80/20 Music School / Harmony Trainer / Song Chord Atlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 34 von 40 Catch My Fall Billy Idol · 1985 · Tonart G · ≈ 132 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | N.C. | N.C. | N.C. | N.C. | G | D | C | D | · V: | G | D | C | D | G | D | C | D | · V2: | C | C | D | D | C | C | D | D | · PC: | Em | A | Em | A | · C: | C | C | D | D | C | C | D | D | · C2: | G | D | C | D | G | D | C | D | · V3: | G | D | C | D | G | D | C | D | · V4: | C | C | D | D | C | C | D | D | · PC2: | Em | A | Em | A | · C3: | C | C | D | D | C | C | D | D | · INT: | C | C | D | D | C | C | D | D | · INT2: | C | C | D | D | C | C | D | D | · PC3: | Em | A | Em | A | · O: | C | C | D | D | C | C | D | D | C | C | D | D | · O2: | G | D | C | D | G | D | C | D | G | D | C | D | G | D | C | D N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #50 Anhören ↗ Fool That I Am Etta James · 1961 · Tonart Db · ≈ 51 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | Ab7#5 | Db Gb7 | Db Ab7b9 | · V: | Dbmaj7 | Bbdim Dbdim | Ebm7 | Ab Ab7b9 | Dbmaj7 | Bbdim Dbdim | Ebm7 | Ab Ab7b9 | · V2: | Dbmaj7 | A7 | Ebm7 | F7 | Bbm7 | Eb7 | Ebm7 | Ab7 | · C: | Dbmaj7 | Bbdim Dbdim | Ebm7 | Ab Ab7b9 | Db | Dbaug | Gbmaj7 | Gb6 | Gb6 | Cb9 | Dbmaj9 | Fm7 Bb7b9 | Ebm7 | Ab7#5 | · O: | Dbmaj7 Gb7 | Db Ab7b9 N.C. | Dbmaj9 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #50 Anhören ↗ Down And Out In New York City James Brown · 1973 · Tonart Db · ≈ 86 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | N.C. | Dbm7 Gb7 | Dbm7 Gb7 | · V: | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | · C: | Gb Db | Ab | N.C. | · T: | Dbm7 Gb7 | Dbm7 Gb7 | · V2: | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | · C2: | Gb Db | Ab | Gb Db | Ab Ebm | Gb Db | Ab Ebm | Gb Db | Ab Ebm | Db7 | Abm7 | · INT: | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | · V3: | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | · C3: | Gb Db | Ab | Gb Db | Ab Ebm | Gb Db | Ab Ebm | Gb Db | Ab Ebm | Db7 | Abm7 | Ebm | Ebm | · O: | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | · O: | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 | Dbm7 Gb7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #50 Anhören ↗ There But For Fortune Joan Baez · 1965 · Tonart Bb · ≈ 103 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | Bb | Ebm | Bb | Ebm | · V: | Bb | Ebm | Bb | Ebm | Bb | Gm | C | F | Bb | Gm | Eb | Cm | Dm | Gm | C | F | · T: | Bb | Ebm | Bb | · V2: | Bb | Ebm | Bb | Ebm | Bb | Gm | C | F | Bb | Gm | Eb | Cm | Dm | Gm | C | F | · T2: | Bb | Ebm | Bb | · V3: | Bb | Ebm | Bb | Ebm | Bb | Gm | C | F | Bb | Gm | Eb | Cm | Dm | Gm | C | F | · T3: | Bb | Ebm | Bb | · V4: | Bb | Ebm | Bb | Ebm | Bb | Gm | C | F | Bb | Gm | Eb | Cm | Dm | Gm | C | F | · O: | Bb | Ebm | Bb | Bb N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #50 