80/20 Music School / Harmony Trainer / Song Chord Atlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 10 von 40 Quarter To Three Gary U.S. Bonds · 1961 · Tonart Eb · ≈ 160 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · S: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Bb | · V: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Bb | · V2: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Bb | · B: | Ab | Ab | Eb | Eb | Ab | Ab | Bb7 | Bb7 | · V3: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Eb | · S2: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Bb | · S3: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Bb | · B2: | Ab | Ab | Eb | Eb | Ab | Ab | Bb7 | Bb7 | · V4: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Eb | · S4: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Bb | · O: | Eb | Eb | Cm | Cm | Ab | Ab | Bb | Bb N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Invisible Touch Genesis · 1986 · Tonart F · ≈ 131 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | N.C. | Fsus4 F | Bb C | Fsus4 F | Bb Csus4 C | Fsus4 F | Bb C | Fsus4 F | Bb Csus4 C | · V: | Dm | Bbmaj7 | Am | Fadd9 | Dm | Bbmaj7 | Am | C | · PC: | G | G | Bb | F | Bb | F | Bb | Bb C | · C: | Fsus4 F | Bb C | Fsus4 F | Bb Csus4 C | Fsus4 F | Bb C | Fsus4 F | Bb Csus4 C | · V2: | Dm | Bbmaj7 | Am | F | Dm | Bbmaj7 | Am | C | · PC2: | G | G | Bb | F | Bb | F | Bb | Bb C | · C2: | Fsus4 F | Bb C | Fsus4 F | Bb Csus4 C | Fsus4 F | Bb C | Fsus4 F | Bb Csus4 C | · B: | Eb11 | Eb11 | Eb11 | Eb11 | Eb11 | Eb11 | Eb11 | Eb11 | · C3: | Fsus4 F | Bb C | Fsus4 F | Bb Csus4 C | Fsus4 F | Bb C | Fsus4 F | Bb Csus4 C | · V3: | Dm | Bbmaj7 | Am | F | Dm | Bbmaj7 | Am | C | · PC3: | G | G | Bb | F | Bb | F | Bb | Bb C | · C4: | Gsus4 G | C D | Gsus4 G | C Dsus4 D | Gsus4 G | C D | Gsus4 G | C Dsus4 D | Gsus4 G | C D | Gsus4 G | C Dsus4 D | Gsus4 G | C D | Gsus4 G | C Dsus4 D | · C5: | Gsus4 G | C D | Gsus4 G | C Dsus4 D | Gsus4 G | C D | Gsus4 G | C Dsus4 D N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Got My Mind Set On You George Harrison · 1988 · Tonart E · ≈ 149 BPM · Harmonie 3/5 · Mittel SON: | N.C. | N.C. | N.C. | N.C. | N.C. | · C: | C#m G# | C#m | E B | E | C#m G# | C#m | E B | E | · V: | E A | B | E A | B | E A | B | E A | B | E A | B | E A | B | E A | B | E A | E A | E A | E | E | · C2: | C#m G# | C#m | E B | E | C#m G# | C#m | E B | E | · B: | E | A | E | A | E | A | E | B | B | · C3: | C#m G# | C#m | E B | E | C#m G# | C#m | E B | E B | · V2: | E A | B | E A | B | E A | B | E A | B | E A | B | E A | B | E A | B | E A | E A | E A | E | E | · INST: | C#m G# | C#m | E B | E | C#m G# | C#m | E B | E | · C4: | C#m G# | C#m | E B | E | C#m G# | C#m | E B | E | · B2: | E | A | E | A | E | A | E | B | B | · V3: | E A | B | E A | B | E A | B | E A | B | E A | B | E A | B | E A | B | E A | E A | E A | E | E | · C5: | C#m G# | C#m | E B | E | · INST2: | C#m G# | C#m | E B | E | · O: | C#m G# | C#m | E B | E | C#m G# | C#m | E B | E | · O: | C#m G# | C#m | E B | E | C#m G# | C#m | E B | E N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Rhinestone Cowboy Glen Campbell · 1975 · Tonart C · ≈ 115 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | C F | Gadd4 F | C F | Gadd4 F | · V: | C F | C F | C F | C F | C F | C F | G C | C | F Gm | F Gm | F Gm | F | C F | C | G | G | F | C | F | F#dim | Dm7 | G F G | · C: | C F | C | Cmaj7 | C6 | Gsus4 | G F G | C F | C | Cmaj7 | C6 | G | G | F | F | G | G F G | · V2: | C F | C F | C F | C F | C F | C F | G C | C | F Gm | F Gm | F Gm | F | C F | C | G | G | F | C | F | F#dim | Dm7 | G F G | · C2: | C F | C | Cmaj7 | C6 | Gsus4 | G F G | C F | C | Cmaj7 | C6 | G | G | F | F | Gsus4 | G F G | · O: | C F | C | Cmaj7 | C6 | Gsus4 | G F G | C F | C | Cmaj7 | C6 | Gsus4 | G F G N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ I Like The Way (The Kissing Game) Hi-Five · 1991 · Tonart Bb · ≈ 104 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | N.C. | N.C. | Ebm | Ebm | Ebm | Ebm | Ebm11 | Ebm11 | Ebm11 | Absus4 Fm9 | · C: | Bbm9 Ab | Ebsus4 Ab | Gb6/9 Ebm7 | Cm7b5 F7b9 | Bbm9 Ab | Ebsus4 Ab | Gb6/9 Ebm7 | Cm7b5 F7b9 | · V: | Ebm11 Dbadd4 | Fm7 Ebsus4 | Cm7b5 F7 | Bbsus4 | Ebm11 Dbadd4 | Fm7 Ebsus4 | Cm7b5 F7 | Bbsus4 | Ebm11 Dbadd4 | Fm7 Ebsus4 | Cm7b5 F7 | Bbsus4 | Ebm11 Dbadd4 | Fm7 Ebsus4 | Gbmaj9 | Absus4 | · C2: | Bbm9 Ab | Ebsus4 Ab | Gb6/9 Ebm7 | Cm7b5 F7b9 | Bbm9 Ab | Ebsus4 Ab | Gb6/9 Ebm7 | Cm7b5 F7b9 | · V2: | Ebm11 Dbadd4 | Fm7 Ebsus4 | Cm7b5 F7 | Bbsus4 | Ebm11 Dbadd4 | Fm7 Ebsus4 | Cm7b5 F7 | Bbsus4 | Ebm11 Dbadd4 | Fm7 Ebsus4 | Cm7b5 F7 | Bbsus4 | Ebm11 Dbadd4 | Fm7 Ebsus4 | Gbmaj9 | Absus4 | · C3: | Bbm9 Ab | Ebsus4 Ab | Gb6/9 Ebm7 | Cm7b5 F7b9 | Bbm9 Ab | Ebsus4 Ab | Gb6/9 Ebm7 | Cm7b5 F7b9 | · B: | Ebsus4 | Bbm9 | Ebsus4 | Bbm9 | Ebsus4 | Bbm9 | Ebsus4 | Gbmaj9 F7b9 | · C4: | Bbm9 Ab | Ebsus4 Ab | Gb6/9 Ebm7 | Cm7b5 F7b9 | Bbm9 Ab | Ebsus4 Ab | Gb6/9 Ebm7 | Cm7b5 F7b9 | · C5: | Bbm9 Ab | Ebsus4 Ab | Gb6/9 Ebm7 | Cm7b5 F7b9 | Bbm9 Ab | Ebsus4 Ab | Gb6/9 Ebm7 | Cm7b5 F7b9 | · O: | Bbm9 Ab | Ebsus4 Ab | Gb6/9 Ebm7 | Cm7b5 F7b9 | Bbm9 Ab | Ebsus4 Ab | Gb6/9 Ebm7 | Cm7b5 F7b9 | Bbm7 | Ebm7 | Gbmaj9 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Need You Tonight INXS · 1988 · Tonart Cm · ≈ 109 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · I2: | C | Eb Gm Cm | C | Eb Gm Cm | · V: | C | F | C | F | C | F | C | F | C | F | · C: | C | Eb Gm C | C | Eb Gm C | C | Eb Gm C | C | Eb Gm C | · V2: | C | F | C | F | C | F | C | F | C | F | · V3: | C | F | C | F | C | F | · C2: | C | Eb Gm Cm | C | Eb Gm Cm | C | Eb Gm Cm | C | Eb Gm Cm | · V4: | C | F | C | F | C | F | C | F | C | F | · V5: | C | F | C | F | C | F | · V6: | C | F | C | F | C | F | · C3: | C | F | C | F | · D: | Eb Gm C | C | F | C | N.C. | · O: | N.C. | N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Annie's Song John Denver · 1974 · Tonart D · ≈ 147 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | D | Dsus4 | D | Dsus4 | D | Dsus4 | D | Dsus4 | · V: | G | A | Bm | G | D | F#m | Bm | A | G | F#m | Em | G | A | A | A | A | G | A | Bm | G | D | F#m | Bm | A | G | F#m | Em | A | D | Dsus4 | D | Dsus4 | · V2: | G | A | Bm | G | D | F#m | Bm | A | G | F#m | Em | G | A | A | A | A | G | A | Bm | G | D | F#m | Bm | A | G | F#m | Em | A | D | Dsus4 | D | Dsus4 | · INST: | G | A | Bm | G | D | F#m | Bm | A | G | F#m | Em | G | A | A | A | A | G | A | Bm | G | D | F#m | Bm | A | G | F#m | Em | A | D | Dsus4 | D | Dsus4 | · V3: | G | A | Bm | G | D | F#m | Bm | A | G | F#m | Em | G | A | A | A | A | G | A | Bm | Bm | D | F#m | Bm | A | G | F#m | Em | A | D | Dsus4 | D | Dsus4 | D | Dsus4 | D | Dsus4 | D N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ The Battle Of New Orleans Johnny Horton · 1959 · Tonart A · ≈ 178 BPM · Harmonie 3/5 · Mittel SON: | N.C. | A | A | A | D | E7 | A | A | · V: | A | D | E7 | A | A | D | E7 | A | · C: | A | A | A | E A | A | A | A | E A | A | A | · V2: | A | D | E7 | A | A | D | E7 | A | · C2: | A | A | A | E A | A | A | A | E A | A | A | · V3: | A | D | E7 | A | A | D | E7 | A | · C3: | A | A | A | E A | A | A | A | E A | A | A | · B: | A | A | A | E A | A | A | A | E A | A | A | A | A | · V4: | A | D | E7 | A | A | D | E7 | A | · C4: | A | A | A | E A | A | A | A | E A | A | A | · B2: | A | A | A | E A | A | A | A | E A | · O: | A | A | A | A | · O: | A | A | A | A | A | A | A | A N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Lady Kenny Rogers · 1980 · Tonart Eb · ≈ 68 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | Ebm | Ebm | · V: | Ebm | Abm Db | Ebm | Abm Db | Db | Ebm | Ebm | Ebm | Abm Db | Ebm | Abm Db | Db | Ebm | Ebm | · C: | Abm | Bbm Ebm | Cb Bbm | Ebsus4 Eb | Abm | Bbm Ebm | Cb Bbm | Ebsus4 | Eb | · V2: | Ebm | Abm Db | Ebm | Abm Db | Db | Ebm | Ebm | Ebm | Abm Db | Ebm | Abm Db | Db | Ebm | Ebm | · C2: | Abm | Bbm Ebm | Cb Bbm | Ebsus4 Eb | Abm | Bbm Ebm | Cb Bbm | Ebsus4 | Eb | · B: | Cb | Db7 | Gb Db | Ebm | Cb | Db7 | Gb Db | Ebm | Cb | Db7 | Gb Db | Ebm | Cb Bbm Abm | Dbsus4 N.C. | · CO: | Ebm | Ab Db | Ebm N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ You Make Me Feel Like Dancing Leo Sayer · 1977 · Tonart E · ≈ 96 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | · V: | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | · PC: | D | E | · C: | F# D#m7 | G#m7 C#7 | F# D#m7 | G#m7 C#7 | F# D#m7 | G#m7 