80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 35 von 40 Time For Me To Fly REO Speedwagon · 1980 · Tonart D · ≈ 91 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | D G/D | A/D G/D | D G/D | A/D G/D | · V: | D | A/C# | G6/B | D | D | A/C# | G6/B | D | · PC: | Asus4 A | G D | A | G D | G D | G D | A | · T: | D G | A G | D G | A G | · V2: | D | Asus4 A | G | D | D | Asus4 A | G | D | · PC2: | A | G D | A | G D | G D | G D | A | · T2: | D G | D | · C: | A | G D | A | G D | G | A | G | A | · S: | D | D | G | G | Asus4 | A | D G | D | · C2: | A | G D | A | G D | G | Asus4 A | G | A | G | A | · O: | D G | A G | D G | A G | D G | A G | G | D N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #56 Anhören ↗ Look-Ka Py Py The Meters · 1970 · Tonart G · ≈ 88 BPM · Harmonie 2/5 · Leicht I: | N.C. | N.C. | · V: | G7 | G7 | G7 | G7 | G7 | G7 | G7 | G7 | F7 | F7 | F7 | F7 | G7 | G7 | G7 | G7 | G7 | N.C. | · V2: | G7 | G7 | G7 | G7 | G7 | G7 | G7 | G7 | F7 | F7 | F7 | F7 | G7 | G7 | G7 | G7 | · B: | G7 | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | F7 | F7 | F7 | F7 | G7 | G7 | G7 | G7 | G7 | N.C. | · O: | N.C. | N.C. | N.C. | N.C. | G7 | G7 | G7 | G7 | G7 | G7 | G7 | G7 | · O: | G7 | G7 | G7 | G7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #56 Anhören ↗ Hurts To Be In Love Gino Vannelli · 1985 · Tonart Em · ≈ 85 BPM · Harmonie 4/5 · Fortgeschritten I: | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | D6 | · V: | D/E | Em | D/E | Em | D/E | Em | D/E | E | · C: | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | B7 | · V2: | D/E | Em | D/E | Em | D/E | Em | D/E | E | · C2: | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | B7 | · B: | Em | D/C C | Dsus4 D/C | B7sus4 Bm7 | Em | D/C C | Am | B7sus4 | · T: | Cmaj7 | D6 | Cmaj7 | D6 | · V3: | D/E | Em | D/E | Em | D/E | Em | D/E | E | · C3: | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | B7 | · O: | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | D6 | Cmaj7 | D6 | · O: | Cmaj7 | D6 | Cmaj7 | D6 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #57 Anhören ↗ Don't Say You Love Me Billy Squier · 1989 · Tonart F# · ≈ 90 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | F# B | F# B | F# B | F# B | · V: | F# B | F# B | F# B | F# | B | E B | F# B | F# B | F# B | F# B | F# B | F# | B | E B | F# B | F# B | B | E B | F# B | F# | · INT: | N.C. | F# B | F# B | · V2: | F# B | F# B | F# B | F# | B | E B | F# B | F# | F# B | F# B | F# B | F# | B | E B | F# B | F# | B | E B | F# B | F# | · S: | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# | B | E B | F# B | F# | B | E B | F# B | F# B | F# B | F# B | · B: | G#m B E D# | E B | G#m B E D# | E B | G#m B E D# | E B | N.C. | N.C. | N.C. | · O: | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# B | F# | B | E B | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #58 Anhören ↗ I Put A Spell On You Creedence Clearwater Revival · 1968 · Tonart Em · ≈ 114 BPM · Harmonie 3/5 · Mittel I: | Em | Em | · V: | Em | Am | Em | Em | Am | Am | B7 | B7 | Em | Em | Am | C | Em | B7 | Em Am | B7 | · S: | Em | Am | Em | Em | Am | Am | B7 | B7 | Em | Em | Am | C | Em | B7 | Em Am | B7 C | F D | G A | · S2: | Em | Am | Em | Em | Am | Am | B7 | B7 | Em | Em | Am | C | Em | B7 | Em Am | B7 C | F D | G A | · V2: | Em | Am | Em | Em | Am | Am | B7 | B7 | Em | Em | Am | C | Em | B7 | Em Am | B7 C | F D | G A | Em | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #58 Anhören ↗ Beautiful Gordon Lightfoot · 1972 · Tonart B · ≈ 107 BPM · Harmonie 3/5 · Mittel I: | Bmaj7 | Bmaj7 | Gmaj9 | Gmaj9 | Bmaj7 | Bmaj7 | Gmaj9 | Gmaj9 | · V: | Bmaj7 | Bmaj7 | Bm7 | Bm7 | Emaj7 | Emaj7 | Em7 | Em7 | Bmaj7 | Bmaj7 | Bm7 | Bm7 | Emaj7 | Emaj7 | Em7 | Em7 | · T: | Bmaj7 | Bmaj7 | Gmaj9 | Gmaj9 | · V2: | Bmaj7 | Bmaj7 | Bm7 | Bm7 | Emaj7 | Emaj7 | Em7 | Em7 | Bmaj7 | Bmaj7 | Bm7 | Bm7 | Emaj7 | Emaj7 | Em7 | Em7 | · T2: | Bmaj7 | Bmaj7 | Gmaj9 | Gmaj9 | · V3: | Bmaj7 | Bmaj7 | Bm7 | Bm7 | Emaj7 | Emaj7 | Em7 | Em7 | Bmaj7 | Bmaj7 | Bm7 | Bm7 | Emaj7 | Emaj7 | Em7 | Em7 | · T3: | Bmaj7 | Bmaj7 | Bm7 | Bm7 | · C: | Emaj7 | Emaj7 | Bmaj7 | Bmaj7 | E/B | E/B | F#7sus4 | F#7sus4 | F#7sus4 | F#7sus4 | · CO: | Bmaj7 | Bmaj7 | Gmaj9 | Gmaj9 | Bmaj7 | Bmaj7 | Gmaj9 | Gmaj9 | Bmaj7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #58 Anhören ↗ Freedom Jimi Hendrix · 1971 · Tonart C · ≈ 114 BPM · Harmonie 5/5 · Experte I: | N.C. | N.C. | N.C. | N.C. | C7#9 | C7#9 | C7#9 | C7#9 | · V: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · C: | Eb5 C5 | Eb5 C5 | Eb5 C5 | Eb5 C5 | Eb5 C5 | Eb5 C5 | Eb5 C5 | Eb5 C5 | · S: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · V2: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · C2: | Eb5 C5 | Eb5 C5 | Eb5 C5 | Eb5 C5 | Eb5 C5 | Eb5 C5 | Eb5 C5 | Eb5 C5 | · T: | Eb5 F5 G5 | Bb5 C5 F#5 | · B: | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | · S2: | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | Bb7 | Bb7 | Eb5 D5 C5 Bb5 | Ab5 G5 F5 Eb5 | Bb7 | Bb7 | Eb5 D5 C5 Bb5 | Ab5 G5 F5 Eb5 | F5 G5 Ab5 C5 | Db5 Bb5 Ab7 A5 | Bb5 B5 | C5 | C7#9 | C7#9 | C5 | C5 | · V3: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · C3: | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | C7#9 | · O: | C7#9 | C7#9 | C7#9 | C7#9 | C(no3,no5) | C(no3,no5) | C5 F5 | Bb5 Eb5 | Ab5 Db5 | G5 | C5 Eb5 F#5 A5 | C7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #59 Anhören ↗ It Amazes Me John Denver · 1978 · Tonart D · ≈ 173 BPM · Harmonie 3/5 · Mittel I: | D A/D D | D A/D D A/D | D A/D D | D A/D D | A/D D Dsus4 | Dsus4 | Dsus4 | Dsus4 | · V: | D | D | D A/D D | D A/D D | D | D | D | D | A/D Bm/D A7/D | A7/D Em/D | D | D | G/D D | D G/D D | D | D | D | D | A/C# D/B A | A D/G A/F# D/E | · V2: | D | D | D A/D D | D A/D D | D | D | D | D | A/D D A/D | A/D Em/D | D | D | G/D D | D G/D D | D | D | D | D | A7 A7/E | A7 A7/E | A7/C# A7/B A7 | A7 A7/G A7/F# A7/E | · C: | D | D | G | G | G | D | D | D | G | G | G | A7 A7/E | A7 A7/E | A7 A7/E | A7 A7/E | · V3: | D | D | D A/D D | D A/D D | D | D | D | D | A/D Bm/D A7/D | A7/D Em/D | D | D | G/D D | D G/D D | D | D | D | D | A7 A7/E | A7 A7/E | A7 A7/E | A7 A7/E | · C2: | D | D | G | G | G | D | D | D | G | G | G | D A/D D | D A/D D A/D | D A/D D | D A/D D | A7 | A7 | A7 | A7 | · O: | D | D | D | D | D | D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #59 Anhören ↗ Heartaches Bachman-Turner Overdrive · 1979 · Tonart E · ≈ 122 BPM · Harmonie 2/5 · Leicht V: | D | D | A | A | D | D | A | A | E | E | D | D | A | A | B | B | · C: | E | G A | E | G A | E | G A | B | B | · V2: | D | D | A | A | D | D | A | A | E | E | D | D | A | A | B | B | · C2: | E | G A | E | G A | E | G A | B | B | · C3: | E | G A | E | G A | E | G A | B | B | · V3: | D | D | A | A | D | D | A | A | E | E | D | D | A | A | B | B | · C4: | E | G A | E | G A | E | G A | B | B | · C5: | E | G A | E | G A | E | G A | B | B | · O: | E | G A | E | G A | E | G A | B | B | E | G A | E | G A | E | G A | B | B | E | G A | E | G A | E | G A | B | B | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #60 Anhören ↗ Are You Sure Hank Done It This Way Waylon Jennings · 1975 · Tonart B · ≈ 113 BPM · Harmonie 2/5 · Leicht I: | B | E | B | E | B | E | B | E | · V: | B | E | B | E | B | E | B | E | · T: | B | E | B | E | · V2: | B | E | B | E | B | E | · C: | B | E | B | E | · S: | B | E | B | E | B | E | B | E | B | E | · V3: | B | E | B | E | B | E | · C2: | B | E | B | E | · T2: | B | E | · V4: | B | E | B | E | B | E | · C3: | B | E | B | E | · O: | B | E | B | E | B | E | B | E | B | E | B | E | · O: | B | E | B | E | B | E | B | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #60 Anhören ↗ Oh My Angel Bertha Tillman · 1962 · Tonart C · ≈ 95 BPM · Harmonie 4/5 · Fortgeschritten I: | Fmaj7/A Em7/G | Dm7/F | Cmaj7 | Dm7 | Em7 | Dm7 | · V: | Cmaj7 | Dm7 | Em7 | Dm7 | Cmaj7 | Dm7 | Em7 | Dm7 | Cmaj7 | Dm7 | Em7 | Dm7 | Cmaj7 | Dm7 | Em7 | Dm7 | · V2: | Cmaj7 | Dm7 | Em7 | Dm7 | Cmaj7 | Dm7 | Em7 | Dm7 | Cmaj7 | Dm7 | Em7 | Dm7 | Cmaj7 | F | Cmaj7 | C7 | · C: | F | G | C | Am | F | G | C | C7 | F | G | C | Am | F | F | G7 | Ab7 | · V3: | Dbmaj7 | Ebm7 | Fm7 | Ebm7 | Dbmaj7 | Ebm7 | Fm7 | Ebm7 | Dbmaj7 | Ebm7 | Fm7 | Ebm7 | Dbmaj7 | Gb | Db | Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #61 Anhören ↗ Stand By Me David Ruffin & Jimmy Ruffin · 1970 · Tonart G · ≈ 97 BPM · Harmonie 2/5 · Leicht I: | G | G | G | G | · V: | G | G | Em | Em | C | D | G | G | G | G | Em | Em | C | D | G | G | · C: | G | G | Em | Em | C | D | G | G | · V2: | G | G | Em | Em | C | D | G | G | G | G | Em | Em | C | D | G | G | · C2: | G | G | Em | Em | C | D | G | G | · INT: | G | G | Em | Em | C | D | G | G | G | G | Em | Em | C | D | G | G | · C3: | G | G | Em | Em | C | D | G | G | · O: | G | G | Em | Em | C | D | G | G | G | G | Em | Em | C | D | G | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #61 Anhören ↗ Dirty Water Rock And Hyde · 1987 · Tonart G · ≈ 112 BPM · Harmonie 3/5 · Mittel I: | D9sus4 | · INST: | G | G | Dm7 | C | G | G | Dm7 | C | G | G | Dm7 | C | G | G | Dm7 | C | · V: | Em | Em | Eb | Eb | Em | Em | Eb | Eb | Em | Em | Eb | Eb | Em | Em | Eb | Eb | · C: | G | G | Dm7 | C | G | G | Dm7 | C | G | G | Dm7 | C | G | G | Dm7 | C | · V2: | Em | Em | Eb | Eb | Em | Em | Eb | Eb | Em | Em | Eb | Eb | Em | Em | Eb | Eb | · C2: | G | G | Dm7 | C | G | G | Dm7 | C | G | G | Dm7 | C | G | G | Dm7 | C | · INST2: | G | G | D11 | C | G | G | D11 | C | G | G | D11 | C | G | G | D11 | C | · C3: | G | G | Dm7 | C | · O: | G | G | Dm7 | C | G | G | Dm7 | C | G | G | Dm7 | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #61 Anhören ↗ Bluebirds Over The Mountain The Beach Boys · 1969 · Tonart A · ≈ 127 BPM · Harmonie 5/5 · Experte I: | A | E | · C: | A | A | D | E | A | A | D E | · T: | A | E | · V: | D G7 | A7 | D G7 | A7 | D G7 | A7 | B7sus4 Bm7 B7 | Em | · C2: | A | A | D | E | A | A | D E | · T2: | A | E | · V2: | D G7 | A7 | D G7 | A7 | D G7 | A7 | B7sus4 Bm7 B7 | Em | · C3: | A | A | D | E | A | A | D E | · T3: | A7 | A7 | · B: | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | A(no3,no5) C(no3,no5) G(no3,no5) | · V3: | Eb Ab7 | Bb7 | Eb Bb7 | Ab7 | Eb Ab7 | Eb D7 | Gsus4 Gmaj7 | A7sus4 Am7 A7 | Fm7 | · C4: | Bb | Bb | Eb | F | Bb | Bb | Eb F | · T4: | Bb | Eb F | · O: | Eb9sus4 | Eb9sus4 | Bb6 | Bb6 | Ebm6/Bb | Ebm/Bb | Bb | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #61 Anhören ↗ Surrender Cheap Trick · 1978 · Tonart Bb · ≈ 134 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | · I2: | Bb9sus4 | Bb9sus4 | Bb | Bb | Bb9sus4 | Bb9sus4 | Bb | Bb | · V: | B | F# | E | B | B | F# | E | B | E | F# | B | B | E | F# | B | B | · C: | B | G#m7 | F#add4 | E | B | G#m7 | F#add4 | E | E | E | E | · INT: | B9sus4 | B9sus4 | B | B | B9sus4 | B9sus4 | B | B | · V2: | B | F# | E | B | B | F# | E | B | E | F# | B | B | E | F# | B | B | · C2: | B | G#m7 | F#add4 | E | B | G#m7 | F#add4 | E | E | E | E | · INT2: | B9sus4 | B9sus4 | B | B | B9sus4 | B9sus4 | B | B | · V3: | C | G | F | C | C | G | F | C | F | G | C | C | F | G | C | C | · C3: | C | Am7 | Gadd4 | F | C | Am7 | Gadd4 | F | F | F | F | · O: | C | F | C | G | C | F | C | G | · C4: | C | Am7 | Gadd4 | F | C | Am7 | Gadd4 | F | C | Am7 | Gadd4 | F | C | Am7 | Gadd4 | F | C | Am7 | Gadd4 | F | · O: | C | Am7 | Gadd4 | F | C | Am7 | Gadd4 | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #62 Anhören ↗ Love Comes Quickly Pet Shop Boys · 1986 · Tonart Bm · ≈ 108 BPM · Harmonie 4/5 · Fortgeschritten I: | B5 | B5 | Bm | B5 | · INST: | G/B | G/B | F#m/A | Bm | G/B | G/B | F#m/A | Bm | G/B | G/B | F#m/A | Bm | G/B | G/B | F#m/A | Bm | · V: | G/B | G/B | F#m/A | Bm | G/B | G/B | F#m/A | Bm | G/B | G/B | F#m/A | Bm Bm7 | G/B | G/B | F#m/A | F#m/B | · C: | Gmaj7 | Gmaj7 | F#m/A | Bm Bm7 | Gmaj7 | Gmaj7 | F#m | Bm Bm7 | · V2: | G/B | G/B | F#m/A | Bm Bm7 | Gmaj7/B | Gmaj7/B | F#m/A | Bm Bm7 | G/B | Em7 | F#m/A | Bm Bm7 | G/B | G/B | F#m/A | Bm | · C2: | Gmaj7 | Gmaj7 | F#m/A | Bm Bm7 | Gmaj7 | Gmaj7 | F#m | Bm Bm7 | · B: | G/B | G/B Bm7 | Em7 | F#7sus4 | Bm Bm7 | Em7 | F#7sus4 | Bm Bm7 | Gmaj7 | Em7 | F#m7 | Bm Bm7 | Gmaj7 | Em7 | F#m7 | Bm Bm7 | · V3: | G/B | G/B | F#m/A | Bm Bm7 | · C3: | Gmaj7 | Gmaj7 | F#m/A | Bm Bm7 | Gmaj7 | Gmaj7 | F#m7 | Bm Bm7 | · C4: | Gmaj7 | Gmaj7 | F#m/A | Bm Bm7 | Gmaj7 | Gmaj7 | F#m7 | Bm Bm7 | · O: | G/B | Em7/B | F#m/A | Bm Bm7 | G/B | Em7/B | F#m/A | Bm Bm7 | G/B | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #62 Anhören ↗ Happy Man The Greg Kihn Band · 1982 · Tonart G · ≈ 146 BPM · Harmonie 4/5 · Fortgeschritten I: | C | C | Em | Em | C | C | Em | Em | · V: | C | C | Em | Em | C | C | D | D | C | C | G | D | · C: | E | G D | E | G D | A | G D | B7 | D | D A | E | E D/E | · V2: | C | C | Em | Em | C | C | D | D | C | C | G | D | · C2: | E | G D | E | G D | A | G D | B7 | D | D A | E | E A | E | E | · S: | C | C | Em | Em | C | C | D | D | C | C | G | D | · C3: | E | G D | E | G D | A | G D | B7 | D | D A | E | G D | E | G D | A | G D | B7 | D | D A | · O: | E | E A | E | E A | E | E A | E | E A | E | E A | E | E A | E | E A | E | E A | E | E A | E N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #62 Anhören ↗ Breezin' George Benson · 1976 · Tonart D · ≈ 81 BPM · Harmonie 4/5 · Fortgeschritten I: | Dmaj9 | Fmaj9 | Amaj9 | Fmaj9 | Dmaj9 | · INST: | D Bm7 | Em A9sus4 | D Bm7 | Em A9sus4 | D Bm7 | Em A9sus4 | D Bm7 | Em A9sus4 | D Bm7 | Em A9sus4 | D Bm7 | Em A9sus4 | D Bm7 | Em A9sus4 | D Bm7 | Em A9sus4 | · V: | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | · B: | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | · V2: | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | · B2: | Dadd9 | D/A A | Dadd9 | D/A A | · S: | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | · V3: | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | · O: | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Dadd9 | D/A A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #63 Anhören ↗ Would It Make Any Difference To You Etta James · 1963 · Tonart Ab · ≈ 105 BPM · Harmonie 3/5 · Mittel I: | Ab | Eb | Ab | Ab | · V: | Ab | Ab | Db | Db | Eb | Eb | Ab | Eb | Ab | Ab | Db | Db | Eb | Eb7 | Ab | Ab Bbm Cm | · C: | Db | Db | Ab | Ab | Db | Db | Ab | Eb7 | · V2: | Ab | Ab | Db | Db | Eb7 | Eb7 | Ab | Ab | Ab | Ab | Db | Db | Eb | Eb | Ab Db Cm Bbm | Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #64 Anhören ↗ I Walk Alone Marty Robbins · 1968 · Tonart C · ≈ 112 BPM · Harmonie 3/5 · Mittel I: | C | G | C | C | · V: | C | C7 | F | F | C | C | G7 | G7 | · C: | C | C | F | F | C | G7 | C | C7 | · B: | F | F | C | C | C | C | G | G | · C2: | C | C7 | F | F | C | G7 | C | C | · INT: | C | G7 | C | C7 | · B2: | F | F | C | C | C | C | D7 | G7 | · C3: | C | C7 | F | F | C | G | G | G | C | C | F | C7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #65 Anhören ↗ Echoes Of Love The Doobie Brothers · 1977 · Tonart A · ≈ 132 BPM · Harmonie 5/5 · Experte I: | A | Dadd9 E7sus4 | A | Dadd9 E7sus4 | A | Dadd9 Fdim | F#m7 | Dadd9 Esus4 | A | · V: | D E7sus4 | A | D E7sus4 | A | D Fdim | F#m7 A | D E7sus4 | A | · C: | D E7sus4 | A | D E7sus4 | A | Dmaj7 E7sus4 Fdim | F#m7 A | D E7sus4 | A | · B: | C#m7 | B | Gmaj7 Emadd9/D# | Ammaj7 Amaj7/B | F#m7 | C#m7 | G7 | F#m7 | · V2: | D E7sus4 | A | D E7sus4 | A | Dmaj7 E7sus4 Fdim | F#m7 A | D E7sus4 | A | · C2: | D E7sus4 | A | D E7sus4 | A | Dmaj7 E7sus4 Fdim | F#m7 A | D E7sus4 | A | · S: | C#m7 | B7 | Gmaj7 Gmaj7/B | Amaj7 | F#m7 | C#m7 | G7 | F#m7 | · T: | Dadd9 E7sus4 | A | Dadd9 E7sus4 | A | Dadd9 Fdim | F#m7 | Dadd9 Esus4 | A | · C3: | D/F# E7sus4 | A/C# | D/F# E7sus4 | A/C# | Dmaj7/F# E7sus4 Fdim | F#m7 A | D E7sus4 | A | D/F# E7sus4 | A/C# | D/F# E7sus4 | A/C# | Dmaj7/F# E7sus4 Fdim | F#m7 A | D E7sus4 | A | D/F# E7sus4 | A/C# | D/F# E7sus4 | A/C# | · O: | Dmaj7/F# E7sus4 Fdim | F#m7 A | D E7sus4 | A | D/F# E7sus4 | A/C# | D/F# E7sus4 | A/C# | Dmaj7/F# E7sus4 Fdim | F#m7 A | D E7sus4 | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #66 Anhören ↗ The People In Me The Music Machine · 1967 · Tonart Ab · ≈ 136 BPM · Harmonie 3/5 · Mittel V: | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | · V2: | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | · C: | B | Db | Abm Gm | Abm Gm | B | Db | Abm Gm | Abm | Db | Eb | Eb | · V3: | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | · V4: | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 | · C2: | B | Db | Abm Gm | Abm Gm | B | Db | Abm Gm | Abm | Db | Eb | Eb | · V5: | Abm | Db | Eb7 | Eb7 | · O: | Abm | Db | Eb7 | Eb7 | Abm | Db | Eb7 | Eb7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #66 Anhören ↗ Maybe Tomorrow Badfinger · 1969 · Tonart A · ≈ 82 BPM · Harmonie 2/5 · Leicht I: | A | · V: | A Amaj7/G# | F#m | Bm G | E | A Amaj7/G# | F#m | Bm G | E | E | · C: | A Amaj7/G# | F#m | Bm G | E | A Amaj7/G# | F#m | Bm G | E | A | · V2: | A Amaj7/G# | F#m | Bm G | E | A Amaj7/G# | F#m | Bm G | E | E | · C2: | A Amaj7/G# | F#m | Bm