80/20 Music School / Harmony Trainer / Song Chord Atlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 35 von 40 Time For Me To Fly REO Speedwagon · 1980 · Tonart D · ≈ 91 BPM · Harmonie 3/5 · Mittel SON: | N.C. | N.C. | · I: | D G | A G | D G | A G | · V: | D | A | G6 | D | D | A | G6 | D | · PC: | Asus4 A | G D | A | G D | G D | G D | A | · T: | D G | A G | D G | A G | · V2: | D | Asus4 A | G | D | D | Asus4 A | G | D | · PC2: | A | G D | A | G D | G D | G D | A | · T2: | D G | D | · C: | A | G D | A | G D | G | A | G | A | · S: | D | D | G | G | Asus4 | A | D G | D | · C2: | A | G D | A | G D | G | Asus4 A | G | A | G | A | · O: | D G | A G | D G | A G | D G | A G | G | D N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #56 Anhören ↗ Look-Ka Py Py The Meters · 1970 · Tonart G · ≈ 88 BPM · Harmonie 2/5 · Leicht SON: | N.C. | · I: | N.C. | N.C. | · V: | G7 | G7 | G7 | G7 | G7 | G7 | G7 | G7 | F7 | F7 | F7 | F7 | G7 | G7 | G7 | G7 | G7 | N.C. | · V2: | G7 | G7 | G7 | G7 | G7 | G7 | G7 | G7 | F7 | F7 | F7 | F7 | G7 | G7 | G7 | G7 | · B: | G7 | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | F7 | F7 | F7 | F7 | G7 | G7 | G7 | G7 | G7 | N.C. | · O: | N.C. | N.C. | N.C. | N.C. | G7 | G7 | G7 | G7 | G7 | G7 | G7 | G7 | · O: | G7 | G7 | G7 | G7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #56 Anhören ↗ Hurts To Be In Love Gino Vannelli · 1985 · Tonart Em · ≈ 85 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | D6 | · V: | D | Em | D | Em | D | Em | D | E | · C: | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | B7 | · V2: | D | Em | D | Em | D | Em | D | E | · C2: | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | B7 | · B: | Em | D C | Dsus4 D | Bsus4 Bm7 | Em | D C | Am | Bsus4 | · T: | Cmaj7 | D6 | Cmaj7 | D6 | · V3: | D | Em | D | Em | D | Em | D | E | · C3: | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | B7 | · O: | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | D6 | · O: | Cmaj7 | D6 | Cmaj7 | D6 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #57 Anhören ↗ Don't Say You Love Me Billy Squier · 1989 · Tonart F# · ≈ 90 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | N.C. | F# B | F# B | F# B | F# B | · V: | F# B | F# B | F# B | F# | B | E B | F# B | F# B | F# B | F# B | F# B | F# | B | E B | F# B | F# B | B | E B | F# B | F# | · INT: | N.C. | F# B | F# B | · V2: | F# B | F# B | F# B | F# | B | E B | F# B | F# | F# B | F# B | F# B | F# | B | E B | F# B | F# | B | E B | F# B | F# | · S: | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# | B | E B | F# B | F# | B | E B | F# B | F# B | F# B | F# B | · B: | G#m B E D# | E B | G#m B E D# | E B | G#m B E D# | E B | N.C. | N.C. | N.C. | · O: | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# | B | E B N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #58 Anhören ↗ I Put A Spell On You Creedence Clearwater Revival · 1968 · Tonart Em · ≈ 114 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | Em | Em | · V: | Em | Am | Em | Em | Am | Am | B7 | B7 | Em | Em | Am | C | Em | B7 | Em Am | B7 | · S: | Em | Am | Em | Em | Am | Am | B7 | B7 | Em | Em | Am | C | Em | B7 | Em Am | B7 C | F D | G A | · S2: | Em | Am | Em | Em | Am | Am | B7 | B7 | Em | Em | Am | C | Em | B7 | Em