F | F | Eb | Eb | F | F | Eb | Eb | F | F | Cm7 | Cm7 | Gm | F | · C: | Bb | F/A | Gm7 | Gm7 | Cm7 | Cm7 | Fsus4 | F | Bb | Dm7 | Gm7 | Gm7 | Cm7 | Cm7 | Fsus4 | F | · V2: | Bb | F | Bb | Bb | Bb | F | Bb | Bb | Eb | Eb | F | F | Eb | Eb | F | F | Eb | Eb | F | F | Cm7 | Cm7 | Gm | F | · C2: | Bb | F/A | Gm7 | Gm7 | Cm7 | Cm7 | Fsus4 | F | Bb | Dm7 | Gm7 | Gm7 | Cm7 | Cm7 | Fsus4 | F | · B: | Ebadd9 | Ebadd9 | Dm7 | Dm7 | Cm | Cm | Gm7 | Gm7 | Ebadd9 | Ebadd9 | Dm7 | Dm7 | Cm | Cm | Gm7 | F | · S: | Bb | F | Bb | Bb | Bb | F | Bb | Bb | Eb | Eb | F | F | Eb | Eb | F | F | Eb | Eb | F | F | Cm7 | Cm7 | Gm | F | · C3: | Bb | F/A | Gm7 | Gm7 | Cm7 | Cm7 | Fsus4 | F | Bb | Dm7 | Gm7 | Gm7 | Cm7 | Cm7 | Fsus4 | F | · C4: | Bb | F/A | Gm7 | Gm7 | Cm7 | Cm7 | Fsus4 | F | Bb | Dm7 | Gm7 | Gm7 | Cm7 | Cm7 | Fsus4 | F | · C5: | Bb | F/A | Gm7 | Gm7 | Cm7 | Cm7 | Fsus4 | F | Bb | Dm7 | Gm7 | Gm7 | · O: | Cm7 | Cm7 | Fsus4 | F | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ True Colors Cyndi Lauper · 1986 · Tonart C · ≈ 86 BPM · Harmonie 5/5 · Experte I: | N.C. | N.C. | · I2: | Am7 G/B | Cmaj7 F | Am7 G/B | Cmaj7 F | · V: | Am7 G/B | C C/E | Fadd9 F | Am G | C Dm | C/E F | Am G | F/C C | · C: | F C | Gsus4 G | F C/E | F G | F C | F Am | F/C C | F/C C | Gsus4add9 | · T: | Am7 G/B | Cmaj7 F | Am7 G/B | Cmaj7 F | · V2: | Am7 G/B | C C/E | Fadd9 F | Am G | C Dm | C/E F | Am G | F/C C | · C2: | F C | Gsus4 G | F C/E | F G | F C | F Am | F/C C | F/C C | Gsus4add9 | · T2: | Am7 G/B | Cmaj7 F | Am7 G/B | Cmaj7 F | · V3: | Am7 G/B | C C/E | Fadd9 F | Am G | C Dm | C/E F | Am G | F/C C | · C3: | F C | Gsus4 G | F C/E | F G | F C | F Am | F/C C | F/C C | F/C C | Gsus4 G | F C | F Gsus4 G | F C | Em7 Am | F/C C | F/C C | Gsus4add9 | N.C. | · T3: | Am7 G/B | Cmaj7 | · O: | F | N.C. | N.C. | N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Kiss On My List Daryl Hall & John Oates · 1981 · Tonart C · ≈ 122 BPM · Harmonie 4/5 · Fortgeschritten I: | C G/C | Am/C G/C | Cm7 | Cm7 | Fadd9 F | Fadd9 F | Csus2 | C | · V: | Cm | Cm | Fm | Fm | Ab | Bb | Cadd9 | Cadd9 | Cm | Cm | Fm | Fm | Ab | Bb | Cadd9 | Cadd9 | · PC: | Fsus2 Fm | Gm7/D | Fm9 | Gm7/D | Fm9 | Gm7/D | Fm9 | Fm9 F/G G | · C: | C G/C | Am/C G/C | Cm7 | Cm7 | F | F | C | C | · C2: | C G/C | Am/C G/C | Cm7 | Cm7 | F | F | C | C | · V2: | Cm | Cm | Fm | Fm | Ab | Bb | Cadd9 | Cadd9 | Cm | Cm | Fm | Fm | Ab | Bb | Cadd9 | Cadd9 | · PC2: | Fsus2 