Anhören ↗ On The Wings Of A Nightingale The Everly Brothers · 1984 · Tonart A · ≈ 132 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | A | A E | A | A E | · V: | A | E | A | D | D | A | A | A E | A | E | A | D | D | A | E | E | · C: | D | E | A E | F#m | F#m | F#m | Esus4 | E | F#m | D | F#m | D | F#m | D | A | A E | · V2: | A | E | A | D | D | A | A | A E | A | E | A | D | D | A | E | E | · C2: | D | E | A E | F#m | F#m | F#m | Esus4 | E | F#m | D | F#m | D | F#m | D | A | A E | · O: | A | E | A | D | D | A | D | A | D | A | E | A7 | D | D | A E | A N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #50 Anhören ↗ Till The End Of The Day The Kinks · 1966 · Tonart Dm · ≈ 140 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | D C | A | A | · C: | C D F C | D | C D F C | D | F G | Bb A | C D F C | D | C D F C | D C | · V: | D C | F C | D C | F C | D | C | F | A | · C2: | D | C | D | C Bb | F G | Bb A | C D F C | D | C D F C | D C | · V2: | D C | F C | D C | F C | D | C | F | A | · C3: | D | C | D | C Bb | F G | Bb A | D | C | D | C | D | C | · S: | D C | F C | D C | F C | D | C | F | A | · C4: | D | C | D | C Bb | F G | Bb A | · O: | D | C | D | C | D | C | D | C | D | C | D C | G Bb | A N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #50 Anhören ↗ Sweet Caroline (Good Times Never Seemed So Good) Bobby Womack · 1972 · Tonart E · ≈ 130 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | B7 | B7 | B7 | B7 | B7 | B9 B7 | B13 B7 | · V: | E | E7 | A | A | E | E | B | B | E | E E7 | A | A | E | E | B | B | E | E | E6 | E6 | B | B | A | A | B7 | B13 B7 | · C: | E | A Amaj7 | A | A | B | B | E | A Amaj7 | A | A | B A | G#m F#m | · V2: | E | E7 | A | A | E | E | B | B | E | E E7 | A | A | E | E | B | B | E | E | E6 | E6 | B | B | A | A | B7 | B13 B7 | · C2: | E | A Amaj7 | A | A | B | B | E | A Amaj7 | A | A | B | B | · INT: | B7 | B7 | B7 | B7 | B7 | B9 B7 | B13 B7 | · C3: | E | A Amaj7 | · O: | A | A | B | B | E | A Amaj7 | A | A | B | B N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #51 Anhören ↗ Years From Now Dr. Hook · 1980 · Tonart G · ≈ 146 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | G | D | C | D | G | D | C | D | · V: | G | D | C | D | G | D | C | D | G | B7 | C | A | D | D | D | D | · V2: | G | D | C | D | G | D | C | D | G | B7 | C | A | D | D | D | D | · PC: | C | C | D | D | G | B7 | Em | A7 | D | D | C | C | D | D | G | B7 | Em | A7 | D | Dsus4 | D | D | · C: | G | D | C | D | G | D | C | D | G | B7 | C | D | G | D | C | D | · S: | G | D | C | D | G | B7 | C | A | D | D | D | D | · PC2: | C | C | D | D | G | B7 | Em | A7 | D | D | D | D | C | C | D | D | G | B7 | Em | A7 | D | Dsus4 | D | D | · C2: | G | D | C | D | G | D | C | D | G | B7 | C | D | G | D | C | D | · O: | G | D | C | D | G | B7 | C | D | · O: | G | D | C | D | G | D | C | D | G | B7 | C | D | G | D | C | D N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #51 