80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 7 von 40 Earth Angel The Penguins · 1954 · Tonart Ab · ≈ 110 BPM · Harmonie 2/5 · Leicht I: | Ab Fm | Db Eb | Ab Fm | Db Eb | · V: | Ab Fm | Db Eb | Ab Fm | Db Eb | Ab Fm | Db Eb | Ab Fm | Db Eb | Ab Fm | Db Eb | Ab Fm | Db Eb | Ab Fm | Db Eb | Ab Db | Ab | · B: | Db | Ab | Db | Ab | Db | Ab | Bb | Eb | · V2: | Ab Fm | Db Eb | Ab Fm | Db Eb | Ab Fm | Db Eb | Ab Db | Ab | · B2: | Db | Ab | Db | Ab | Db | Ab | Bb | Eb | · V3: | Ab Fm | Db Eb | Ab Fm | Db Eb | Ab Fm | Db Eb | Ab | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #151 Anhören ↗ Foxey Lady The Jimi Hendrix Experience · 1965 · Tonart F# · ≈ 97 BPM · Harmonie 1/5 · Einsteiger I: | F#m | F#m | F#m | F#m | · V: | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | · C: | F#m | E B | F#m | E B | F#m | E B | F#m | F#m | F#m | F#m | F#m | F#m | · V2: | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | · C2: | F#m | E B | F#m | E B | F#m | E B | F#m | F#m | · V3: | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | · C3: | F#m | E B | F#m | E B | F#m | E B | F#m | F#m | · CO: | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m B | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #152 Anhören ↗ A Hard Day's Night The Beatles · 1964 · Tonart G · ≈ 138 BPM · Harmonie 3/5 · Mittel SON: | Dm7 | · C: | G C | G | F | G | G C | G | F | G | C | D | G C | G | G C | G | F | G | G C | G | F | G | C | D | G C | G | · B: | Bm | Em | Bm | Bm | G | Em | C | D | · C2: | G C | G | F | G | G C | G | F | G | C | D | G C | G | G C | G | F | G | G C | G | F | G | C | D | G C | G | · B2: | Bm | Em | Bm | Bm | G | Em | C | D | · C3: | G C | G | F | G | G C | G | F | G | C | D | G C | G C | G C | G C | G C | Dm7 | Dm7 | Dm7 | Dm7 | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #153 Anhören ↗ Rave On Buddy Holly and the Crickets · 1958 · Tonart G · ≈ 160 BPM · Harmonie 2/5 · Leicht SON: | N.C. | · V: | G | G | G | G | C | C | G | G | D | D | G C | G D | G | G | G | G | C | C | G | G | D | D | G C | G | · C: | C | C | G | G | D | D | G C | G | C | C | G | G | D | D | G C | G | · S: | C | C | G | G | D | D | G C | G | · C2: | C | C | G | G | D | D | G C | G | C | C | G | G | D | D | G C | G D | · O: | G C | G D | G C | G D | G C | G | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #154 Anhören ↗ Proud Mary Creedence Clearwater Revival · 1969 · Tonart D · ≈ 121 BPM · Harmonie 2/5 · Leicht I: | C A | C A | C A G | F D | D | D | · V: | D | D | D | D | D | D | D | D | · C: | A | A | Bm | Bm | D | D | D | D | · V2: | D | D | D | D | D | D | D | D | · C2: | A | A | Bm | Bm | D | D | D | D | · I2: | C A | C A | C A G | F D | D | D | · V3: | D | D | D | D | D | D | D | D | · C3: | A | A | Bm | Bm | D | D | D | D | · I3: | C A | C A | C A G | F D | D | D | · V4: | D | D | D | D | D | D | D | D | · C4: | A | A | Bm | Bm | D | D | D | D | · O: | D | D | D | D | D | D | D | D | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #155 Anhören ↗ The Sounds of Silence Simon and Garfunkel · 1965 · Tonart Eb · ≈ 107 BPM · Harmonie 1/5 · Einsteiger