Fm | Gm7/D | Fm9 | Gm7/D | Fm9 | Gm7/D | Fm9 | Fm9 F/G G | · C3: | C G/C | Am/C G/C | Cm7 | Cm7 | F | F | C | C | · S: | G/C | G/C | F | F | Am7b5/Eb | Am7b5/Eb | Dm7 | Dm7 G11 | · O: | C G/C | Am/C G/C | Cm7 | Cm7 | F | F | C | C | C G/C | Am/C G/C | Cm7 | Cm7 | F | F | C | C | C G/C | Am/C G/C | Cm7 | Cm7 | F | F | C | C | C G/C | Am/C G/C | Cm7 | Cm7 | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Maneater Daryl Hall & John Oates · 1983 · Tonart Bm · ≈ 178 BPM · Harmonie 4/5 · Fortgeschritten I: | B(no3,no5) | B(no3,no5) | A(no3,no5) | A(no3,no5) | G(no3,no5) | G(no3,no5) | A(no3,no5) | A(no3,no5) | Bm | Bm | A | A | G | G | A | A | Bm | Bm | A | A | G | G | A | A | Bm | Bm | A | A | G | G | A | A | · V: | D | D | A/C# | A/C# | C | C | B | B | Em7 | Em7 | A | A F#7/A# | Bm | Bm F#m7 | Bm | Bm | · V2: | D | D | A/C# | A/C# | C | C | B | B | Em7 | Em7 | A | A F#7/A# | Bm | Bm A/B | B | B | · C: | Bm | Bm | A | A | G | G | F# | F#7/A# | Bm | Bm | A | A | Em7 | Em7 | G | Aadd9 | · INT: | Bm | Bm | Bm | Bm | · V3: | D | D | A/C# | A/C# | C | C | B | B | Em7 | Em7 | A | A F#7/A# | Bm | Bm A/B | B | B | · C2: | Bm | Bm | A | A | G | G | F# | F#7/A# | Bm | Bm | A | A | Em7 | Em7 | G | Aadd9 | · INT2: | B(no3,no5) | B(no3,no5) | B(no3,no5) | B(no3,no5) | · S: | Bm | Bm | A | A | G | G | A | A | Bm | Bm | A | A | G | G | A | A | Bm | Bm | A | A | G | G | A | A | Bm | Bm | A | A | Em7 | Em7 | F# | F# | · C3: | Bm | Bm | A | A | G | G | F# | F#7/A# | Bm | Bm | A | A | Em7 | Em7 | G | Aadd9 | · C4: | Bm | Bm | A | A | G | G | F# | F#7/A# | Bm | Bm | A | A | Em7 | Em7 | G | Aadd9 | · O: | Bm | Bm | A | A | G | G | F# | F#7/A# | Bm | Bm | A | A | Em7 | Em7 | G | Aadd9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Rich Girl Daryl Hall & John Oates · 1977 · Tonart F · ≈ 84 BPM · Harmonie 3/5 · Mittel C: | F Am7 | Dm7 F/C | Bb F/A | Gm7 Bb/C | F Am7 | Dm7 F/C | Bb F/A | Gm7 | · INT: | F | F | · C2: | Bbmaj7 | Gm7 | F/C | Gm7 Am7 Dm | Bbmaj7 | Gm7 | Gm7 | Bb/C | · C3: | F Am7 | Dm7 F/C | Bb F/A | Gm7 Bb/C | F Am7 | Dm7 F/C | Bb F/A | Gm7 F | · C4: | Bbmaj7 | Gm7 | F/C | Gm7 Am7 Dm | Bbmaj7 | Gm7 | Gm7 | Bb/C | · C5: | F Am7 | Dm7 F/C | Bb F/A | Gm7 Bb/C | F Am7 | Dm7 F/C | Bb F/A | Gm7 Dm F/C | · C6: | Bbmaj7 F/A | Gm7 F | Bbmaj7 F/A | Gm7 Bb/C | · O: | F Am7 | Dm7 F/C | Bb F/A | Gm7 Bb/C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Everybody Loves Somebody Dean Martin · 1964 · Tonart Eb · ≈ 81 BPM · Harmonie 5/5 · Experte I: | Bb7 | Bb7 | · C: | N.C. | Ab C7/G C7 | Fm Db/F | Bb7 | Eb Gm Gbdim | Fm | Fm/Bb Db/Abb | Eb Fm/Bb Fb/Cbb | · C2: | Eb Ebaug | Ab C7/G C7 | Fm Db/F | Bb7 | Eb Gm Gbdim | Fm | Fm/Bb Fb/Cbb | Eb | · B: | Eb7 | Eb7 | Ab Ebaug | Ab G7#9 | Cm Cmmaj7 Cm7 | F | Fm/Bb Gm/Bb | Bb9 Bb7 | · C3: | Eb Ebaug | Ab C7/G C7 | Fm Db/F | Bb | Eb Gm Gbdim | Fm | Fm/Bb Fb/Cbb | Eb | · B2: | Eb | Eb | Ab Ebaug | Ab G7#9 | Cm Cmmaj7 Cm7 | F | Fm/Bb Gm/Bb | Bb9 Bb7 | · C4: | Eb Ebaug | Ab C7/G C7 | Fm Db/F | Bb | Eb Gm Gbdim | Fm | Bb7b9 | Eb Ebaug | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Upside Down Diana Ross · 1980 · Tonart Gm · ≈ 108 BPM · Harmonie 3/5 · Mittel I: | Gm7 C | F Gm7 | Bb C | F Gm7 | · C: | Gm7 C | F Gm7 | Bb C | F Gm7 | · V: | Gm7 C | F Gm7 | Bb C | F Gm7 | Gm7 C | F Gm7 | Bb C | F Gm7 | Gm7 Abm | · B: | Bbm7 | Bbm7 | Bbm7 | Bbm7 | Bbm7 | Bbm7 | Bbm7 | Bbm7 | · V2: | Gm7 C | F Gm7 | Bb C | F Gm7 | Gm7 C | F Gm7 | Bb C | F Gm7 | Gm7 Abm | · B2: | Bbm7 | Bbm7 | Bbm7 | Bbm7 | Bbm7 | Bbm7 | Bbm7 | Bbm7 | · V3: | Gm7 C | F Gm7 | Bb C | F Gm7 | Gm7 C | F Gm7 | Bb C | F Gm7 | Gm7 Abm | · B3: | Bbm7 | Bbm7 | Bbm7 | Bbm7 | Bbm7 | Bbm7 | Bbm7 | Bbm7 | · V4: | Gm7 C | F Gm7 | Bb C | F Gm7 | Gm7 C | F Gm7 | Bb C | F Gm7 | · V5: | Gm7 C | F Gm7 | Bb C | F Gm7 | Gm7 C | F Gm7 | Bb C | F Gm7 | · C2: | Gm7 C | F Gm7 | Bb C | F Gm7 | Gm7 C | F Gm7 | Bb C | F Gm7 | · C3: | Gm7 C | F Gm7 | Bb C | F Gm7 | Gm7 C | F Gm7 | Bb C | F Gm7 | · C4: | Gm7 C | F Gm7 | Bb C | F Gm7 | Gm7 C | F Gm7 | · O: | Bb C | F Gm7 | Gm7 C | F Gm7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Runaround Sue Dion · 1961 · Tonart D · ≈ 159 BPM · Harmonie 2/5 · Leicht I: | D | D | Bm | Bm | G | G | A | A | · C: | D | D | Bm | Bm | G | G | A | A | D | D | Bm | Bm | G | G | A N.C. | N.C. | · C2: | D | D | Bm | Bm | G | G | A N.C. | N.C. | D | D | Bm | Bm | G | G | A N.C. | N.C. | · C3: | D | D | Bm | Bm | G | G | A N.C. | N.C. | · B: | G | G | D | D | G | G | A N.C. | N.C. | · C4: | D | D | Bm | Bm | G | G | A N.C. | N.C. | D | D | Bm | Bm | G | G | A N.C. | N.C. | · B2: | G | G | D | D | G | G | A N.C. | N.C. | · C5: | D | D | Bm | Bm | G | G | A | A | · C6: | D | D | Bm | Bm | · O: | G | G | A | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Sunshine Superman Donovan · 1966 · Tonart Db · ≈ 134 BPM · Harmonie 2/5 · Leicht I: | Db(no3,no5) | Db(no3,no5) | Db(no3,no5) | Db(no3,no5) | Db(no3,no5) | Db(no3,no5) | Db(no3,no5) | Db(no3,no5) | · V: | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Gb7 | Gb7 | Gb7 | Gb7 | Db7 | Db7 | Db7 | Db7 | · C: | Ab7 | Ab7 | Gb7 | Gb7 | Db7 | Db7 | Db7 | Db7 | · V2: | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Gb7 | Gb7 | Gb7 | Gb7 | Db7 | Db7 | Db7 | Db7 | · C2: | Ab7 | Ab7 | Gb7 | Gb7 | Db7 | Db7 | Db7 | Db7 | · C3: | Ab7 | Ab7 | Gb7 | Gb7 | Db7 | Db7 | Db7 | Db7 | · S: | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Ab7 | Ab7 | Gb7 | Gb7 | Db7 | Db7 | Db7 | Db7 | · V3: | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Gb7 | Gb7 | Gb7 | Gb7 | Db7 | Db7 | Db7 | Db7 | · C4: | Ab7 | Ab7 | Gb7 | Gb7 | Db7 | Db7 | Db7 | Db7 | · C5: | Ab7 | Ab7 | Gb7 | Gb7 | Db7 | Db7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ I Love A Rainy Night Eddie Rabbitt · 1981 · Tonart C · ≈ 131 BPM · Harmonie 4/5 · Fortgeschritten I: | C | C | C | C | · V: | C5 | C5 | C5 | C5 | F5 | F5 | C5 | C5 | C5 | C5 | C5 | C5 | F5 | F5 | C5 | C5 | · PC: | G | Am G | F | G | · C: | C | F6 G6 | C | F6 G6 | C | F6 G6 | C | F6 G6 | · V2: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | C5 | C5 | C5 | C5 | F5 | F5 | C5 | C5 | · PC2: | G | Am G | F | G | · C2: | C | F6 G6 | C | F6 G6 | C | F6 G6 | C | F6 G6 | · S: | C5 | C5 | C5 | C5 | F5 | F5 | C5 | C5 | · PC3: | G | Am G | F | G | · C3: | C | F6 G6 | C | F6 G6 | C | F6 G6 | C | F6 G6 | · C4: | C | F6 G6 | C | F6 G6 | C | F6 G6 | C | F6 G6 | · C5: | C | F6 G6 | C | F6 G6 | C | F6 G6 | C | F6 G6 | · O: | C | F6 G6 | C | F6 G6 | C | F6 G6 | C | F6 G6 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Frankenstein Edgar Winter · 1973 · Tonart Gm · ≈ 95 BPM · Harmonie 5/5 · Experte A: | G5 Bb | G5 | G5 Bb | G5 | · B: | Gm7 | Gm7 | Bb7#9 Eb7 | Dmadd4 G7#9 | C7#9 F/C | C7#9 F/C | Gm7/D Dm7 | Gm7/D Dm9 | · T: | Gm7 | Gm7 C7 | Eb/Db Gm/D | Ebadd9 C7/E | · A2: | G5 Bb | G5 | G5 Bb | G5 | · S: | Gm7 C | Gm9 C7 | Gm7 C7 | Gm7 C7 | · INT: | Gm7 C7 | Gm7 C7 | Gm7 C7 | Gm7 C7 | Gm7 Am7 Bb Bdim | C6 C9 | G7sus4 Am7 Bb6 C7#9 Dm7 C6/E F G9sus4 C6 | · T2: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 C/G | Gm C/G | · S2: | Gm7 C/G | Gm C/G | Gm7 C/G | Gm C/G | Gm7 | · S3: | N.C. | N.C. | N.C. | N.C. | N.C. G(no3,no5) | N.C. G(no3,no5) | N.C. G(no3,no5) | N.C. G(no3,no5) | N.C. G(no3,no5) Bb(no3,no5) | N.C. G(no3,no5) F(no3,no5) | N.C. G(no3,no5) Bb(no3,no5) | N.C. G(no3,no5) F(no3,no5) | · T3: | Gm7 | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · A3: | G5 Bb | G5 | G5 Bb | G5 | · B2: | Gm7 | Gm7 | · O: | Gm7 | Gm7 | Bb7 | Gm7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ War Edwin Starr · 1970 · Tonart Ebm · ≈ 109 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | · C: | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | · V: | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | · C2: | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | · V2: | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | · C3: | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | · V3: | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | · C4: | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | · V4: | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | · C5: | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | · O: | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb | Eb(no3,no5) Ab(no3,no5) Gb | Ebm Gb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Philadelphia Freedom Elton John · 1975 · Tonart Bb · ≈ 126 BPM · Harmonie 5/5 · Experte I: | Bb | Bb | Eb Db Ab/C | Bb | Bb | Bb | Eb Db Ab/C | Bb | · V: | Bb | Bb | Bb | Bb | C7 | Db Ab/C | Bb | F | Bb | Bb | Bb | Bb | C7 | Db Ab/C | Bb | Bb | · PC: | Eb | Ebsus4 Eb | Bb | Bb | Eb | Ebsus4 Eb | Bb | Bb | Ab7 | G7 | Cm9 | Ab7 | G7 | Gb7 | Eb | Eb | · C: | Bb | Bb | Eb | Bb/D | Cm7 | Bb/D Eb | F | D7sus4 D7 | Gm | Cm7 | Bb/D | Ebsus4 | Eb | Cm7 Bb/D Eb C/E | F7 | Eb Dm Cm7 | Cm7 | Cm7 | · T: | Bb | Bb | Eb Db Ab/C | Bb | Bb | Bb | Eb Db Ab/C | Bb | · V2: | Bb | Bb | Bb | Bb | C7 | Db Ab/C | Bb | Bb | Bb | Bb | Bb | Bb | C7 | Db Ab/C | Bb | Bb | · PC2: | Eb | Ebsus4 Eb | Bb | Bb | Eb | Ebsus4 Eb | Bb | Bb | Ab7 | G7 | Cm9 | Ab7 | G7 | Gb7 | Eb | Eb | · C2: | Bb | Bb | Eb | Bb/D | Cm7 | Bb/D Eb | F | D7sus4 D7 | Gm | Cm7 | Bb/D | Ebsus4 | Eb | Cm7 Bb/D Eb C/E | F7 | Eb Dm Cm7 | Cm7 | Cm7 | · T2: | Bb | Bb | Eb Db Ab/C | Bb | Bb | Bb | Eb Db Ab/C | Bb | · C3: | Bb | Bb | Eb | Bb/D | Cm7 | Bb/D Eb | F | D7sus4 D7 | Gm | Cm7 | Bb/D | Ebsus4 | Eb | Cm7 Bb/D Eb C/E | F7 | Eb Dm Cm7 | Cm7 | Cm7 | Eb Dm Cm7 | Cm7 | Cm7 | Eb Dm Cm7 | Cm7 | Cm7 | · O: | Bb | Bb | Eb Db Ab/C | Bb | Bb | Bb | Eb Db Ab/C | Bb | Bb | Bb | Eb Db Ab/C | Bb | · O: | Bb | Bb | Eb Db Ab/C | Bb | Bb | Bb | Eb Db Ab/C | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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