G | E | A Amaj7/G# | F#m | Bm G | E | A | · V3: | A Amaj7/G# | F#m | Bm G | E | A Amaj7/G# | F#m | Bm G | E | E | · C3: | A Amaj7/G# | F#m | Bm G | E | A Amaj7/G# | F#m | Bm G | E A | · O: | A Amaj7/G# | F#m | D | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #67 Anhören ↗ You've Got Another Thing Comin' Judas Priest · 1982 · Tonart F#m · ≈ 138 BPM · Harmonie 4/5 · Fortgeschritten I: | F#5 | F#5 | F#5 | F#5 | E/F# | B/F# | F#5 | F#5 | E/F# | B/F# | F#5 | F#5 | · V: | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | · PC: | F# | D/F# | B/F# | F# | F# | D/F# | B/F# | C#5 | · C: | F#m | F#m A5/F# B5/F# | F#m | F#m A5 B5 | · V2: | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | · PC2: | F# | D/F# | B/F# | F# | F# | D/F# | B/F# | C#5 | · C2: | F#m | F#m A5/F# B5/F# | F#m | F#m A5 B5 | F#m | F#m A5/F# B5/F# | F#m | F#m A5 B5 | · B: | Bm7 | D/A | A | F# | Bm7 | D/A | A | C#5 | · S: | F#m | F#m A5/F# B5/F# | F#m | F#m A5 B5 | F#m | F#m A5/F# B5/F# | F#m | F#m A5 B5 | · S2: | F# | D/F# | B/F# | F# | F# | D/F# | B/F# | C#5 | A5 | · V3: | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | · PC3: | F# | D/F# | B/F# | F# | F# | D/F# | B/F# | C#5 | · C3: | F#m | F#m A5/F# B5/F# | F#m | F#m A5 B5 | F#m | F#m A5/F# B5/F# | F#m | F#m A5 B5 | · INST: | F#m | F#m A5 B5 | F#m | F#m A5 B5 | F#m | F#m A5 B5 | F#m | F#m A5 B5 | · O: | F#7sus4 | B/F# | F#5 | F# A B5 | F#7sus4 | B/F# | F#5 | F# A B5 | F#7sus4 | B/F# | F#5 | F# A B5 | F#7sus4 | B/F# | F#5 | F# A B5 | F#7sus4 | B/F# | F#5 | F# A B5 | F#7sus4 | B/F# | F#5 | F# A B5 | · O: | F#7sus4 | B/F# | F#5 | F# A B5 | F#7sus4 | B/F# | F#5 | F# A B5 | F#7sus4 | B/F# | F#5 | F# A B5 | F#7sus4 | B/F# | F#5 | F# A B5 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #67 Anhören ↗ I've Been Everywhere Hank Snow · 1962 · Tonart Db · ≈ 240 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. Db/F Dbdim/Fb Ebm7 | · V: | Db | Db | Db | Db | Gb7 | Gb7 | Db | Db | Ab7 | Ab7 | Db | N.C. | · C: | Db | Db | Db | Db | Gb7 | Gb7 | Db | Db | Ab7 | Ab7 | Ab7 | Db | Db | · V2: | Db | Db | Db | Db | Gb7 | Gb7 | Db | Db | Ab7 | Ab7 | Db | Db | · C2: | Db | Db | Db | Db | Gb7 | Gb7 | Db | Db | Ab7 | Ab7 | Ab7 | Db | Db | · T: | D | D | · V3: | D | D | D | D | G7 | G7 | D | D | A7 | A7 | D | D | · C3: | D | D | D | D | G7 | G7 | D | D | A7 | A7 | A7 | D | D | · T2: | Eb | Eb | · V4: | Eb | Eb | Eb | Eb | Ab7 | Ab7 | Eb | Eb | Bb7 | Bb7 | Eb | Eb | · C4: | Eb | Eb | Eb | Eb | Ab7 | Ab7 | Eb | Eb | Bb7 | Bb7 | Bb7 | Eb | Eb | · T3: | E | E | · V5: | E | E | E | E | A7 | A7 | E | E | B7 | B7 | E | E | · C5: | E | E | E | E | A7 | A7 | E | E | B7 | B7 | N.C. | N.C. | N.C. | · O: | E | E | E | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #68 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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