80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 10 von 40 Quarter To Three Gary U.S. Bonds · 1961 · Tonart Eb · ≈ 160 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · S: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Bb | · V: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Bb | · V2: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Bb | · B: | Ab | Ab | Eb | Eb | Ab | Ab | Bb7 | Bb7 | · V3: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Eb | · S2: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Bb | · S3: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Bb | · B2: | Ab | Ab | Eb | Eb | Ab | Ab | Bb7 | Bb7 | · V4: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Eb | · S4: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Bb | · O: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Invisible Touch Genesis · 1986 · Tonart F · ≈ 131 BPM · Harmonie 5/5 · Experte I: | N.C. | Fsus4 F | Bb/F C/F | Fsus4 F | Bb/D C9sus4 C | Fsus4 F | Bb/F C/F | Fsus4 F | Bb/D C9sus4 C | · V: | Dm | Bbmaj7 | Am | Fadd9 | Dm | Bbmaj7 | Am | C | · PC: | G | G | Bb | F | Bb | F | Bb | Bb C | · C: | Fsus4 F | Bb/F C/F | Fsus4 F | Bb/D C9sus4 C | Fsus4 F | Bb/F C/F | Fsus4 F | Bb/D C9sus4 C | · V2: | Dm | Bbmaj7 | Am | F | Dm | Bbmaj7 | Am | C | · PC2: | G | G | Bb | F | Bb | F | Bb | Bb C | · C2: | Fsus4 F | Bb/F C/F | Fsus4 F | Bb/D C9sus4 C | Fsus4 F | Bb/F C/F | Fsus4 F | Bb/D C9sus4 C | · B: | Eb11 | Eb11 | Eb11 | Eb11 | Eb11 | Eb11 | Eb11 | Eb11 | · C3: | Fsus4 F | Bb/F C/F | Fsus4 F | Bb/D C9sus4 C | Fsus4 F | Bb/F C/F | Fsus4 F | Bb/D C9sus4 C | · V3: | Dm | Bbmaj7 | Am | F | Dm | Bbmaj7 | Am | C | · PC3: | G | G | Bb | F | Bb | F | Bb | Bb C | · C4: | Gsus4 G | C/G D/G | Gsus4 G | C/E D9sus4 D | Gsus4 G | C/G D/G | Gsus4 G | C/E D9sus4 D | Gsus4 G | C/G D/G | Gsus4 G | C/E D9sus4 D | Gsus4 G | C/G D/G | Gsus4 G | C/E D9sus4 D | · C5: | Gsus4 G | C/G D/G | Gsus4 G | C/E D9sus4 D | Gsus4 G | C/G D/G | Gsus4 G | C/E D9sus4 D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Got My Mind Set On You George Harrison · 1988 · Tonart E · ≈ 149 BPM · Harmonie 3/5 · Mittel SON: | N.C. | N.C. | N.C. | N.C. | · C: | C#m G# | C#m | E B | E | C#m G# | C#m | E B | E | · V: | E A | B | E A | B | E A | B | E A | B | E A | B | E A | B | E A | B | E A | E A | E A | E | E | · C2: | C#m G# | C#m | E B | E | C#m G# | C#m | E B | E | · B: | E | A | E | A | E | A | E | B | B | · C3: | C#m G# | C#m | E B | E | C#m G# | C#m | E B | E B | · V2: | E A | B | E A | B | E A | B | E A | B | E A | B | E A | B | E A | B | E A | E A | E A | E | E | · INST: | C#m G# | C#m | E B | E | C#m G# | C#m | E B | E | · C4: | C#m G# | C#m | E B | E | C#m G# | C#m | E B | E | · B2: | E | A | E | A | E | A | E | B | B | · V3: | E A | B | E A | B | E A | B | E A | B | E A | B | E A | B | E A | B | E A | E A | E A | E | E | · C5: | C#m G# | C#m | E B | E | · INST2: | C#m G# | C#m | E B | E | · O: | C#m G# | C#m | E B | E | C#m G# | C#m | E B | E | · O: | C#m G# | C#m | E B | E | C#m G# | C#m | E B | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Rhinestone Cowboy Glen Campbell · 1975 · Tonart C · ≈ 115 BPM · Harmonie 4/5 · Fortgeschritten I: | C F/C | Gadd4/C F/C | C F/C | Gadd4/C F/C | · V: | C F | C F | C F | C F | C F | C F | G C/G | C C/G | F Gm/C | F Gm/C | F Gm/C | F | C F/C | C | G | G | F | C | F | F#dim | Dm7/G | G F G | · C: | C F | C | Cmaj7 | C6 | Gsus4 | G F G | C F | C | Cmaj7 | C6 | G | G | F | F | G | G F G | · V2: | C F | C F | C F | C F | C F | C F | G C/G | C C/G | F Gm/C | F Gm/C | F Gm/C | F | C F/C | C | G | G | F | C | F | F#dim | Dm7/G | G F G | · C2: | C F | C | Cmaj7 | C6 | Gsus4 | G F G | C F | C | Cmaj7 | C6 | G | G | F | F | Gsus4 | G F G | · O: | C F | C | Cmaj7 | C6 | Gsus4 | G F G | C F | C | Cmaj7 | C6 | Gsus4 | G F G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ I Like The Way (The Kissing Game) Hi-Five · 1991 · Tonart Bb · ≈ 104 BPM · Harmonie 5/5 · Experte I: | N.C. | N.C. | Ebm | Ebm | Ebm | Ebm | Ebm11 | Ebm11 | Ebm11 | Ab7sus4 Fm9 | · C: | Bbm9 Ab | Eb9sus4 Ab/Db | Gb6/9 Ebm7 | Cm7b5 F7b9 | Bbm9 Ab | Eb9sus4 Ab/Db | Gb6/9 Ebm7 | Cm7b5 F7b9 | · V: | Ebm11 Dbadd4 | Fm7 Ebsus4 | Cm7b5 F7 | Bb9sus4 | Ebm11 Dbadd4 | Fm7 Ebsus4 | Cm7b5 F7 | Bb9sus4 | Ebm11 Dbadd4 | Fm7 Ebsus4 | Cm7b5 F7 | Bb9sus4 | Ebm11 Dbadd4 | Fm7 Ebsus4 | Gbmaj9 | Ab9sus4 | · C2: | Bbm9 Ab | Eb9sus4 Ab/Db | Gb6/9 Ebm7 | Cm7b5 F7b9 | Bbm9 Ab | Eb9sus4 Ab/Db | Gb6/9 Ebm7 | Cm7b5 F7b9 | · V2: | Ebm11 Dbadd4 | Fm7 Ebsus4 | Cm7b5 F7 | Bb9sus4 | Ebm11 Dbadd4 | Fm7 Ebsus4 | Cm7b5 F7 | Bb9sus4 | Ebm11 Dbadd4 | Fm7 Ebsus4 | Cm7b5 F7 | Bb9sus4 | Ebm11 Dbadd4 | Fm7 Ebsus4 | Gbmaj9 | Ab9sus4 | · C3: | Bbm9 Ab | Eb9sus4 Ab/Db | Gb6/9 Ebm7 | Cm7b5 F7b9 | Bbm9 Ab | Eb9sus4 Ab/Db | Gb6/9 Ebm7 | Cm7b5 F7b9 | · B: | Eb9sus4 | Bbm9 | Eb9sus4 | Bbm9 | Eb9sus4 | Bbm9 | Eb9sus4 | Gbmaj9 F7b9 | · C4: | Bbm9 Ab | Eb9sus4 Ab/Db | Gb6/9 Ebm7 | Cm7b5 F7b9 | Bbm9 Ab | Eb9sus4 Ab/Db | Gb6/9 Ebm7 | Cm7b5 F7b9 | · C5: | Bbm9 Ab | Eb9sus4 Ab/Db | Gb6/9 Ebm7 | Cm7b5 F7b9 | Bbm9 Ab | Eb9sus4 Ab/Db | Gb6/9 Ebm7 | Cm7b5 F7b9 | · O: | Bbm9 Ab | Eb9sus4 Ab/Db | Gb6/9 Ebm7 | Cm7b5 F7b9 | Bbm9 Ab | Eb9sus4 Ab/Db | Gb6/9 Ebm7 | Cm7b5 F7b9 | Bbm7 | Ebm7 | Gbmaj9 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Need You Tonight INXS · 1988 · Tonart Cm · ≈ 109 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · I2: | C | Eb Gm/D Cm | C | Eb Gm/D Cm | · V: | C | F | C | F | C | F | C | F | C | F | · C: | C | Eb Gm/D C | C | Eb Gm/D C | C | Eb Gm/D C | C | Eb Gm/D C | · V2: | C | F | C | F | C | F | C | F | C | F | · V3: | C | F | C | F | C | F | · C2: | C | Eb Gm/D Cm | C | Eb Gm/D Cm | C | Eb Gm/D Cm | C | Eb Gm/D Cm | · V4: | C | F | C | F | C | F | C | F | C | F | · V5: | C | F | C | F | C | F | · V6: | C | F | C | F | C | F | · C3: | C | F | C | F | · D: | Eb Gm/D C | C | F | C | N.C. | · O: | N.C. | N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Annie's Song John Denver · 1974 · Tonart D · ≈ 147 BPM · Harmonie 3/5 · Mittel I: | D | Dsus4 | D | Dsus4 | D | Dsus4 | D | Dsus4 | · V: | G | A | Bm | G | D | F#m/C# | Bm | A | G | F#m | Em | G | A | A | A | A | G | A | Bm | G | D | F#m/C# | Bm | A | G | F#m | Em | A | D | Dsus4 | D | Dsus4 | · V2: | G | A | Bm | G | D | F#m/C# | Bm | A | G | F#m | Em | G | A | A | A | A | G | A | Bm | G | D | F#m/C# | Bm | A | G | F#m | Em | A | D | Dsus4 | D | Dsus4 | · INST: | G | A | Bm | G | D | F#m/C# | Bm | A | G | F#m | Em | G | A | A | A | A | G | A | Bm | G | D | F#m/C# | Bm | A | G | F#m | Em | A | D | Dsus4 | D | Dsus4 | · V3: | G | A | Bm | G | D | F#m/C# | Bm | A | G | F#m | Em | G | A | A | A | A | G | A | Bm | Bm | D | F#m/C# | Bm | A | G | F#m | Em | A | D | Dsus4 | D | Dsus4 | D | Dsus4 | D | Dsus4 | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ The Battle Of New Orleans Johnny Horton · 1959 · Tonart A · ≈ 178 BPM · Harmonie 2/5 · Leicht SON: | A | A | A | D | E7 | A | A | · V: | A | D | E7 | A | A | D | E7 | A | · C: | A | A | A | E A | A | A | A | E A | A | A | · V2: | A | D | E7 | A | A | D | E7 | A | · C2: | A | A | A | E A | A | A | A | E A | A | A | · V3: | A | D | E7 | A | A | D | E7 | A | · C3: | A | A | A | E A | A | A | A | E A | A | A | · B: | A | A | A | E A | A | A | A | E A | A | A | A | A | · V4: | A | D | E7 | A | A | D | E7 | A | · C4: | A | A | A | E A | A | A | A | E A | A | A | · B2: | A | A | A | E A | A | A | A | E A | · O: | A | A | A | A | · O: | A | A | A | A | A | A | A | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Lady Kenny Rogers · 1980 · Tonart Eb · ≈ 68 BPM · Harmonie 4/5 · Fortgeschritten I: | Ebm | Ebm | · V: | Ebm | Abm/Eb Db/Eb | Ebm | Abm/Eb Db/Eb | Db/Eb | Ebm | Ebm | Ebm | Abm/Eb Db/Eb | Ebm | Abm/Eb Db/Eb | Db/Eb | Ebm | Ebm | · C: | Abm | Bbm Ebm | Cb Bbm | Ebsus4 Eb | Abm | Bbm Ebm | Cb Bbm | Ebsus4 | Eb | · V2: | Ebm | Abm/Eb Db/Eb | Ebm | Abm/Eb Db/Eb | Db/Eb | Ebm | Ebm | Ebm | Abm/Eb Db/Eb | Ebm | Abm/Eb Db/Eb | Db/Eb | Ebm | Ebm | · C2: | Abm | Bbm Ebm | Cb Bbm | Ebsus4 Eb | Abm | Bbm Ebm | Cb Bbm | Ebsus4 | Eb | · B: | Cb | Db7/Cb | Gb Db/F | Ebm Ebm/Db | Cb | Db7/Cb | Gb Db/F | Ebm Ebm/Db | Cb | Db7/Cb | Gb Db/F | Ebm Ebm/Db | Cb Bbm Abm | Db7sus4 N.C. | · CO: | Ebm | Ab/Eb Db/Eb | Ebm N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ You Make Me Feel Like Dancing Leo Sayer · 1977 · Tonart E · ≈ 96 BPM · Harmonie 4/5 · Fortgeschritten I: | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | · V: | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | · PC: | D | E | · C: | F# D#m7 | G#m7 C#7 | F# D#m7 | G#m7 C#7 | F# D#m7 | G#m7 C#7 | F#m7 | F#m7 | B9sus4 | B9sus4 | · V2: | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | · PC2: | D | E | · C2: | F# D#m7 | G#m7 C#7 | F# D#m7 | G#m7 C#7 | F# D#m7 | G#m7 C#7 | F#m7 | F#m7 | B9sus4 | B9sus4 | F#m7 | F#m7 | B9sus4 | B9sus4 | · INST: | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | · PC3: | D | E | · C3: | F# D#m7 | G#m7 C#7 | F# D#m7 | G#m7 C#7 | · O: | F# D#m7 | G#m7 C#7 | F# D#m7 | G#m7 C#7 | F# D#m7 | G#m7 C#7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Brandy (You're A Fine Girl) Looking Glass · 1972 · Tonart E · ≈ 125 BPM · Harmonie 4/5 · Fortgeschritten I: | C#m | A | C#m | A | E/B | B | A E/G# | F#m B9sus4 | · V: | E E/G# | A C#m | F#m A | D A | E E/G# | A C#m | F#m A | E | E E/G# | A C#m | F#m A | D A | E E/G# | A C#m | F#m A | E | · C: | C#m | A | C#m | A | E/B | B | A E/G# | F#m B9sus4 | · V2: | E E/G# | A C#m | F#m A | D A | E E/G# | A C#m | F#m A | E | E E/G# | A C#m | F#m A | D A | E E/G# | A C#m | F#m A | E | · C2: | C#m | A | C#m | A | E/B | B | A E/G# | F#m B9sus4 | · B: | C#m | C#m/B | Amaj7 | C#m/B | C#m | C#m/B | Amaj7 | C#m/B | C#m | Dmaj7 | C#m7 | A | E/B | B | A E/G# | F#m B9sus4 | · V3: | E E/G# | A C#m | F#m A | D A | E E/G# | A C#m | F#m A | E | · C3: | C#m | A | C#m | A | E/B | B | A E/G# | F#m B9sus4 | · O: | C#m | A | C#m | A | E/B | B | A E/G# | F#m B9sus4 | C#m | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Hello, Dolly! Louis Armstrong · 1964 · Tonart C · ≈ 155 BPM · Harmonie 5/5 · Experte I: | D7 | G7 | D7 | G7 | D7 | G7 | C Ebdim | Dm7 G7 | · V: | Cmaj7 | Cmaj7 | Am | Am | Cmaj7 | F#dim | Dm7 | A7b9 | Dm | A7 | Dm | Dm | Dm7 | G7 | C Ebdim | Dm7 G7 | · C: | Cmaj7 | Cmaj7 | Am | Am | Gm7 | C7 | Fmaj7 | E7 | Am | Em7 | Am | Em7 | D7 | G7 | C Ebdim | Dm7 G7 | · INT: | Cmaj7 | Cmaj7 | Am | Am | Cmaj7 | F#dim | Dm7 | A7b9 | Dm | A7 | Dm | Dm | Dm7 | G7 | C Ebdim | Dm7 G7 | · INT2: | Cmaj7 | Cmaj7 | Am | Am | Gm7 | C7 | Fmaj7 | E7 | Am | Em7 | Am | Em7 | D7 | G7 | C Ebdim | Dm7 G7 | · C2: | Cmaj7 | Cmaj7 | Am | Am | Gm7 | C7 | Fmaj7 | E7 | Am | Em7 | Am | Em7 | · O: | D7 | G7 | D7 | G7 | D7 | G7 | C C/E F F#dim | G7sus4 G7/Db C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Live To Tell Madonna · 1986 · Tonart Dm · ≈ 110 BPM · Harmonie 5/5 · Experte I: | D(no3,no5) | D5 Dmadd9 Dm9 Dm11/A N.C. | Dm11 | Dm11 | Am Bb | C Bb | Dm11 | Dm11 | Am Bb | C Bb | Dm11 | Dm11 | Am Bb | C Bb | Dm11 | Dm11 | Am Bb | C Dm | · V: | C | Gm | C | C Dm | C | Gm | C | C Dm | C | Gm | C | C Dm | C | Gm | C | C | · C: | Fsus2 Fsus4 | F | Fsus2 Fsus4 | Am Bb | Fsus2 Fsus4 | F Dm | Dm C/E | Dm C | Bb C | · T: | Dm11 | Dm11 | Am Bb | C Bb | Dm11 | Dm11 | Am Bb | C Dm | · V2: | C | Gm | C | C Dm | C | Gm | C | C Dm | C | Gm | C | C Dm | C | Gm | C | C | · C2: | Fsus2 Fsus4 | F | Fsus2 Fsus4 | Am Bb | Fsus2 Fsus4 | F Dm | Dm C/E | Dm C | Bb C | · INT: | Dm11 | Dm11 | · C3: | Fsus2 Fsus4 | F | Fsus2 Fsus4 | Am Bb | Fsus2 Fsus4 | F Dm | Dm C/E | Dm C | Bb C | · INT2: | D(no3,no5) N.C. | D(no3,no5) | D5 Dmadd9 Dm9 Dm11 | Dm11 N.C. | · B: | Bb | C | Dm7 | Am | Bb | C | Amadd9 | Bb | Bb | C | Dm7 | Am | Bb | C | Dm7 | Dm7 | · B2: | C | Gm | C | C | · C4: | Fsus2 Fsus4 | F | Fsus2 Fsus4 | Am Bb | Fsus2 Fsus4 | F Dm | Dm C/E | Dm C | Bb C | · INT3: | Dm11 | Dm11 | · C5: | Fsus2 Fsus4 | F | Fsus2 Fsus4 | Am Bb | Fsus2 Fsus4 | F Dm | Dm C/E | Dm C | Bb C | · INT4: | Dm11 | Dm11 | · C6: | Fsus2 Fsus4 | F | Fsus2 Fsus4 | Am Bb | Fsus2 Fsus4 | F Dm | Dm C/E | Dm C | Bb C | Dm11 | Dm11 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Good Vibrations Marky Mark · 1991 · Tonart Bbm · ≈ 122 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | · INST: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · C: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · V: | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | · PC: | Ab Bbm/Ab | Gb Ab | Ab Bbm/Ab | Gb Ab | · C2: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · V2: | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | · PC2: | Ab Bbm/Ab | Gb Ab | Ab Bbm/Ab | Gb Ab | · C3: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · B: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · V3: | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | Ab(no3,no5) Bb(no3,no5) | Gb(no3,no5) Ab(no3,no5) | · PC3: | Ab Bbm/Ab | Gb Ab | Ab Bbm/Ab | Gb Ab | · C4: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · V4: | Ab Bbm/Ab | Gb Ab | Ab Bbm/Ab | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · S: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · C5: | Ab Bbm/Ab | Gb Ab | Ab Bbm/Ab | Gb Ab | Ab Bbm/Ab | Gb Ab | Ab Bbm/Ab | Gb Ab | · C6: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · S2: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Torn Between Two Lovers Mary MacGregor · 1976 · Tonart Bb · ≈ 132 BPM · Harmonie 4/5 · Fortgeschritten I: | F7/A A | Cm Cm/A Cm/G | F7 F7/G F7/A | Bb | Bb | · V: | Cm | F9 | Bb | Bb | Cm | F7 | Bb | Bbmaj7 Bb6 Bb | Cm | F9 | Bb | Gm | Cm | Eb | Cm | F7 | F7 | · V2: | Cm | F9 | Bb | Bb | Eb | F7 | Bb | Bbmaj7 Bb6 Bb | Cm | F9 | Bb | Gm | Cm | Eb | Cm | F7 | F7 | · C: | Cm | F7 | Dm | G7 | Cm | F7 | Bb | G7 | Cm | F7 | Dm | G7 | Cm | F7 | Bb | Bb | · V3: | Cm | F9 | Bb | Bb | Cm | F7 | Bb | Bbmaj7 Bb6 Bb | Cm | F9 | Bb | Gm | Cm | Eb | Cm | F7 | F7 | · C2: | Cm | F7 | Dm | G7 | Cm | F7 | Bb | G7 | Cm | F7 | Dm | G7 | Cm | F7 | Bb | Bb | · V4: | Cm | F9 | Bb | Gm | Cm | Eb | Cm | F7 | F7 | · C3: | Cm | F7 | Dm | G7 | Cm | F7 | Bb | G7 | Cm | F7 | Dm | G7 | Cm | F7 | Bb | G7 | · O: | Cm | F7 | Dm | G7 | Cm | F7 | Bb | G7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Beat It Michael Jackson · 1983 · Tonart Ebm · ≈ 139 BPM · Harmonie 4/5 · Fortgeschritten I: | G(no3,no5) | G(no3,no5) | E(no3,no5) | E(no3,no5) | G(no3,no5) | G(no3,no5) | D(no3,no5) | D(no3,no5) | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · I2: | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | · V: | Ebm | Db | Ebm | Db | Cb | Db | Ebm | Db | Ebm | Db | Ebm | Db | Cb | Db | Ebm | Db | · C: | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | · V2: | Ebm | Db | Ebm | Db | Cb | Db | Ebm | Db | Ebm | Db | Ebm | Db | Cb | Db | Ebm | Db | · C2: | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | · INST: | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | · S: | Ebm | Db | Ebm | Db | Cb | Db | Ebm | Db | Ebm | Db | Ebm | Db | Cb | Db | Ebm | Db | · C3: | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | · O: | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Man In The Mirror Michael Jackson · 1988 · Tonart G · ≈ 100 BPM · Harmonie 5/5 · Experte I: | G G9sus4 | G D/F# | Cadd9 | Cadd9 | G G9sus4 | G D/F# | Cadd9 | Cadd9 | G G9sus4 | G D/F# | Cadd9 | Cadd9 | · V: | G G9sus4 | G D/F# | Cadd9 | Cadd9 | G G9sus4 | G D/F# | Cadd9 | Cadd9 | Am7 | Gadd9/B | Cadd9 | Gadd9/B | Am7 | Gadd9/B | Cadd9 | D9sus4 | · C: | G G/B | C Dsus4 Dadd9 | G G/B | C Dsus4 Dadd9 | G G/B | C A9/C# | Dm11 | Dm11 | · INT: | G D/F# | Em7 D | Cmaj9 | Cmaj9 D7 Em7 D/F# | · V2: | G D/F# | Em7 D | Cadd9 Cmaj9 | Cadd9 | G D/F# | Em7 D | Cadd9 Cmaj9 | Cadd9 | Am7 | Gadd9/B | Cadd9 | Gadd9/B | Am7 | Gadd9/B | Cadd9 | D9sus4 | · C2: | G G/B | C Dsus4 | G G/B | C Dsus4 | G G/B | C A9/C# | Dm11 | Dm11 | G G/B | C Dsus4 | G G/B | C Dsus4 | G G/B | C A9/C# | Dm11 | Dm11 | · C3: | Ab Ab/C | Db Ebsus4 Ebadd9 | Ab Ab/C | Db Ebsus4 Ebadd9 | Ab Ab/C | Db Bb9/D | Ebm11 | Ebm11 | Ebm11 | Ebm11 | Ab Ab/C | Db Ebsus4 Ebadd9 | Ab Ab/C | Db Ebsus4 Ebadd9 | Ab Ab/C | Db Bb9/D | Ebm11 | Ebm11 | · INT2: | Ab Eb/G | Fm7 Eb | Dbadd9 Dbmaj9 | Dbadd9 | Ab Eb/G | Fm7 Eb | Dbadd9 | Dbadd9 | · O: | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ I Just Can't Stop Loving You Michael Jackson With Siedah Garrett · 1987 · Tonart C · ≈ 100 BPM · Harmonie 5/5 · Experte I: | C5 | C5 C9sus4 | C9sus4 | C5 | C5 | C | C | C | C5 | C5 | · I2: | C5 | C5 | C5 | C5 | · V: | Cadd9 | Cadd9 | Gm7 | Gm7 | Cadd9 | Cadd9 | Gm7 | Gm7 | · PC: | Fmaj9 | Fmaj9 | Fm | Am | Bbadd9 | Bbadd9 | Ebmaj9 | G11 | · V2: | Cadd9 | Cadd9 | Gm7 | Gm7 | Cadd9 | Cadd9 | Gm7/C | Gm7/C | · PC2: | Fmaj9 | Fmaj9 | Fm | Am | Bbadd9 | Bbadd9 | Ebmaj9 | G11 | · C: | Gm7 | C | Gm7 | C | Gm7 | Fm7 Ebmaj7 | G11 | G11 | · INT: | C5 | Csus4 C | · V3: | Cadd9 | Cadd9 | Gm7 | Gm7 | Cadd9 | Cadd9 | Gm7/C | Gm7/C | · PC3: | Fmaj9 | Fmaj9 | Fm | Am | Bbadd9 | Bbadd9 | Ebmaj9 | G11 | · C2: | Gm7 | C | Gm7 | C | Gm7 | Fm7 Ebmaj7 | G11 | G11 | · INT2: | C | · B: | Bb11 | Ebmaj7 | Db11 | Gbmaj7 | B11 | Fbmaj7 | Abm7 | Abm7 Db | · C3: | Abm7 | Db | Abm7 | Db | Abm7 | Gbm7 Fbmaj7 | Ab11 | · O: | Abm7 | Db | Abm7 | Db | Abm7 | Gbm7 Fbmaj7 | Ab11 | Abm7 | Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Maniac Michael Sembello · 1983 · Tonart Eb · ≈ 157 BPM · Harmonie 5/5 · Experte I: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · I2: | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | · V: | Ebm | Ebm6 | Ebm7 | Ebmaj9 | Cb | Db/Cb | Cb | Bbsus4 Bb | Ebm | Ebm6 | Ebm7 | Ebmaj9 | Cb | Db/Cb | Cb | Bbsus4 Bb | · PC: | Ab7 | Ab7 | Bbaug | Bbaug | Cb | Cb | Bbsus4 | Bb | · C: | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Abm | Abm | Abm | Abm | · V2: | Ebm | Ebm6 | Ebm7 | Ebmaj9 | Cb | Db/Cb | Cb | Bbsus4 Bb | Ebm | Ebm6 | Ebm7 | Ebmaj9 | Cb | Db/Cb | Cb | Bbsus4 Bb | · PC2: | Ab7 | Ab7 | Bbaug | Bbaug | Cb | Cb | Bbsus4 | Bb | · C2: | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Abm | Abm | · INT: | Gbadd4 | Fdim | Bb/F | Ebm7 | Gbadd4 | Fdim | Bb/F | Ebm7 | Gbadd4 | Fdim | Bb/F | Ebm7 | Gbadd4 | Fdim | Bb/F | Ebm7 | · S: | Ebm | Ebm6 | Ebm7 | Ebmaj9 | Cb | Db/Cb | Cb | Bbsus4 Bb | Ebm | Ebm6 | Ebm7 | Ebmaj9 | Cb | Db/Cb | Cb | Bbsus4 Bb | · PC3: | Ab7 | Ab7 | Bbaug | Bbaug | Cb | Cb | Bbsus4 | Bb | · O: | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Abm | Abm | · O2: | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Baby Don't Forget My Number Milli Vanilli · 1989 · Tonart E · ≈ 101 BPM · Harmonie 3/5 · Mittel SON: | N.C. | N.C. | · I: | E | A | E | A | · V: | E | E | E | E | E | E | E | E | E | E | E | E | · PC: | E | A/E | E | A | D | · C: | D E | D | D E | D | D E | B D | D E | D | D E | D | D E | B D | E | · B: | E D/E | A/E | A/E E D | A | E D/E | A/E | E A/E | E D | E D/E | A | E D/E | A | E | A | E | A | · V2: | E | E | E | E | E | E | E | E | · PC2: | E | A/E | E A D | D | · C2: | D E | D | D E | D | D E | B D | D E | D | D E | D | D E | B D | E | · B2: | E D/E | A/E | A/E E D | A | E D/E | A/E | E A/E | E D | E D/E | A | E | A | · INT: | N.C. | C#m | C#m | C#m | C#m | · C3: | C#m E | D | D E | B D | E N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Girl I m Gonna Miss You Milli Vanilli · 1989 · Tonart A · ≈ 76 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | · INT: | A | A | E | E | · V: | A | A | E | E | A | A | E | E | A | A | E | E | · PC: | D | D | A D/A | A Bm A/C# | D | D | E | E | N.C. Dadd9 E | · C: | A | E | Bm A/C# | D F#m | E | · S: | A | E | Bm A/C# | D F#m | E | E | · INT2: | A | A | E | E | A | A | E | E | · V2: | A | A | E | E | A | Aadd9 | E | E7 | · PC2: | D | D | A D/A | A Bm A/C# | D | D | E | E | N.C. Dadd9 E | · C2: | A | E | Bm A/C# | D F#m | E | · C3: | A | E | Bm A/C# | D F#m | E | · O: | A | E | Bm A/C# | D F#m | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Lovin' You Minnie Riperton · 1975 · Tonart A · ≈ 62 BPM · Harmonie 4/5 · Fortgeschritten I: | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | · C: | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | · V: | Bm7 C#m7 | Bm7 E7sus4 Amaj9 | Bm7 C#m7 | Bm7 C#m7 D E | · C2: | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | · V2: | Bm7 C#m7 | Bm7 E7sus4 Amaj9 | Bm7 C#m7 | Bm7 C#m7 D E | · C3: | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | · O: | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ These Boots Are Made For Walkin' Nancy Sinatra · 1966 · Tonart E · ≈ 165 BPM · Harmonie 2/5 · Leicht SON: | N.C. | · I: | E | E | E | E | E | E | E | E | · V: | E | E | E | E | E | E | E | E | A | A | A | A | E | E | E | E | · C: | G | E | G | E | G | E | N.C. | · INT: | E | E | E | E | E | E | E | E | · V2: | E | E | E | E | E | E | E | E | A | A | A | A | E | E | E | E | · C2: | G | E | G | E | G | E | N.C. | · INT2: | E | E | E | E | E | E | E | E | · V3: | E | E | E | E | E | E | E | E | A | A | A | A | E | E | E | E | · C3: | G | E | G | E | G | E | N.C. | · O: | E | E | E | E | E | E | E | E | · O: | E | E | E | E | E | E | E | E | E | E N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Breaking Up Is Hard To Do Neil Sedaka · 1976 · Tonart B · ≈ 117 BPM · Harmonie 4/5 · Fortgeschritten I: | B G#m | C#m F# | B G#m | C#m F# | B G#m | C#m F# | B E6 | B | · C: | B G#m | C#m F# | B G#m | C#m F# | B Eb7/Bb | G#m | C#7 | F#7 | · C2: | B G#m | C#m F# | B G#m | C#m F# | B Eb7/Bb | G#m | C#7 F#7 | B | · B: | Bm E | Bm E | A | A | Am D | Am D | G | F# | F# | · C3: | B G#m | C#m F# | B G#m | C#m F# | B Eb7/Bb | G#m | C#7 F#7 | B | · B2: | Bm E | Bm E | A | A | Am D | Am D | G | F# | F# | · C4: | B G#m | C#m F# | B G#m | C#m F# | B Eb7/Bb | G#m | C#7 F#7 | · O: | B G#m | C#m F# | B G#m | C#m F# | · O: | B G#m | C#m F# | B G#m | C#m F# | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Hot Child In The City Nick Gilder · 1978 · Tonart E · ≈ 111 BPM · Harmonie 3/5 · Mittel I: | E | A B | E | A B | · V: | E | A B | E | A B | E | A B | E | A B | · PC: | E | A | E | A | E | A | E | A | · C: | E | A | E | A | E | A | E | A | · V2: | E | A B | E | A B | E | A B | E | A B | · PC2: | E | A | E | A | E | A | E | A | · C2: | E | A | E | A | E | A | E | A | · S: | E | A B | E | A | E | A B | E | A | · B: | B | F#m | A | E | B | F#m | A | B7sus4 | B7sus4 | · C3: | E | A | E | A | E | A | E | A | · O: | E | A | E | A | E | A | E | A | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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