Anhören ↗ Ko-Ko Joe Jerry Reed · 1971 · Tonart A · ≈ 102 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | A | A | A | A | · V: | A | A | A | E7 | A | A | A | A | A C | D A | · C: | B7 | D7 | A7 | B7 | D | D | D7 B7 E7 | · T: | A7 | A7 | · V2: | A | A | A | E7 | A | A | A | A | A C | D A | · C2: | B7 | D7 | A7 | B7 | D | D | D7 B7 E7 | · T2: | A7 | A7 | · V3: | A | A | A | E7 | A | A | A | A | A C | D A | · C3: | B7 | D7 | A7 | B7 | D | D | D7 B7 E7 | · T3: | A7 | A7 | · O: | B7 | D7 | A7 | B7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #51 Anhören ↗ Over The Hills And Far Away Led Zeppelin · 1973 · Tonart G · ≈ 98 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | G | D | G | D | G | D | C G | Bb6 | C | G | D | G | D | G | D | C G | D G | D G | D | · V: | G | D | G | D | G | D | C G | D G | D G | D A | G A | G A | G A | G D A | · V2: | G A | G D A | G A | G A | G A | G A | G A | G D A | G A | G D A | G A | G A | G A | G A | G A | G D A | · V3: | G A | G D A | G A | G A | · INT: | G D | A E | G D | A E | G D | A E | · S: | F# | F# | F# | F# | F# | F# | F# | F# | F# | F# | F# | F#7 | F#7 | F#7 | F#7 | F# | G A | G A | G A | G D A | · V4: | G A | G D A | G A | G D | G A | G A | G A | G D A | G A | G D A | G A | G | D | G | D | G | D | G | D | G | D | G | D | · O: | G | D | G | D | G | D | C G | Bb6 | C | G N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #51 Anhören ↗ The Spirit Of Radio Rush · 1980 · Tonart E · ≈ 136 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | N.C. | N.C. | E | E | E | E | E | E | E | E | · INT: | E | A | E | A | E | A | E | A | · INST: | E | B | G#m7 | A B | E | B | G#m7 | A B | · V: | E | B | G#m7 | A B | E | B | G#m7 | A B | E | B | G#m7 | A B | · V2: | E | B | G#m7 | A B | E | B | G#m7 | A B | E | B | G#m7 | A B | · B: | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | · V3: | E | B | G#m7 | A B | E | B | G#m7 | A B | · V4: | E | B | G#m7 | A B | E | B | G#m7 | A B | E | B | G#m7 | A B | · B2: | E | E | E | E | E | E | E | E | E | E | E | E | E | E | · INT2: | E | E | D | D | E | E | D | D | E | E | D | D | E | E | D | D | · INST2: | E | B | G#m7 | A B | E | B | G#m7 | A B | · INT3: | E | E | N.C. | N.C. | · INST3: | E | A | E | A | E | A | E | A | · O: | E | A B | E | A B | E | A | E | A | E | A | E | A B | E | A B | E | A | E | A | E | A | E | A | E | A | E | A | E | A | E | A | E | A | E | A | E | A | E | E | E | E N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #51 Anhören ↗ Mighty Good Lovin' The Miracles · 1961 · Tonart Eb · ≈ 128 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | Eb Bb Db Eb | Eb Bb Db Eb | Eb7 | Eb7 | Eb7 | Eb7 Bb7 | · V: | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Ab7 | Ab7 | Eb7 | Eb7 | Bb7 | Ab7 | Eb7 | N.C. | · C: | Eb7 | Ab7 | Eb7 | Ab7 | Eb7 | Ab7 | Eb7 | Ab7 | Bb7 | Ab7 | Eb7 | N.C. | · S: | Eb7 | Eb7 | Eb7 | Eb7 | Bb7 | Ab7 | F7 | Bb7 | · V2: | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Ab7 | Ab7 | Eb7 | Eb7 | Bb7 | Ab7 | Eb7 | N.C. | · C2: | Eb7 | Ab7 | Eb7 | Ab7 | Eb7 | Ab7 | Eb7 | Ab7 | Bb7 | Ab7 | Eb7 | N.C. | · C3: | Eb7 | Ab7 | Eb7 | Ab7 | Eb7 | Ab7 | Eb7 | Ab7 | · O: | Eb7 | Ab7 | Eb7 | Ab7 | Eb7 | Ab7 | Eb7 | Ab7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #51 Anhören ↗ Carry Me David Crosby & Graham Nash · 1975 · Tonart E · ≈ 94 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | E | E6 | Bm7 | E | E | E6 | Bm7 | E | · V: | E | B | A | C#m7 C#sus2 | E | B | A | C#m7 A6 | E | B | A | C#m7 A6 | E | B | A | C#m7 Amaj7 | · C: | E | E6 | Bm7 | E | E | E6 | Bm7 | E | · V2: | E | B | A | C#m7 C#sus2 | E | B | A | C#m7 A6 | E | B | A | C#m7 B7 | E | B | A | C#m7 Amaj7 | · C2: | E | E6 | Bm7 | E | E | E6 | Bm7 | E | · V3: | E | B | A | C#m7 C#sus2 | E | B | A | C#m7 A6/9 | E | B | A | C#m7 A | E | B | A | C#m7 Amaj7 | · C3: | E | E6 | Bm7 | E | E | E6 | Bm7 A6/9 | Bm7 A6/9 | Bm7 A6/9 | E N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #52 Anhören ↗ World In My Eyes Depeche Mode · 1990 · Tonart Ebm · ≈ 122 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | · V: | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Abm7 | Abm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | · INT: | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | · V2: | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Abm7 | Abm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | · C: | Cm | Cb | Abm | Bb | Ebm | Abm | Bb | · INT2: | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | · V3: | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ab7 | Ab7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | · C2: | Cm | Cb | Abm | Bb | Ebm | Abm | Bb | · INT3: | Ebm7 | Ebm7 | Ab | Abm | Ebm7 | Ebm7 | Ab | Abm | · O: | Ebm7 | Ebm7 | Ab | Abm | Ebm7 | Ebm7 | Ab | Abm | Ebm7 | Ebm7 | Ab | Abm | Ebm7 | Ebm7 | Ab | Abm | · O: | Ebm7 | Ebm7 | Ab | Abm | Ebm7 | Ebm7 | Ab | Abm | Ebm7 | Ebm7 | Ab | Abm N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #52 Anhören ↗ Baby Don't Change Your Mind Gladys Knight & The Pips · 1977 · Tonart C · ≈ 113 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | F C Am7 | Fmaj7 G7 Fmaj7 | C | C G | F C Am7 | Fmaj7 G7 Fmaj7 | C | C G | Dm A | A | · V: | Dm9 | Em7 | Dm9 | Em7 | Csus4 C7 | Fmaj9 Dm7b5 | C7 Csus4 | Fmaj9 Dm7b5 | C7 Csus4 | Dsus4 D7 | Gsus4 | G7 | · C: | F C Am7 | Fmaj7 G7 Fmaj7 | C | C G | F C Am7 | Fmaj7 G7 Fmaj7 | C | C G | Dm A | A | · V2: | Dm9 | Em7 | Dm9 | Em7 | Csus4 C7 | Fmaj9 Dm7b5 | C7 Csus4 | Fmaj9 Dm7b5 | C7 Csus4 | Dsus4 D7 | Gsus4 | G7 | · C2: | F C Am7 | Fmaj7 G7 Fmaj7 | C | C G | F C Am7 | Fmaj7 G7 Fmaj7 | C | C G | Dm A | A | · V3: | Dm9 | Em7 | Dm9 | Em7 | Csus4 C7 | Fmaj9 Dm7b5 | C7 Csus4 | Fmaj9 Dm7b5 | C7 Csus4 | Dsus4 D7 | Gsus4 | G7 | · C3: | F C Am7 | Fmaj7 G7 