Am | B7 C | F D | G A | · V2: | Em | Am | Em | Em | Am | Am | B7 | B7 | Em | Em | Am | C | Em | B7 | Em Am | B7 C | F D | G A | Em N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #58 Anhören ↗ Beautiful Gordon Lightfoot · 1972 · Tonart B · ≈ 107 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | Bmaj7 | Bmaj7 | Gmaj9 | Gmaj9 | Bmaj7 | Bmaj7 | Gmaj9 | Gmaj9 | · V: | Bmaj7 | Bmaj7 | Bm7 | Bm7 | Emaj7 | Emaj7 | Em7 | Em7 | Bmaj7 | Bmaj7 | Bm7 | Bm7 | Emaj7 | Emaj7 | Em7 | Em7 | · T: | Bmaj7 | Bmaj7 | Gmaj9 | Gmaj9 | · V2: | Bmaj7 | Bmaj7 | Bm7 | Bm7 | Emaj7 | Emaj7 | Em7 | Em7 | Bmaj7 | Bmaj7 | Bm7 | Bm7 | Emaj7 | Emaj7 | Em7 | Em7 | · T2: | Bmaj7 | Bmaj7 | Gmaj9 | Gmaj9 | · V3: | Bmaj7 | Bmaj7 | Bm7 | Bm7 | Emaj7 | Emaj7 | Em7 | Em7 | Bmaj7 | Bmaj7 | Bm7 | Bm7 | Emaj7 | Emaj7 | Em7 | Em7 | · T3: | Bmaj7 | Bmaj7 | Bm7 | Bm7 | · C: | Emaj7 | Emaj7 | Bmaj7 | Bmaj7 | E | E | F#sus4 | F#sus4 | F#sus4 | F#sus4 | · CO: | Bmaj7 | Bmaj7 | Gmaj9 | Gmaj9 | Bmaj7 | Bmaj7 | Gmaj9 | Gmaj9 | Bmaj7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #58 Anhören ↗ Freedom Jimi Hendrix · 1971 · Tonart C · ≈ 114 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | N.C. | N.C. | N.C. | N.C. | C7#9 | C7#9 | C7#9 | C7#9 | · V: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · C: | Eb C | Eb C | Eb C | Eb C | Eb C | Eb C | Eb C | Eb C | · S: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · V2: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · C2: | Eb C | Eb C | Eb C | Eb C | Eb C | Eb C | Eb C | Eb C | · T: | Eb F G | Bb C F# | · B: | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | · S2: | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | Bb7 | Bb7 | Eb D C Bb | Ab G F Eb | Bb7 | Bb7 | Eb D C Bb | Ab G F Eb | F G Ab C | Db Bb Ab7 A | Bb B | C | C7#9 | C7#9 | C | C | · V3: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · C3: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · O: | C7#9 | C7#9 | C7#9 | C7#9 | C | C | C F | Bb Eb | Ab Db | G | C Eb F# A | C7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #59 Anhören ↗ It Amazes Me John Denver · 1978 · Tonart D · ≈ 173 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | D A D | D A D A | D A D | D A D | A D Dsus4 | Dsus4 | Dsus4 | Dsus4 | · V: | D | D | D A D | D A D | D | D | D | D | A Bm A7 | A7 Em | D | D | G D | D G D | D | D | D | D | A D A | A D A D | · V2: | D | D | D A D | D A D | D | D | D | D | A D A | A Em | D | D | G D | D G D | D | D | D | D | A7 | A7 | A7 | A7 | · C: | D | D | G | G | G | D | D | D | G | G | G | A7 | A7 | A7 | A7 | · V3: | D | D | D A D | D A D | D | D | D | D | A Bm A7 | A7 Em | D | D | G D | D G D | D | D | D | D | A7 | A7 | A7 | A7 | · C2: | D | D | G | G | G | D | D | D | G | G | G | D A D | D A D A | D A D | D A D | A7 | A7 | A7 | A7 | · O: | D | D | D | D | D | D | D N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #59 Anhören ↗ Heartaches Bachman-Turner Overdrive · 1979 · Tonart E · ≈ 122 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · V: | D | D | A | A | D | D | A | A | E | E | D | D | A | A | B | B | · C: | E | G A | E | G A | E | G A | B | B | · V2: | D | D | A | A | D | D | A | A | E | E | D | D | A | A | B | B | · C2: | E | G A | E | G A | E | G A | B | B | · C3: | E | G A | E | G A | E | G A | B | B | · V3: | D | D | A | A | D | D | A | A | E | E | D | D | A | A | B | B | · C4: | E | G A | E | G A | E | G A | B | B | · C5: | E | G A | E | G A | E | G A | B | B | · O: | E | G A | E | G A | E | G A | B | B | E | G A | E | G A | E | G A | B | B | E | G A | E | G A | E | G A | B | B N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #60 Anhören ↗ Are You Sure Hank Done It This Way Waylon Jennings · 1975 · Tonart B · ≈ 113 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | B | E | B | E | B | E | B | E | · V: | B | E | B | E | B | E | B | E | · T: | B | E | B | E | · V2: | B | E | B | E | B | E | · C: | B | E | B | E | · S: | B | E | B | E | B | E | B | E | B | E | · V3: | B | E | B | E | B | E | · C2: | B | E | B | E | · T2: | B | E | · V4: | B | E | B | E | B | E | · C3: | B | E | B | E | · O: | B | E | B | E | B | E | B | E | B | E | B | E | · O: | B | E | B | E | B | E | B | E N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #60 Anhören ↗ Oh My Angel Bertha Tillman · 1962 · Tonart C · ≈ 95 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | Fmaj7 Em7 | Dm7 | Cmaj7 | Dm7 | Em7 | Dm7 | · V: | Cmaj7 | Dm7 | Em7 | Dm7 | Cmaj7 | Dm7 | Em7 | Dm7 | Cmaj7 | Dm7 | Em7 | Dm7 | Cmaj7 | Dm7 | Em7 | Dm7 | · V2: | Cmaj7 | Dm7 | Em7 | Dm7 | Cmaj7 | Dm7 | Em7 | Dm7 | Cmaj7 | Dm7 | Em7 | Dm7 | Cmaj7 | F | Cmaj7 | C7 | · C: | F | G | C | Am | F | G | C | C7 | F | G | C | Am | F | F | G7 | Ab7 | · V3: | Dbmaj7 | Ebm7 | Fm7 | Ebm7 | Dbmaj7 | Ebm7 | Fm7 | Ebm7 | Dbmaj7 | Ebm7 | Fm7 | Ebm7 | Dbmaj7 | Gb | Db | Db N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #61 Anhören ↗ Stand By Me David Ruffin & Jimmy Ruffin · 1970 · Tonart G · ≈ 97 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | G | G | G | G | · V: | G | G | Em | Em | C | D | G | G | G | G | Em | Em | C | D | G | G | · C: | G | G | Em | Em | C | D | G | G | · V2: | G | G | Em | Em | C | D | G | G | G | G | Em | Em | C | D | G | G | · C2: | G | G | Em | Em | C | D | G | G | · INT: | G | G | Em | Em | C | D | G | G | G | G | Em | Em | C | D | G | G | · C3: | G | G | Em | Em | C | D | G | G | · O: | G | G | Em | Em | C | D | G | G | G | G | Em | Em | C | D | G | G N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #61 Anhören ↗ Dirty Water Rock And Hyde · 1987 · Tonart G · ≈ 112 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | Dsus4 | · INST: | G | G | Dm7 | C | G | G | Dm7 | C | G | G | Dm7 | C | G | G | Dm7 | C | · V: | Em | Em | Eb | Eb | Em | Em | Eb | Eb | Em | Em | Eb | Eb | Em | Em | Eb | Eb | · C: | G | G | Dm7 | C | G | G | Dm7 | C | G | G | Dm7 | C | G | G | Dm7 | C | · V2: | Em | Em | Eb | Eb | Em | Em | Eb | Eb | Em | Em | Eb | Eb | Em | Em | Eb | Eb | · C2: | G | G | Dm7 | C | G | G | Dm7 | C | G | G | Dm7 | C | G | G | Dm7 | C | · INST2: | G | G | D11 | C | G | G | D11 | C | G | G | D11 | C | G | G | D11 | C | · C3: | G | G | Dm7 | C | · O: | G | G | Dm7 | C | G | G | Dm7 | C | G | G | Dm7 | C N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #61 Anhören ↗ Bluebirds Over The Mountain The Beach Boys · 1969 · Tonart A · ≈ 127 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | A | E | · C: | A | A | D | E | A | A | D E | · T: | A | E | · V: | D G7 | A7 | D G7 | A7 | D G7 | A7 | Bsus4 Bm7 B7 | Em | · C2: | A | A | D | E | A | A | D E | · T2: | A | E | · V2: | D G7 | A7 | D G7 | A7 | D G7 | A7 | Bsus4 Bm7 B7 | Em | · C3: | A | A | D | E | A | A | D E | · T3: | A7 | A7 | · B: | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | A C G | · V3: | Eb Ab7 | Bb7 | Eb Bb7 | Ab7 | Eb Ab7 | Eb D7 | Gsus4 Gmaj7 | Asus4 Am7 A7 | Fm7 | · C4: | Bb | Bb | Eb | F | Bb | Bb | Eb F | · T4: | Bb | Eb F | · O: | Ebsus4 | Ebsus4 | Bb6 | Bb6 | Ebm6 | Ebm | Bb | Bb N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #61 Anhören ↗ Surrender Cheap Trick · 1978 · Tonart Bb · ≈ 134 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | N.C. | · I2: | Bbsus4 | Bbsus4 | Bb | Bb | Bbsus4 | Bbsus4 | Bb | Bb | · V: | B | F# | E | B | B | F# | E | B | E | F# | B | B | E | F# | B | B | · C: | B | G#m7 | F#add4 | E | B | G#m7 | F#add4 | E | E | E | E | · INT: | Bsus4 | Bsus4 | B | B | Bsus4 | Bsus4 | B | B | · V2: | B | F# | E | B | B | F# | E | B | E | F# | B | B | E | F# | B | B | · C2: | B | G#m7 | F#add4 | E | B | G#m7 | F#add4 | E | E | E | E | · INT2: | Bsus4 | Bsus4 | B | B | Bsus4 | Bsus4 | B | B | · V3: | C | G | F | C | C | G | F | C | F | G | C | C | F | G | C | C | · C3: | C | Am7 | Gadd4 | F | C | Am7 | Gadd4 | F | F | F | F | · O: | C | F | C | G | C | F | C | G | · C4: | C | Am7 | Gadd4 | F | C | Am7 | Gadd4 | F | C | Am7 | Gadd4 | F | C | Am7 | Gadd4 | F | C | Am7 | Gadd4 | F | · O: | C | Am7 | Gadd4 | F | C | Am7 | Gadd4 | F N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #62 Anhören ↗ Love Comes Quickly Pet Shop Boys · 1986 · Tonart Bm · ≈ 108 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | Bm | Bm | Bm | Bm | · INST: | G | G | F#m | Bm | G | G | F#m | Bm | G | G | F#m | Bm | G | G | F#m | Bm | · V: | G | G | F#m | Bm | G | G | F#m | Bm | G | G | F#m | Bm Bm7 | G | G | F#m | F#m | · C: | Gmaj7 | Gmaj7 | F#m | Bm Bm7 | Gmaj7 | Gmaj7 | F#m | Bm Bm7 | · V2: | G | G | F#m | Bm Bm7 | Gmaj7 | Gmaj7 | F#m | Bm Bm7 | G | Em7 | F#m | Bm Bm7 | G | G | F#m | Bm | · C2: | Gmaj7 | Gmaj7 | F#m | Bm Bm7 | Gmaj7 | Gmaj7 | F#m | Bm Bm7 | · B: | G | G Bm7 | Em7 | F#sus4 | Bm Bm7 | Em7 | F#sus4 | Bm Bm7 | Gmaj7 | Em7 | F#m7 | Bm Bm7 | Gmaj7 | Em7 | F#m7 | Bm Bm7 | · V3: | G | G | F#m | Bm Bm7 | · C3: | Gmaj7 | Gmaj7 | F#m | Bm Bm7 | Gmaj7 | Gmaj7 | F#m7 | Bm Bm7 | · C4: | Gmaj7 | Gmaj7 | F#m | Bm Bm7 | Gmaj7 | Gmaj7 | F#m7 | Bm Bm7 | · O: | G | Em7 | F#m | Bm Bm7 | G | Em7 | F#m | Bm Bm7 | G N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #62 Anhören ↗ Happy Man The Greg Kihn Band · 1982 · Tonart G · ≈ 146 BPM · Harmonie 4/5 · Fortgeschritten I: | C | C | Em | Em | C | C | Em | Em | · V: | C | C | Em | Em | C | C | D | D | C | C | G | D | · C: | E | G D | E | G D | A | G D | B7 | D | D A | E | E D | · V2: | C | C | Em | Em | C | C | D | D | C | C | G | D | · C2: | E | G D | E | G D | A | G D | B7 | D | D A | E | E A | E | E | · S: | C | C | Em | Em | C | C | D | D | C | C | G | D | · C3: | E | G D | E | G D | A | G D | B7 | D | D A | E | G D | E | G D | A | G D | B7 | D | D A | · O: | E | E A | E | E A | E | E A | E | E A | E | E A | E | E A | E | E A | E | E A | E | E A | E N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #62 Anhören ↗ Breezin' George Benson · 1976 · Tonart D · ≈ 81 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | Dmaj9 | Fmaj9 | Amaj9 | Fmaj9 | Dmaj9 | · INST: | D Bm7 | Em Asus4 | D Bm7 | Em Asus4 | D Bm7 | Em Asus4 | D Bm7 | Em Asus4 | D Bm7 | Em Asus4 | D Bm7 | Em Asus4 | D Bm7 | Em Asus4 | D Bm7 | Em Asus4 | · V: | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | · B: | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | · V2: | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | · B2: | Dadd9 | D A | Dadd9 | D A | · S: | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | · V3: | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | · O: | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A | Dadd9 | D A N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #63 Anhören ↗ Would It Make Any Difference To You Etta James · 1963 · Tonart Ab · ≈ 105 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | Ab | Eb | Ab | Ab | · V: | Ab | Ab | Db | Db | Eb | Eb | Ab | Eb | Ab | Ab | Db | Db | Eb | Eb7 | Ab | Ab Bbm Cm | · C: | Db | Db | Ab | Ab | Db | Db | Ab | Eb7 | · V2: | Ab | Ab | Db | Db | Eb7 | Eb7 | Ab | Ab | Ab | Ab | Db | Db | Eb | Eb | Ab Db Cm Bbm | Ab N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #64 Anhören ↗ I Walk Alone Marty Robbins · 1968 · Tonart C · ≈ 112 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | C | G | C | C | · V: | C | C7 | F | F | C | C | G7 | G7 | · C: | C | C | F | F | C | G7 | C | C7 | · B: | F | F | C | C | C | C | G | G | · C2: | C | C7 | F | F | C | G7 | C | C | · INT: | C | G7 | C | C7 | · B2: | F | F | C | C | C | C | D7 | G7 | · C3: | C | C7 | F | F | C | G | G | G | C | C | F | C7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #65 Anhören ↗ Echoes Of Love The Doobie Brothers · 1977 · Tonart A · ≈ 132 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | A | Dadd9 Esus4 | A | Dadd9 Esus4 | A | Dadd9 Fdim | F#m7 | Dadd9 Esus4 | A | · V: | D Esus4 | A | D Esus4 | A | D Fdim | F#m7 A | D Esus4 | A | · C: | D Esus4 | A | D Esus4 | A | Dmaj7 Esus4 Fdim | F#m7 A | D Esus4 | A | · B: | C#m7 | B | Gmaj7 Emadd9 | Ammaj7 Amaj7 | F#m7 | C#m7 | G7 | F#m7 | · V2: | D Esus4 | A | D Esus4 | A | Dmaj7 Esus4 Fdim | F#m7 A | D Esus4 | A | · C2: | D Esus4 | A | D Esus4 | A | Dmaj7 Esus4 Fdim | F#m7 A | D Esus4 | A | · S: | C#m7 | B7 | Gmaj7 | Amaj7 | F#m7 | C#m7 | G7 | F#m7 | · T: | Dadd9 Esus4 | A | Dadd9 Esus4 | A | Dadd9 Fdim | F#m7 | Dadd9 Esus4 | A | · C3: | D Esus4 | A | D Esus4 | A | Dmaj7 Esus4 Fdim | F#m7 A | D Esus4 | A | D Esus4 | A | D Esus4 | A | Dmaj7 Esus4 Fdim | F#m7 A | D Esus4 | A | D Esus4 | A | D Esus4 | A | · O: | Dmaj7 Esus4 Fdim | F#m7 A | D Esus4 | A | D Esus4 | A | D Esus4 | A | Dmaj7 Esus4 Fdim | F#m7 A | D Esus4 | A N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #66 Anhören ↗ The People In Me The Music Machine · 1967 · Tonart Ab · ≈ 136 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · V: | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | · V2: | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | · C: | B | Db | Abm Gm | Abm Gm | B | Db | Abm Gm | Abm | Db | Eb | Eb | · V3: | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | · V4: | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | · C2: | B | Db | Abm