80/20 Music School / Harmony Trainer / Song Chord Atlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 31 von 40 White Wedding Billy Idol · 1983 · Tonart Bm · ≈ 147 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | Bm | Bm | Bm | Bm | Bm | Bm | E | D | Bm | Bm | D | E | Bm7 | Bm7 | Bm | Bm | · V: | Bm | Bm | A | E | Bm | Bm | A | E | Bm | Bm | A | A | Bm | Bm | A | E | Bm | Bm | E | D | Bm | Bm | E | D | Bm | Bm | · V2: | Bm | Bm | A | E | Bm | Bm | A | E | Bm | Bm | A | A | Bm | Bm | A | E | Bm | Bm | E | D | Bm | Bm | E | D | Bm | Bm | Bm | Bm | · INT: | Bm | Bm | E | D | Bm | Bm | D | E | Bm | Bm | Bm | Bm | Bm | Bm | D | E | Bm9 | Bm9 | A | E | Bm | Bm | · V3: | Bm | Bm | A | E | Bm | Bm | A | E | Bm | Bm | A | A | Bm | Bm | A | E | Bm | Bm | E | D | Bm | Bm | E | D | Bm | Bm | Bm | Bm | · V4: | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | E | D | Bm | Bm | D | E | Bm | Bm | E | D | · O: | Bm | Bm | E | D | Bm | Bm | E | D N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #36 Anhören ↗ Where Are You Dinah Washington · 1962 · Tonart Eb · ≈ 70 BPM · Harmonie 5/5 · Experte SON: | N.C. | · C: | Ebmaj7 | Gbdim | Fm7 Bbsus4 | Ebmaj7 | F7 | Gm7 Cm7 | Fm7 Emaj7 | Ebmaj7 Fm7 Emaj7 | · C2: | Ebmaj7 | Gbdim | Fm7 Bbsus4 | Ebmaj7 | F7 | Gm7 Cm7 | Fm7 Emaj7 | Ebmaj7 Bbm7 Eb7 | · B: | Abmaj7 | Gsus4 C7b9 | Fm7 Bb7b9 | Eb7 | Abmaj7 | Gsus4 G7 | Cm7 F7 | Fm7 Bb7 F#m7 B7 | · C3: | Emaj7 | Gdim | F#m7 Bsus4 | Emaj7 | F#7 | E | F#m7 | G#m7 | F#m7 | F#m7 | B7b9 | B7b9 | Emaj9 | Emaj9 | Emaj9 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #36 Anhören ↗ Starting Over Again Dolly Parton · 1980 · Tonart Bb · ≈ 69 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | Cm11 | F Fsus4 F | Cm11 | F Fsus4 F | · V: | Bb F | Cm7 Fsus4 | Bb F | Cm7 Fsus4 | Bb Dm7 | Eb Dm7 | Bb F | Fsus4 | Fsus4 | · C: | Bb F | Cm7 Fsus4 | Bb F | Cm7 Fsus4 | Bb F | Cm7 Fsus4 | Bb F | Fsus4 | Fsus4 | · INT: | Bb F | Cm7 Fsus4 | · V2: | Bb F | Cm7 Fsus4 | Bb F | Cm7 Fsus4 | Bb Dm7 | Eb Dm7 | Bb F | Fsus4 | Fsus4 | · C2: | Bb F | Cm7 Fsus4 | Bb F | Cm7 Fsus4 | Bb F | Cm7 Dm7 | Fsus4 | · B: | Fsus4 | Fsus4 | Fsus4 | Fsus4 D7 | Gm7 Fadd9 | Eb Fsus2 | Gm7 Fadd9 | Eb | C7 | Fsus4 | F | · C3: | Bb F | Cm7 Fsus4 | Bb F | Cm7 Fsus4 | Bb F | Cm7 Fsus4 | Bb F | Cm7 Fsus4 | Fsus4 | · V3: | Bb F | Cm7 Dm7 | Bb F | Cm7 Dm7 | Eb Fsus4 | Bb | Bb N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #36 Anhören ↗ Some Days Are Diamonds (Some Days Are Stone) John Denver · 1981 · Tonart G · ≈ 104 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | G | Gsus4 | G | Gsus4 | · V: | G | D7 | Em | Em D | C | C | G | G | C | C | G | G | Em | A7 | D7 | D7 | · C: | G | Cadd9 | G | G | Em | A7 | D7 | D7 | G | C | G | Em C | G | D7 | G | C C#dim | D | D7 | · INT: | G | Gsus4 | G | Gsus4 | · V2: | G | D7 | Em | Em D | C | C | G | G | C | C | G | G | Em | A7 | D7 | D7 | · C2: | G | Cadd9 | G | G | Em | A7 | D7 | D7 | G | C | G | Em C | G | D7 | G | Dsus4 | · INT2: | A | Dsus4 | · C3: | A | Dadd9 | A | A | F#m | B7 | E7 | E7 | A | D | A | F#m D | A | E7 | A | Esus4 | · O: | A | Dadd9 | A | A | F#m | B7 | E7 | E7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #36 Anhören ↗ I