Fmaj7 | C | C G | F C Am7 | Fmaj7 G7 Fmaj7 | C | C G | · C4: | F C Am7 | Fmaj7 G7 Fmaj7 | C | C G | F C Am7 | Fmaj7 G7 Fmaj7 | C | C G | · O: | F C Am7 | Fmaj7 G7 Fmaj7 | C | C G | F C Am7 | Fmaj7 G7 Fmaj7 | C | C G N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #52 Anhören ↗ Out Of Sight, Out Of Mind Little Anthony & The Imperials · 1969 · Tonart Ab · ≈ 66 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | Ab | Eb | Ab | Eb | Eb N.C. | · V: | Ab Abmaj7 | Fm Adim | Bbm Bbmmaj7 Bbm7 | Eb | · C: | Eb | Eb | Ab Db | Eb | · V2: | Ab Abmaj7 | Fm Adim | Bbm Bbmmaj7 Bbm7 | Eb | · C2: | Eb | Eb | Ab | Eb | · B: | Db | Ab Fm | Bbm7 Eb | Ab | C7 | Fm | Bb7 | Eb7 | Eb N.C. | · V3: | Ab Abmaj7 | Fm Adim | Bbm Bbmmaj7 Bbm7 | Eb | · C3: | Eb | Eb | Gb13 | F7 | · O: | Bbm7 | Eb9 N.C. | Abmaj7 Gbmaj9 N.C. | Abmaj7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #52 Anhören ↗ Cry Softly Lonely One Roy Orbison · 1967 · Tonart G · ≈ 136 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | G | G | G N.C. | · V: | G | G | G | Am | Am | Am | D | D | D | G | G | G | G | C | C | A7 | A7 | D Am7 | D | · C: | G | G | F | F | G | G | Bm | Bm | C | G | B7 | C | C | D | D | G | G | · INT: | G | G | Am | Am | C | C | D | D | G C | G | G | · V2: | G | G | G | Am | Am | Am | D | D | D | G | G | G | G | C | C | A7 | A7 | D Am7 | D | · C2: | G | G | F | F | G | G | C6 | C6 | C | D | C | D | C D | D C | D | D | G | C | C | C | N.C. | N.C. | · O: | G | G | G | G N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #52 Anhören ↗ Silent Night Bing Crosby · 1960 · Tonart Ab · ≈ 61 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | Ab | Eb7 | Ab | Ab | · V: | Ab | Ab | Ab | Ab | Ebsus4 | Eb | Ab | Ab | Db | Db | Ab | Ab | Db | Db | Ab | Ab | Eb7 | Eb7 | Ab | Ab | Ab | Eb | Ab | Ab | · V2: | Ab | Abmaj7 | Abadd9 | Abmaj7 | Eb7 | Eb7 | Ab | Abmaj7 Ab7 | Db | Dbmaj7 Db6 Db7 | Abadd9 | Abmaj7 Ab7 | Db | Dbmaj7 Db6 Db7 | Abadd9 | Ab | Eb7 | Eb7 | Ab | Ab | Ab | Eb7 | Ab | Ab N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #54 Anhören ↗ Ten Percent Double Exposure · 1976 · Tonart C · ≈ 123 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | N.C. | N.C. | N.C. | N.C. | · INST: | Gsus4 | Gsus4 | Gsus4 | Gsus4 | Abmaj9 | Bb | Cmaj7 | Cmaj7 | · V: | C | G | Cmaj7 | Cmaj7 | C | G | Cmaj7 | C7 | Fmaj7 | Em7 | Fmaj7 | Em7 | Fmaj7 | D7 | Gsus4 | Gsus4 | · C: | Gsus4 | Gsus4 | Gsus4 | Gsus4 | Abmaj9 | Bb | Cmaj7 | Cmaj7 | Gsus4 | Gsus4 | Gsus4 | Gsus4 | Abmaj9 | Bb | Cmaj7 | Cmaj7 | · V2: | C | G | Cmaj7 | Cmaj7 | C | G | Cmaj7 | C7 | Fmaj7 | Em7 | Fmaj7 | Em7 | Fmaj7 | D7 | Gsus4 | Gsus4 | · C2: | Gsus4 | Gsus4 | Gsus4 | Gsus4 | Abmaj9 | Bb | Cmaj7 | Cmaj7 | Gsus4 | Gsus4 | Gsus4 | Gsus4 | Abmaj9 | Bb | Cmaj7 | Cmaj7 | · C3: | Gsus4 | Gsus4 | Gsus4 | Gsus4 | Abmaj9 | Bb | Cmaj7 | Cmaj7 | Gsus4 | Gsus4 | Gsus4 | Gsus4 | Abmaj9 | Bb | Cmaj7 | Cmaj7 | · O: | Gsus4 | Gsus4 | Gsus4 | Gsus4 | Gsus4 | Gsus4 | Gsus4 | Gsus4 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #54 Anhören ↗ Johnny Reb Johnny Horton · 1959 · Tonart E · ≈ 115 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | E | A E | E | A E | · C: | E | E | E B7 | E | E | · V: | E | A E | E | B7 | A | E | E | B7 E | · C2: | E | E | E B7 | E | E | · V2: | E | A E | E | B7 | A | E | E | B7 E | · C3: | E | E | E B7 | E | E | · V3: | E | A E | E | B7 | A | E | E | B7 E | · C4: | E | E | E B7 | E | E | · V4: | E | A E | E | B7 | A | E | E | B7 E | · C5: | E | E | E B7 | E | · O: | E | E | E B7 | E | E | E | E B7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #54 Anhören ↗ And She Was Talking Heads · 1985 · Tonart E · ≈ 127 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | E A | E | E A | E | · V: | E A | E | E A | E | E A | E | E A | E | · PC: | Bb F | C F | Bb C | F | Bb F | C F | Bb G | C | · C: | E A | D A | E A | D A | E A | D A | E A | D A | · T: | E A | E | E A | E | · V2: | E A | E | E A | E | E A | E | E A | E | · PC2: | Bb F | C F | Bb C | F | Bb F | C F | Bb G | C | · C2: | E A | D A | E A | D A | E A | D A | E A | D A | · B: | Bm | Bm | G | G | Bm | Bm | G | G | · T2: | E A | E | E A | E | · V3: | E A | E | E A | E | E A | E | E A | E | · PC3: | Bb F | C F | Bb C | F | Bb F | C F | Bb G | C | · C3: | E A | D A | E A | D A | E A | D A | E A | D A | E A | D A | E A | D A | E A | D A | E A | D A | · O: | E A | D A | E A | D A | E A | D A | E A | D A | E A | D A | E A | D A | E A | D A | E N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #54 Anhören ↗ If Not You Dr. Hook · 1977 · Tonart D · ≈ 93 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | D | D | D | D | · V: | D | D | Em | A7 | D | G | A7 | A7 | D | D | Em | A7 | D | G | A7 | A7 | · C: | G | A7 | D | Bm | G | A7 | D | D | · S: | D | D | Em | A7 | D | G | Asus4 | A7 | · C2: | G | A7 | D | Bm | G | A7 | D | D | · V2: | D | D | Em | A7 | D | G | A | A | D | D | Em | A | D | G | A | A7 | · C3: | G | A7 | D | Bm | G | A7 | D | D7 | · O: | G | A7 | D | Bm | G | A7 | D | D N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #55 Anhören ↗ Foggy Mountain Breakdown Flatt & Scruggs · 1968 · Tonart Ab · ≈ 319 BPM · Harmonie 2/5 · Leicht SON: | N.C. | · V: | Ab | Ab | Ab | Ab | Fm | Fm | Ab | Ab | Fm | Fm | Ab | Ab | Eb7 | Eb7 | Ab | Ab | · V2: | Ab | Ab | Ab | Ab | Fm | Fm | Fm | Ab | Fm | Fm | Fm | Ab | Eb7 | Eb7 | Ab | Ab | · V3: | Ab | Ab | Ab | Ab | Fm | Fm | Ab | Ab | Fm | Fm | Ab | Ab | Eb7 | Eb7 | Ab | Ab | · V4: | Ab | Ab | Ab | Ab | Fm | Fm | Fm | Ab | Fm | Fm | Fm | Ab | Eb7 | Eb7 | Ab | Ab | · V5: | Ab | Ab | Ab | Ab | Fm | Fm | Fm | Ab | Fm | Fm | Fm | Ab | Eb7 | Eb7 | Ab | Ab | · V6: | Ab | Ab | Ab | Ab | Fm | Fm | Fm | Ab | Fm | Fm | Fm | Ab | Eb7 | Eb7 | Ab | Ab | · V7: | Ab | Ab | Ab | Ab | Fm | Fm | Fm | Ab | Fm | Fm | Fm | Ab | Eb7 | Eb7 | Ab | Ab | · V8: | Ab | Ab | Ab | Ab | Fm | Fm | Fm | Ab | Fm | Fm | Fm | Ab | Eb7 | Eb7 | Ab | Ab | · V9: | Ab | Ab | Ab | Ab | Fm | Fm | Fm | Ab | Fm | Fm | Fm | Ab | Eb7 | Eb7 | Ab | Ab | · V10: | Ab | Ab | Ab | Ab | Fm | Fm | Fm | Ab | Fm | Fm | Fm | Ab | Eb7 | Eb7 | Ab | Ab | · V11: | Ab | Ab | Ab | Ab | Fm | Fm | Fm | Ab | Fm | Fm | Fm | Ab | Eb7 | Eb7 | Ab | Ab | · V12: | Ab | Ab | Ab | Ab | Fm | Fm | Ab | Ab | Fm | Fm | Ab | Ab | Eb7 | Eb7 | Ab | Ab | · V13: | Ab | Ab | Ab | Ab | Fm | Fm | Ab | Ab | Fm | Fm | Ab | Ab | Eb7 | Eb7 | Ab | Ab | Ab N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #55 Anhören ↗ Wild Horses Gino Vannelli · 1987 · Tonart Bb · ≈ 171 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | Fadd9 | Fadd9 | Ebm6 | Ebm6 | Bb | Bb | Bb | Bb | Fadd9 | Fadd9 | Ebmaj9 | Ebmaj9 | Bb | Bb | Bb | Bb | · V: | Bb | Bb | Ebsus4 | Ebsus4 | Bb | Bb | Gm7 | Abadd9 | Bb | Bb | Ebsus4 | Ebsus4 | Bb | Bb | Gm7 | Abadd9 | · PC: | Csus4 | C7 | Eb6/9 | Eb6/9 | Bb | Ab Bb6 Bb | Bb | Ab Bb6 Bb | Gm7 | Gm7 | Csus4 | C7 | Eb6/9 | Eb6/9 | Fsus4 | Fsus4 | · C: | Fadd9 | Fadd9 | Ebmaj9 | Ebmaj9 | Bb | Bb | Bb | Bb | Fadd9 | Fadd9 | Ebmaj9 | Ebmaj9 | Bb | Bb | Bb | Bb | · V2: | Bb | Bb | Ebsus4 | Ebsus4 | Bb | Bb | Gm7 | Abadd9 | Bb | Bb | Ebsus4 | Ebsus4 | Bb | Bb | Gm7 | Abadd9 | · PC2: | Csus4 | C7 | Eb6/9 | Eb6/9 | Bb | Ab Bb6 Bb | Bb | Ab Bb6 Bb | Gm7 | Gm7 | Csus4 | C7 | Eb6/9 | Eb6/9 | Fsus4 | Fsus4 | · C2: | Fadd9 | Fadd9 | Ebmaj9 | Ebmaj9 | Bb | Bb | Bb | Bb | Fadd9 | Fadd9 | Ebmaj9 | Ebmaj9 | Bb | Bb | Bb | Bb | · S: | Gm7 | Ab6/9 | Bb | N.C. | Gm7 | Ab6/9 | Bb | N.C. | Gm7 | Ab6/9 | · V3: | Bb | Bb | Ebsus4 | Ebsus4 | Bb | Bb | Gm7 | Abadd9 | Abadd9 | Abadd9 | Abadd9 | · C3: | Fadd9 | Fadd9 | Ebmaj9 | Ebmaj9 | Bb | Bb | Bb | Bb | Fadd9 | Fadd9 | Ebmaj9 | Ebmaj9 | Gm7 | Gm7 | Csus4 | C7 | Ebmaj9 | Ebmaj9 | Fsus4 | Fsus4 | Abadd9 | Abadd9 | Abadd9 | Abadd9 | · C4: | Fadd9 | Fadd9 | Ebmaj9 | Ebmaj9 | Bb | Bb | Bb | Bb | Fadd9 | Fadd9 | Ebmaj9 | Ebmaj9 | Bb | Bb | Bb | Bb | Fadd9 | Fadd9 | Ebmaj9 | Ebmaj9 | Bb | Bb | Bb | Bb | · O: | Fadd9 | Fadd9 | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #55 Anhören ↗ Soul Dance Number Three Wilson Pickett · 1967 · Tonart E · ≈ 110 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | · V: | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | · C: | G | F | B | E | E7 | E7 | · V2: | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | · C2: | G | F | B | E | · S: | E7 | E7 | E7 | E7 | · O: | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | N.C. | · O: | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 | E7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #55 Anhören ↗ Popularity sorting uses source-specific chart, critic-list, or curation evidence. These ranks are not stream counts and are not directly equivalent across sources.
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