80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 12 von 40 Best Of My Love The Eagles · 1975 · Tonart C · ≈ 90 BPM · Harmonie 4/5 · Fortgeschritten I: | Cmaj7 C | Cmaj7 C | G9 G9sus4 | G9 G9sus4 | Cmaj7 C | Cmaj7 C | G9 G9sus4 | G9 G9sus4 | · V: | Cmaj7 C | Cmaj7 C | Dm6 Dm7 | Dm6 Dm7 | Cmaj7 C | Cmaj7 C | Dm6 Dm7 | Dm6 Dm7 | Cmaj7 C | Cmaj7 C | Dm6 Dm7 | Dm7 | Em7 | Dm7 | Em7 | G9sus4 | · V2: | Cmaj7 C | Cmaj7 C | Dm6 Dm7 | Dm6 Dm7 | Cmaj7 C | Cmaj7 C | Dm6 Dm7 | Dm7 | Em7 | Dm7 | Em7 | Dm7 | G7 | Cmaj7 C | Dm6 Dm7 | Cmaj7 C | G F Em D7sus4 | · C: | C | C | F | F | C | C | F | F | Fm6 | Fm6 | C | C | Fm6 | Fm6 | Dm7 | G7 | · V3: | Cmaj7 C | Cmaj7 C | Dm6 Dm7 | Dm6 Dm7 | Cmaj7 C | Cmaj7 C | Dm6 Dm7 | Dm6 Dm7 | Em7 | Dm7 | Em7 | Dm7 | G7 | Cmaj7 C | Dm6 Dm7 | Cmaj7 C | G F Em D7sus4 | · C2: | C | C | F | F | C | C | F | F | C | C | F | F | C | C | F | F | · C3: | C | C | F | F | · O: | C | C | F | F | C | C | F | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Sugar Shack The Fireballs · 1963 · Tonart G · ≈ 134 BPM · Harmonie 3/5 · Mittel I: | G C | G C | G C | G C | · V: | G C | G C | G C | G C | G C | G C | G C | G C | · PC: | Am7 | Dadd9 | Am7 | Dadd9 | Am7 | Dadd9 | · C: | G C | G C | G C | G C | · V2: | G C | G C | G C | G C | G C | G C | G C | G C | · PC2: | Am7 | Dadd9 | Am7 | Dadd9 | Am7 | Dadd9 | · C2: | G C | G C | G C | G C | G C | G C | G C | G C | · V3: | G C | G C | G C | G C | G C | G C | G C | G C | · PC3: | Am7 | Dadd9 | Am7 | Dadd9 | Am7 | Dadd9 | · C3: | G C | G C | G C | G C | · O: | G C | G C | G C | G C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ I Want You Back The Jacksons · 1969 · Tonart Ab · ≈ 98 BPM · Harmonie 5/5 · Experte I: | Ab | Db | Fm7 Ab/C Db Ab | Bbm7 Eb7 Ab | Ab | Db | Fm7 Ab/C Db Ab | Bbm7 Eb7 Ab | · INST: | Ab Eb/G Fm7 Eb6 | Db Db/C Bbm7 Eb7 | Fm7 Ab/C Db Ab | Bbm7 Eb7 Ab | · V: | Ab | Db | Fm7 Ab/C Db Ab | Bbm7 Eb7 Ab | Ab | Db | Fm7 Ab/C Db Ab | Bbm7 Eb7 Ab | · C: | Ab Eb/G Fm7 Eb6 | Db Db/C Bbm7 Eb7 | Fm7 Ab/C Db Ab | Bbm7 Eb7 Ab | Ab Eb/G Fm7 Eb6 | Db Db/C Bbm7 Eb7 | Fm7 Ab/C Db Ab | Bbm7 Eb7 | · T: | Ab Db/Ab | Ab Db/Ab | Ab Db/Ab | Ab Db/Ab | · V2: | Ab | Db | Fm7 Ab/C Db Ab | Bbm7 Eb7 Ab | Ab | Db | Fm7 Ab/C Db Ab | Bbm7 Eb7 Ab | · C2: | Ab Eb/G Fm7 Eb6 | Db Db/C Bbm7 Eb7 | Fm7 Ab/C Db Ab | Bbm7 Eb7 Ab | Ab Eb/G Fm7 Eb6 | Db Db/C Bbm7 Eb7 | Fm7 Ab/C Db Ab | · B: | Fm7 Cm Db6 Ab | Fm7 Cm Db6 Ab | Fm7 Cm Db6 Ab | Fm7 Cm Db6 Ab | Fm7 Cm Db6 Ab | Fm7 Cm Db6 Ab | Fm7 Cm Db6 Ab | Fm7 Cm Db6 Ab | · INST2: | Ab Eb/G Fm7 Eb6 | Db Db/C Bbm7 Eb7 | Fm7 Ab/C Db Ab | Bbm7 Eb7 | · T2: | Ab Db/Ab | Ab Db/Ab | · C3: | Ab Eb/G Fm7 Eb6 | Db Db/C Bbm7 Eb7 | Fm7 Ab/C Db Ab | Bbm7 Eb7 | · T3: | Ab Db/Ab | Ab Db/Ab | · O: | Ab Eb/G Fm7 Eb6 | Db Db/C Bbm7 Eb7 | Fm7 Ab/C Db Ab | Bbm7 Eb7 | · T4: | Ab Db/Ab | Ab Db/Ab | · C4: | Ab Eb/G Fm7 Eb6 | Db Db/C Bbm7 Eb7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Love Train The O'Jays · 1973 · Tonart C · ≈ 123 BPM · Harmonie 4/5 · Fortgeschritten I: | C | D9 | F | Fmaj7/G | · C: | C | D9 | F | Fmaj7/G | C | D9 | F | Fmaj7/G | · V: | Gsus4 | Gsus4 | F | F | Gsus4 | Gsus4 | F | F | Gsus4 | Gsus4 | Am | Am | Dm7 | Dm7 | G G/F | G/E G/D | · C2: | C | D9 | F | Fmaj7/G | C | D9 | F | Fmaj7/G | · V2: | Gsus4 | Gsus4 | F | F | Gsus4 | Gsus4 | F | F | Gsus4 | Gsus4 | Am | Am | Dm7 | Dm7 | G G/F | G/E G/D | · C3: | C | D9 | F | Fmaj7/G | C | D9 | F | Fmaj7/G | · B: | Eb Ebmaj7 | Eb6 Eb | C | C | Eb Ebmaj7 | Eb6 Eb | G13sus4 | G7 | · C4: | C | D9 | F | Fmaj7/G | C | D9 | F | Fmaj7/G | C | D9 | F | Fmaj7/G | C | D9 | F | Fmaj7/G | · O: | C | D9 | F | Fmaj7/G | C | D9 | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ One Bad Apple The Osmonds · 1971 · Tonart C · ≈ 202 BPM · Harmonie 5/5 · Experte I: | C F | G | C F | C | C F | G | C F | C | · V: | C | C | F | F | Dm7 | G7sus4 | C | C | C | C | F | F | Dm7 | G7sus4 | C | C | · C: | C G7/B | Am7 G7 F C/E | Dm Em7 | Fmaj7 N.C. | F | G7 | C | C | C G7/B | Am7 G7 F C/E | Dm Em7 | Fmaj7 N.C. | F | G7 | C | C | · T: | C F | G | C F | C | C F | G | C F | C | · V2: | C | C | F | F | Dm7 | G7sus4 | C | C | C | C | F | F | Dm7 | G7sus4 | C | C | · C2: | C G7/B | Am7 G7 F C/E | Dm Em7 | Fmaj7 N.C. | F | G7 | C | C | C G7/B | Am7 G7 F C/E | Dm Em7 | Fmaj7 N.C. | F | G7 | C | C | · T2: | C F | G | C F | C | C F | G | C F | C | · V3: | C | C | F | F | Dm7 | G7sus4 | C | C | C | C | F | F | Dm7 | G7sus4 | C | C | · C3: | C G7/B | Am7 G7 F C/E | Dm Em7 | Fmaj7 N.C. | F | G7 | C | C | C G7/B | Am7 G7 F C/E | Dm Em7 | Fmaj7 N.C. | F | G7 | C | C | · C4: | C G7/B | Am7 G7 F C/E | Dm Em7 | Fmaj7 N.C. | F | G7 | C | C | · O: | C G7/B | Am7 G7 F C/E | Dm Em7 | Fmaj7 N.C. | F | G7 | C | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ People Got To Be Free The Rascals · 1968 · Tonart F · ≈ 127 BPM · Harmonie 3/5 · Mittel C: | Bb F | C F | Bb F | C F | Bb F | C F | Bb F | C | · T: | F | C | F | C | · V: | F | C | Dm | Am | Bb | F | N.C. | N.C. | F | C | Dm | Am | Bb | F | N.C. | N.C. | · C2: | Bb F | C F | Bb F | C F | Bb F | C F | Bb F | C | · T2: | F | C | F | C | · V2: | F | C | Dm | Am | Bb | F | N.C. | N.C. | F | C | Dm | Am | Bb | F | N.C. | N.C. | · C3: | Bb F | C F | Bb F | C F | Bb F | C F | Bb F | C | · T3: | F | C | F | C | · B: | F | Ab | Db | C | · C4: | Bb F | C F | Bb F | C F | Bb F | C F | Bb F | C | · T4: | F | C | F | C | · O: | F | C | F | C | F | C | F | C | · O: | F | C | F | C | F | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ (You're My) Soul And Inspiration The Righteous Brothers · 1966 · Tonart A · ≈ 112 BPM · Harmonie 3/5 · Mittel I: | A D/A | A | A D/A | A | · V: | A | D | E | A | A | D | E | A | Bm7 | D | E | E | · C: | D | A | D | E | A C#m | D E | D E | · T: | A D/A | A | · V2: | A | D | E | A | A | D | E | A | Bm7 | D | E | E | · C2: | D | A | D | E | A C#m | D E | D E | · T2: | A D/A | A | · B: | Bmaj7 | E | Bmaj7 | E | Bmaj7 | E | D | E | E | G | D | A | A | · V3: | A | D | E | A | A | D | E | A | Bm7 | D | E | E | · C3: | D | A | D | E | A C#m | D E | D E | A | A C#m | D E | D E | G | D | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Miss You The Rolling Stones · 1978 · Tonart Am · ≈ 110 BPM · Harmonie 3/5 · Mittel I: | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | · V: | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | · C: | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | · V2: | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | · C2: | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | · B: | F | Em7 | Dm7 | Dm7 | F | Em7 | Dm7 | E7 | · INT: | Am7 | Am7 | Dm7 | Dm7 | · V3: | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | · C3: | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | · S: | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | · V4: | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | · C4: | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | · S2: | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 | · O: | Am7 | Am7 | Dm7 | Dm7 | Am7 | Am7 | Dm7 | Dm7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ I'll Take You There The Staple Singers · 1972 · Tonart C · ≈ 102 BPM · Harmonie 3/5 · Mittel I: | C | C | F C | C | F C | · V: | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | · PC: | C | F G9sus4 | C | F G9sus4 | · C: | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | · C2: | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | · S: | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | · S2: | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | · S3: | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | · C3: | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | · C4: | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | · C5: | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | C | F G9sus4 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Happy Together The Turtles · 1967 · Tonart F#m · ≈ 120 BPM · Harmonie 3/5 · Mittel I: | F#m | F#m | F#m | F#m | · V: | F#m | F#m | E | E | D7 | D7 | C#7 | C#7 | · V2: | F#m | F#m | E | E | D7 | D7 | C#7 | C#7 | · C: | F# | C#m7 | F# | A | F# | C#m7 | F# | A | · V3: | F#m | F#m | E | E | D7 | D7 | C#7 | C#7 | · C2: | F# | C#m7 | F# | A | F# | C#m7 | F# | A | · V4: | F#m | F#m | E | E | D7 | D7 | C#7 | C#7 | · INT: | F# | C#m7 | F# | A | F# | C#m7 | F# | C#m7 | C#m7 | · V5: | F#m | F#m | E | E | D7 | D7 | C#7 | F#m | · O: | C#7 | F#m | C#7 | F#m | C#7 | F#m | C#7 | F#m | C#7 | F#m | C#7 | F#m | C#7 | F#m | C#7 | F# | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Don't Leave Me This Way Thelma Houston · 1977 · Tonart Cm · ≈ 121 BPM · Harmonie 4/5 · Fortgeschritten I: | Cm11 | Cm7 | Ab | Ab | Eb Bb/D | Cm | Eb/Bb | Eb/Bb | Cm | Cm | Ab | Ab | Eb Bb/D | Cm | Eb/Bb | Bb7 | · V: | Cm7 F | Bb | Bb7 | Eb | Bb Cm | Fmadd9 | Bbsus4 | Cm7 F | Bb | Bb7 | Eb | Bb Cm | Fmadd9 | Bbsus4 | C | C | · C: | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | G | G | · V2: | Cm7 F | Bb | Bb7 | Eb | Bb Cm | Fmadd9 | Bbsus4 | Cm7 | Fm7 Bb7 | Cm7 F | Bb | Bb7 | Eb | Bb Cm | Fmadd9 | Bbsus4 | C | C | · C2: | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | · O: | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | C | Bb F N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ What's Love Got To Do With It Tina Turner · 1984 · Tonart G#m · ≈ 98 BPM · Harmonie 3/5 · Mittel I: | G#m7 | G#m7 | F#/G# | F#/G# | G#m7 | G#m7 | F#/G# | F#/G# | · V: | G#m7 | G#m7 | F#/G# | F#/G# | G#m7 | G#m7 | F#/G# | · PC: | E F# | F# | E F# | F# | E | F# | · C: | B F# | E F# | B F# | E F# | B F# | E F# | B F# | E F# | · V2: | G#m7 | G#m7 | F#/G# | F#/G# | G#m7 | G#m7 | F#/G# | · PC2: | E F# | F# | E F# | F# | E | F# | · C2: | B F# | E F# | B F# | E F# | B F# | E F# | B F# | E F# | · S: | C# G# | F# G# | C# G# | F# G# | C# G# | F# G# | C# G# | F# | · B: | B/C# | C# | B/C# | C# | A | B/A | G#m7 | C# | · C3: | C# G# | F# G# | C# G# | F# G# | C# G# | F# G# | C# G# | F# | C# G# | F# G# | C# G# | F# G# | C# G# | F# G# | C# G# | F# | C# G# | F# G# | C# G# | F# G# | · O: | C# G# | F# G# | C# G# | F# | C# G# | F# G# | C# G# | F# G# | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Red Red Wine UB40 · 1984 · Tonart Db · ≈ 89 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · C: | Db Gb | Ab/Eb Gb/Ab | Db Gb | Ab/Eb Gb/Ab | Db Gb | Ab/Eb Gb/Ab | Ab | Gb Ab | · C2: | Db Gb | Ab/Eb Gb/Ab | Db Gb | Ab/Eb Gb/Ab | Db Gb | Ab/Eb Gb/Ab | Ab | Gb Ab | · T: | Db Gb | Ab/Eb Gb/Ab | · V: | Ab | Db | Gb | Db | Ab | Db | Gb | Db | · C3: | Db Gb | Ab/Eb Gb/Ab | Db Gb | Ab/Eb Gb/Ab | Db Gb | Ab/Eb Gb/Ab | Ab | Gb Ab | · T2: | Db Gb | Absus4/Eb Ab | Db Gb | Absus4/Eb Ab | · V2: | Ab | Db | Gb | Db | Ab | Db | Gb | Db | · C4: | Db Gb | Ab/Eb Gb/Ab | Db Gb | Ab/Eb Gb/Ab | Db Gb | Ab/Eb Gb/Ab | Ab | Gb Ab | · T3: | Db Gb | Absus4/Eb Ab | Db Gb | Absus4/Eb Ab | · C5: | Db Gb | Ab/Eb Gb/Ab | Db Gb | Ab/Eb Gb/Ab | Db Gb | Ab/Eb Gb/Ab | Ab | Gb Ab | Db Gb | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Wake Me Up Before You Go-Go Wham! · 1984 · Tonart C · ≈ 163 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. G7 | C7 | N.C. | C7 | N.C. | C7 | N.C. | C7 | N.C. | · V: | C | C | Dm7 | C | C | C | Dm7 | C | · PC: | Dm7 | Em7 | F | Em7 | Dm7 | Em7 | F | G | G | · C: | C | C | Dm | C | C | C | Dm | C | C | C | Dm | C | C | C | Em Dm7 | · INT: | C7 | F/C | C7 | C7 | C7 | F/C | C7 | C7 | · V2: | C | C | Dm7 | C | C | C | Dm7 | C | · PC2: | Dm7 | Em7 | F | Em7 | Dm7 | Em7 | F | G | G | · C2: | C | C | Dm | C | C | C | Dm | C | C | C | Dm | C | C | C | Em Dm7 | · INT2: | C7 | F/C | C7 | C7 | C7 | F/C | C7 | C7 | · S: | C | C | Dm7 | C | C | C | Dm7 | C | · PC3: | Dm7 | Em7 | F | Em7 | Dm7 | Em7 | F | G | · INST: | C | C | Dm7 | C | C | C | Dm7 | C | · C3: | C | C | Dm | C | C | C | Dm | C | C | C | Dm | C | C | C | Dm | C | · O: | C | C | Dm | C | C | C | Dm | C | C | C | Dm | C | C | C | Dm | C | C | C | Dm | C | C | C | Dm | C | C | C | Dm | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Here I Go Again Whitesnake · 1987 · Tonart G · ≈ 90 BPM · Harmonie 4/5 · Fortgeschritten I: | G D | C | G D | C | · V: | G D | C | G D | C | G D/F# | C/E C C/B | Am | D | Am | D | · V2: | Em | Am C | G Em | Am C D | · V3: | G D | C | G D | C | G D/F# | C/E C C/B | Am | D | Am | D C D | · C: | G C | D C D | G C | D C D | G C | D C B(no3,no5) | Am | D | Am | D C D | · V4: | G D/G | C/G D/G | G D/G | C/G D/G | G D/F# | C/E C C/B | Am | D | Am | D C D | · C2: | G C | D C D | G C | D C D | G C | D C B(no3,no5) | Am | D | Am | D C D | · B: | Em | Am | Em | Am | Em | Am | Em | Am C D | · S: | G D/G | C/G D/G | G D/G | C/G D/G | G D/F# | C/E C C/B | Am | D | Am | D C D | · C3: | G C | D C D | G C | D C D | G C | D C B(no3,no5) | Am | D | Am | D C D | · C4: | G C | D C D | G C | D C D | G C | D C B(no3,no5) | Am | D | Am | D C D | · O: | G C | D C D | G C | D C D | G C | D C B(no3,no5) | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Play That Funky Music Wild Cherry · 1976 · Tonart E · ≈ 109 BPM · Harmonie 3/5 · Mittel I: | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E9 | E9 | E9 | E9 | · V: | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | · PC: | E7 | E7 | E7 | E7 | · C: | G9 | G9 | G9 | G9 | G9 | Bb9 | B7#9 | B7#9 | E9 | E9 | E9 | E9 | · S: | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | · V2: | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | E9 | · PC2: | E7 | E7 | E7 | E7 | · C2: | G9 | G9 | G9 | G9 | G9 | Bb9 | B7#9 | B7#9 | E9 | E9 | E9 | E9 | · O: | G9 | G9 | G9 | G9 | · O: | G9 | G9 | G9 | G9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Hold On Wilson Phillips · 1990 · Tonart F · ≈ 98 BPM · Harmonie 5/5 · Experte I: | N.C. | F | F C/F Bb/F | Bb/F C/F | F C/F Bb/F | Bb/F | · V: | Bb/F F C/F Bb/F | Bb/F C/F | Dm F/A Bb | Bb Csus4 | Csus4 F C/F Bb/F | Bb/F C/F | F C/F Bb/F | Bb/F C/F | F C/F Bb/F | Bb/F C/F | Dm F/A Bb | Bb | C | · C: | F Bb/F | C/F F | F Bb/F | C/F F | F Bb/F | C/F F | Bb F/A Gm7 | Gm7 Csus4 | Bb F/A | Gm7 | C7sus4 | C | · INT: | F C/F Bb/F | Bb/F C/F | F C/F Bb/F | Bb/F C/F | · V2: | F C/F Bb/F | Bb/F Am/E | Dm Bb | Bb C7sus4 | C7sus4 F C/F Bb/F | Bb/F C/F | F C/F Bb/F | Bb/F C/F | F C/F Bb/F | Bb/F Am/E | Dm F/A Bb | Bb | C7sus4 | · C2: | F Bb/F | C/F F | F Bb/F | C/F F | F Bb/F | C/F F | Bb F/A | Gm7 Csus4 | Bb F/A | Gm7 | C7sus4 | N.C. | · B: | F C/F Bb/F | Bb/F C/F | F C/F Bb/F | Bb/F | F C/F Bb/F | Bb/F C/F | F C/F Bb/F | Bb/F | · O: | N.C. | N.C. | N.C. | N.C. | N.C. F(no3,no5) | F(no3,no5) | Bb F/A | Gm7 Csus4 | F Bb/F | C/F F | F Bb/F | C/F F | F Bb/F | C/F F | Bb F/A | Gm7 Csus4 | F Bb/F | Csus4/F F | F Bb/F | Csus4/F F | F Bb/F N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ If I Can't Have You Yvonne Elliman · 1978 · Tonart C · ≈ 109 BPM · Harmonie 3/5 · Mittel I: | Gm | Gm | Am | Dm | Dm Am | G | Am Bb F | F | · V: | C | Fm/C | C | G/C | F/C | Fm/C C | Fm/C | C | G/C | F/C | G/C | · PC: | F | Dm | F | Dm Gsus4 | · C: | Am | G | Em | Am | Am | G | Em | Am | · T: | Gm | Gm | Am | Dm | Dm Am | G | Am Bb F | F | F | · V2: | C | Fm/C | C | G/C | F/C | Fm/C C | · PC2: | F | Dm | F | D | F | Dm Gsus4 | · C2: | Am | G | Em | Am | Am | G | Em | Am | · INT: | Dm Am | G | Am Bb F | F | F | · O: | Am | G | Em | Am | Am | G | Em | Am | Am | G | Em | Am | Am | G | Em | Am | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Tell It Like It Is Aaron Neville · 1966 · Tonart E · ≈ 87 BPM · Harmonie 5/5 · Experte