I: | Ebm | Ebm | · V: | Db | Db | Ebm | Ebm | B F# | F# | B | F# | B | B | F# | F# D#m | F# | C# | Ebm | Ebm | Db | Db | Ebm | Ebm | B F# | F# | B | F# | B | B | F# | F# D#m | F# | C# | Ebm | Ebm | Db | Db | Ebm | Ebm | B F# | F# | B F# | F# | B | B | F# | F# D#m | F# | C# | Ebm | Ebm | Db | Db | Ebm | Ebm | B F# | F# | B | F# | B | B | F# | F# D#m | F# | C# | Ebm | Ebm | Db | Db | Ebm | Ebm | B F# | F# | B F# | F# | B | B | F# | F# D#m | F# | C# | Ebm | Ebm | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #156 Anhören ↗ I Only Have Eyes for You The Flamingos · 1959 · Tonart C · ≈ 88 BPM · Harmonie 4/5 · Fortgeschritten I: | Bb7 | G7 D7 | · V: | C | Bb | C | Bb | C | Bb | C | Bb | · L: | C | Bb | C | Bb | C | Bb | C | Bb | · V2: | C | Bb | C | Bb | C | Bb | C | C7 | · B: | F | F | F | F | Am7 | Am7 | Abm7 | Abm7 | · V3: | C | Bb | C | Bb | C | Bb | C | C7 | · B2: | F | F | F | F | D7 | D7 | D7 | D7 | Gm7 | Gm7 | C7 | C7 | F | F | Ebmaj7 | Ebmaj7 | Bb | Bb | Bb | Bbm | F | F | Db7 | Db7 | · V4: | C | Bb | C | Bb | C | Bb | C | C7 | · B3: | F | F | F | F | D7 | D7 | D7 | D7 | Gm7 | Gm7 | C7 | C7 | · L2: | C | Bb | C | Bb | C | Bb | C | Bb | · A: | C | Bb | C | Bb | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #157 Anhören ↗ (We're Gonna) Rock Around the Clock Bill Haley and His Comets · 1954 · Tonart A · ≈ 272 BPM · Harmonie 2/5 · Leicht I: | A | A | A | A | A | A | E | E | · V: | A | A | A | A | D7 | D7 | A | A | E7 | E7 | A | A | A | A | A | A | D7 | D7 | A | A | E7 | E7 | A | A | A | A | A | A | D7 | D7 | A | A | E7 | E7 | A | A | A | A | A | A | D7 | D7 | A | A | E7 | E7 | A | A | A | A | A | A | D7 | D7 | A | A | E7 | E7 | A | A | A | A | A | A | D7 | D7 | A | A | E7 | E7 | A | A | A | A | A | A | D7 | D7 | A | A | E7 | E7 | A | D Dm | E | E A | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #158 Anhören ↗ I'm Waiting for the Man The Velvet Underground · 1967 · Tonart D · ≈ 126 BPM · Harmonie 2/5 · Leicht I: | D | G | D | G | D | G | D | G | · V: | D | G | D | G | D | G | D | G | D | F# | G | A | D | G | D | G | · BP: | D | G | · V2: | D | G | D | G | D | G | D | G | D | F# | G | A | D | G | D | G | · BP2: | D | G | · V3: | D | G | D | G | D | G | D | G | D | F# | G | A | D | G | D | G | · BP3: | D | G | D | G | D | G | D | G | D | G | D | G | D | G | D | G | D | G | D | G | · V4: | D | G | D | G | D | G | D | G | D | F# | G | A | D | G | D | G | · BP4: | D | G | D | G | · V5: | D | G | D | G | D | G | D | G | D | F# | G | A | D | G | D | G | · O: | D | G | D | G | D | G | D | G | D | G | D | G | D | G | D | G | D | G | D | G | D | G | D | G | D | G | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #159 Anhören ↗ I Can't Stop Loving You Ray Charles · 1962 · Tonart F · ≈ 120 BPM · Harmonie 3/5 · Mittel I: | F7 | · C: | Bb | Bb | F | F | C7 | C7 | F | F7 | Bb | Bb | F | F | C7 | C7 | F Bb/F | F | · V: | F | F7 | Bb | Bb | F | F | C7 | C7 | F | F7 | Bb | Bb | F/C | C7 | F C11 | F7 | · C2: | Bb | Bb | F | F | C7 | C7 | F | F7 | Bb | Bb | F | F | C7 | C7 | F Bb/F | F | · V2: | F | F7 | Bb | Bb | F | F | C7 | C7 | F | F7 | Bb | Bb | F/C | C7 | F C11 | F7 | · C3: | Bb | Bb | F | F | C7 | C7 | F | F7 | Bb | Bb | F | F | C7 | C7 | F Bb/F | F | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #161 Anhören ↗ Nothing Compares 2 U Sinead O'Connor · 1990 · Tonart F · ≈ 60 BPM · Harmonie 3/5 · Mittel SON: | F | F | · V: | F | C/E | Dm7 | F C11 | F | C/E | Dm7 | F C11 | F | C/E | Dm7 | F C11 | F | C/E | Dm7 | A7 | · C: | Eb Bb | Eb Bb | C | C | · V2: | F | C/E | Dm7 | F C11 | F | C/E | Dm7 | Bb | F | C/E | Dm7 | F C11 | F | C/E | Dm7 | A7 | · C2: | Eb Bb | Dm C | C | C | · V3: | F | C/E | Dm7 | F C11 | F | C/E | Dm7 | F C11 | F | C/E | Dm7 | F C11 | F | C/E | Dm7 | A7 | · C3: | Eb Bb | Dm C | C | Eb Bb | Dm C | C | Eb Bb | Dm C | C | Eb Bb | Dm C | C | Eb Bb | Dm C | C | Eb Bb | Dm C | C | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #162 Anhören ↗ Bohemian Rhapsody Queen · 1975 · Tonart Bb · ≈ 85 BPM · Harmonie 5/5 · Experte I: | Gm | C7 | F7 | Bb | Gm | Bb7 | Bb | Cm | F7 | Bb | Bb | Eb Bb/D | Edim7/Db F7/C | F7 | · V: | Bb | Bb | Bb | Gm | Cm | Cm F | Bb | Gm | Cm | F/A | Eb | Cm | Fm | Bb | Eb Bb/D | Cm Abm | Eb | Eb | Bb | Bb | Bb | Gm | Cm | Cm F | Bb | Gm | Cm | F/A | Eb | Cm | Fm | Bb | Eb Bb/D | Cm | Fm | Bb | Eb Bb/D | Cm | Fm | Db | · B: | A | A | A | A | A | A | C#/G# G#7 | C/G E | A | A | A | E | Cm7 | Bb | Bb | Eb | Eb | Ab Eb | F Bb | Bb | Bb | Bb | Eb | Bb Eb | Eb Bb | Bb Eb | Eb Bb | Bb Eb | Bb Eb | Bb | Bb | Cbm A D Bb | Cb Bb Eb | Eb | Eb Bb | Eb Ab | D7 Gm | Bb | Bb | Bb | Bb | · R: | Eb | Eb | Eb | F | Bb | Bb | Bb | Db | Bb | Bb Eb | Ab | Fm | Bb | Fm | Bb | Fm Bb | Fm Bb | Eb | Eb | Eb | F | Gb | Cb | Ab | Bb | Bb | Bb | · L: | Eb Bb/D | Cm G Cm | G Cm Bb Eb | D Gm | Ab Eb | · R2: | Cm Gm | Cm Gm | Cm Abm | Bb | Eb | Eb Ddim7 | Bb/D Bbm/Db | C | C F | F | F | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #163 Anhören ↗ Folsom Prison Blues Johnny Cash · 1956 · Tonart F · ≈ 103 BPM · Harmonie 1/5 · Einsteiger I: | C | F | · V: | F | F | F | F | Bb | Bb | F | F | C | C | F | F | F | F | F | Bb | Bb | F | F | C | C | F | · S: | F | F | F | F | Bb | Bb | F | F | C | C | F | · V2: | F | F | F | F | Bb | Bb | F | F | C | C | F | · S2: | F | F | F | F | Bb | Bb | F | F | C | C | F | · V3: | F | F | F | F | Bb | Bb | F | F | C | C | F | · I2: | C | F | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #164 Anhören ↗ Fast Car Tracy Chapman · 1988 · Tonart A · ≈ 104 BPM · Harmonie 3/5 · Mittel I: | D A | F#m E | D A | F#m E | D A | F#m E | D A | F#m E | · V: | D A | F#m E | D A | F#m E | D A | F#m E | D A | F#m E | · L: | D A | F#m E | D A | F#m E | · V2: | D A | F#m E | D A | F#m E | D A | F#m E | D A | F#m E | · L2: | D A | F#m E | D A | F#m E | · V3: | D A | F#m E | D A | F#m E | D A | F#m E | D A | F#m E | · L3: | D A | F#m E | D A | F#m E | · V4: | D A | F#m E | D A | F#m E | · L4: | D A | F#m E | D A | F#m E | · C: | D | A | F#m | E | D F#m | E | D F#m | E | D E | · L5: | D A | F#m E | D A | F#m E | · V5: | D A | F#m E | D A | F#m E | D A | F#m E | D A | F#m E | · L6: | D A | F#m E | D A | F#m E | · C2: | D | A | F#m | E | D F#m | E | D F#m | E | D E | · L7: | D A | F#m E | D A | F#m E | · V6: | D A | F#m E | D A | F#m E | D A | F#m E | D A | F#m E | · L8: | D A | F#m E | D A | F#m E | · C3: | D | A | F#m | E | D F#m | E | D F#m | E | D E | · L9: | D A | F#m E | D A | F#m E | · V7: | D A | F#m E | D A | F#m E | · CO: | D A | F#m E | D A | F#m E | D A | F#m E | D A | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #165 Anhören ↗ Lose Yourself Eminem · 2002 · Tonart Dm · ≈ 86 BPM · Harmonie 3/5 · Mittel I: | Dm C | Bb | Dm C | Bb | Gm F | Edim | A | A | Dm | Bb | Dm | Bb | Dm | Bb | Dm | Bb | · V: | Dm | Bb | Dm | Gm Edim | Dm | Bb | Dm | Gm Edim | Dm | Bb | Dm | Gm Edim | Dm | Bb | Dm | Gm Edim | · C: | Dm | Bb C | Dm | Bb C | Dm | Bb C | Dm | Bb C | · V2: | Dm | Bb | Dm | Gm Edim | Dm | Bb | Dm | Gm Edim | Dm | Bb | Dm | Gm Edim | Dm | Bb | Dm | Gm Edim | · C2: | Dm | Bb C | Dm | Bb C | Dm | Bb C | Dm | Bb C | · V3: | Dm | Bb | Dm | Gm Edim | Dm | Bb | Dm | Gm Edim | Dm | Bb | Dm | Gm Edim | Dm | Bb | Dm | Gm Edim | · VP: | Dm | Bb | Dm | Gm Edim | Dm | Bb | Dm | Gm Edim | · C3: | Dm | Bb C | Dm | Bb C | Dm | Bb C | Dm | Bb C | · O: | Dm | Bb C | Dm | Bb C | Dm | Bb C | Dm | Bb C | Dm | Bb C | Dm | Bb C | Dm | Bb C | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #166 Anhören ↗ Let's Get It On Marvin Gaye · 1973 · Tonart Eb · ≈ 84 BPM · Harmonie 2/5 · Leicht V: | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | · C: | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | · V2: | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | · B: | Ab | Ab | Eb Eb/G | Ab Bb | Ab | Ab | Eb Eb/G | Ab Bb | Ab | Ab | Eb Eb/G | Ab Bb | Ab | Fm | Bb | Bb | · C2: | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | · B2: | Ab | Ab | Eb Eb/G | Ab Bb | Ab | Ab | Eb Eb/G | Ab Bb | Ab | Ab | Eb Eb/G | Ab Bb | Ab | Fm | Bb | Bb | · C3: | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | · O: | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Eb Eb/G | Ab Bb | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #167 Anhören ↗ Papa Was A Rollin' Stone The Temptations · 1972 · Tonart Bb · ≈ 121 BPM · Harmonie 2/5 · Leicht I: | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | · V: | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | · C: | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | · S: | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | · V2: | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | · C2: | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | · S2: | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | · V3: | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | · C3: | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | · O: | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #168 Anhören ↗ Losing My Religion R.E.M. · 1991 · Tonart Am · ≈ 125 BPM · Harmonie 3/5 · Mittel SON: | N.C. G | · I: | F | F G | Am | Am | F | F G | Am | G | · V: | Am | Am | Em | Em | Am | Am | Em | Em | Am | Am | Em | Em | Dm | Dm | G | G | Am | Am | Em | Em | Am | Am | Em | Em | Am | Am | Em | Em | Dm | Dm | G | G | · C: | F | F G | Am | Am | F | F G | Am | G | · V2: | Am | Am | Em | Em | Am | Am | Em | Em | Am | Am | Em | Em | Dm | Dm | G | G | Am | Am | Em | Em | Am | Am | Em | Em | Am | Am | Em | Em | Dm | Dm | G | G | · C2: | F | F G | Am | Am | F | F G | Am | G | · B: | Am | G | F | G | C | Dm | C | Dm | · V3: | Am | Am | Em | Em | Am | Am | Em | Em | Am | Am | Em | Em | Dm | Dm | G | G | · C3: | F | F G | Am | Am | F | F G | Am | Am | F | F G | Am | Am | F | F G | Am | G | · CO: | Am | Am | Am | Am | Am | Am | Am | Am | Am | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #169 Anhören ↗ Both Sides Now Joni Mitchell · 1969 · Tonart F# · ≈ 97 BPM · Harmonie 1/5 · Einsteiger L: | F# | F# | F# | F# | · V: | F# B | C# F# | F# C# | C# F# | F# B | C# | F# B | C# | F# B | C# F# | F# C# | C# F# | F# B | C# | F# B | C# | · C: | F# C# | C# F# | F# | F# | F# B | F# | F# B | C# | C# | · L2: | F# | F# | F# | F# | · V2: | F# B | C# F# | F# C# | C# F# | F# B | C# | F# B | C# | F# B | C# F# | F# C# | C# F# | F# B | C# | F# B | C# | · C2: | F# C# | C# F# | F# | F# | F# B | F# | F# B | C# | C# | · L3: | F# | F# | F# | F# | · V3: | F# B | C# F# | F# C# | C# F# | F# B | C# | F# B | C# | F# B | C# F# | F# C# | C# F# | F# B | C# | F# B | C# | · C3: | F# C# | C# F# | F# | F# | F# B | F# | F# B | C# | C# | · L4: | F# | F# | F# | F# | · C4: | F# C# | C# F# | F# | F# | F# B | F# | F# B | C# | C# | · L5: | F# | F# | F# | F# | · A: | F# | F# | F# | F# | F# | F# | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #170 Anhören ↗ Dancing Queen ABBA · 1976 · Tonart A · ≈ 100 BPM · Harmonie 3/5 · Mittel I: | A | D/A | A | D/A | A | D/A | A E/G# | D/F# A/E | · R: | E | C# | F#m | B7/D# | D | Bm7 | A | D/A | A D/A | A D/A | · V: | A | D/A | A | F#m | E7 A/E | E7 A/E | E F#m | F#m | A | D/A | A | F#m | E7 A/E | E7 A/E | E F#m | F#m | · C: | Bm | E | A | D/A | A | D/A | A | D/A | A E/G# | D/F# A/E | · R2: | E | C# | F#m | B7/D# | D | Bm7 | A | D/A | A | D/A | A D/A | A D/A | · V2: | A | D/A | A | F#m | E7 A/E | E7 A/E | E F#m | F#m | · C2: | Bm | E | A | D/A | A | D/A | A | D/A | A E/G# | D/F# A/E | · R3: | E | C# | F#m | B7/D# | D | Bm7 | A | D/A | A | D/A | A | D/A | A | D/A | A | D/A | A | D/A | A | D/A | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #171 Anhören ↗ Dream On Aerosmith · 1973 · Tonart F · ≈ 79 BPM · Harmonie 4/5 · Fortgeschritten I: | Fm Cm | Bb7 Gm7b5 | Fm C7 | Fm | Fm Cm | Bb7 Gm7b5 | Fm C7 | Fm | Bb7 | Eb7 C/E | Fm | Fm | · V: | Fm Cm | Bb7 Gm7b5 | Fm Cm | Bb7 Gm7b5 | Fm Cm | Bb7 Gm7b5 | Fm Cm | Bb7 Gm7b5 | Dm7b5 C | Dm7b5 Gm7b5/Db | C | C | · PC: | Fm Eb | Db Eb | Fm Eb | Db Eb | Fm Cm | Bb7 Gm7b5 | Fm C7 | Fm | · V2: | Fm Cm | Bb7 Gm7b5 | Fm Cm | Bb7 Gm7b5 | Fm Cm | Bb7 Gm7b5 | Fm Cm | Bb7 Gm7b5 | · PC2: | Fm Eb | Db Eb | Fm Eb | Dm7b5 Db | C | C | · T: | Fm C | Fm7 Bb7 | Eb7 C/E | Fm | Fm C | Fm7 Bb7 | Eb7 C/E | · PC3: | Fm Eb | Db Eb | Fm Eb | Dm7b5 Db | C | C | · C: | Bb C | Db Eb | Fm | Fm | Bb C | Db Eb | Fm | Fm | Bb C | Db Eb | Fm Gm | Ab Bb | C | C | · PC4: | Fm Eb | Db Eb | Fm Eb | Db Eb | Fm Eb | Db Eb | Fm Eb | Dm7b5 Db | C | C | C | C | C | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #172 Anhören ↗ God Save the Queen The Sex Pistols · 1977 · Tonart A · ≈ 148 BPM · Harmonie 2/5 · Leicht I: | A | A | A | A | A | D | A | D | A | D | A | A | · V: | A | D | A | D | A | D | A | A | A | D | A | D | A | D | A | A | · B: | E B | E | E B | E | E B | E | E B | E | · V2: | A | D | A | D | A | E | A | A | A | D | A | D | A | D | A | A | A | D | A | D | A | D | A | A | · B2: | E B | E | E B | E | E B | E | E B | E | · V3: | A | D | A | D | A | E | A | A | · INST: | F# | B | F# | B | F# | B | F# | E | E | · V4: | A | D | A | D | A | E | A | A | · CO: | D | C#m Bm | D | C#m Bm | D | C#m Bm | A | A | D | C#m Bm | D | C#m Bm | D | C#m Bm | A | A | D | C#m Bm | D | C#m Bm | D | C#m Bm | A | A | A | A | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #173 Anhören ↗ Paint It Black The Rolling Stones · 1966 · Tonart Em · ≈ 159 BPM · Harmonie 2/5 · Leicht I: | Em | Em | B | B | B | B | Em | Em | · V: | Em | Em | B | B | Em | Em | B | B | · C: | Em D | G D | Em | Em | Em D | G D | A | B | · V2: | Em | Em | B | B | Em | Em | B | B | · C2: | Em D | G D | Em | Em | Em D | G D | A | B | · V3: | Em | Em | B | B | Em | Em | B | B | · C3: | Em D | G D | Em | Em | Em D | G D | A | B | · V4: | Em | Em | B | B | Em | Em | B | B | · C4: | Em D | G D | Em | Em | Em D | G D | A | B | · V5: | Em | Em | B | B | Em | Em | B | B | · C5: | Em D | G D | Em | Em | Em D | G D | A | B | · O: | Em | Em | B | B | Em | Em | B | B | Em | Em | B | B | Em | Em | B | B | Em | Em | B | B | Em | Em | B | B | Em | Em | B | B | Em | Em | B | B | Em | Em | B | B | Em | Em | B | B | Em | Em | B | B | Em | Em | B | B | Em | Em | B | B | Em | Em | B | B | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #174 Anhören ↗ I Fought the Law The Bobby Fuller Four · 1966 · Tonart G · ≈ 148 BPM · Harmonie 2/5 · Leicht SON: | N.C. | · I: | G | G | G | C D | G | D G | · V: | G | C G | G | C G | G | D | G | C D | G | D G | G | C G | G | C G | G | D | G | C D | G | D G | · C: | C | C | G | G | C | C | G | C G | G | D | G | C D | G | D G | · INST: | C | C | G | G | C | C | G | C G | G | D G | · V2: | G | C G | G | C G | G | D | G | C D | G | D G | G | C G | G | C G | G | D | G | C D | G | D G | · C2: | C | C | G | G | C | C | G | C G | G | D | G | C D | G | D G | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #175 Anhören ↗ Don't Worry Baby The Beach Boys · 1964 · Tonart E · ≈ 122 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | E | E | A | B | E | E | A | B | · V: | E | E | A | B | E | E | A | B | F#m | B | G#m | C# | · C: | F# | F# | G#m7 | C# | F# | F# | G#m7 | C# | B7 | · V2: | E | E | A | B | E | E | A | B | F#m | B | G#m | C# | · C2: | F# | F# | G#m7 | C# | F# | F# | G#m7 | C# | B7 | · VP: | E | E | A | B | E | E | A | B | · V3: | E | E | A | B | E | E | A | B | F#m | B | G#m | C# | · C3: | F# | F# | G#m7 | C# | F# | F# | G#m7 | C# | · O: | F# | F# | G#m7 | C# | Quelle: Rolling Stone Corpus über CoCoPops · Rolling-Stone-Liste von 2004 #176 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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