Gm | Abm Gm | B | Db | Abm Gm | Abm | Db | Eb | Eb | · V5: | Abm | Db | Eb7 | Eb7 | · O: | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #66 Anhören ↗ Maybe Tomorrow Badfinger · 1969 · Tonart A · ≈ 82 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | A | · V: | A Amaj7 | F#m | Bm G | E | A Amaj7 | F#m | Bm G | E | E | · C: | A Amaj7 | F#m | Bm G | E | A Amaj7 | F#m | Bm G | E | A | · V2: | A Amaj7 | F#m | Bm G | E | A Amaj7 | F#m | Bm G | E | E | · C2: | A Amaj7 | F#m | Bm G | E | A Amaj7 | F#m | Bm G | E | A | · V3: | A Amaj7 | F#m | Bm G | E | A Amaj7 | F#m | Bm G | E | E | · C3: | A Amaj7 | F#m | Bm G | E | A Amaj7 | F#m | Bm G | E A | · O: | A Amaj7 | F#m | D | A N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #67 Anhören ↗ You've Got Another Thing Comin' Judas Priest · 1982 · Tonart F#m · ≈ 138 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | F#m | F#m | F#m | F#m | E | B | F#m | F#m | E | B | F#m | F#m | · V: | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | · PC: | F# | D | B | F# | F# | D | B | C# | · C: | F#m | F#m A B | F#m | F#m A B | · V2: | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | · PC2: | F# | D | B | F# | F# | D | B | C# | · C2: | F#m | F#m A B | F#m | F#m A B | F#m | F#m A B | F#m | F#m A B | · B: | Bm7 | D | A | F# | Bm7 | D | A | C# | · S: | F#m | F#m A B | F#m | F#m A B | F#m | F#m A B | F#m | F#m A B | · S2: | F# | D | B | F# | F# | D | B | C# | A | · V3: | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | · PC3: | F# | D | B | F# | F# | D | B | C# | · C3: | F#m | F#m A B | F#m | F#m A B | F#m | F#m A B | F#m | F#m A B | · INST: | F#m | F#m A B | F#m | F#m A B | F#m | F#m A B | F#m | F#m A B | · O: | F#sus4 | B | F#m | F# A B | F#sus4 | B | F#m | F# A B | F#sus4 | B | F#m | F# A B | F#sus4 | B | F#m | F# A B | F#sus4 | B | F#m | F# A B | F#sus4 | B | F#m | F# A B | · O: | F#sus4 | B | F#m | F# A B | F#sus4 | B | F#m | F# A B | F#sus4 | B | F#m | F# A B | F#sus4 | B | F#m | F# A B N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #67 Anhören ↗ I've Been Everywhere Hank Snow · 1962 · Tonart Db · ≈ 240 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | N.C. Db Dbdim Ebm7 | · V: | Db | Db | Db | Db | Gb7 | Gb7 | Db | Db | Ab7 | Ab7 | Db | N.C. | · C: | Db | Db | Db | Db | Gb7 | Gb7 | Db | Db | Ab7 | Ab7 | Ab7 | Db | Db | · V2: | Db | Db | Db | Db | Gb7 | Gb7 | Db | Db | Ab7 | Ab7 | Db | Db | · C2: | Db | Db | Db | Db | Gb7 | Gb7 | Db | Db | Ab7 | Ab7 | Ab7 | Db | Db | · T: | D | D | · V3: | D | D | D | D | G7 | G7 | D | D | A7 | A7 | D | D | · C3: | D | D | D | D | G7 | G7 | D | D | A7 | A7 | A7 | D | D | · T2: | Eb | Eb | · V4: | Eb | Eb | Eb | Eb | Ab7 | Ab7 | Eb | Eb | Bb7 | Bb7 | Eb | Eb | · C4: | Eb | Eb | Eb | Eb | Ab7 | Ab7 | Eb | Eb | Bb7 | Bb7 | Bb7 | Eb | Eb | · T3: | E | E | · V5: | E | E | E | E | A7 | A7 | E | E | B7 | B7 | E | E | · C5: | E | E | E | E | A7 | A7 | E | E | B7 | B7 | N.C. | N.C. | N.C. | · O: | E | E | E | E N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #68 Anhören ↗ Popularity sorting uses source-specific chart, critic-list, or curation evidence. These ranks are not stream counts and are not directly equivalent across sources.
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