I: | Baug N.C. | · C: | F#m7 B7 | F#m7 B7 | E6 B13 | E6 C#7b9/E# | F#m7 B7 | F#m7 B7 | E6 B13 | Emaj7 | · V: | G#m | C#m | G#m | C#m | G#m | A | B | B | · C2: | F#m7 B7 | F#m7 B7 | E6 B13 | E6 C#7b9/E# | F#m7 B7 | F#m7 B7 | E6 B13 | Emaj7 | · V2: | G#m | C#m | G#m | C#m | G#m | A | B7 | B | · C3: | F#m7 B7 | F#m7 B7 | E6 B13 | E6 C#7b9/E# | F#m7 B7 | F#m7 B7 | E6 B13 | E6 C#7b9/E# | F#m7 B7 | F#m7 B7 | E6 B13 | E6 C#7b9/E# | F#m7 B7 | F#m7 B7 | E6 B13 | E6 C#7b9/E# | · O: | F#m7 B7 | F#m7 B7 | E6 B13 | E6 C#7b9/E# | F#m7 B7 | Emaj7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Chain Of Fools Aretha Franklin · 1967 · Tonart C · ≈ 117 BPM · Harmonie 2/5 · Leicht I: | C | C | · C: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · V: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · C2: | C7#9 | C7#9 | C7#9 | C7#9 | · V2: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · B: | C | C | C | C | C | C | C | C | C | · C3: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · V3: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · C4: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · C5: | C7#9 | C7#9 | C7#9 | C7#9 | · O: | C7#9 | C7#9 | C7#9 | C7#9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Sweet Soul Music Arthur Conley · 1967 · Tonart C · ≈ 161 BPM · Harmonie 2/5 · Leicht I: | C | C | C | C | · C: | C | N.C. | C | F | F | C | C | F | Am G | F C | · V: | C | F | F | C | C | F | Am G | F C | C | F | F | C | C | F | Am G | F C | · V2: | C | F | F | C | C | F | Am G | F C | C | F | F | C | C | F | Am G | F C | · V3: | C | F | F | C | C | F | Am G | F C | · INST: | C | C | C | F C | F C | F C | · V4: | N.C. | F | F | C | C | F | Am G | F C | · C2: | C | F | F | C | C | F | Am G | F C | · O: | C | C | C | C | C | C | C | C | C | C | C | C | · O: | C | C | C | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ You're The First, The Last, My Everything Barry White · 1974 · Tonart F · ≈ 131 BPM · Harmonie 4/5 · Fortgeschritten I: | C(no3,no5) | C(no3,no5) | C(no3,no5) | C(no3,no5) | · V: | F | Fmaj7 | Dm | Dm | Fmaj7 | F7 | Bb | Bb | Gm7 | C7 | Am7 | Dm | G7 | G7 | Bbm6 | C7 | · C: | F | Fmaj7 | Dm | Dm | Fmaj7 | F7 | Bb | Bb | Bb | Bbm6 | Fmaj7 | D7 | G7 | C7 | F | F | F | F | · V2: | F | Fmaj7 | Dm | Dm | Fmaj7 | F7 | Bb | Bb | Gm7 | C7 | Am7 | Dm | G7 | G7 | Bbm6 | C7 | · C2: | F | Fmaj7 | Dm | Dm | Fmaj7 | F7 | Bb | Bb | Bb | Bbm6 | Fmaj7 | D7 | G7 | C7 | F | F | F | F | · INT: | F | F | Fmaj7 | Fmaj7 | F7 | F7 | Bb | Bb | Bb | Bbm6 | F | D7 | G7 | C7 | · C3: | F | Fmaj7 | Dm | Dm | Fmaj7 | F7 | Bb | Bb | Bb | Bbm6 | F | D7 | G7 | C7 | F | F | F | F | · O: | F | F | F | F | F | F | F | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Bad Moon Rising Creedence Clearwater Revival · 1969 · Tonart D · ≈ 193 BPM · Harmonie 1/5 · Einsteiger I: | D | A G | D | D | · V: | D | A G | D | D | D | A G | D | D | D | A G | D | D | D | A G | D | D | · C: | G | G | D | D | A | G | D | D | · V2: | D | A G | D | D | D | A G | D | D | D | A G | D | D | D | A G | D | D | · C2: | G | G | D | D | A | G | D | D | · S: | D | A G | D | D | D | A G | D | D | · C3: | G | G | D | D | A | G | D | D | · V3: | D | A G | D | D | D | A G | D | D | D | A G | D | D | D | A G | D | D | · C4: | G | G | D | D | A | G | D | D | G | G | D | D | A | G | D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Ruby Baby Dion · 1963 · Tonart E · ≈ 122 BPM · Harmonie 1/5 · Einsteiger I: | E | E | · A: | E | E | E | E | E | E | E | E | A7 | A7 | E | E | B7 | A7 | E | E | · A2: | E | E | E | E | E | E | E | E | A7 | A7 | E | E | B7 | A7 | E | E | · INT: | E | E | E | E | A7 | A7 | E | E | B7 | A7 | E | E | · A3: | E | E | E | E | E | E | E | E | A7 | A7 | E | E | B7 | A7 | E | E | · A4: | E | E | E | E | A7 | A7 | E | E | B7 | A7 | E | E | · O: | E | E | E | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ After The Love Has Gone Earth, Wind & Fire · 1979 · Tonart F · ≈ 66 BPM · Harmonie 5/5 · Experte I: | F/C Am7 | Bbadd9 C7sus4 | F Gm7 F/A | Bbmaj7 Gm7 C7sus4 | · INST: | Fadd9 Bbm | Fadd9 Bbm6 | Fadd9 B7#11 | Bbm7 Abmaj7/C | · V: | Fadd9 Bbm6 | Fadd9 Bbm6 | Fadd9 B7#11 Bbm7 | Dbmaj9 | F/C | Fadd9 Bbm6 | Fadd9 Bbm6 | Fadd9 B7#11 Bbm7 | Dbmaj9 | F/C | · V2: | Fadd9 Faug | Fadd9 Am7 | Dm Bbmaj7 | Ebmaj7 Bb/C C7 | Fadd9 Faug | Fadd9 Am7 | Dm9 Bbsus2 | Ebmaj9 C7sus4 Baug | · B: | Bbmaj9 Am7 Dm7 | Gm9 Fmaj9 B9sus4 | Emaj9 Abm7/Eb Abm7 | Dbm9 | Bmaj9 | · C: | Cm9 Fm9 | Bbm9 Ab6/Eb | Abm9 Gb/Db | Gbmaj9 Abm7 Bbm7 | Cm9 Fm9 | Bbm9 Ab6/Eb | Abm9 Gb/Db | Gbmaj9 Abm7 Bbm7 | Bmaj7 Dbm7 Ebm7 | · C2: | Fm9 Bbm9 | Ebm9 Db6/Ab | Dbm9 B/Gb | Bmaj9 Dbm7 Ebm7 | Fm9 Bbm9 | Ebm9 Db6/Ab | Dbm9 B/Gb | Bmaj9 Dbm7 Ebm7 | · S: | Fm9 Bbm9 | Ebm9 Db6/Ab | Dbm9 B/Gb | Bmaj9 Dbm7 Ebm7 | Fm9 Bbm9 | Ebm9 Db6/Ab | Dbm9 B/Gb | Bmaj9 Dbm7 Ebm7 | Fm9 Bbm9 | Ebm9 Db6/Ab | Dbm9 B/Gb | Bmaj9 Dbm7 Ebm7 | Fm9 Bbm9 | Ebm9 Db6/Ab | Dbm9 B/Gb | Bmaj9 Dbm7 Ebm7 | · C3: | Fm9 Bbm9 | Ebm9 Db6/Ab | Dbm9 B/Gb | Bmaj9 Dbm7 Ebm7 | Fm9 Bbm9 | Ebm9 Db6/Ab | Dbm9 B/Gb | Bmaj9 | Dbm7 | Ebm7 | Fm9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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