Rise, I Fall Johnny Tillotson · 1964 · Tonart E · ≈ 114 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · V: | E | C#m | A B | E | E | C#m | A B | E | A | B | G# | C#m | A | B | E | B | · V2: | E | C#m | A B | E | E | C#m | A B | E | A | B | G# | C#m | A | B | E | E7 | · B: | A | G#m7 | A | E E7 | A | G#m7 | F#7 | B | B A G#m F#m | · V3: | E | C#m | A B | E | E | C#m | A B | E | A | B | G# | C#m | A | B | E | E7 | A | B | E | C#m | E | E N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #36 Anhören ↗ Comin' Home Baby Mel Torme · 1962 · Tonart Gm · ≈ 143 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | Gm | Gm | Gm | Gm | · V: | Gm | Gm | Gm | Gm | F7 | F7 | Gm | Gm | Bb | A Ab | Gm | Gm | · V2: | Gm6 | Gm6 | Gm6 | Gm6 | F7 | F7 | Gm6 | Gm6 | Bb | A Ab | Gm | Gm | · V3: | G6 | G6 | G6 | Gmmaj7 | F7 | F7 | Gm | Gm | Bb | A Ab | Gm | Gm | · V4: | Gm | Gm | Gm | Gm | F7 | F7 | Gm | Gm | Bb | A Ab | Gm | Gm | · S: | Gm | Gm | Gm | Gm | F7 | F7 | Gm | Gm | Bb | A Ab | Gm | Gm | · V5: | Gm6 | Gm6 | Gm6 | Gm6 | F7 | F7 | Gm6 | Gm6 | Bb | A Ab | Gm | Gm | · V6: | Gm | Gm | Gm | Gm | F7 | F7 | Gm | Gm | Bb | A Ab | Gm | Gm | · O: | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #36 Anhören ↗ The Arms Of Orion Prince (With Sheena Easton) · 1989 · Tonart D · ≈ 125 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | D | D | D | D | N.C. | D Bm7 | A | G D | Em7 Asus4 | Asus4 | · V: | Dadd9 | F#m11 | G6 | Dadd9 | G6 | Dadd9 | Em7 | Asus4 A7 | Dadd9 | F#m11 | G6 | D | Gadd9 | D | Em7 | Cmaj13 | Bm9 | A11 | A11 | · C: | D | A D | Gmaj13 | Em7 | D | A D | Gmaj13 | Em7 | Cmaj13 | Bm7 | A11 | A | · V2: | Dadd9 | F#m11 | G6 | Dadd9 | Gadd9 | Dadd9 | Em | Asus4 A7 | Dadd9 | F#m11 | G6 | D | Gadd9 | D | Em7 | Cmaj13 | Bm9 | A11 | A7 | · C2: | D | A D | Gmaj13 | Em7 | D | A D | Gmaj13 | Em7 | Cmaj13 | Bm7 | A11 | A | · B: | Gadd9 | Bm7 | F#m11 | Gadd9 | Cmaj13 | Bm11 | A11 | A | · V3: | Dadd9 | F#m11 | G6 | Dadd9 | Gadd9 | D | Em | Asus4 A7 | Dadd9 | F#m11 | G6 | Dadd9 | Gadd9 | D | Em | Asus4 A7 | · V4: | Dadd9 | F#m11 | G6 | Dadd9 | Gadd9 | Dadd9 | Em | Asus4 A7 | D | A D | Gmaj13 | Em7 | D | A D | Gmaj13 | Em7 | Cmaj13 | Bm7 | A11 | A | · V5: | D | A D | Gmaj13 | Em7 | D | A D | Gmaj13 | Em7 | · O: | Cmaj13 | Bm7 | A11 | A | · V6: | D | A D | Gmaj13 | Em7 | D | A D | Gmaj13 | Em7 | Cmaj13 | Bm7 | A11 | A N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #36 Anhören ↗ It Takes Two Rob Base · 1988 · Tonart G · ≈ 112 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | Fm | Fm | Eb | Fm | N.C. | N.C. | N.C. | N.C. | · C: | G F G | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | · V: | G F G | N.C. | N.C. | N.C. | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | N.C. | N.C. | · C2: | G F G | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | · V2: | G F G | N.C. | N.C. | N.C. | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | N.C. | N.C. | N.C. | N.C. | · C3: | G F G | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | · V3: | G F G | N.C. | N.C. | N.C. | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | N.C. | N.C. | · C4: | G F G | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | · V4: | G F G | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · C5: | G F G | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | · O: | G F G | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · O: | N.C. | N.C. | N.C. | N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #36 Anhören ↗ There'll Never Be Switch · 1978 · Tonart G · ≈ 77 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | D11 | D11 | · I2: | Gmaj7 | Em7 | D11 | D11 | Bm7 | Em11 | D11 | D11 | · I3: | Em | Cm Cm7 Cm6 | G | C#m7b5 | · I4: | C | Bm Em | A9 | A9 | D11 | D11 | · V: | Gmaj7 | Em7 | D11 | D11 | Bm7 | Em11 | D11 | D11 | · PC: | Em | Cm Cm7 Cm6 | G | C#m7b5 | · C: | C | Bm Em | A9 | A9 | D11 | D11 | · INT: | G7 | G7 | G7 | G7 | · V2: | Gmaj7 | Em7 | D11 | D11 | Bm7 | Em11 | D11 | D11 | · PC2: | Em | Cm Cm7 Cm6 | G | C#m7b5 | · C2: | C | Bm Em | A9 | A9 | D11 | D11 | · O: | G7 | G7 | G7 | G7 | G7 | G7 | G7 | G7 | G7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #36 Anhören ↗ Caught Up In The Rapture Anita Baker · 1987 · Tonart D · ≈ 91 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | Dmaj9 | F Am7 Csus4 | Csus4 | Gm7 Asus4 Dmaj9 | Dmaj9 | F Am7 Csus4 | Csus4 | Gm7 Asus4 | · V: | Dmaj7 | F#m7 | Gmaj7 | Csus4 | Dmaj7 | F#m7 | Gmaj7 | Csus4 | · PC: | C#m11 F#7 | Bm7 E7 | Am D7 | Gmaj7 C13 | C#m11 F#7 | Bm7 E7 | Asus4 | Asus4 Bm7 | · C: | Bm7 | Bm7 | Gmaj7 | Em7 F#aug7 | Bm7 | Bm7 | Gmaj7 | Em7 Asus4 Dmaj9 | · INT: | Dmaj9 | F Am7 Csus4 | Csus4 | Gm7 Asus4 Dmaj7 | · V2: | Dmaj7 | F#m7 | Gmaj7 | Csus4 | Dmaj7 | F#m7 | Gmaj7 | Csus4 | · PC2: | C#m11 F#7 | Bm7 E7 | Am D7 | Gmaj7 C13 | C#m11 F#7 | Bm7 E7 | Asus4 | Asus4 Bm7 | · C2: | Bm7 | Bm7 | Gmaj7 | Em7 F#aug7 | Bm7 | Bm7 | Gmaj7 | Em7 F#aug7 | Bm7 | Bm7 | Gmaj7 | Em7 Asus4 | · INT2: | Dmaj9 | F Am7 Csus4 | Csus4 | Gm7 Asus4 Dmaj9 | Dmaj9 | F Am7 Csus4 | Csus4 | Gm7 Asus4 | · PC3: | C#m11 F#7 | Bm7 E7 | Am D7 | Gmaj7 C13 | C#m11 F#7 | Bm7 E7 | Asus4 | Asus4 Bm7 | · S: | Bm7 | Bm7 | Gmaj7 | Em7 F#aug7 | Bm7 | Bm7 | Gmaj7 | Em7 F#aug7 | Bm7 | Bm7 | Gmaj7 | Em7 F#aug7 | Bm7 | Bm7 | Gmaj7 | Em7 F#aug7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #37 Anhören ↗ Island Of Lost Souls Blondie · 1982 · Tonart D · ≈ 81 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | D | D | D | D | · V: | D B G A | D B G A | D B G A | D A7 | D B G A | D G A | D G A | D A7 | · PC: | D B G A | D G A | D G A | D A7 | D B G A | D G A | D G A | D | · C: | Em G | D | Em G | D | Em G | D | Em G | A | · V2: | D B G A | D G A | D G A | D A7 | D B G A | D G A | D G A | D | · B: | D G | D | D | G | G D | D G | D | D | D | G | D | · C2: | Em G | D | Em G | D | Em G | D | Em G | A | · INT: | D B G A | D G A | D G A | D A7 | · V3: | D B G A | D G A | D G A | D A7 | D B G A | D G A | D G A | D A7 | · O: | D B G A | D G A | D G A | D A7 | D B G A | D G A | D G A | D A7 | D B G A | D G A | D G A | D A7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #37 Anhören ↗ Country Road James Taylor · 1971 · Tonart D · ≈ 154 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | D | D | C G | G | D | D | C G D | D | · V: | D | D | C | C G | D | D | C | C D | Em7 | A7 | Em7 | A7 | Em7 | A7 | Bm C | C | · C: | D | D | C G | G | D | D | C D | D | · V2: | D | D | C | C G | D | D | C | C D | Em7 | A7 | Em7 | A7 | Em7 | A7 | Bm C | C | · C2: | D | D | C G | G | D | D | C D | D | · B: | F | F | G D | D | C | C | · C3: | D | D | C G | G | D | D | C D | D | · V3: | D | D | C | C G | D | D | C | C D | Em7 | A7 | Em7 | A7 | Em7 | A7 | Bm C | C | · C4: | D | D | C G | G | D | D | C D | D | · O: | D | D | C | C | D | D | C G | G | D | D | C G | G | D | D | C G | G | D | D | C G | G | D | D | C G | G | · O: | D | D | C G | G | D | D | C G | G | D | D | C G | G N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #37 Anhören ↗ Baby What You Want Me To Do Jimmy Reed · 1960 · Tonart E · ≈ 94 BPM · Harmonie 2/5 · Leicht SON: | N.C. | · I: | E7 | E7 | · V: | E7 | E7 | E7 | E7 | A7 | A7 | E7 | E7 | B7 | B7 | E7 | E7 B7 | · V2: | E7 | E7 | E7 | E7 | A7 | A7 | E7 | E7 | B7 | B7 | E7 | E7 B7 | · S: | E7 | E7 | E7 | E7 | A7 | A7 | E7 | E7 | B7 | B7 | E7 | E7 B7 | · V3: | E7 | E7 | E7 | E7 | A7 | A7 | E7 | E7 | B7 | B7 | E7 | E7 B7 | · INST: | E7 | E7 | E7 | E7 | A7 | A7 | E7 | E7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #37 Anhören ↗ Worried Guy Johnny Tillotson · 1964 · Tonart G · ≈ 171 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | G | Em | C | D7 | · V: | G | G | Em7 | Em7 | C | C | Eb | D7 | N.C. | N.C. | C | A7 | G | Eb D7 | G Bb C | C D7 | · V2: | G | G | Em7 | Em7 | C | C | Eb | D7 | N.C. | N.C. | C | A7 | G | Eb D7 | G | G | · B: | C | C | G | G | Em | Em | Cm | D | · V3: | G | G | Em7 | Em7 | C | C | Eb | D7 | N.C. | N.C. | C | A7 | G | Eb D7 | · V4: | G | G | Em7 | Em7 | C | C | D7 | D7 | N.C. | N.C. | C | A7 | G | Eb D7 | G | G | · B2: | C | C | G | G | Em | Em | Cm | D | · V5: | Ab | Ab | Fm7 | Fm7 | Db | Db | E | Eb7 | N.C. | N.C. | Db | Bb7 | Ab | E Eb7 | Ab | E Eb7 | Ab | E Eb7 | · O: | Ab | E Eb7 | Ab | E Eb7 | Ab | E Eb7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #37 Anhören ↗ If You Need Me Solomon Burke · 1963 · Tonart A · ≈ 59 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | A | E7 | F#m | A E7 | · C: | A | E7 | A | D | A | E7 | F#m | A E7 | · C2: | A | E7 | A | D | A | E7 | F#m | A E7 | · C3: | A | E7 | A | D | A | E7 | F#m | A E7 | · C4: | A | E7 | A | D | A | E7 | F#m | A N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #37 Anhören ↗ I Can't Stand The Rain Ann Peebles · 1973 · Tonart Ab · ≈ 80 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | N.C. | N.C. | · C: | N.C. | N.C. | N.C. | N.C. | Ab7 | Ab7 | Db7 | Ab7 | · B: | Gb | Gb | Ab | Ab | Cb7 | Cb7 | Bbm | Eb7 | · C2: | Ab7 | Ab7 | Db7 | Ab7 | Ab7 | Ab7 | Db7 | Ab7 | · B2: | Gb | Gb | Ab | Ab | Cb7 | Cb7 | Bbm | Eb7 | · INT: | Ab | Gb | Ab | Cb | · C3: | Ab7 | Ab7 | Db7 | Ab7 | Ab7 | Ab7 | Db7 | Ab7 | · O: | Ab7 | Ab7 | Db7 | Ab7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #38 Anhören ↗ In Your Soul Corey Hart · 1988 · Tonart A · ≈ 127 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | Asus2 | A | Asus2 | A | · V: | Asus2 | A | Asus2 | A | Dsus2 | D | Asus2 | A | Asus2 | A | Dsus2 | D | Dsus2 | D | · C: | E | E | D | D | Bm7 | Bm7 | · T: | Asus2 | A | · V2: | Asus2 | A | Asus2 | A | Dsus2 | D | Asus2 | A | Asus2 | A | Dsus2 | D | Dsus2 | D | · C2: | E | E | D | D | Bm7 | Bm7 | · T2: | Asus2 | A | · B: | D | A | E | Bm | D | F#m | E | D | A | E | Bm | F#m | B | E | E | · S: | Asus2 | A | Asus2 | A | Dsus2 | D | Bm | Bm | D | D | E | E | N.C. | N.C. | · V3: | A | A | Asus4 | Asus4 | Dsus4 | Dsus4 | F#m | F#m | F#m | F#m7 | D | D | Bm7 | Bm7 | · C3: | E | E | D | D | Bm7 | Bm7 | · T3: | Asus2 | A | · C4: | E | E | D | D | Bm7 | Bm7 | · O: | Asus2 | A | Asus2 | A | Asus2 | A | Asus2 | A | Asus2 | A | Asus2 | A | · O: | Asus2 | A | Asus2 | A | Asus2 | A | Asus2 | A N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #38 Anhören ↗ Trampled Under Foot Led Zeppelin · 1975 · Tonart Gm · ≈ 111 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | Gm | Gm | · V: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | · T: | Gm | Gm | · V2: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | · T2: | Gm | Gm | · V3: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | Eb7 F7 | · T3: | Gm | Gm | · V4: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | · T4: | Gm | Gm | · V5: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | · T5: | Gm | Gm | · V6: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | Eb7 F7 | · T6: | Gm | Gm | · B: | Gm C | Gm C | Gm C | Gm C | · INST: | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | · B2: | Gm C | Gm C | Gm C | Gm C | · T7: | Gm | Gm | · V7: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | · T8: | Gm | Gm | · V8: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | · T9: | Gm | Gm | · V9: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | Eb7 F7 | · T10: | Gm | Gm | · O: | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #38 Anhören ↗ Promises In The Dark Pat Benatar · 1981 · Tonart F · ≈ 158 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | F | F | F | F | · V: | F | F | Bb | Bb | F | F | Bb | Bb | Bb | Bb | Dm7 | Dm7 | Bb | Bb | C | C | · C: | Dm7 C | Bb | Bb | Bb | F | F | Bb | Bb | Gm | Gm | Am7 | Am7 | · T: | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Bb | Bb | · V2: | F | F | Bb | Bb | F | F | Bb | Bb | Bb | Bb | Dm7 | Dm7 | Bb | Bb | C | C | · C2: | Dm7 C | Bb | Bb | Bb | F | F | Bb | Bb | Gm | Gm | Am7 | Am7 | · T2: | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | · B: | Bbmaj7 | C | G | G | Bb | Bb | C | C | Bbmaj7 | C | Dm | Dm | Dm | Dm | C | Bb | C | · S: | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | · S2: | Bbmaj7 | C | Dm | Dm | Dm | Dm | C | Bb | C | · T3: | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Bb | Bb | · V3: | F | F | Bb | Bb | F | F | Bb | Bb | Bb | Bb | Dm7 | Dm7 | Bb | Bb | C | C | · C3: | Dm7 C | Bb | Bb | Bb | F | F | Bb | Bb | Gm | Gm | Am7 | Am7 | Am7 | Am7 | Am7 | · CO: | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Dm N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #38 Anhören ↗ I Want To Take You Higher Sly & The Family Stone · 1969 · Tonart Am · ≈ 102 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | Em | Em | Em | · V: | Am | Am | Am | Am | Am | Am | Am | Am | · C: | Am | Am | Am | Am | Am | Am | Am | Am | · T: | Am | · B: | Em | Em | Em | · V2: | Am | Am | Am | Am | Am | Am | Am | Am | · C2: | Am | Am | Am | Am | Am | Am | Am | Am | · T2: | Am | · B2: | Em | Em | Em | · S: | Am | Am | Am | Am | Am | Am | Am | Am | · C3: | Am | Am | Am | Am | Am | Am | Am | Am | · B3: | Em | Em | Em | · V3: | Am | Am | Am | Am | Am | Am | Am | Am | · C4: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · T3: | Am7 | · S2: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · C5: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · S3: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · C6: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · INT: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · C7: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · S4: | Am7 | Am7 | Am7 | Am7 | · O: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #38 Anhören ↗ Sunflower Glen Campbell · 1977 · Tonart G · ≈ 130 BPM · Harmonie 2/5 · Leicht SON: | N.C. | · I: | G | G C | G | G C | G | G C | G | G C | · C: | G | C | G | C | G | G D | G | C | G | C D | G | G | · V: | C | C | C | C | G | G | C | C | C | C | G | G | D | D | · C2: | G | C | G | C | G | G D | G | C | G | C D | G | G | · V2: | C | C | C | C | G | G | C | C | C | C | G | G | D | D | · C3: | G | C | G | C | G | G D | G | C | G | C D | G | G | · INST: | G | C | G | C | G | G D | G | C | G | C D | G | G D | · O: | G | C | G | C | G | G D | G | C | G | C D N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #39 Anhören ↗ Rocket Ride Kiss · 1978 · Tonart Eb · ≈ 145 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | F Gb | G Ab | A Bb | B C | · INT: | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | · V: | F Bb | F Ebm | F Bb | F Gb G Ab | Ebm | Ebm | Ebm | Ebm | F Bb | F Ebm | F Bb | F Gb G Ab | Ebm | Ebm | Ebm | Ebm | · PC: | Db | Ebm | F | F | · C: | F Bb | F Bb | F Eb Bb | Bb Eb Bb | F Bb | F Bb | F Eb Bb | Bb Eb Bb | · INT2: | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | · V2: | F Bb | F Ebm | F Bb | F Gb G Ab | Ebm | Ebm | Ebm | Ebm | F Bb | F Ebm | F Bb | F Gb G Ab | Ebm | Ebm | Ebm | Ebm | · PC2: | Db | Ebm | F | F | · C2: | F Bb | F Bb | F Eb Bb | Bb Eb Bb | F Bb | F Bb | F Eb Bb | Bb Eb Bb | · INT3: | F Gb | G Ab | A Bb | B C | F F# | G G# | A A# | B C | F F# | G G# | A A# | B C | · S: | F Bb | F Bb | F Bb | F Gb G | Ab Db | Ab Db | Ab Db | Ab A Bb B | C F | C F | C F | C Db D | Eb Ab | Eb Ab | Eb Ab | Eb Ab | · C3: | F Bb | F Bb | F Eb Bb | Bb Eb Bb | F Bb | F Bb | F Eb Bb | Bb Eb Bb | · C4: | F Bb | F Bb | F Eb Bb | Bb Eb Bb | F Bb | F Bb | F Eb Bb | Bb Eb Bb | · O: | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ab | Ab | N.C. | N.C. | Ab7 | Ab N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #39 Anhören ↗ Paradise By The Dashboard Light Meat Loaf · 1978 · Tonart C · ≈ 169 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | C7#9 | C7#9 | C | C | C | C | C | C | C | C | · V: | C | C | F | F | Bb | F | C | C | C | C | F | F | E | F G | C | C | Ab Eb | Bb | C | C | Ab Eb | Bb | C | C | · C: | F C | Gsus4 C | F C | Gsus4 C | F | C | F | Eb | Eb | G | G | F | G | C G | F | F | C | Am | F Dm7 | C | C | · V2: | F G | C | F | F | Dm | Dm | C | C | F G | C | F G | C | F G | C | F | F | Dm | Dm | C | C | C | C | C | C | F | F | Bb | F | C | C | C | C | F | F | E | F | D | G | C | C | Ab Eb | Bb | C | C | Ab Eb | Bb | C | C | · C2: | F C | Gsus4 C | F C | Gsus4 C | F | C | F | Eb | Eb | G | G | F | G | C G | F | F | F | C | E7 | F | F | Dm | C | Am | G | Em | E7 | E7 | F | C | C G7 | C | C | · V3: | F G | C | F G | C | F G | C | F | F | Dm | Dm | · INT: | G | G | G | G | G | G | G | G | Dm7 Dm | Dm7 | Dm7 Dm | Dm7 | Dm7 Dm | Dm7 | Dm7 Dm | Dm7 | Dm7 Dm | Dm7 | Dm7 Dm | Dm7 | Dm7 Dm | Dm7 | Dm7 Dm | Dm7 | Dm7 Dm | Dm7 | Dm7 Dm | Dm7 | Dm7 Dm | Dm7 | Dm7 Dm | Dm7 | Dm7 Dm | Dm7 | Dm7 Dm | Dm7 | Dm7 Dm | Dm7 | Dm7 | Dm7 | D7#9 | D7#9 | Dm7 | Dm7 | · V4: | G | G F C | G | G | G | F | F | C | C | Bb | F | G | G | F | F | C | C | F | C | G | G | F | F | G | F | C | G | G | · V5: | F | F | C | C | Bb | F | C | C | F | F | C | C | Bb | F | C | C | F | F | G | G | Bb | C | Bb F Gm | F C Bb | C | C | F | F | C | C | Bb | F | G | G | F | F | G | F | C | G | G | G | G | G | G | G | G | G | G | G | F | F | C | C | Bb | F | C | C | F | F | C | C | Bb | F | C | C | F | F | G | F | C | C | C | C# | C# | D | D | · G: | Eb | Eb | Bb | Eb | Bb | F | Eb F | Bb | Eb F | Bb | F | F | Bb F | Bb | Eb F | Bb | Bb F | Gm | F | F | Eb | Eb | Bb | F | Bb F | Bb F | Gm | Gm | Bb F | Bb | Eb | F | Bb | Bb | · O: | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | · H: | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | C Bb | Bb N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #39 Anhören ↗ You Took The Words Right Out Of My Mouth Meat Loaf · 1978 · Tonart G · ≈ 122 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | G | C | C | D | G | C | C | D | G | G | G | G | · V: | G | C | G | C | G | C | F | Am Bm C D | G | G | · V2: | G | C | G | C | G | C | F | Am Bm C D | Am Bm C D | Am Bm C D | G | G | · PC: | Am Em | F G | Am | C G | Am Em | F G | Em | Em D | · INT: | N.C. | N.C. | · C: | C | G | F | G | C | G | Am Bm C D | Em D G | C | Em D | · C2: | C | G | F | G | C | G | Am Bm C D | Em D G | C | Em D | · O: | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | D | C | G | C | G | C | · O2: | C | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | G | C | G | F | G | C | G | F | G | C | G | F | G | C | G | F N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #39 Anhören ↗ No Charge Melba Montgomery · 1974 · Tonart G · ≈ 110 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · I: | G | G | G | G | · V: | G | G | G | G | D7 | D7 | D7 | D7 | D7 | D7 | G | G | · V2: | C | C | C | C | D7 | D7 | D7 | D7 | D7 | D7 | G | G | C | C | G | G | D7 | D7 | D7 | D7 | D7 | D7 | G | G | G | G | G | D | D | D | D | G | G | · C: | C | C | C | C | D7 | D7 | D7 | D7 | D7 | D7 | G | G | C | C | G | G | D7 | D7 | D7 | D7 | D7 | D7 | G | G | · C2: | C | C | C | C | D7 | D7 | D7 | D7 | D7 | D7 | G | G | C | C | G | G | D7 | D7 | D7 | D7 | D7 | D7 | G | G | · V3: | G | G | G | G | D7 | D7 | D7 | D7 | D7 | D7 | G | G | · O: | D7 | D7 | D7 | D7 | G | G N.C. | Quelle: McGill Billboard Project via CoCoPops · Billboard Hot 100 peak #39 Anhören ↗ Popularity sorting uses source-specific chart, critic-list, or curation evidence. These ranks are not stream counts and are not directly equivalent across sources.
Vom Chart zum eigenen Sound
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