C#7 | F#m7 | F#m7 | Bsus4 | Bsus4 | · V2: | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | · PC2: | D | E | · C2: | F# D#m7 | G#m7 C#7 | F# D#m7 | G#m7 C#7 | F# D#m7 | G#m7 C#7 | F#m7 | F#m7 | Bsus4 | Bsus4 | F#m7 | F#m7 | Bsus4 | Bsus4 | · INST: | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | E C#m7 | F#m9 B6 | · PC3: | D | E | · C3: | F# D#m7 | G#m7 C#7 | F# D#m7 | G#m7 C#7 | · O: | F# D#m7 | G#m7 C#7 | F# D#m7 | G#m7 C#7 | F# D#m7 | G#m7 C#7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Brandy (You're A Fine Girl) Looking Glass · 1972 · Tonart E · ≈ 125 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | C#m | A | C#m | A | E | B | A E | F#m Bsus4 | · V: | E | A C#m | F#m A | D A | E | A C#m | F#m A | E | E | A C#m | F#m A | D A | E | A C#m | F#m A | E | · C: | C#m | A | C#m | A | E | B | A E | F#m Bsus4 | · V2: | E | A C#m | F#m A | D A | E | A C#m | F#m A | E | E | A C#m | F#m A | D A | E | A C#m | F#m A | E | · C2: | C#m | A | C#m | A | E | B | A E | F#m Bsus4 | · B: | C#m | C#m | Amaj7 | C#m | C#m | C#m | Amaj7 | C#m | C#m | Dmaj7 | C#m7 | A | E | B | A E | F#m Bsus4 | · V3: | E | A C#m | F#m A | D A | E | A C#m | F#m A | E | · C3: | C#m | A | C#m | A | E | B | A E | F#m Bsus4 | · O: | C#m | A | C#m | A | E | B | A E | F#m Bsus4 | C#m N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Hello, Dolly! Louis Armstrong · 1964 · Tonart C · ≈ 155 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | D7 | G7 | D7 | G7 | D7 | G7 | C Ebdim | Dm7 G7 | · V: | Cmaj7 | Cmaj7 | Am | Am | Cmaj7 | F#dim | Dm7 | A7b9 | Dm | A7 | Dm | Dm | Dm7 | G7 | C Ebdim | Dm7 G7 | · C: | Cmaj7 | Cmaj7 | Am | Am | Gm7 | C7 | Fmaj7 | E7 | Am | Em7 | Am | Em7 | D7 | G7 | C Ebdim | Dm7 G7 | · INT: | Cmaj7 | Cmaj7 | Am | Am | Cmaj7 | F#dim | Dm7 | A7b9 | Dm | A7 | Dm | Dm | Dm7 | G7 | C Ebdim | Dm7 G7 | · INT2: | Cmaj7 | Cmaj7 | Am | Am | Gm7 | C7 | Fmaj7 | E7 | Am | Em7 | Am | Em7 | D7 | G7 | C Ebdim | Dm7 G7 | · C2: | Cmaj7 | Cmaj7 | Am | Am | Gm7 | C7 | Fmaj7 | E7 | Am | Em7 | Am | Em7 | · O: | D7 | G7 | D7 | G7 | D7 | G7 | C F F#dim | Gsus4 G7 C N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Live To Tell Madonna · 1986 · Tonart Dm · ≈ 110 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | Dm | Dm Dmadd9 Dm9 Dm11 N.C. | Dm11 | Dm11 | Am Bb | C Bb | Dm11 | Dm11 | Am Bb | C Bb | Dm11 | Dm11 | Am Bb | C Bb | Dm11 | Dm11 | Am Bb | C Dm | · V: | C | Gm | C | C Dm | C | Gm | C | C Dm | C | Gm | C | C Dm | C | Gm | C | C | · C: | Fsus2 Fsus4 | F | Fsus2 Fsus4 | Am Bb | Fsus2 Fsus4 | F Dm | Dm C | Dm C | Bb C | · T: | Dm11 | Dm11 | Am Bb | C Bb | Dm11 | Dm11 | Am Bb | C Dm | · V2: | C | Gm | C | C Dm | C | Gm | C | C Dm | C | Gm | C | C Dm | C | Gm | C | C | · C2: | Fsus2 Fsus4 | F | Fsus2 Fsus4 | Am Bb | Fsus2 Fsus4 | F Dm | Dm C | Dm C | Bb C | · INT: | Dm11 | Dm11 | · C3: | Fsus2 Fsus4 | F | Fsus2 Fsus4 | Am Bb | Fsus2 Fsus4 | F Dm | Dm C | Dm C | Bb C | · INT2: | Dm N.C. | Dm | Dm Dmadd9 Dm9 Dm11 | Dm11 N.C. | · B: | Bb | C | Dm7 | Am | Bb | C | Amadd9 | Bb | Bb | C | Dm7 | Am | Bb | C | Dm7 | Dm7 | · B2: | C | Gm | C | C | · C4: | Fsus2 Fsus4 | F | Fsus2 Fsus4 | Am Bb | Fsus2 Fsus4 | F Dm | Dm C | Dm C | Bb C | · INT3: | Dm11 | Dm11 | · C5: | Fsus2 Fsus4 | F | Fsus2 Fsus4 | Am Bb | Fsus2 Fsus4 | F Dm | Dm C | Dm C | Bb C | · INT4: | Dm11 | Dm11 | · C6: | Fsus2 Fsus4 | F | Fsus2 Fsus4 | Am Bb | Fsus2 Fsus4 | F Dm | Dm C | Dm C | Bb C | Dm11 | Dm11 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Good Vibrations Marky Mark · 1991 · Tonart Bbm · ≈ 122 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | N.C. | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | · INST: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · C: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · V: | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | · PC: | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | · C2: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · V2: | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | · PC2: | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | · C3: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · B: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · V3: | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | · PC3: | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | · C4: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · V4: | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · S: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · C5: | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | Ab Bbm | Gb Ab | · C6: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | · S2: | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab | Ab Bbm7 | Gb Ab N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Torn Between Two Lovers Mary MacGregor · 1976 · Tonart Bb · ≈ 132 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | F7 A | Cm | F7 | Bb | Bb | · V: | Cm | F9 | Bb | Bb | Cm | F7 | Bb | Bbmaj7 Bb6 Bb | Cm | F9 | Bb | Gm | Cm | Eb | Cm | F7 | F7 | · V2: | Cm | F9 | Bb | Bb | Eb | F7 | Bb | Bbmaj7 Bb6 Bb | Cm | F9 | Bb | Gm | Cm | Eb | Cm | F7 | F7 | · C: | Cm | F7 | Dm | G7 | Cm | F7 | Bb | G7 | Cm | F7 | Dm | G7 | Cm | F7 | Bb | Bb | · V3: | Cm | F9 | Bb | Bb | Cm | F7 | Bb | Bbmaj7 Bb6 Bb | Cm | F9 | Bb | Gm | Cm | Eb | Cm | F7 | F7 | · C2: | Cm | F7 | Dm | G7 | Cm | F7 | Bb | G7 | Cm | F7 | Dm | G7 | Cm | F7 | Bb | Bb | · V4: | Cm | F9 | Bb | Gm | Cm | Eb | Cm | F7 | F7 | · C3: | Cm | F7 | Dm | G7 | Cm | F7 | Bb | G7 | Cm | F7 | Dm | G7 | Cm | F7 | Bb | G7 | · O: | Cm | F7 | Dm | G7 | Cm | F7 | Bb | G7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Beat It Michael Jackson · 1983 · Tonart Gm · ≈ 139 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | G | G | E | E | G | G | D | D | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · I2: | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | · V: | Ebm | Db | Ebm | Db | Cb | Db | Ebm | Db | Ebm | Db | Ebm | Db | Cb | Db | Ebm | Db | · C: | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | · V2: | Ebm | Db | Ebm | Db | Cb | Db | Ebm | Db | Ebm | Db | Ebm | Db | Cb | Db | Ebm | Db | · C2: | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | · INST: | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | · S: | Ebm | Db | Ebm | Db | Cb | Db | Ebm | Db | Ebm | Db | Ebm | Db | Cb | Db | Ebm | Db | · C3: | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db | · O: | Ebm | Db | Ebm | Db | Ebm | Db | Ebm | Db N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Man In The Mirror Michael Jackson · 1988 · Tonart G · ≈ 100 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | G Gsus4 | G D | Cadd9 | Cadd9 | G Gsus4 | G D | Cadd9 | Cadd9 | G Gsus4 | G D | Cadd9 | Cadd9 | · V: | G Gsus4 | G D | Cadd9 | Cadd9 | G Gsus4 | G D | Cadd9 | Cadd9 | Am7 | Gadd9 | Cadd9 | Gadd9 | Am7 | Gadd9 | Cadd9 | Dsus4 | · C: | G | C Dsus4 Dadd9 | G | C Dsus4 Dadd9 | G | C A9 | Dm11 | Dm11 | · INT: | G D | Em7 D | Cmaj9 | Cmaj9 D7 Em7 D | · V2: | G D | Em7 D | Cadd9 Cmaj9 | Cadd9 | G D | Em7 D | Cadd9 Cmaj9 | Cadd9 | Am7 | Gadd9 | Cadd9 | Gadd9 | Am7 | Gadd9 | Cadd9 | Dsus4 | · C2: | G | C Dsus4 | G | C Dsus4 | G | C A9 | Dm11 | Dm11 | G | C Dsus4 | G | C Dsus4 | G | C A9 | Dm11 | Dm11 | · C3: | Ab | Db Ebsus4 Ebadd9 | Ab | Db Ebsus4 Ebadd9 | Ab | Db Bb9 | Ebm11 | Ebm11 | Ebm11 | Ebm11 | Ab | Db Ebsus4 Ebadd9 | Ab | Db Ebsus4 Ebadd9 | Ab | Db Bb9 | Ebm11 | Ebm11 | · INT2: | Ab Eb | Fm7 Eb | Dbadd9 Dbmaj9 | Dbadd9 | Ab Eb | Fm7 Eb | Dbadd9 | Dbadd9 | · O: | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 | Dbadd9 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ I Just Can't Stop Loving You Michael Jackson With Siedah Garrett · 1987 · Tonart C · ≈ 100 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | C | C Csus4 | Csus4 | C | C | C | C | C | C | C | · I2: | C | C | C | C | · V: | Cadd9 | Cadd9 | Gm7 | Gm7 | Cadd9 | Cadd9 | Gm7 | Gm7 | · PC: | Fmaj9 | Fmaj9 | Fm | Am | Bbadd9 | Bbadd9 | Ebmaj9 | G11 | · V2: | Cadd9 | Cadd9 | Gm7 | Gm7 | Cadd9 | Cadd9 | Gm7 | Gm7 | · PC2: | Fmaj9 | Fmaj9 | Fm | Am | Bbadd9 | Bbadd9 | Ebmaj9 | G11 | · C: | Gm7 | C | Gm7 | C | Gm7 | Fm7 Ebmaj7 | G11 | G11 | · INT: | C | Csus4 C | · V3: | Cadd9 | Cadd9 | Gm7 | Gm7 | Cadd9 | Cadd9 | Gm7 | Gm7 | · PC3: | Fmaj9 | Fmaj9 | Fm | Am | Bbadd9 | Bbadd9 | Ebmaj9 | G11 | · C2: | Gm7 | C | Gm7 | C | Gm7 | Fm7 Ebmaj7 | G11 | G11 | · INT2: | C | · B: | Bb11 | Ebmaj7 | Db11 | Gbmaj7 | B11 | Fbmaj7 | Abm7 | Abm7 Db | · C3: | Abm7 | Db | Abm7 | Db | Abm7 | Gbm7 Fbmaj7 | Ab11 | · O: | Abm7 | Db | Abm7 | Db | Abm7 | Gbm7 Fbmaj7 | Ab11 | Abm7 | Db N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Maniac Michael Sembello · 1983 · Tonart Eb · ≈ 157 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · I2: | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | · V: | Ebm | Ebm6 | Ebm7 | Ebmaj9 | Cb | Db | Cb | Bbsus4 Bb | Ebm | Ebm6 | Ebm7 | Ebmaj9 | Cb | Db | Cb | Bbsus4 Bb | · PC: | Ab7 | Ab7 | Bbaug | Bbaug | Cb | Cb | Bbsus4 | Bb | · C: | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Abm | Abm | Abm | Abm | · V2: | Ebm | Ebm6 | Ebm7 | Ebmaj9 | Cb | Db | Cb | Bbsus4 Bb | Ebm | Ebm6 | Ebm7 | Ebmaj9 | Cb | Db | Cb | Bbsus4 Bb | · PC2: | Ab7 | Ab7 | Bbaug | Bbaug | Cb | Cb | Bbsus4 | Bb | · C2: | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Abm | Abm | · INT: | Gbadd4 | Fdim | Bb | Ebm7 | Gbadd4 | Fdim | Bb | Ebm7 | Gbadd4 | Fdim | Bb | Ebm7 | Gbadd4 | Fdim | Bb | Ebm7 | · S: | Ebm | Ebm6 | Ebm7 | Ebmaj9 | Cb | Db | Cb | Bbsus4 Bb | Ebm | Ebm6 | Ebm7 | Ebmaj9 | Cb | Db | Cb | Bbsus4 Bb | · PC3: | Ab7 | Ab7 | Bbaug | Bbaug | Cb | Cb | Bbsus4 | Bb | · O: | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Abm | Abm | · O2: | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 | Cbmaj7#11 | Db11 | Ebm7 | Ebm11 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Baby Don't Forget My Number Milli Vanilli · 1989 · Tonart E · ≈ 101 BPM · Harmonie 3/5 · Mittel SON: | N.C. | N.C. | · I: | E | A | E | A | · V: | E | E | E | E | E | E | E | E | E | E | E | E | · PC: | E | A | E | A | D | · C: | E | D | E | D | E | B D | E | D | E | D | E | B D | E | · B: | E D | A | E D | A | E D | A | E A | E D | E D | A | E D | A | E | A | E | A | · V2: | E | E | E | E | E | E | E | E | · PC2: | E | A | E A D | D | · C2: | E | D | E | D | E | B D | E | D | E | D | E | B D | E | · B2: | E D | A | E D | A | E D | A | E A | E D | E D | A | E | A | · INT: | N.C. | C#m | C#m | C#m | C#m | · C3: | E | D | E | B D | E N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Girl I m Gonna Miss You Milli Vanilli · 1989 · Tonart A · ≈ 76 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | N.C. | N.C. | · INT: | A | A | E | E | · V: | A | A | E | E | A | A | E | E | A | A | E | E | · PC: | D | D | A D | A Bm A | D | D | E | E | N.C. Dadd9 E | · C: | A | E | Bm A | D F#m | E | · S: | A | E | Bm A | D F#m | E | E | · INT2: | A | A | E | E | A | A | E | E | · V2: | A | A | E | E | A | Aadd9 | E | E7 | · PC2: | D | D | A D | A Bm A | D | D | E | E | N.C. Dadd9 E | · C2: | A | E | Bm A | D F#m | E | · C3: | A | E | Bm A | D F#m | E | · O: | A | E | Bm A | D F#m | E N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Lovin' You