80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 31 von 40 White Wedding Billy Idol · 1983 · Tonart Bm · ≈ 147 BPM · Harmonie 4/5 · Fortgeschritten I: | Bm | Bm | Bm | Bm | Bm | Bm | E | D | Bm | Bm | D | E | Bm7 | Bm7 | Bm | Bm | · V: | B5 | B5 | A5 | E5 | B5 | B5 | A5 | E5 | B5 | B5 | A5 | A5 | B5 | B5 | A | E | Bm | Bm | E | D | Bm | Bm | E | D | Bm | Bm | · V2: | Bm | Bm | A | E | Bm | Bm | A | E | Bm | Bm | A | A | Bm | Bm | A | E | Bm | Bm | E | D | Bm | Bm | E | D | Bm | Bm | Bm | Bm | · INT: | Bm | Bm | E | D | Bm | Bm | D | E | Bm | Bm | Bm/E | Bm/E | Bm | Bm | D | E | Bm9 | Bm9 | A | E | Bm | Bm | · V3: | Bm | Bm | A | E | Bm | Bm | A | E | Bm | Bm | A | A | Bm | Bm | A | E | Bm | Bm | E | D | Bm | Bm | E | D | Bm | Bm | Bm | Bm | · V4: | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | E | D | Bm | Bm | D | E | Bm | Bm | E | D | · O: | Bm | Bm | E | D | Bm | Bm | E | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #36 Anhören ↗ Where Are You Dinah Washington · 1962 · Tonart Eb · ≈ 70 BPM · Harmonie 4/5 · Fortgeschritten C: | Ebmaj7 | Gbdim | Fm7 Bb9sus4 | Ebmaj7 | F7 | Gm7 Cm7 | Fm7 Emaj7 | Ebmaj7 Fm7 Emaj7 | · C2: | Ebmaj7 | Gbdim | Fm7 Bb9sus4 | Ebmaj7 | F7 | Gm7 Cm7 | Fm7 Emaj7 | Ebmaj7 Bbm7 Eb7 | · B: | Abmaj7 | G7sus4 C7b9 | Fm7 Bb7b9 | Eb7 | Abmaj7 | G7sus4 G7 | Cm7 F7 | Fm7 Bb7 F#m7 B7 | · C3: | Emaj7 | Gdim | F#m7 B9sus4 | Emaj7 | F#7 F#7/G | E/G# | F#m7 | G#m7 | F#m7 | F#m7 | B7b9 | B7b9 | Emaj9 | Emaj9 | Emaj9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #36 Anhören ↗ Starting Over Again Dolly Parton · 1980 · Tonart Bb · ≈ 69 BPM · Harmonie 5/5 · Experte I: | Cm11 | F Fsus4 F | Cm11 | F Fsus4 F | · V: | Bb F/Bb | Cm7 F9sus4 | Bb F/Bb | Cm7 F9sus4 | Bb Dm7 | Eb Dm7 | Bb F/Bb | F9sus4 | F9sus4 | · C: | Bb F/Bb | Cm7 F9sus4 | Bb F/Bb | Cm7 F9sus4 | Bb F/Bb | Cm7 F9sus4 | Bb F/Bb | F9sus4 | F9sus4 | · INT: | Bb F/Bb | Cm7 F9sus4 | · V2: | Bb F/Bb | Cm7 F9sus4 | Bb F/Bb | Cm7 F9sus4 | Bb Dm7 | Eb Dm7 | Bb F/Bb | F9sus4 | F9sus4 | · C2: | Bb F/Bb | Cm7 F9sus4 | Bb F/Bb | Cm7 F9sus4 | Bb F/Bb | Cm7 Dm7 | F9sus4 | · B: | F9sus4 | F9sus4 | F9sus4 | F9sus4 D7/F# | Gm7 Fadd9 | Eb Fsus2 | Gm7 Fadd9 | Eb | C7/E | Fsus4add9 | F | · C3: | Bb F/Bb | Cm7 F9sus4 | Bb F/Bb | Cm7 F9sus4 | Bb F/Bb | Cm7 F9sus4 | Bb F/Bb | Cm7 F9sus4 | F9sus4 | · V3: | Bb F/Bb | Cm7 Dm7 | Bb F/Bb | Cm7 Dm7 | Eb F9sus4 | Bb | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #36 Anhören ↗ Some Days Are Diamonds (Some Days Are Stone) John Denver · 1981 · Tonart G · ≈ 104 BPM · Harmonie 4/5 · Fortgeschritten I: | G | Gsus4 | G | Gsus4 | · V: | G | D7/F# | Em | Em D | C | C | G | G | C | C | G | G | Em | A7 | D7 | D7 | · C: | G | Cadd9 | G | G | Em | A7 | D7 | D7 | G | C | G | Em C | G | D7 | G G/B | C C#dim | D | D7 | · INT: | G | Gsus4 | G | Gsus4 | · V2: | G | D7/F# | Em | Em D | C | C | G | G | C | C | G | G | Em | A7 | D7 | D7 | · C2: | G | Cadd9 | G | G | Em | A7 | D7 | D7 | G | C | G | Em C | G | D7 | G | D7sus4 | · INT2: | A | D7sus4 | · C3: | A | Dadd9 | A | A | F#m | B7 | E7 | E7 | A | D | A | F#m D | A | E7 | A | E7sus4 | · O: | A | Dadd9 | A | A | F#m | B7 | E7 | E7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #36 Anhören ↗ I Rise, I Fall Johnny Tillotson · 1964 · Tonart E · ≈ 114 BPM · Harmonie 3/5 · Mittel V: | E | C#m | A B | E | E | C#m | A B | E | A | B | G# | C#m | A | B | E | B | · V2: | E | C#m | A B | E | E | C#m | A B | E | A | B | G# | C#m | A | B | E | E7 | · B: | A | G#m7 | A | E E7 | A | G#m7 | F#7 | B | B A G#m F#m | · V3: | E | C#m | A B | E | E | C#m | A B | E | A | B | G# | C#m | A | B | E | E7 | A | B | E | C#m | E | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #36 Anhören ↗ Comin' Home Baby Mel Torme · 1962 · Tonart Gm · ≈ 143 BPM · Harmonie 3/5 · Mittel I: | G5 | G5 | G5 | G5 | · V: | Gm | Gm | Gm | Gm | F7 | F7 | Gm | Gm | Bb | A Ab | Gm | Gm | · V2: | Gm6 | Gm6 | Gm6 | Gm6 | F7 | F7 | Gm6 | Gm6 | Bb | A Ab | Gm | Gm | · V3: | G6 | G6 | G6 | Gmmaj7 | F7 | F7 | Gm | Gm | Bb | A Ab | Gm | Gm | · V4: | Gm | Gm | Gm | Gm | F7 | F7 | Gm | Gm | Bb | A Ab | Gm | Gm | · S: | Gm | Gm | Gm | Gm | F7 | F7 | Gm | Gm | Bb | A Ab | Gm | Gm | · V5: | Gm6 | Gm6 | Gm6 | Gm6 | F7 | F7 | Gm6 | Gm6 | Bb | A Ab | Gm | Gm | · V6: | Gm | Gm | Gm | Gm | F7 | F7 | Gm | Gm | Bb | A Ab | Gm | Gm | · O: | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #36 Anhören ↗ Wind of Change Scorpions · 1990 · Tonart C · 76 BPM · Referenz · Harmonie 3/5 · Mittel I: | F | Dm | F | Dm | Am | Dm Am7 | G | · V1: | C | Dm | C | Dm Am7 | G | C | Dm | C | Dm Am7 | G | · INT: | F | Dm | F | Dm | Am | Dm Am7 | G | · V2: | C | Dm | C | Dm Am7 | G | C | Dm | C | Dm Am7 | G | · C1: | C G | Dm G | C G | Dm G | Am F | G | · BR: | C | C | · V3: | C | Dm | C | Dm Am7 | G | C | Dm | C | Dm Am7 | G | · C2A: | C G | Dm G | C G | Dm G | Am F | G | · C2B: | C G | Dm G | C G | Dm G | Am F | G | · B: | Am | G | Am | G | C | Dm | E | E | · S: | F G | E Am | F G | Am | F G | E Am | Dm | E | · C3A: | C G | Dm G | C G | Dm G | Am F | G | · C3B: | C G | Dm G | C G | Dm G | Am F | G | G | · O: | F | Dm | F | Dm | Am | Dm | Quelle: Geprüfte iReal-Unterrichtscharts über ChoCo · Internationaler Top-3-Hit · geprüfte Unterrichtsfassung Anhören ↗ It Takes Two Rob Base · 1988 · Tonart G · ≈ 112 BPM · Harmonie 3/5 · Mittel I: | Fm | Fm | Eb | Fm | N.C. | N.C. | N.C. | N.C. | · C: | G F G | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | · V: | G F G | N.C. | N.C. | N.C. | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | N.C. | N.C. | · C2: | G F G | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | · V2: | G F G | N.C. | N.C. | N.C. | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | N.C. | N.C. | N.C. | N.C. | · C3: | G F G | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | · V3: | G F G | N.C. | N.C. | N.C. | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | N.C. | N.C. | · C4: | G F G | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | · V4: | G F G | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · C5: | G F G | N.C. | G F G | N.C. | G F G | N.C. | G F G | N.C. | · O: | G F G | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · O: | N.C. | N.C. | N.C. | N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #36 Anhören ↗ There'll Never Be Switch · 1978 · Tonart G · ≈ 77 BPM · Harmonie 4/5 · Fortgeschritten I: | D11 | D11 | · I2: | Gmaj7 | Em7 | D11 | D11 | Bm7 | Em11 | D11 | D11 | · I3: | Em | Cm/Eb Cm7/Eb Cm6/Eb | G/D | C#m7b5 | · I4: | C | Bm Em | A9 | A9 | D11 | D11 | · V: | Gmaj7 | Em7 | D11 | D11 | Bm7 | Em11 | D11 | D11 | · PC: | Em | Cm/Eb Cm7/Eb Cm6/Eb | G/D | C#m7b5 | · C: | C | Bm Em | A9 | A9 | D11 | D11 | · INT: | G7 G7/E G7/F | G7 G7/E G7/F | G7 G7/E G7/F | G7 G7/E G7/F | · V2: | Gmaj7 | Em7 | D11 | D11 | Bm7 | Em11 | D11 | D11 | · PC2: | Em | Cm/Eb Cm7/Eb Cm6/Eb | G/D | C#m7b5 | · C2: | C | Bm Em | A9 | A9 | D11 | D11 | · O: | G7 G7/E G7/F | G7 G7/E G7/F | G7 G7/E G7/F | G7 G7/E G7/F | G7 G7/E G7/F | G7 G7/E G7/F | G7 G7/E G7/F | G7 G7/E G7/F | G7 G7/E G7/F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #36 Anhören ↗ Caught Up In The Rapture Anita Baker · 1987 · Tonart D · ≈ 91 BPM · Harmonie 5/5 · Experte I: | Dmaj9 | F/G Am7 C13sus4 | C13sus4 | Gm7 A7sus4 Dmaj9 | Dmaj9 | F/G Am7 C13sus4 | C13sus4 | Gm7 A7sus4 | · V: | Dmaj7 | F#m7 | Gmaj7 | C13sus4 | Dmaj7 | F#m7 | Gmaj7 | C13sus4 | · PC: | C#m11 F#7 | Bm7 E7 | Am D7 | Gmaj7 C13 | C#m11 F#7 | Bm7 E7 | A9sus4 | A9sus4 Bm7 | · C: | Bm7 | Bm7 | Gmaj7 | Gmaj7 Em7 F#aug7 | Bm7 | Bm7 | Gmaj7 | Gmaj7 Em7 A7sus4 Dmaj9 | · INT: | Dmaj9 | F/G Am7 C13sus4 | C13sus4 | Gm7 A7sus4 Dmaj7 | · V2: | Dmaj7 | F#m7 | Gmaj7 | C13sus4 | Dmaj7 | F#m7 | Gmaj7 | C13sus4 | · PC2: | C#m11 F#7 | Bm7 E7 | Am D7 | Gmaj7 C13 | C#m11 F#7 | Bm7 E7 | A9sus4 | A9sus4 Bm7 | · C2: | Bm7 | Bm7 | Gmaj7 | Gmaj7 Em7 F#aug7 | Bm7 | Bm7 | Gmaj7 | Em7 F#aug7 | Bm7 | Bm7 | Gmaj7 | Gmaj7 Em7 A7sus4 | · INT2: | Dmaj9 | F/G Am7 C13sus4 | C13sus4 | Gm7 A7sus4 Dmaj9 | Dmaj9 | F/G Am7 C13sus4 | C13sus4 | Gm7 A7sus4 | · PC3: | C#m11 F#7 | Bm7 E7 | Am D7 | Gmaj7 C13 | C#m11 F#7 | Bm7 E7 | A9sus4 | A9sus4 Bm7 | · S: | Bm7 | Bm7 | Gmaj7 | Gmaj7 Em7 F#aug7 | Bm7 | Bm7 | Gmaj7 | Em7 F#aug7 | Bm7 | Bm7 | Gmaj7 | Em7 F#aug7 | Bm7 | Bm7 | Gmaj7 | Em7 F#aug7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #37 Anhören ↗ Island Of Lost Souls Blondie · 1982 · Tonart D · ≈ 81 BPM · Harmonie 4/5 · Fortgeschritten I: | D | D | D | D | · V: | D B G A | D B G A | D B G A | D A7 | D B G A | D G A | D G A | D A7 | · PC: | D B G A | D G A | D G A | D A7 | D B G A | D G A | D G A | D | · C: | Em G | D | Em G | D | Em G | D | Em G | A | · V2: | D B G A | D G A | D G A | D A7 | D B G A | D G A | D G A | D | · B: | D G/D | D | D | G/D G | G D | D G | D | D | D | G | D | · C2: | Em G | D | Em G | D | Em G | D | Em G | A | · INT: | D B G A | D G A | D G A | D A7 | · V3: | D B G A | D G A | D G A | D A7 | D B G A | D G A | D G A | D A7 | · O: | D B G A | D G A | D G A | D A7 | D B G A | D G A | D G A | D A7 | D B G A | D G A | D G A | D A7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #37 Anhören ↗ Country Road James Taylor · 1971 · Tonart D · ≈ 154 BPM · Harmonie 3/5 · Mittel I: | D | D | C/D G/D | G/D | D | D | C G D | D | · V: | D | D | C/D | C/D G/D | D | D | C/D | C/D D | Em7 | A7 | Em7 | A7 | Em7 | A7 | Bm C/D | C/D | · C: | D | D | C/D G | G | D | D | C/D D | D | · V2: | D | D | C/D | C/D G/D | D | D | C/D | C/D D | Em7 | A7 | Em7 | A7 | Em7 | A7 | Bm C/D | C/D | · C2: | D | D | C/D G | G | D | D | C/D D | D | · B: | F/D | F/D | G D | D | C C/B C/A | C/A | · C3: | D | D | C/D G | G | D | D | C/D D | D | · V3: | D | D | C/D | C/D G/D | D | D | C/D | C/D D | Em7 | A7 | Em7 | A7 | Em7 | A7 | Bm C/D | C/D | · C4: | D | D | C/D G | G | D | D | C/D D | D | · O: | D | D | C/D | C/D | D | D | C/D G | G | D | D | C/D G | G | D | D | C/D G | G | D | D | C/D G | G | D | D | C/D G | G | · O: | D | D | C/D G | G | D | D | C/D G | G | D | D | C/D G | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #37 Anhören ↗ Baby What You Want Me To Do Jimmy Reed · 1960 · Tonart E · ≈ 94 BPM · Harmonie 1/5 · Einsteiger I: | E7 | E7 | · V: | E7 | E7 | E7 | E7 | E7 A7 | A7 | A7 E7 | E7 | E7 B7/F# B7 | B7 B7/F# B7 | E7 | E7 B7 | · V2: | E7 | E7 | E7 | E7 | E7 A7 | A7 | A7 E7 | E7 | E7 B7/F# B7 | B7 B7/F# B7 | E7 | E7 B7 | · S: | E7 | E7 | E7 | E7 | A7 | A7 | E7 | E7 | B7/F# B7 | B7/F# B7 | E7 | E7 B7 | · V3: | B7 E7 | E7 | E7 | E7 | E7 A7 | A7 | A7 E7 | E7 | E7 B7/F# B7 | B7 B7/F# B7 | E7 | E7 B7 | · INST: | E7 | E7 | E7 | E7 | A7 | A7 | E7 | E7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #37 Anhören ↗ Worried Guy Johnny Tillotson · 1964 · Tonart G · ≈ 171 BPM · Harmonie 4/5 · Fortgeschritten I: | G | Em | C | D7 | · V: | G | G | Em7 | Em7 | C | C | Eb | D7 | N.C. | N.C. | C | A7 | G | Eb D7 | G Bb C | C D7 | · V2: | G | G | Em7 | Em7 | C | C | Eb | D7 | N.C. | N.C. | C | A7 | G | Eb D7 | G | G | · B: | C | C | G | G | Em | Em | Cm | D | · V3: | G | G | Em7 | Em7 | C | C | Eb | D7 | N.C. | N.C. | C | A7 | G | Eb D7 | · V4: | G | G | Em7 | Em7 | C | C | D7 | D7 | N.C. | N.C. | C | A7 | G | Eb D7 | G | G | · B2: | C | C | G | G | Em | Em | Cm | D | · V5: | Ab | Ab | Fm7 | Fm7 | Db | Db | E | Eb7 | N.C. | N.C. | Db | Bb7 | Ab | E Eb7 | Ab | E Eb7 | Ab | E Eb7 | · O: | Ab | E Eb7 | Ab | E Eb7 | Ab | E Eb7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #37 Anhören ↗ If You Need Me Solomon Burke · 1963 · Tonart A · ≈ 59 BPM · Harmonie 2/5 · Leicht I: | A | E7 | F#m | A E7 | · C: | A | E7 | A | D | A | E7 | F#m | A E7 | · C2: | A | E7 | A | D | A | E7 | F#m | A E7 | · C3: | A | E7 | A | D | A | E7 | F#m | A E7 | · C4: | A | E7 | A | D | A | E7 | F#m | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #37 Anhören ↗ I Can't Stand The Rain Ann Peebles · 1973 · Tonart Ab · ≈ 80 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | · C: | N.C. | N.C. | N.C. | N.C. | Ab7 | Ab7 | Db7 | Ab7 | · B: | Gb | Gb | Ab | Ab | Cb7 | Cb7 | Bbm | Eb7 | · C2: | Ab7 | Ab7 | Db7 | Ab7 | Ab7 | Ab7 | Db7 | Ab7 | · B2: | Gb | Gb | Ab | Ab | Cb7 | Cb7 | Bbm | Eb7 | · INT: | Ab | Gb | Ab | Cb | · C3: | Ab7 | Ab7 | Db7 | Ab7 | Ab7 | Ab7 | Db7 | Ab7 | · O: | Ab7 | Ab7 | Db7 | Ab7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #38 Anhören ↗ In Your Soul Corey Hart · 1988 · Tonart A · ≈ 127 BPM · Harmonie 4/5 · Fortgeschritten I: | Asus2 | A | Asus2 | A | · V: | Asus2 | A | Asus2 | A | Dsus2 | D | Asus2 | A | Asus2 | A | Dsus2 | D | Dsus2 | D | · C: | E | E | D/F# | D/F# | Bm7 | Bm7 | · T: | Asus2 | A | · V2: | Asus2 | A | Asus2 | A | Dsus2 | D | Asus2 | A | Asus2 | A | Dsus2 | D | Dsus2 | D | · C2: | E | E | D/F# | D/F# | Bm7 | Bm7 | · T2: | Asus2 | A | · B: | D | A | E | Bm | D | F#m | E | D | A | E | Bm | F#m | B | E | E | · S: | Asus2 | A | Asus2 | A | Dsus2 | D | Bm | Bm | D | D | E | E | N.C. | N.C. | · V3: | A | A | Asus4 | Asus4 | Dsus4 | Dsus4 | F#m | F#m | F#m | F#m7 | D | D | Bm7 | Bm7 | · C3: | E | E | D/F# | D/F# | Bm7 | Bm7 | · T3: | Asus2 | A | · C4: | E | E | D/F# | D/F# | Bm7 | Bm7 | · O: | Asus2 | A | Asus2 | A | Asus2 | A | Asus2 | A | Asus2 | A | Asus2 | A | · O: | Asus2 | A | Asus2 | A | Asus2 | A | Asus2 | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #38 Anhören ↗ Trampled Under Foot Led Zeppelin · 1975 · Tonart Gm · ≈ 111 BPM · Harmonie 3/5 · Mittel I: | Gm | Gm | · V: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | · T: | Gm | Gm | · V2: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | · T2: | Gm | Gm | · V3: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | Eb7 F7 | · T3: | Gm | Gm | · V4: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | · T4: | Gm | Gm | · V5: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | · T5: | Gm | Gm | · V6: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | Eb7 F7 | · T6: | Gm | Gm | · B: | Gm C/G | Gm C/G | Gm C/G | Gm C/G | · INST: | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | · B2: | Gm C/G | Gm C/G | Gm C/G | Gm C/G | · T7: | Gm | Gm | · V7: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | · T8: | Gm | Gm | · V8: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | · T9: | Gm | Gm | · V9: | Gm | Gm | Gm | Gm | Gm | Gm | Bb7 C7 | Eb7 F7 | · T10: | Gm | Gm | · O: | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Gm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #38 Anhören ↗ Promises In The Dark Pat Benatar · 1981 · Tonart F · ≈ 158 BPM · Harmonie 3/5 · Mittel I: | F | F | F | F | · V: | F | F | Bb | Bb | F | F | Bb | Bb | Bb | Bb | Dm7 | Dm7 | Bb | Bb | C | C | · C: | Dm7 C | Bb | Bb | Bb | F | F | Bb | Bb | Gm | Gm | Am7 | Am7 | · T: | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Bb | Bb | · V2: | F | F | Bb | Bb | F | F | Bb | Bb | Bb | Bb | Dm7 | Dm7 | Bb | Bb | C | C | · C2: | Dm7 C | Bb | Bb | Bb | F | F | Bb | Bb | Gm | Gm | Am7 | Am7 | · T2: | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | · B: | Bbmaj7 | C | G | G | Bb | Bb | C | C | Bbmaj7 | C | Dm | Dm | Dm | Dm | C | Bb | C | · S: | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | · S2: | Bbmaj7 | C | Dm | Dm | Dm | Dm | C | Bb | C | · T3: | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Bb | Bb | · V3: | F | F | Bb | Bb | F | F | Bb | Bb | Bb | Bb | Dm7 | Dm7 | Bb | Bb | C | C | · C3: | Dm7 C | Bb | Bb | Bb | F | F | Bb | Bb | Gm | Gm | Am7 | Am7 | Am7 | Am7 | Am7 | · CO: | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Am7 Bb | Dm | Dm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #38 Anhören ↗ I Want To Take You Higher Sly & The Family Stone · 1969 · Tonart Am · ≈ 102 BPM · Harmonie 2/5 · Leicht I: | Em | Em | Em | · V: | Am | Am | Am | Am | Am | Am | Am | Am | · C: | Am | Am | Am | Am | Am | Am | Am | Am | · T: | Am | · B: | Em | Em | Em | · V2: | Am | Am | Am | Am | Am | Am | Am | Am | · C2: | Am | Am | Am | Am | Am | Am | Am | Am | · T2: | Am | · B2: | Em | Em | Em | · S: | Am | Am | Am | Am | Am | Am | Am | Am | · C3: | Am | Am | Am | Am | Am | Am | Am | Am | · B3: | Em | Em | Em | · V3: | Am | Am | Am | Am | Am | Am | Am | Am | · C4: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · T3: | Am7 | · S2: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · C5: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · S3: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · C6: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · INT: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · C7: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · S4: | Am7 | Am7 | Am7 | Am7 | · O: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #38 Anhören ↗ Sunflower Glen Campbell · 1977 · Tonart G · ≈ 130 BPM · Harmonie 2/5 · Leicht I: | G | G C/G | G | G C/G | G | G C/G | G | G C/G | · C: | G | C | G | C | G | G D | G | C | G | C D | G | G | · V: | C | C | C | C | G | G | C | C | C | C | G | G | D | D | · C2: | G | C | G | C | G | G D | G | C | G | C D | G | G | · V2: | C | C | C | C | G | G | C | C | C | C | G | G | D | D | · C3: | G | C | G | C | G | G D | G | C | G | C D | G | G | · INST: | G | C | G | C | G | G D | G | C | G | C D | G | G D | · O: | G | C | G | C | G | G D | G | C | G | C D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #39 Anhören ↗ Rocket Ride Kiss · 1978 · Tonart Eb · ≈ 145 BPM · Harmonie 5/5 · Experte I: | F5 Gb5 | G5 Ab5 | A5 Bb5 | B5 C5 | · INT: | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | · V: | F5 Bb5 | F5 Eb5 | F5 Bb5 | F5 Gb5 G5 Ab5 | Ebm | Ebm | Ebm | Ebm | F5 Bb5 | F5 Eb5 | F5 Bb5 | F5 Gb5 G5 Ab5 | Ebm | Ebm | Ebm | Ebm | · PC: | Db | Ebm | F5 | F5 | · C: | F Bb/F | F Bb/F | F Eb Bb | Bb Eb Bb | F Bb/F | F Bb/F | F Eb Bb | Bb Eb Bb | · INT2: | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | · V2: | F5 Bb5 | F5 Eb5 | F5 Bb5 | F5 Gb5 G5 Ab5 | Ebm | Ebm | Ebm | Ebm | F5 Bb5 | F5 Eb5 | F5 Bb5 | F5 Gb5 G5 Ab5 | Ebm | Ebm | Ebm | Ebm | · PC2: | Db | Ebm | F5 | F5 | · C2: | F Bb/F | F Bb/F | F Eb Bb | Bb Eb Bb | F Bb/F | F Bb/F | F Eb Bb | Bb Eb Bb | · INT3: | F(no3,no5) Gb(no3,no5) | G(no3,no5) Ab(no3,no5) | A(no3,no5) Bb(no3,no5) | B(no3,no5) C(no3,no5) | F F# | G G# | A A# | B C | F F# | G G# | A A# | B C | · S: | F Bb | F Bb | F Bb | F Gb5 G5 | Ab Db | Ab Db | Ab Db | Ab5 A5 Bb5 B5 | C F | C F | C F | C Db5 D5 | Eb Ab | Eb Ab | Eb Ab | Eb Ab | · C3: | F Bb/F | F Bb/F | F Eb Bb | Bb Eb Bb | F Bb/F | F Bb/F | F Eb Bb | Bb Eb Bb | · C4: | F Bb/F | F Bb/F | F Eb Bb | Bb Eb Bb | F Bb/F | F Bb/F | F Eb Bb | Bb Eb Bb | · O: | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ebm | Ab5 | Ab5 | N.C. | N.C. | Ab7 | Ab5 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #39 Anhören ↗ Paradise By The Dashboard Light Meat Loaf · 1978 · Tonart C · ≈ 169 BPM · Harmonie 5/5 · Experte I: | C7#9 | C7#9 | C | C | C | C | C | C | C | C | · V: | C | C | F | F | Bb | F | C | C | C | C | F | F | E | F G | C | C | Ab Eb | Bb | C | C | Ab Eb | Bb | C | C | · C: | F/C C | Gsus4/C C | F/C C | Gsus4/C C | F | C | F | Eb | Eb | G | G | F | G | C G | F | F | C | Am | F Dm7 | C | C | · V2: | F G | C | F | F | Dm | Dm | C | C | F G | C | F G | C | F G | C | F | F | Dm | Dm | C | C | C | C | C | C | F | F | Bb | F | C | C | C | C | F | F | E | F | D | G | C | C | Ab Eb | Bb | C | C | Ab Eb | Bb | C | C | · C2: | F/C C | Gsus4/C C | F/C C | Gsus4/C C | F | C | F | Eb | Eb | G | G | F | G | C G | F | F | F | C | E7 | F | F | Dm | C | Am | G | Em | E7/G# | E7 | F | C | C/G G7 | C | C | · V3: | F G | C | F G | C | F G | C | F | F | Dm | Dm | · INT: | G | G | G | G | G | G | G | G | Dm7 Dm/B | Dm7 | Dm7 Dm/B | Dm7 | Dm7 Dm/B | Dm7 | Dm7 Dm/B | Dm7 | Dm7 Dm/B | Dm7 | Dm7 Dm/B | Dm7 | Dm7 Dm/B | Dm7 | Dm7 Dm/B | Dm7 | Dm7 Dm/B | Dm7 | Dm7 Dm/B | Dm7 | Dm7 Dm/B | Dm7 | Dm7 Dm/B | Dm7 | Dm7 Dm/B | Dm7 | Dm7 Dm/B | Dm7 | Dm7 Dm/B | Dm7 | Dm7 | Dm7 | D7#9 | D7#9 | Dm7 | Dm7 | · V4: | G | G F C | G | G5 | G5 | F5 | F5 | C5 | C5 | Bb5 | F5 | G | G | F | F | C | C | F | C | G | G | F | F | G | F | C | G | G | · V5: | F | F | C | C | Bb | F | C | C | F | F | C | C | Bb | F | C | C | F | F | G | G | Bb | C | Bb F/A Gm | F C/E Bb/D | C | C | F | F | C | C | Bb | F | G | G | F | F | G | F | C | G | G | G | G | G | G | G | G | G | G | G | F | F | C | C | Bb | F | C | C | F | F | C | C | Bb | F | C | C | F | F | G | F | C | C | C | C# | C# | D | D | · G: | Eb | Eb | Bb | Eb | Bb | F | Eb F | Bb | Eb F | Bb | F | F | Bb F | Bb | Eb F | Bb | Bb F/A | Gm | F | F | Eb | Eb | Bb | F | Bb F | Bb F/A | Gm | Gm | Bb F | Bb | Eb | F | Bb | Bb | · O: | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | · H: | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb Bb | F Bb | Eb/Bb Bb | F/Bb Bb | Eb/Bb Bb | F/Bb Bb | Eb/Bb Bb | F/Bb Bb | Eb/Bb Bb | F/Bb Bb | Eb Bb/D | F/C Bb | Eb Bb/F | C/F Bb | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #39 Anhören ↗ You Took The Words Right Out Of My Mouth Meat Loaf · 1978 · Tonart G · ≈ 122 BPM · Harmonie 4/5 · Fortgeschritten I: | G | C | C | D | G | C | C | D | G | G | G | G | · V: | G | C | G | C | G | C | F | Am Bm C D | G | G | · V2: | G | C | G | C | G | C | F | Am Bm C D | Am Bm C D | Am Bm C D | G | G | · PC: | Am Em | F G | Am | C G | Am Em | F G | Em | Em D | · INT: | N.C. | N.C. | · C: | C | G | F | G | C | G | Am Bm C D | Em D/F# G G/B | C | Em D | · C2: | C | G | F | G | C | G | Am Bm C D | Em D/F# G G/B | C | Em D | · O: | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | G | C | D | C | G | C | G | C | · O2: | C | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | G | C | G | F | G | C | G | F | G | C | G | F | G | C | G | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #39 Anhören ↗ No Charge Melba Montgomery · 1974 · Tonart G · ≈ 110 BPM · Harmonie 2/5 · Leicht I: | G | G | G | G | · V: | G | G | G | G | D7 | D7 | D7 | D7 | D7 | D7 | G | G | · V2: | C | C | C | C | D7 | D7 | D7 | D7 | D7 | D7 | G | G | C | C | G | G | D7 | D7 | D7 | D7 | D7 | D7 | G | G | G | G | G | D | D | D | D | G | G | · C: | C | C | C | C | D7 | D7 | D7 | D7 | D7 | D7 | G | G | C | C | G | G | D7 | D7 | D7 | D7 | D7 | D7 | G | G | · C2: | C | C | C | C | D7 | D7 | D7 | D7 | D7 | D7 | G | G | C | C | G | G | D7 | D7 | D7 | D7 | D7 | D7 | G | G | · V3: | G | G | G | G | D7 | D7 | D7 | D7 | D7 | D7 | G | G | · O: | D7 | D7 | D7 | D7 | G | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #39 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. Diese Ränge sind keine Streamzahlen und zwischen Quellen nicht direkt vergleichbar.
Vom Chart zum eigenen Sound
Du willst eine Folge nicht nur lesen, sondern wirklich verstehen? Nutze den kostenlosen Harmony Trainer oder besprich mit uns, wo du beim Verstehen und Anwenden deiner Songs gerade festhängst.