Minnie Riperton · 1975 · Tonart A · ≈ 62 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | · C: | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | · V: | Bm7 C#m7 | Bm7 Esus4 Amaj9 | Bm7 C#m7 | Bm7 C#m7 D E | · C2: | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | · V2: | Bm7 C#m7 | Bm7 Esus4 Amaj9 | Bm7 C#m7 | Bm7 C#m7 D E | · C3: | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 | · O: | Dmaj7 C#m7 | Bm7 Amaj7 | Dmaj7 C#m7 | Bm7 Amaj7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ These Boots Are Made For Walkin' Nancy Sinatra · 1966 · Tonart E · ≈ 165 BPM · Harmonie 2/5 · Leicht SON: | N.C. | · I: | E | E | E | E | E | E | E | E | · V: | E | E | E | E | E | E | E | E | A | A | A | A | E | E | E | E | · C: | G | E | G | E | G | E | N.C. | · INT: | E | E | E | E | E | E | E | E | · V2: | E | E | E | E | E | E | E | E | A | A | A | A | E | E | E | E | · C2: | G | E | G | E | G | E | N.C. | · INT2: | E | E | E | E | E | E | E | E | · V3: | E | E | E | E | E | E | E | E | A | A | A | A | E | E | E | E | · C3: | G | E | G | E | G | E | N.C. | · O: | E | E | E | E | E | E | E | E | · O: | E | E | E | E | E | E | E | E | E | E N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Breaking Up Is Hard To Do Neil Sedaka · 1976 · Tonart B · ≈ 117 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | B G#m | C#m F# | B G#m | C#m F# | B G#m | C#m F# | B E6 | B | · C: | B G#m | C#m F# | B G#m | C#m F# | B Eb7 | G#m | C#7 | F#7 | · C2: | B G#m | C#m F# | B G#m | C#m F# | B Eb7 | G#m | C#7 F#7 | B | · B: | Bm E | Bm E | A | A | Am D | Am D | G | F# | F# | · C3: | B G#m | C#m F# | B G#m | C#m F# | B Eb7 | G#m | C#7 F#7 | B | · B2: | Bm E | Bm E | A | A | Am D | Am D | G | F# | F# | · C4: | B G#m | C#m F# | B G#m | C#m F# | B Eb7 | G#m | C#7 F#7 | · O: | B G#m | C#m F# | B G#m | C#m F# | · O: | B G#m | C#m F# | B G#m | C#m F# N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Hot Child In The City Nick Gilder · 1978 · Tonart E · ≈ 111 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | E | A B | E | A B | · V: | E | A B | E | A B | E | A B | E | A B | · PC: | E | A | E | A | E | A | E | A | · C: | E | A | E | A | E | A | E | A | · V2: | E | A B | E | A B | E | A B | E | A B | · PC2: | E | A | E | A | E | A | E | A | · C2: | E | A | E | A | E | A | E | A | · S: | E | A B | E | A | E | A B | E | A | · B: | B | F#m | A | E | B | F#m | A | Bsus4 | Bsus4 | · C3: | E | A | E | A | E | A | E | A | · O: | E | A | E | A | E | A | E | A | E N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #1 Anhören ↗ Popularity sorting uses source-specific chart, critic-list, or curation evidence. These ranks are not stream counts and are not directly equivalent across sources.
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